#— threads (m.p. chandrasekhar)
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@godsunderfoot — antioch university, august 5th, afternoon. trigger warnings: religious references!
PERHAPS THE MOST ELEGANT FORM OF BEAUTY IS THE STORY. Smithed words, struck when molten, and shaped until piercing at first strike; others daintily crafted and cut gems of prose. A professional fabulist drips jeweled sentences, their carats reflected in the bright, yearning nebula of the human iris, a rapt audience caught in the splendor. As simple as it may be, this truth bears repeating: we are a species wrapped up in aesthetics, fabrics of our imagination... seeking beauty in the forms that cover the ugliness we harbor.
Many believe, quote rapaciously, that beauty — some unspoiled, earthly, carnal, tactile essence — is terror. But one is gripped by fear, horrors that subsume underneath one's skin when encountering the unfamiliar, unknown. When one believes they've never witnessed it before. Beauty is a terror when it is FOREIGN.
Maharth's fingers, ashen at the tips with the finest dust of Hagoromo chalk, underline the word terror on the blackboard. He is still a lover of the Classics and basks in Inquisitive stares following the arc of his arm as he encircles the truth. He faces their eagerness, matches with a spark of his own, and lovingly tosses in his kindling, a speech:
" How we view one's beauty becomes one's truth, one's belief in the world we live in... All religious art has a motif of untouchable beauty, the peerless perfect faces, serenity in the expression both present and empty, seeing a world that a mortal onlooker could never comprehend... "
The projector, more like a banner that floats down from the rafters, depicts Michelangelo's Last Judgment, capturing a sliver of its phenomenal flair. The professor summarizes, " Michelangelo's Last Judgment, his final painting, stirred controversy at its time. The Catholic Church was in its Counter-Reformation movement, and the Council of Trent deemed the Last Judgment's Neoplatonic influences heretical. Nudity, in fact, was the issue... I hear the snickering, students. Stay with me for a second. "
" Now, we'd think it baseless, quite prudish, no? Given the fame of the Statue of David, the Ecstasy of St. Teresa of Avila… The bodily beauty of mimicked flesh and blood, as a means of extending the greatness of its Saints to the people, was now rejected for being baseless, vulgar, and Godless. "
Maharth wonders briefly how the indictment fell on Michelangelo when the commissioners who pulled art after art from him betrayed him. Did the artist burn up in shame when the poet Pietro Aretino accused him of defiling the Sistine Chapel, of denigrating it to a whorehouse?
" That's what I want you to think about, students. Expressions of piety. What is religious beauty? What is artifice and truth? Upon completing his last painting, Michelangelo wrote, 'Neither painting nor sculpture will be able any longer to calm my soul, now turned to divine love.' What divine beauty drives a pious servant to agitation? "
His lecture ends with synchronized silence before students and some faculty onlookers remember the time and place. Then, as if coming out of a daze, they shamble out of their desks, the nooks at the edges of the room to leave. As the newest member of Antioch University's roster, Professor Chandrasekhar fields ravenous last-minute questions, chatting with the engagement of a beloved old friend who has a train to catch. It's only after the regulars dip and the field of people thins out that the professor notices someone in the midst, stately and tall even when far back in the room.
There are continuing education courses for adults at the university, so the age of the man, sculpted in rugged, well-defined features, does not illicit any curiosities from the professor; however, the lack of academic equipment (no papers, pens) hints at Maharth that the visitor may not be a simple course auditor. Well, there is no hurt in asking.
Or, there shouldn't be.
" Good afternoon! The lecture wasn't too long-winded, was it? " Maharth calls out, hand cupped around his mouth. He follows his greeting with easy, long strides to the man. Hand out, fingers loosely together, knuckles forming soft ridges like a clam's shell, he signals his invitation. " Professor Maharth Prasad Chandrasekhar. Charmed to make your acquaintance. "
#— m.p. chandrasekhar#— j. weaver (godsunderfoot)#chroniclestarter#[ btw!! please do not feel the need to match length! i just got really into setting the scene haha ]#[ also if any part of the formatting is hard to read lmk! i'll fix it up so it's easier on the eyes! ]#— threads (m.p. chandrasekhar)
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The professor doesn't deliberate on the question; it being a time capsule within his hippocampus, excavated and augmented throughout the years. An old grave, bones picked clean. Exhumed for entertainment. Will there ever come an era where finally humanity masters the unknown?
" No, I do not think so, Mr. Morrison, " Maharth answers with irrepressible surety. " We touched on it before, the state of the ignorant bliss... "
Maharth sets his teacup down on its matching saucer and pushes it aside with the back of his fingers, his movements flowing like a river's current sending away a lotus pad.
" Have you heard of the Semmelweis reflex? A talented physician from Hungary noticed that after the simple act of washing his hands prior to and after surgery, the mortality rates of his puerperal patients fell tenfold. Semmelweis shared his findings with his fellows — educated men, doctors with pride, prestige — and they rejected the notion outright.
" Because their bearing, their intellectual nobility would never allow themselves to be carriers, they thought. No, the filth of disease was from the poor, from women, from the vulgar and vile... This was in 1847. It would take another twenty years before germ theory became part of the public consciousness. It sounds farcical, doesn't it? Regarding it with our twenty-first century lens. And yet...
" ...That is a single case of belief perseverance, cognitive dissonance. The blissful ignorant are not who they want us to believe to be. The intellectual elite is far in casting their judgment as they are remarkably short-sighted. We impede our progress to understand, the universe has never stopped us from discovering her secrets. "
A breath escapes through the professor's lips, carrying with it a hint of exhaustion as his lungs burn. Despite their long-windedness, his lectures never cause a twinge in his throat. Maharth finds his agitation amusing and reaches for the soothing sanctuary of his chai.
Pinky extended while his fingers wrap around the fine china handle. Maharth swiftly delivers an apology (of sorts) to his guest. " Let's put a pin on this topic for later, Mr. Morrison. I understand that it's summer and I shan't take up any more of your time in the sun. "
He attentively listens to Max's explanation and, indeed, the dominating influence of Abrahamic religions in Europe had significantly damaged the historical evidence of a world before the Capital G on fears of dreaded paganism. Though the information is out there on the region's diverse and overlapping entities, it is not an easy find. Suppression is a method employed by those in power to keep their structure stable, and who did it better than the Church? Maharth lightly drums his fingers on the side of his cup while he comes up with a suggestion.
Knowing the usual standard that comes from summer school (though his students have been quite keen on their projects), the professor opts away from the often treaded path of Europe's fascination with Classical Antiquity, or viking resurgence. Zeus and Thor will put away their thunderbolts today. No, what Max is speaking of, what he wants to find out, may align with Cernunnos instead...
Maharth swirls his tea by the handle, the circling of his wrist slow and deliberate to let the water whirlpool within the porcelain confines. A terror made in the microscale. He delicately coughs, indicating the start of a conversation rather than simply clearing his throat.
