#“we need diversity! plus you need the audience to appeal to the audience” im going to fucking bite you. fuck off.

[deer-with-a-stick]

if netflix makes Luo Ji non-chinese I'm going to throw myself off a fucking cliff

[not-goldy]

Sometimes I wish Jimin stop being so secretive on cam and basically a wallflower. I wish he speaks up more and calls out BS immediately, especially during lives like JK/Tae or Joon does or is it because he doesn't get much wierd comments 🤔. Also stop being so fucking humble.. like sir you are a history maker, everything you release are organic hits, have a huge fanbase, your bdays are celebrated as Christmas day, why tf would you think you don't even deserve a music show win ?????? Own your success and skills please 🤧

And I also wish JK stop being so impulsive, saying and doing absolute dumbest things 🤧 sometimes he sounds like those cocky boys who will say they'll make you come thrice in a row and will climax within 2 seconds lol. He's so cocky; knows he's hot and his impact but at the same time he still don't know what he really needs. So I wish he becomes more mature and get his shit together asap

Maybe if they use share these qualities a bit with each other it will be fine lol. JK sharing some of his cockiness with Jimin so he can go 'yeah that me, Park Jimin' bitches 💅' and Jimin sharing some of his level headness with JK, so he can think before doing and saying some things 🥲

Idk how they are even navigating through their relationship when both are on opposite ends of attitude and lifestyles, like is that even possible ? Won't both parties get sick of each other soon? ... or maybe like you said JK is the freedom Jimin is craving for and Jimin is the leash JK very much needed 🤷‍♀️

Set me free was liberating for me and I think Jungkook too cos he stamped his approval on it like you could tell Jimin frustrates him sometimes with the kill them with kindness vibes he has going on.

And I know Jimin is not a push over too cos there's some really hard core ghettoness buried deep inside his slytherine heart- he is the master of self control cos I'll be getting canceled every second if I were him🥲🥲🥲

I'll be dropping mid night rants talking bout yall could never be me😭😭😭😭🤣🤣🤣🤣🤣🤣

Hash tag jealous

Hash tag up in your man's arms 🤣🤣🤣🤣🤣

And he lowkey be shading too but we don't talk about that🥲

He's constantly trolling haters posting Jungkook shirtless, leaning on him kissing up on him daring yall to come for Kook if he's your mans💔💔💔💔

This literally him on these streets he eats and wink

Shade is cool Jimin but throw the damn tree too🤣

They are both fascinating.

Oh lord not 2 seconds 😭😭😭😭😭😭😭😭😭😭

You is going to hell for that😭😭😭🤣🤣🤣🤣🤣

Not gonna lie, I do enjoy his chaotic character most times. I'm big on diversity. If everyone acted the same way they'd be boring as hell plus I like my BTS a tad crackheads🤣🤣🤣🤣🤣

JUNGKOOK'S a vibe. Not many idols like him. He be be tanking on the idol part sometimes- I don't think he even sees or thinks of himself as an idol😭😭🤣🤣

An idol is a whole personna carefully curated to appeal to an audience- when I tell you Jungkook ain't curating shit for no one and to please no one😭😭😭😭😭

Tell him to do aigoo I dare ya🤣🤣🤣😭😭😭😭

Sometimes I just play his memes and sleep. It's the new Netflix and chill for me.

Doesn't take himself too too serious, easy going non judgemental, quirky😭😭😭

And he is very relatable. We all don't say the right things all the time, or do the right things and overthink everything.

Some people don't find that attractive in Idols but I like it. That that I like that

Im a bit of a crack head myself so.... anywho

For an idol, yea perhaps he could be a bit more controlled and polished but not too much cos then he'd lose relatability and seem outta touch.