" For topic suggestions... Rounding back to human sacrifice... There is an article about the Celts about the Horned God and the Threefold Death motif I read in the Journal of Archaeological Science, written by Dr. and Dr. Divekar, Antioch's own archaeologist power couple. I've met them personally and trust their expertise and the Journal is a peer-reviewed scientific journal, so verification is a given. If you have a student account that needs to access the online database, Mr. Morrison, I can grant special privileges to your account so you can read it free of charge. "
The professor savors the lingering taste of his chai before gently placing the empty porcelain cup on the table. " Mr. Morrison, I hate to impose on burdening my students. However, I can't wait to see what you have in store for your project presentation. I'm sure you'll do well. Those with passion and respectable time management always do. "
"screaming, in my case." his teeth are shown gleaming for another long moment, like he's proud of that fact. he's not, but only because he can't remember it. and really... it would only be enjoyable if everyone else was screaming, too. whatever the case, max has decided that he likes professor chandrasekhar. digs his vibes, as he would probably say. he's met so many teachers in his life that just get tired and start beating down; what a breath of fresh air to find some passion for once in his life. in another life, they could have had an excellent conversation on the nature of his own budding legend... but he's not naive enough to consider admitting to his nature a second time. "it's hard to imagine," he continues, taking another sip from his drink. good? he nods, but it's certainly not honesty he's working with. "you know, there ever being a time where there's not more to learn. do you really think it's possible?" it's even a genuine question, if not for the right reasons. he's trying to worm himself into a favorable position, but that doesn't mean he can't be curious about it, too... the smile, as innocent as it is deceptive, even grows flush ( real ) against his face. "pre-christianity is what i'm going for, but... i also know that's a difficult topic to dive into." mostly because so much of it has been destroyed, not remade in the modern world as much as it is reimagined. his own travels have only brought him to a lonely, frustrating conclusion—this is the only place in the world for him. "at this point, i'll take almost anything you can give me. the important thing is that i can verify it, i think."
#— m.p. chandrasekhar#— m. morrison (fatebinds)#[ shall we start wrapping up? <: )a ]#— threads (m.p. chandrasekhar)
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@kcngkai — maharth's office, august 12th, late afternoon. trigger warnings: none!
SOMETIMES, A MOMENT IS WORTH LEAVING EARLY, before an imprint of a weight that no longer exists matts down the grass, bending the blades in the shape of a soul that has flown away. Isn't it noble to prevent a haunting of a future suffused with a rose-tinged dawn, one that could hold countless unspoken promises? We talk of Hope as it is a good thing, pure and holy. But, Hope is as tight a yoke as despair.
And though Maharth Prasad Chandrasekhar speaks of it figuratively, he does not embody the expectations entrusted by Hope. It would be reprehensible to damage someone by un-spending the time they have left in their lives. Mooring them to a stagnant lake, and making them believe a breeze would come by.
Therefore, Maharth never gives anyone the chance to miss him.
It doesn't do anyone any good to pine over the what and would have been's. So he draws lines, sets end dates, and does not hint at to be continued. Because how terrible would it be to grieve someone still living?
When he rejects someone, there's hardly any malice. It's a heuristic answer, to make the best of the situation to respect both of their time. A case in point is an email addressed to his account at Antioch University asking for an interview.
In the letter’s opening, the professor already assumed the request was from the journalism students at the school, and was ready to craft a response that was both gentle and motivating, until he verified the name at the end. Kang Kai Soo, from the British Broadcasting Corporation. Maharth recognizes an article or two under the name, front cover news that flaunts big exposés that have shaken up corrupt corporate and government landscapes.
Quite the resumé, but—
Dear Mr. Kang, I hope this email finds you well. In regards to your interview request, I must say the answer is no, thank you. I bid you the best on your next story. Kind regards, M.P. Chandrasekhar
—not one Maharth is interested in adding to.
He's never done interviews with the press, the most he'd given was a comment for a book tour or two, but his thoughts on belief have piqued the ire of both the religious and irreligious alike. He is in no rush to head into a firestorm, for he's grown fond of his reclusive mystique. Makes things easier to disappear when needed, and reappear when desired. All in all, he's not inclined to become a viral sound bite for anyone searching prestige.
Hours later, as Maharth drinks his kabuse sencha from Kagoshima, idly clicking on the students' online quiz answers on his work laptop, it never occurs to the professor that there are people in this world who do not account in the same measure of time as he. The doorknob unexpectedly turns, which is a cause for one of Maharth's brows to arch. He hasn't expected visitors, nor invited them.
When the door opens, the professor faces someone he's vaguely seen a portraiture of, though he can't confirm the theory he has about the stranger's identity. All he can wish for is that it isn't a fiery detractor who has figured out what Maharth is teaching in his class. He hasn't figured out the campus security button yet.
" Hello, may I help you? " Maharth asks, putting down his teacup onto the matching saucer and rising from his chair. " I don't think I made any appointments today at my office. "
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@ofvaliancys — saint peter's hospital, august 6th, evening. trigger warnings: descriptions of blood, injury.
UNHURRIEDLY, ARM LIGHTLY CRADLED, A CRESCENT OF BLOOD SOAKING ACROSS AN OTHERWISE CRISPLY PRESSED PALE BLUE DRESS SHIRT, Maharth walks up to the front desk of Saint Peter's Hospital, surprising the clerk as he asks, light and carefree, " Unfortunately, I've injured myself. I was wondering how soon I could schedule an appointment to see a doctor? "
The rush of shock that stampedes through the hospital's lobby does not affect Maharth's nonchalance. The clerks almost trip and get up to their feet as they clamber for assistance. Maharth stands there, idly watching, propping up his arm and moving to where he's called. Let his limbs be puppeteered by nurses and medical assistants. He's asked to remain calm, and he shrugs with a laugh. He is calm.
Seated sequestered in a white room with even whiter lights beaming down on him, the professor cursorily checks the time. Ah. He'll be home rather late, depending on how long treatment will take. Maybe he could get back to Verdant Hills before two in the morning, but he shan't expect it. The cut is, in his regard, quite grave. He'd rather not cancel class tomorrow and devises his lesson plans, letting his mind wander until the door opens.
" Good evening, doctor, " Maharth greets, his curls bouncing to the side as he slightly lowers his head in an acknowledging nod. " I assume the nurses have briefed you? It's a dreadful situation… But, accidents happen. "
#— m.p. chandrasekhar#— h.j. moon (ofvaliancys)#blood tw#injury tw#[ hope this is ok! ]#[ and of course feel free not to match length and all! ]#— threads (m.p. chandrasekhar)
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If அம்மா witnessed the way Maharth smiles upon hearing John say his name — a smile so wide, radiating joy like a peacock preening its feathers — she would shake her head disapprovingly and cluck a soft reprimand. அடி அதிரசம், குத்து கொழுக்கட்டை. And she would be right, Maharth lacks any shame because there shouldn't be any shame in expressing oneself like this.
When John talks about the memory, Maharth wants to know more: the rain's tapping pattern on the windows, the height of the misty cliffs soaked by the merging of sea and sky, and whether there was a lingering taste of salt and ozone in the air. Did the Weavers go for a drive, or stay put, sing along with the radio, or let the storm speak?
But it's not his place to ask, and as shameless as the professor was a mere minute ago, he's equal parts skilled in reading the room. It is a natural consequence of exploring a subject that is both mystical and profane, with people whose fervor and favor are whims of the wind. Furthermore, a man of Maharth's age has enough life experience to sense when the atmosphere has cooled. Knows of effervescent turns of phrase and lively segues to shallow subjects where swimming is easy.
However, Maharth brushes past that to look at John, poised, unflappable. It's as if he cannot stand to let John's sentence hang in the silence by itself. To end in such a bitter note.
" The trip served its purpose, even if you didn't get to go to the beach, wouldn't you agree? If the goal was to create a lasting memory, you definitely have one, don't you? " Maharth postulates, eyeing the lining of silver in these clouds of the past.
At John's movement to a chair, Maharth migrates as well, picking a seat opposite of John's. Back pressed into the slight give of the chair, a leg crossed over, arms loosely at the rests, Maharth gazes at his host expectantly. With no obstacles in sight, their eyes meet on a two-way lane marked by the space between them, a highway with no speed limit. He listens, muted until John is finished, and nods as the information comes together in his mind.
" Ancestral land, I see. It's interesting how secluded your family has kept the place, it never encroaches into Antioch proper even all these years. " Maharth verbally notes, wondering about what John said. When he got married, he constructed this house on the property, making it relatively new. " John, this house is splendid. You and your wife did an amazing job. I can feel the love and care you put into it. "
The armchair softly shushes when Maharth leans forward, hands coming up animatedly to press palms. " You could say that. Although I love my cozy spot with a cup of chai and a good book, the places I read about inspire me to visit them in person. I've realized that going out and immersing myself is something I need to do. "
While his injured arm floats down to the arm rest like a balloon on its last legs of helium, the other hand graces the side of his neck as Maharth casually kneads at the muscle there, stretching out a tension ache before it can properly start. " Frankly, nothing against my peers who thrive in mindscapes and theorems, but to judge when one hasn't walked on the very earth one is deriding, well, I just cannot do it. Theology is so tied to the land, and to understand its cues, you have to go out and feel the world yourself, is what I think. "
Maharth pauses briefly, a small smile playing on his lips, before he reveals to John, " It's funny, whenever I share this with people, they find it difficult to imagine. I'm fully aware of my appearance — rather bookish. "
Before the professor can finish, his airy giggles bursts out of the cracks, echoing through the room. Maharth attempts a sorry plaster job to seal in his laughter, stifling them with the back of his good hand.
" Sorry about that, I had the silliest thought and imagined myself wearing Indiana Jones gear, complete with a fedora and a whip. Perhaps that'd silence the assumptions that I'm fragile once and for all but I'm afraid a fresh crop of rumors would start instead. What do you think, John? "
Well, it's officially happening... Maharth has crossed the threshold and now stands in the Weaver family home, treading on the same worn floorboards that had felt the weight of his whole life: when he and Daisy had first moved in and the last time she left, the same boards subject to the rapid drum of his children's feet and the slow and endless pacing of John's boots on sleepless nights.
At first John feels as though he's going to be scrutinized and readies himself for defense, but no such thing comes. The professor drifts through as if he's perusing a library, glances across the spines of books but never reaches out to investigate further, surely because he knows John's hackles raise and wishes to avoid it. How can one man know so much? "Oh yeah, of course. Maharth."
He follows at a respectful distance behind him as Maharth wanders the first few rooms of the house, looks where he does, and it becomes evident that the scrutiny is all John's own. "Took a trip out to the coast with my family a long time ago, but it stormed. Ended up spending the whole time in the car."
John decides that tagging along like a lost dog definitely doesn't give the right impression and so he returns to the living room, sits in one of the leather armchairs leaned forward with his elbows set on either knee. "Land's belonged to Weavers for a long time. Me and my wife decided to build this house on it when we got married, start up a family in it." He picks up one of the wine bottles, turns it around in his hardened fingertips though his eyes aren't on the label. "You an outdoorsy guy then?"
#— m.p. chandrasekhar#— j. weaver (godsunderfoot)#[ buh i love john as always... 🥴💞💞 ]#— threads (m.p. chandrasekhar)
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As they drive, Maharth eases into his seat, fine-tuning it to his preference. He has never adopted enduring discomfort in pursuit of unreasonable forbearance and propriety. The fear of judgment from strangers, social exclusion from the group is a distress weaned out of this generation of Chandrasekhar, and regardless of his location — be it Venice, Bandung, or Antioch — he will not suppress his personal inclinations, which is to find a comfortable seat and engage with the surrounding people.
" Travel here for work or pass through here for work? " Maharth posits at a red light. Rather than prying, it's more like dipping a toe in the water. The response will shed light on Dante's intrinsic sensibilities. Between a man who departs or a man who remains. Maharth knows he is the former.
A small, inaudible chuckle tickles his throat as the professor notices his and Dante's similarities, aligning like road markings. " Loch Ness was quite a grand time, too. But Nessie is unfortunately a sham, I'm afraid. Didn't feel it right in my heart to tell the locals, though. Some lies are best left to be believed, don't you think? "
As the ride continues, Maharth props his head on a loose nest of fingers, the index a trellis along his jaw and his middle and ring fingers, the wickerwork that cups his chin. Resting his elbow on the side of the car door, scant of the window, the professor tilts his head to the side but watches Dante still.
" If I told you the reason you're here is also true for myself, would you believe me? Paycheck and chill is a tantalizing overture to everyone. Antioch University reached out to me about a series of classes, and I eagerly accepted after researching the town. These secluded areas are my idea of a personal retreat... " He grins, a white crescent flashing between his lips. Without a second to spare, Maharth casts his gaze out the window, spotting the sign of the diner.
His old shady government job has him gauge the man upon reflex. The niceties were exchanges, and caution is thrown to the wind as quickly as the invite is placed—if he didn't know anyone, Dante would have declined. Maharth seems to think differently, keeping the suggestions and riffing off of the conversation playfully. Either there's an optimism about people there, or Dante is too wary for his own good. Antioch's getting to him. Or the job. But looking at dead bodies arranged as if it were art really isn't good for anyone's mental health.
"No. Just a transplant, like you. Used to travel for work," he says, checking the rearview mirror as he he drives off. His migraines at least, were cooperating with him, his tone steady and even. "How 'bout you then, why come to Antioch? I just wanted somewhere to chill out and collect a paycheck. You seem like the kinda guy that should be in Loch Ness or something."
#— m.p. chandrasekhar#— d. hernandez (saltedearths)#[ kael you are so valid i am here stamping your pass with a big green checkmark ✅✅✅ ]#— threads (m.p. chandrasekhar)
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When Maharth's university colleagues insisted the Antioch swap meet was a must-do, claiming it matched his interests to a tee, they were absolutely right. As Maharth puts back a decorative plate onto its stand, he moves onto the curio next to it, some candelabra that had either been a loving metalworking project or met its end against a hammer.