Frankly I think they are both perfect as they are💀

I wouldn't change much but you are right they both could influence eachother a bit and they do TRUST. 💜

[abitterlifethroughcinema]

The Five (+1) Movies To Catch For the New Year

WOKE! 2020 Film Awards PReviews  

by Lucas Avram Cavazos

It is a mighty and yet daunting task this ‘2020 thing’ that is upon us. I think inherently we all know that some things are going to shift, others will change, some will expand and a lot more are likely to im/explode. Despite the factuality of it all, one constant I will always turn to, and recommend to you my lovelies, is cinematherapy. It goes without saying that some upcoming movies, which are either now or soon to be at our local VOS movie theatres, are also about to sweep some awards and with Oscar nominations going live this second week of January, I believe the movies below will soon be water cooler twawk, so me here at A Bitter Life brings you a BCN in VOSE look at the five (PLUS ONE!) films to catch before awards season intensifies.

In fact, it was a rather decent year for some great fare and not such a hodgepodge of Marvel and Disney movies forced down our throats every other week. The film I must start off with on this 2020 Film Awards Preview would be the excellent South Korean film Parasite ####-1/2, unanimously chosen as the winner of this year’s Palme d’ Or at Cannes and easily gracing the top or near-top of most film critic’s lists this year, as well it should. Telling the story of a South Korean family, the Kims, who slowly become interlopers within the confines of the uber-wealthy Park family. Starting off with one of them acting as a tutor, they slowly find a way to fill a need for the Park family, all while acting as non-related good Samaritans…that is until a botched getaway vacation and an underground bunker with a tale to tell reveal themselves and send the two families into a quagmire that must be seen and lived to be believed. (Now playing all over BCN/CAT/ESP)

Next up would be my personal favourite this year, though very closely followed by the aforementioned film! Once Upon a Time in Hollywood ####-1/2 became, at least for myself, a redeeming factor in the oeuvre of Quentin Tarantino after the meh! feelings given off by his last big screen outing a couple of years ago. Taking the tragic, real-life story of the Manson Murders that ended the life of Roman Polanski’s then-wife Sharon Tate, director Tarantino buckles his audience into their seats and sends them into a time zone tunnel to 1969 Los Angeles. One of the things that has always revolved around a Tarantino movie is the element of revenge. Here, we have a different take on a true event, but the concept is widened by the director using actors Brad Pitt, Leonardo di Caprio and even Margot Robbie as conduits of a bygone era that give a peek into a mindset and time that usually must be lived to be remembered. The fact that we, the viewing audience, feel like we were actually there in ’69 and then also given the chance to make up our own mind as to a possible different ending to the Manson family murders is mere evidence of a great director/writer who seamlessly gives us a choose-your-own-adventure saga with superb cameos. Excellent cinema once again. (Soon on DVD/Blu-ray & VOD)

The next big film that has increased the star power and respectability factor of Happy Gilmore, uh I mean, Adam Sandler is the ever-loved and heralded film Uncut Gems ####.  If we have to put some truth to power, it must be noted that part of the film’s appeal is that it is such a New York City film. When you then throw in the elements of a thriller mixed with the Diamond District of Manhattan AND a run-around plot that also includes ballers and entertainers like Kevin Garnett and The Weeknd playing themselves, what you get is a peek into  what feels like a true-life crime show playing out in front of your eyes. Add in the ever-excellent Tilda Swinton and Natasha Lyonne, as well, and even despite the long 2-1/4 hour running time, what you get is Adam Sandler, under the direction of the Safdie brothers and along with the good graces of Netflix (who will also be distributing the film in Europe), becoming the new Comeback Kid. (To be released in BCN/CAT/ESP via Netflix on Jan.31)