Maharth grins as he peruses the dusty merchandise. While many, if not all, were pop culture collectibles, he notices several historical artifacts from Antioch's past that were available for sale. A stamp set, an old pamphlet warning of the Swamp Monster. Some pair of gate keys?
He finds it fascinating how these once cherished possessions hold so little value in present-day Antioch. What caused their owners to fall out of love? Undoubtedly, time is the most effective eraser of sentimentalities.
The professor holds the thought while admiring some wood carving — art is a prime instrument of faith, after all — when he hears a rather amusing conversation nearby. While turning to crane a ear, he sees the events unfold and before he can help it, he chuckles and responds in kind, walking over to the girl, " Now that's how it's done! Mind if I try it sometime, or is that a trade secret between magicians? "
status: open. location: ( drive in & ) swap meet. when: late morning / mid-afternoon.
space buns sit atop her head like mickey mouse ears and there's a child-like skip in her step as she peruses the stalls at the local swap meet. there's no goal in particular, there never is, juno will know when she's found what she's looking for when it speaks to her―much like the cover of the book now rolling around in... someone else's hands ( irrelevant. she always gets what she wants ). her eyes roam over the title again, full brutal, and a smile blooms at her luck. sure, the cover looks like shit, but she's never been strong enough to ignore anything splatterpunk. popping the blue lollypop from her mouth, she speaks to the person beside her, ensuring her voice is loud enough to carry to the one currently holding treasure that, rightfully, belongs to her, ❝ hey, d'ya think crazy is contagious? ❞ a pout forms and her tone becomes dejected, bordering on ashamed. ❝ because when someone takes something i want, even something stupid―like... like a book―i get these... urges. ❞ when the novel is hastily forgotten, the walsh sibling giggles around the candy that's back between her lips and retrieves it before someone else has the chance to swipe it again. ❝ wow, would ya look at that! it's like i'm magick, no? ❞
#— m.p. chandrasekhar#— threads (m.p. chandrasekhar)#— j. walsh (ithorrors)#[ excited for these two!! ]
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" Yes, we come into this world uncomfortable, don't we? Crying. " The professor's extrapolation is mildly spoken, like a quaint joke among old friends. However, Maharth's diction is unassailable, the conclusive line of an academic paper that would challenge opponents if it weren't so dishearteningly assured in its claim that contradicting would be a losing battle or, at most salvageable, a pyrrhic victory. " I'd even further your thesis, Mr. Morrison, that we, who cannot stay blissful, who tried to be ignorant but couldn't, wish to learn because we're so uncomfortable with not knowing the world around us, and us ourselves. There's a hope that someday we'll be rid of the incomplete that is within us through secret knowledge. "
Seeing that Max keeps quaffing the instant mix, Maharth vaguely reconsiders not replacing the gifted set of coffee from the university faculty, which he had accepted to foster goodwill between him and his employers for the next few months. Personally, he reviles the taste but he can't account for the buds on each person's tongue. He won't, as the kids have taught him to say, yuck someone's yum if they enjoy something and Max appears to like it enough to sip at it during their conversation. " Good? " He asks Max about the taste.
An affirming murmur buzzes on Maharth's lips. They roost on the porcelain eave of his teacup, breathing in toasty spices, a passport to a memory of ಧಾ��ವಾಡ ಪೇಡ, the last time he held the milky, cardamom-laced treat in his hands after மாமி's funeral. The Kannada and Tamil weave in his head, like two separate colored thread in a tightly woven tapestry as he considers the subject of support.
He rolls the vague concept in his mind like hands palming dough, feeling its weight, the softness, the place where the strands snap, unable to hold itself together. Then he presses and stretches the idea, shapes it by saying, " I may not be well-versed in social work, but I believe that if we had education systems that made more of an effort to truly understand and believe in children, many of them wouldn't lose faith in themselves. I don't want to speak badly about anyone's family, but I profoundly understand the importance of standing up for yourself and advocating for your own needs. "
Though their differences are readily contrastable, Maharth has a lot in common with his student, all drawn from their non-conformist fiber of being. While Max treads into the topic he's sought Maharth for, the professor pours more hot water into his teacup, and drapes another lemon slice. Another cube of white sugar dissolves when it hits the water.
Then Max mentions human sacrifice, and Maharth's spoon touches the bottom of his cup, metal striking kaolin and petuntse. And next, the spoon spins in the liquid, Maharth's movements accurate and absolute as he looks the student in the eye with guileless, unaffected serenity. He chuckles.
" Fair enough, it's been a sensationalized topic for a millennia, after all. When you speak of Europe, do you have a place or a time period in mind, Mr. Morrison? Are you looking more in-line with the Wicker Men of the Gauls, or the Tollund Man of Denmark? There's a lot of differentiating factors, such as the rites of caretaking the chosen, the method of execution, manner of burials... Which god to appease through bloodshed. " He explains while blowing gently on his perfected cup of chai before drinking it with a smile.
"oh, i agree completely. i think we're lucky to have the full range of human experience. sure, being happy all the time would be comfortable, but it wouldn't be worth anything. nothing great ever came out of staying comfortable." he could probably attribute that to someone else, maybe plato. definitely not plato. but max is about as good at inspirational quotations as he is with the rest of academia—he really just prefers to wing it. "i've always liked to think if you're not uncomfortable, you're not learning anything. that's why we're supposed to be here, isn't it?" not only, but partially, to keep from puking in his mouth, max takes a sip of his coffee. professor chandrasekhar is right—it's absolutely atrocious, just shy of pure, liquid shit. it's also not the worst coffee he's ever had, so he keeps drinking. maybe he can get a cup of this to-go... give some to ari. a few additions and it would be truly undrinkable. that's a scheme for another time, though—for once, max is actually thinking about what he's going to say next. what would have helped you as a child? a warm smile flickers to life on his face, a stark contrast to the utter annihilation that consumes his thoughts. he can think of a few things, chiefly that he hadn't been stopped and sent away, but that has nothing to do with the education system unless you count the many, many, many calls home. once the cat was out of the bag, they would have sent him away regardless—he would have loved a second chance. ah, c'est la vie. "support, i think," he says instead, not untrue. he's an expert of dancing around white lies and half-truths. "all my life, my family just wanted me to be like them. you know, a good little drone. they believed in this shit system hook, line, and sinker." he even offers a wistful shake of his head, just for effect. "my subject was history." a lie this time. he'd always snored through those classes. "guess i can see why they might be a little oppositional. it's much easier to just stick your head in the sand and let life happen to you." maddox is no observer, especially not in his own life. in that sense, he's speaking truth again... even if it is just to gain something. as per usual, it doesn't last. "—yeah, it's for a paper, but not just for a paper, you know? i don't do anything just for school." it's not a lie if he's not enrolled, right? coursework is the last thing on his mind. "but," now that he's properly positioned himself, he can lay back on the posturing a bit; "my dig right now is human sacrifice." he smiles, the picture of innocence. "european, specifically. but there's just so much out there that's... wrong. fabricated, or whatever. i was hoping you could point me in a better direction."
#— m.p. chandrasekhar#— m. morrison (fatebinds)#[ my word count ���� your word count ]#— threads (m.p. chandrasekhar)
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" Yes, so the oft-quoted phrase begins... If I remember correctly, the 18th-century English poet Thomas Gray originated it, " Maharth adds with a whimsical hum, his mind a whirr, already seeking connections and recontextualizations. A thoughtful purse of lips falls on Maharth's face like the tail of a shooting star as he ruminates Max's remark, the student's unofficial confessional in the sanctum of his school office.
He wonders how Max would react knowing he has something in common with the country's third president, as Jefferson remixed the words, asking, if ignorance is bliss, why aren't more people happy? Maharth has his personal theories to the president's rhetorical question, but what is more pressing is what his student has implied, though it may be a misreading on the professor's part.
It doesn't hurt to be safe, no?
Fingers return to lattice just scant off Maharth's chin as he gesticulates with only his eyes, calm but not probing. He inquires with a gentle coolness that indicates no offense is taken if the question is brushed aside. " Bliss can be elusive and hard to attain, isn't it? But I think there's nothing wrong with the other emotions we're taught to conceal, at least in my perspective of fifty-years of living. "
Chair rolling aside to let Max fix himself a cup of coffee, Maharth gives the boy a once-over, amused by the blazing rebellious that youth so easily tap into. Not to say Maharth's own fire has been extinguished. However, he must admit some luxuries offered at his age and position have dulled the seditious knife against the brocaded throat of traditional elite academia. But hearing Max speak gives the professor an entryway for his subversive critique. Even old flames burn again with new kindling.
" It is rather upsetting that the school systems employ standardization when we, as a species, are so beautifully diverse. " The professor says, preparing his tea. It is second nature at this point; he does not need to see as much as he believes in his movements. A sprinkle of loose-leaf black tea scatters on the surface of his teacup, followed by a sprinkling of cinnamon, clove, and green cardamom. Picked up with thin metal tongs, a single cube of sugar dissolves to the bottom of the steaming cup, while a half-moon slice of paper-thin lemon floats like a ship in the amber water.
His spoon swirls the mixture, one, two, three... " There's also the lack of reflection on the canon of basic education and who is in charge of these dogmatic curriculums... What would you have liked to learn in school, Mr. Morrison? What would have been helpful for you as a child? " The utensil lightly clinks on the china saucer, and Maharth raises his cup to his lips, sipping his Sulaimani Chai.
" Is that right? I was sure you came to my door saying you had a few questions for your paper, " Maharth postulates, squinting slightly as the recollection of the past few minutes materializes translucent and malleable like smoke. Fretting not, he inwardly shrugs away the doubt and doubles the effort in his professionality. " Adventure, you say? Color me intrigued, Mr. Morrison. Go on, what are you thinking of doing for my course? "
here's where things get interesting. max has to bullshit like he's never bullshitted before—mostly because for the entirety of his adult life, he's avoided higher institutions of learning. it should be noteworthy, he thinks, that he's here at all. if anyone he knew saw him now, they would have thought they'd skipped on down to a parallel dimension. or that he's seeing someone. wrong on both counts, as it so happens! he's actually doing what you're supposed to do at a university—seek knowledge. "ignorance is bliss," he says, showing his teeth. he gets the sense that the professor is eager to talk, but it doesn't bother him—people always say the same thing about him, too. the difference is that maddox's tendency to ramble on comes purely from his own ego, a desire to hear his own voice and ideas. clearly, maharth's come from a passion of subject. the funny thing is that people rarely differentiate between the two, so long as you're confident enough. "but i've never really been the blissful sort." already, max thinks he feels a sort of camaraderie between them. he's not the type for rigid molds or boxes, either. and he's also... not enrolled. but that hardly matters! that might even work to the professor's advantage, all expectations considered. he isn't in any rush, with no classes or responsibilities currently nipping at his heels, and for all his impatience is perfectly willing to kick back in relax on someone else's time. "i think your take on things is refreshing," he says, stepping over to make himself a cup of instant coffee—and at home in maharth's office, too. "so many people around here just want to do it by the book. didn't we all learn that these systems were just put in place to make us good little factory drones? last i checked, most college graduates don't work in factories." settling himself comfortably in his seat, max continues; "anyway, about my question? well, i don't know if i'd call it that. it's more of an adventure, i think." god, he's really laying it on thick. the things he does for other people... yeah, other people.
#— m.p. chandrasekhar#— m. morrison (fatebinds)#[ i love max hehe :)a this was such a fun reply to read! ]#[ match length at your own peril omg i am so sorry he is a wordy muse fsdfs ]#— threads (m.p. chandrasekhar)
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Maharth chuckles at Max's skepticism, the sound warm against his throat. To the fine-tuned craft of his student's lifted brow, Maharth smiles. Merely cups his chin in unmistakable acceptance. While his peers might raise their hackles at the situation, what they might perceive as youthful indiscretion, Maharth finds no fault at all. Questioning should always be championed when it is to discover the truth.
" In Vyasa's Bhagavad Gita, which is our required reading in three weeks, there is a chapter that emphasizes the importance of self-realization: looking within and out in search of knowledge. " Maharth begins, leaning forward once more, serenely making eye contact. " Knowledge is the force that transforms our thinking into our beliefs. It takes exceptional bravery to seek knowledge and even more courage to accept that we can never return to ignorance. "
Even though the course only started a few days ago, Maharth has to admit that his new group of students has been quite amusing and unusual. While he doesn't know if Max will stay or not — the faculty has notified Maharth that the first two weeks didn't signify the final attendance list — the professor hopes he will. It's always charming to see the next generation showing interest in how humans perceive their existence co-mingling with the lives of others.
" I'd have you find my predilection to the coursework far from the norm, Mr. Morrison," says the professor as he steeples his fingers together, the well-groomed fingertips blemished with spots of blue-black ink. " A topic such as Comparative Religions can't be reduced to some impersonal, ineffectual score out of a hundred. I best make myself available to my students should they wish to break out of that mindset and delve into their learning passions... So, the question you wanted— ah, one moment, please."
An electric kettle sits on a small round table with a drawer, bubbling away on a burner, finally clicking off once a thin but continuous flow of steam swirls up from its spout. The professor pulls out the top box of the drawer, procuring himself a minimalistic but elegant teacup and saucer, and tilts his head gently at his visitor.
" While we discuss your question, please take a cup, if you'd like. If it's too hot, I believe there's ice somewhere in the fridge... I've got loose-leaf tea and some instant coffee, though I'd humbly request you to keep your expectations low for the latter. "
exceptional is not usually used in relation to him, particularly when it comes to academic strides. by all accounts, max has always been a terrible student with no respect for any system of authority, intellectual or otherwise. the university is no different; he's only hoping to serve himself in any endeavors therein. "i mean, is it really?" brow cocked, max treats any flattery maharth dispenses as nothing to do with him... but he's perfectly happy to preen to it anyways. what does it matter? ideally, he'll never know he's taking someone else's place. "here i thought i'd be shit out of luck."