While we’re on the subject…Netflix. Whatever your thoughts may be on the streaming site service (and others like it), it goes without saying that VOD services have become the wave of the future. Home cinema and entertainment centres/systems are what make for the latest in silver screen viewing. For the last three-plus years, the world cinema system (not to mention film academies and award outlets) have had to adapt to a new reality few probably ever even thought of before this new digital age. Just a few days ago, perhaps showing a bit of wane after receiving the most nominations, only two actress winners took home trophies, Olivia Colman as The Queen in The Crown and Laura Dern for A Marriage Story, reviewed below. With that said, famed director/ writer/ producer Marty Scorcese decided to go the Netflix route for his (likely) last mafia opus The Irishman ####, detailing the life story and inner workings of the Philly mob, while also detailing intricacies of the Teamster unions, Jimmy Hoffa, the Kennedys and the inner workings of the US mafia and its many minions. Financed by Mexican firm Fabrica de Cine (mad side-eye and furrowed brow) amongst Netflix and other studios for international rights, the production of the film apparently ballooned up to (and some reports even say, well beyond) $160 million. With just under 8€ million reaped at the worldwide box office (taquilla) coffers, it’s fair to say that this film in all its glory should have been edited to a slightly shorter length and intended for movie theatres. It has had a fairly great response by viewers on the streaming site du jour, but even Sandra Bullock garnered hella more viewers with her formulaic thriller Bird Box earlier in the year. As a student and tutor of history, the elements of the film that stood out to me went beyond the impeccable performances, specifically by Pacino as Jimmy Hoffa, but of course De Niro and Pesci as Frank Sheeran and Russell Bufalino, as well, but it was Scorcese’s capturing of that forgotten time around which we find so many Trump supporters harkening to, and it details the trials and tribulations of the working class then…and perhaps, even now. That aside, I abhorred the expensive de-ageing CGI process to make the Italian acting kings look younger…just vile. It was like they suddenly became animated secondary characters from a dropped scene in Spielberg’s Tin Tin film a few years ago…bloody odd for a live-action mafioso epic. Still…Scorcese is the only working director who can capture that essence of a time gone by and dress it in Hollywood’s finest if overly-priced storytelling. Which brings us to the other Netflix gem to catch…but only when emotionally prepared.  (Now streaming on Netflix and select screens)

Marriage Story ####, a.k.a. that likely Oscar-nominated film that will require too many tissue moments, also makes its way to this list. Trust, I can get my heart strings pulled quite easily if the right sentiments abound, so I was non-plussed going into this because I had already heard from my film fest peops that it was a bit of a tearjerker. Undeniably, there is a brutally-displayed realness that envelops the main characters of this film, particularly actresses Scarlett Johansson and Laura Dern. Helmed by the wonderful Noah Baumbach, Johansson gives a near-best performance as former teen actress turned TV actress Nicole Barber, who separates from her NYC theatre-directing husband played by Kylo Ren himself, Adam Driver. When she takes a role and moves to LA, along with their child, things become even more real. There is a gutsy bravado that clearly makes itself beyond relevant, as the melancholy yet funny film continues, and I, for one, could hardly keep the sobs at bay with the ending of the film. This is the stuff that ‘rom-drams’ need last their heart, not that paltry shite fed to too many simpletons by Nicholas Sparks. (Now streaming on Netflix and select screens)

Aaaaaaaaand…lastly, Knives Out ####-1/2 rightly fixes itself into a final slot on this list because it is one of those long-lost wonders of vintage cinema…a star-studded quasi-whodunnit with wit and thrills and superb, serio-comedic acting by everyone involved. A mere smattering of those actors would be Daniel Craig, Chris Evans, Jamie Lee Curtis, Spanish actress and Golden Globe nominee Ana de Armas, Michael Shannon, Toni Collette and even Don friggin’ Johnson! Following an investigation into the sudden death of famed mystery writer Harlan Thrombey (Christopher Plummer), who had just invited main members of his family to his mansion for his birthday celebration, we see the touches of a perfectly poised ensemble film. Director/writer Rian Johnson has really stepped up to the plate with the best of the new directors and fresh off his box-office behemoth Star Wars: The Last Jedi from a couple of years back, his helming a film like Knives Out really plays his hand heavily in his diversity and directing tenacity. The fact that he also wrote this fine piece of script and dialogue makes him even more worthy of a possible director nod and it goes without saying that the cast is undoubtedly the finest ensemble piece made and released in the last year, and if you’ve been seeking a classic feel of a film with a smart, sharp modern twist, this film will satiate any of those olskie-olskie longings of a nostalgic murder mystery that makes you feel good after you leave the cinema. (Now playing in BCN/CAT/ESP)