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Maharth flips through his dog-eared copy of Richard Dawkins' The God Delusion, eyes jumping from the text in Times New Roman, presumably 11-point font, to his own notes, a mixture of Kannada and English that would look ever so the cryptic code to anyone else unaccustomed to the Dravidian language. He's about to mark up another segment of Dawkins' preamble in this one-sided debate when his door, always left slightly ajar and both inviting and uninviting in its uncertainty, swings open to reveal a young man, blue-eyed under a wave of blond hair, coming in like the midnight tide against the cliff that is Maharth's office door.
Needless to say, the consummate scholar he is, Maharth is appropriately charmed by his student's insatiability for knowledge. The professor, grins abound, gestures to the empty seat before his table, putting aside his book on the shelf at his left side.
" Ah, yes, please take a seat, and do forgive me, I've just arrived in Antioch. Your name? "
Once introductions are shared, the professor leans forward in his desk, the wrinkles around his eyes and lips sloped pleasantly as he asks, " It's quite exceptional to see Antioch's students taking summer courses seriously. I'd be delighted to answer your questions. "
starter for @anhxdonia !!
"hey, it's office hours, right?" he asks, curling his fingers in the doorway to discourage it being shut in his face. "i'm in your class, i just had a few questions i wanted to ask. for a research paper, you know?"
#— m.p. chandrasekhar#— m. morrison (fatebinds)#[ hope this is okay! ]#— threads (m.p. chandrasekhar)
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" I have a different understanding of the word; I think it's influenced by the history of my homeland. For me, someone who is 'uncultured' wouldn't be interested in broadening their horizons… " Maharth says, settling his gaze on the rancher slanted among the desks. The professor watches, silent in his reflection for a moment, before he lightly jests, " I promise not to let the burden of my burning questions fall only unto you, Mr. Weaver. Just a smidgeon if you don't mind another day's conversation after classes if you'd like to continue your audit. "
Through a veil so sheer it might as well be transparent, Maharth sends his open invitation to John, sealed with a tap from his dress shoes striking the wooden floors when he steps one foot closer. He wants to listen in to more of John's stories, interjecting where welcomed with appraising comments and follow-up. Layers his ephemeral, silk timbre atop John's own, rich with a slight burn at the edge akin to a sip of whiskey. The cosmic invention we call 'time' passes as Maharth and John's conversation builds upon their foundation like a miniature Babel.
While Maharth senses he struck a chord with the other man, he hasn't expected his presence requested at a private abode. He's intrigued, fingertips tracing his jaw's outline and feeling the scritch of his cropped beard as he mentally maps out the town he has been committing to memory. According to John, he lives in the heart of unknown, unmarked territories in Maharth's town guides. Opportunities like this don't come often. " I'll take you on the offer, Mr. Weaver. Who wouldn't want a glimpse of heaven? "
There's much of Antioch that Maharth doesn't know, stories written in loose-leaf paper, unbound and unorganized. As a scholar and an aesthete, there is a natural urge within the professor, like a circadian rhythm. Curiosity is too weak a sentiment to describe this keen prickle lining his temples, a chaplet garnished with intellectual hunger. However, Maharth has identified this craving and knows its desire for pretty possibilities.
" If we agree on that reasoning, then I promise you, I owe you at least two cups. " Maharth chuckles but nods. He has his preferences of hot beverages, but it's rather uncouth to look any gift horse in the mouth. Especially one offered by a dashing man with a good handshake.
He signals to the other man that he has to quickly gather his belongings with an amateurish, single-handed imitation of a traffic controller before doubling back to his lectern. As he walks back, Maharth's eyes can't help but land on the black expanse again, sinking into the bullseye of BEAUTY and TERROR etched in chalk.
Certainly, the story is the most elegant form of beauty—the most enduring seduction. It is where the taste of another person lingers in the mind without ever having brushed lips. It is the allure that once sheathed Shahryar's scimitar from beheading the lovely Scheherazade. It is the discovery of the god of the unseen people within the storyteller.
If Beauty is a terror when it is foreign, then Maharth has never been terrified. While such a fallacy is impossible regarding the specific centrality of the human reviewer and subject, it is only when they've shrunk the scope, turned dials, and sought out symmetries and ratios to craft an exclusionist criterion of beauty. To combat this, Maharth has trained himself to smash the lens and find beauty even when it escapes from him, ragged and bloodied. Monstrous and screaming. A familiar sight.
(How truly terrible that people can be so closed-minded.)
The professor's hand confidently reaches for the blackboard eraser and, with a single determined stroke, obliterates any trace of finding terror beautiful.
" Shall we head out, Mr. Weaver? "
Maharth smiles right back and it's like light filtering through a leafy canopy, warm and easy. His expression that seems to appear so effortlessly puts John's mirthless, wincing thing to shame and, deep down, in that faraway part of him that somehow remains untouched by the gods or their madness, he finds it soothing. John thinks the last time he's seen a smile so honest was the gleaming jaws of a bear trap.
"Presume away, but can't promise I'll be much of a resource," John admits with a shrug, moves back to sit against the edge of the nearest desk with a grunt. "I've lived here all my life, but I'm about as uncultured as they come. You'd do better to ask around at the local watering holes."
He's at least heard of the things Maharth explains, nods along as he mentions each one and occasionally remarks with his own experience when he can. It's easy to appreciate the professor's enthusiasm for this topic, and John's fascinated that this man he's never even met is so intimately familiar with little Antioch's laundry list of secrets, like he's read the manual cover-to-cover for a car he's only driven for a few days. His voice is sharp with intellect but smooth, brings to John's mind the pitch of a pine, oozing out in the heat of the day over knots and whorls until the tree bark beneath is one continuous, glistening surface... John has to remind himself of the threat that this stranger poses.
And then he brings up the woods, and the two find a way back onto that dangerous, unfamiliar path called fate. "You'll have to come out to my property sometime, Mr. Chandrasekhar," John offers, hopefully sounding more casual than he feels... his heart has quickened again with the possibilities at hand. "Can't say you'll find what you're looking for, but if the woods are divine, my place is some kind of heaven."
"You free for a bit? I'd like to treat you to a cup of coffee, as thanks for letting me talk your ear off."
#— m.p. chandrasekhar#— complete#— j. weaver (godsunderfoot)#[ '¿por qué no los dos?' indeed! ]#— threads (m.p. chandrasekhar)
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AT THE CRACK OF A SMILE ON JOHN'S FACE, a considerable tenderness splits Maharth's own lips in a grin. He doesn't draw attention to it any more than that, the moment itself not needing to be forced to linger. Yet, he sustains his smile, allowing it to radiate undaunted like the sun even when the earth has turned away.
The professor nods, earlier background notions coming ahead, hypotheses being proven right by John's confirmations. Small-town religiosity is a beast of its own, distinct in its liturgy that comes from untouched, unspoiled insulation. A few years ago, Maharth conducted a co-study on the topic, which revealed the division. However, Maharth still felt unsatisfied with the limitations of that report, as it had to make generalizations due to working with a partner of a less dedicated temperament.
So when John Weaver says — no — confides in Maharth, expressing questions and curiosities and scratching an itch just so off from the relief of biting nails, Maharth can't help but think this is serendipity. " I know exactly what you mean by those walls, and it has been my lifelong calling to take a hammer to them, " Maharth eagerly chats, pressing his hands together in a small, soft clap. " I'd be very happy to answer what I can and strive to solve what I can't. "
He listens with laser-focused care, excited to get an Antioch native's perspective. John's story elicits a peal of understated chuckles, kept close to Maharth's nose in amused snorts. " Haha, I've read a little about the Eulman! Nothing about Hooters. Funny how that's been omitted in my version... "
John's compliment doesn't go unnoticed, even though it isn't spoken. The professor, half bashful and arguably more than half playful, raises his wrist in mock embarrassment — oh, this old suit? — before tucking a loose curl behind his right ear, genuinely flattered. Blushing isn't something he does often, as he generally considers it unfeasible to be embarrassed. However, in the quiet charm of his listener, an unfamiliar warmth flutters underneath Maharth's cheeks and ears.
He recomposes himself a second later, thinking to make a note to ask his students about the local legends since John has mentioned his kids. Would the different generations have deviations in these beliefs, and if so, where does it stem? Questions upon questions pile up, and Maharth is excited for the challenge.
" Truly, there is such a fascinating culture here in Antioch that I feel I am just— " Here, Maharth pinches the air, " —about on the verge of breaking through. Though, of course, if you don't mind me presuming, a native such as yourself might better discern if these theories I have are far-fetched. "
He quickly explains the local myths that piqued his interest: black dogs, caves, and the watchtower that stands as a sentinel on the outskirts of town. " I'm captivated by the outposts and the woods. How the environment and natural elements represent the divine. It has been on my mind since I arrived, so I'm looking forward to making a day trip soon. "
I don't believe you're a no-one, Mr. Weaver. The words are likely a polite reassurance, but in his hyper-vigilant state, they seem to glint with precise intention. For a fleeting moment it strokes John's most primitive ego that someone outside the Society, a real someone, may finally recognize the fire he alone has been tending for almost three decades now, but the thought is so outlandish that John's stoney visage cracks into a small grin.
As swiftly as its taken flight he crushes that delicate bird of hope in a fist, replaces it with that old, wrought-iron gate that's protected the Stellar Society this far. Distrust, suspicion, self-preservation. Maharth's charismatic manner suddenly takes on a malevolent tinge as John's defenses come back up.
"I'm a religious man," John starts, proceeding carefully, but honestly. "I have these questions, curiosities, but I keep running into walls. Difficult to scratch an itch you can't reach. Thought maybe a man who makes questions like that his work could help me out."
The folktales of Antioch, as ridiculous as they are numerous. The gruff old cowboy gives the question some thought, though it feels like a roadblock in the rest of their conversation; John is nothing if not a bloodhound with his nose buried in the dirt, stubbornly stuck on one scent and all-too-willing to ignore everything else. "Always liked the Eulman myself," he says mildly, runs a callused thumb through the silvery beard at his chin. "My kids loved those stories when they were little. If I had a dollar for every time we'd go out driving past that old Hooters at night, quiet as church mice, I'd be as well dressed as you, professor."
#— m.p. chandrasekhar#— j. weaver (godsunderfoot)#[ would you like to plan for noontime or afternoon tea? ]#— threads (m.p. chandrasekhar)
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INTIMACY IS ARGUABLY A DELICATE AND DELIBERATE SACRIFICE OF PRIVACY, where we desire meaningful interaction with another by giving up freeing but isolated sequestration. In Maharth's readings, his learnings, gods take wives and husbands, entangling them with holy matrimony as long as they do not hinder their love and obey their message. To be married to the gods is to carry lifelong subservience. As a scholar of the sacraments, the professor does not wholeheartedly agree this union between divine and mortal can fulfill its promises of total acceptance.
Not in the way mortals desire. Because humans are earthly vessels of the prime elements that make up the known universe, they act in the same way—bonding, colliding together for closeness, inching each micro-nano-pico measure closer and will continue to do so until Science, the New Age God, coins a word that finally breaks through the infinite of divisible space. In this pocket between Maharth and John, there are countless infinities. Maharth sees it as a philosophical paradox and a ordinary conversation between two no-longer strangers. Both can be truths.
" Is that so? That's wonderful, to strive for a new experience, " Maharth asserts in response to encourage the other man, as his statement is another of his unfeigned convictions. " I hope I made a proper impression, then. Was there a subject in particular that drew you here, Mr. Weaver? " The refined lines at the corners of his eyes crescent as Maharth beams at his first-time auditor, friendly like a spring breeze returning after a cruel winter.
The professor hides a modest chuckle behind a loose net of fingers splayed over mirthful lips to John's humble admission. " Oh, I hope you heard about me from the good rumors, though the conspiracy theory that I am somehow two twins pretending to be the same person is amusing, it's also one easily disproven. And please don't mind my opposition, but I don't believe you're a 'no-one,' as you say, Mr. Weaver. " If Maharth gives a cheeky wink, it is for John's eyes only.
In general, Maharth has grown out of birth-placed hierarchies and castes, his time in and out of his beloved country has not only compared religions but cultures, as well. No matter the heritage or the flag, the professor subscribes not to those unjustified classifications upon his fellows. No, John Weaver before him is worthy of every respect, as is any university chancellor or beggar on the street. " I've been to many places, some not even labeled correctly on the maps, so small towns aren't new to me... Though this one certainly is. Antioch has a marvelous and curious foundation of stories enveloping it, and I'm very keen on hearing their tales. Do you have a favorite? "
The academic's handshake is firm, too, which appeals to John's surface sensibilities, but as Maharth speaks, his dulcet tones echo softly as a wasp's droning in his ears. Without meaning to he pauses, stuck for a fraction of a second with his hand extended as if he's forgotten to lower it again. They've just exchanged pleasantries, but John feels as though something is shifting, the innumerable coils of the things below scraping against each other as they create new shapes.
His fingers twitch nearly imperceptibly as John lowers his hand again, slips the thumb of it into his pocket, and he's glad he's still wearing the Stetson: the shadow cast over his face hopefully does well to cover the startled furrow in his brow.
"This is my first time... auditing," John answers, forces a bit of nonchalance into it as an attempt to save face from his lapse. He hopes Maharth didn't notice it at all, but something tells him this professor tends to pick up on the little things: his assumption is seemingly confirmed as Mr. Chandrasekhar leans in, whittling away precious centimeters out of the space between them, and suddenly John feels a little like he's subject to an appraisal. Can he hear that droning, too? What are they telling him about me?
He straightens up a bit, distributes his weight evenly across both planted feet in a subtle display of confidence. "I've heard about you," he explains, "and for a no-one rancher in a nowhere town like this, that takes a lot. What brings you out all this way, Mr. Chandrasekhar?"
#— m.p. chandrasekhar#— j. weaver (godsunderfoot)#[ hehe i love the droning 😌 ]#[ they are telling maharth that john is a swell guy and that maharth should defs visit the homestead ]#— threads (m.p. chandrasekhar)
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MANY FAITHS MENTION DIVINE TOUCH AND RITUALS OF CHIROTONY, FAITH PRESSED FROM PALM TO FINGERTIPS. From the Abrahamic to the Dharmic, found in continents in the Far East and West split by the sea, there is an understanding of immediate sanctity and comfort transcending the limitations of language. Evolved from the wild tangles of survival instinct, bred and domesticated like a cultivated genus of flower, our tendency to seek and lean into the warmth of another has become human indispensability. Both wholly pedestrian and sacred is the thin barrier that we call skin.
And Maharth takes in the texture and heat, noticing the exhibitions of veins and pathways inlaid in palms, as the tangible connection between his hand and John Weaver's demands attention, gently, like the softest but most ardent prayer. Maharth smiles, with his teeth peeking between his lips, unable to hide his delight at their handshake. No posturing, no listlessness, firm and fine. If handshakes are first impressions, then his is that he likes John Weaver's touch.
Though a synesthete he isn't, Maharth can close his eyes later and imagine this meeting again, replay a communion between copper and sapphire, no, deeper still... a cold blue that is so unreachable until it touches the hot core of the earth, which imbues it with its heart-red.
Tanzanite would be the closest call. It is the only mineral whose intense and one-of-a-kind trichroism can color the crystal azure, violet, and crimson all at once under different tricks of the light. This rarity suits John Weaver but not as impeccably as the man's vintage hat, the denim that whips up idyllic Americana, and his earnest honey-toned eyes.
" You are incredibly generous to a doddering raconteur such as myself. Thank you, Mr. Weaver. " The professor laughs self-deprecatorily, though he is secretly pleased. " As best as two weeks have allowed! I appreciate the neighborly check-up. "
Although Maharth has shed his figurative academic cloak since his class ended, he remains naturally curious. What brings this man to his lecture? " Do you audit classes here at the university often? Have any recommendations? " If he leans in a little, it's only to hear John's voice better, to pick out the soft rasp and slight grain in the smooth syllables.
" It's always a pleasure of mine to meet someone else who shares a passion for learning. "
John makes it his business to know when influential people roll into town. He might not be aware of them while they swim in that nebulous, endless ocean of a world outside Antioch, but large animals have a way of keeping unseen until they venture to the shallows: only then do their forms displace the water, and when John sees those ripples he knows it's time to cast an investigative net.
The new professor of Comparative Religions at the local university makes the biggest splash so far, at least on John's watch. He thinks it's curious that someone as worldly and learned as Maharth Chandrasekhar is willing to bring his career somewhere like Antioch, but from what little John knows about his work, he's convinced it's no coincidence. Something must have drawn him here specifically, and the only truly unique thing Antioch, Oregon has going for it is the very thing that keeps John here, too: perhaps in all of his pages and pages of research, Maharth Chandrasekhar has caught a glimpse of the truth.
It's this faint hope that sees John lingering in the labyrinthian lecture halls that afternoon. He seems a bit out of place, fresh from the ranch in his blue jeans with the stained knees, worn old cowboy hat, and heavy, square-toed boots that shed dirt particles with every few steps, but his attention is just as rapt as any of the young students surrounding him, if not more so... as the professor's lecture draws to a close and the students begin gathering their things in a hushed stupor, John notes a peculiar fluttering in his chest, an eager, almost excited tremble that travels right down into his callused fingertips.
Is it possible that this sharp-dressed, sharp-minded stranger will be able to... understand?
The brim of his hat follows his eyeline as John glances up, acknowledges the professor's greeting with a small nod. "Not at all, professor," he grunts, weary and calm even though there's the subtlest tremor in his fingers as he takes Maharth's hand to shake it. His grip is firm, only released after the handsome academic does. "John Weaver. Guess a welcome is in order. Getting settled in okay?"
#— m.p. chandrasekhar#— j. weaver (godsunderfoot)#[ the fishing and trawling the depths imagery.... that's just so...!!! ]#[ 🤝🤝🤝]#[ aka this is the one reply where maharth gushes about a handshake ]#[ because he do be like that ]#[ professor be normal challenge: impossible ]#— threads (m.p. chandrasekhar)
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As much as the professor finds those who have encountered the spiritual world fascinating, he is equally intrigued by those who avoid it. Finding non-believers feels just as sacred, especially in a town as historic as Antioch. What codifies one's belief? What doesn't? These questions have been at the heart and soul of Maharth's intellectual pursuit.
" Honestly, the places you mentioned are justly important, " Maharth says, emphasizing his statement with a light tap of the air with his index finger as he comes to his conclusion. Shepherded by the other man, Maharth verges upon a nearby parked car that stands out among the typical models on Antioch's streets. Its coating is glossy like a candied fruit and just as tempting.
While others may hesitate to get into a car with�� a stranger, for the professor, it's second nature. The very manner of his studies requests the goodwill of local people, and he's probably hitchhiked more than a thousand miles in car, wagon, boat, even a camel. His senses are astute enough to pick up on nefarious intent, and Dante doesn't trigger any alarm bells. " Why not if I'm already tall enough to ride? " he says, playing off of Dante, " and if the pie is as good as you make it sound, I'd love to taste it myself. "
After getting the go-ahead to come in, he sits in the front passenger seat and thanks the driver for the ride. While Oregon is lovely this time of year, a spot of air conditioning is even lovelier. Plus, does he get to make an acquaintance? A friend? Glancing over to Dante, Maharth chances a conversation, hoping it won't be a distraction. " Have you lived in Antioch your whole life, Dante? "
The Swamp Monster. The haunted cemetery. Dante's been here for all of three years—or perhaps more, as time seemed to bend around the sleepy little town in a warp, and still he doesn't remember half the urban legends around town. He'd left chasing ghosts to his old division, now he just deals with car accidents, crush injuries and people's guts.
"Sorry, bud. You're shit out of luck—if you want the creature feature tour, I'm not your man. Watering holes and food? I've got you covered." It's not a bad thing to know in town, and at least he has an amazing repertoire of places that deliver late, just for those times he needs to be in the hospital at all. Leading him to a car fit for a doctor, pristine and shiny, Dante waves at it with a mock flourish. "Last chance to get off the ride, Maharth. It's a drive to the diner—and I'm in the mood for the blueberry pie."
#— m.p. chandrasekhar#— d. hernandez (saltedearths)#[ *sadly gestures to all of maharth* here is your red flag 🫱😢🫱 ]#— threads (m.p. chandrasekhar)
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