#ⅲ. 𝖎𝖘𝖆𝖇𝖊𝖑𝖑𝖆 𝖒𝖆𝖗𝖎𝖆 ♖﹙development.﹚

[iisabclla-blog]

queen  isabella maria  of france ! ﹙ a bed untouched and blankets on the windowseat, immaculate hair and porcelain skin,  what have i done, what have i done?  an untouched plate and an empty wine glass, books piled up on an unused bedside table, a plate of cherries, if only i had died too           a worn bible with a small length of ribbon sewn into the cover, candles burned to quick, crescent-moon shaped cuts on the inside of a soft palm, black kirtle, black shawl, everything black ﹚

hi all !! sorry this is so loooong, i’m big into character development so once i got started i couldn’t stop ! i’m enna, i’m 21 and from pst. my pronouns are she/her !! i was part of this group during the og version and i’m excited to go for this again !!

i have discord, so hmu if you want to contact me there, and if i’m online, i’m always available thru ims !!  

feel free to like this to plot. there are connection ideas at the bottom so please take a look and see if anything fits your muse and it might help us brainstorm something fun!

ⅰ. —     statistics & appearance.

𝚗𝚊𝚖𝚎 — isabella maria

𝚝𝚒𝚝𝚕𝚎 — queen of france

𝚑𝚘𝚞𝚜𝚎 — trastámara of spain

𝚗𝚒𝚌𝚔𝚗𝚊𝚖𝚎 —  bella, but only by her favorite lady’s maid and closest friend

𝚖𝚎𝚊𝚗𝚒𝚗𝚐 —  devoted to god

𝚊𝚐𝚎 / 𝚍𝚘𝚋 —  twenty seven, born 23rd may

𝚗𝚊𝚝𝚒𝚘𝚗𝚊𝚕𝚒𝚝𝚢 — spanish

𝚜𝚎𝚡𝚞𝚊𝚕𝚒𝚝𝚢 —   bisexual ;  she’s aware of and has acted on her attraction to women in the past. although it is, naturally, a secret, she is not ashamed of her love for other women.

𝚐𝚎𝚗𝚍𝚎𝚛 —  female

𝚙𝚛𝚘𝚗𝚘𝚞𝚗𝚜 —  she/her

𝚑𝚎𝚒𝚐𝚑𝚝 —  5′4

𝚌𝚘𝚖𝚙𝚕𝚎𝚡𝚒𝚘𝚗 —  her skin is soft, warm and blemish-free, a necessity in her station. she likes to keep her skin clean of any marks and pale, like a doll. she augments the warmth and softness of her features with sharp, simple jewelry & wardrobe choices, although notably she does not display her wealth through jewelry, and instead chooses simple and elegant designs over heavy and ornate

𝚋𝚞𝚒𝚕𝚍 —  she’s small and well-built, not skinny, but soft and with a certain amount of roundness to her. she has the typical feminine shape and a bit around her tummy, thighs, and arms

𝚑𝚊𝚒𝚛 — her voice is lovely and her accent is chocolatey, carefully schooled to be soft and convincing; when she’s angry, her voice becomes much louder and less delicate, slipping further into her accent

𝚝𝚛𝚊𝚒𝚝𝚜 — she carries herself like her station, with an air of superiority: her chin is always held high and her neck long, her whole posture ramrod straight; she rarely smiles without coaxing these days, but when she does it’s usually warm and surprised, like she’s forgotten that she knows how to do that

ⅱ. —     personality.

tw / miscarriage, depression, mentions of suicide

𝚌𝚑𝚒𝚕𝚍𝚑𝚘𝚘𝚍 — as a young girl, isabella was a more naive and patient thing. her family ties were strong, and her loyalty to her father & later her brothers was as unwavering as the moon’s rise and fall. she was raised a perfect princess ; educated, crisp, pious and penitent, faithful to the last and hopeful for the future.

𝚙𝚛𝚎𝚜𝚎𝚗𝚝 — after having lost all of her children thus far, isabella’s disposition has hardened, and her love and loyalty has started to chip away. she still acts a quiet, faithful and penitent wife, sewing her husband’s shirts and spending an hour or two in the chapel a day. beneath it all, however, is a boiling rage, born of shame, injustice and sadness that she cannot tame.

𝚎𝚖𝚘𝚝𝚒𝚘𝚗𝚊𝚕 𝚜𝚝𝚊𝚝𝚎 —  were she a more modern woman, she would hunt for sport and retire to a country house. the business of being queen sits heavily on her shoulders. suffering from depression and often times a passive narrative that her life has been wasted and will continue to be wasted, isabella is about as unhappy as any queen has a right to be. she bears it quietly and acts the part of pretty, perfect wife, although nearing closer and closer to her limit.

𝚊𝚜 𝚊 𝚚𝚞𝚎𝚎𝚗 —  although she was perhaps spoiled and too young when crowned, isabella has become known as a thoughtful, keen-witted and fair queen. remarkably thoughtful, every action and position she takes is well-informed and thought through; she is known for heeding evidence and admitting when she’s wrong. her favorite subjects to learn about are history and economy, and as such she’s done good things for trade and public infrastructure, making her relatively popular with the smaller towns and common people benefiting from her strategic work. she has come to love france, although she does not love governing, and consider its people hers.

𝚍𝚒𝚜𝚙𝚘𝚜𝚒𝚝𝚒𝚘𝚗 𝚝𝚘 𝚜𝚝𝚊𝚏𝚏 — although a haughty and strict mistress, isabella finds herself more and more drawn to common folk. it seems the servants are the only folk that show her empathy within the french borders.  

𝚍𝚒𝚜𝚙𝚘𝚜𝚒𝚝𝚒𝚘𝚗 𝚝𝚘 𝚛𝚘𝚢𝚊𝚕𝚝𝚢 — depending on the person, isabella ranges from curtly polite to quietly warm ; she does not particularly enjoy french court, but she’s always polite and graceful. there can be no rest for her; although her home and a country she’s deeply proud of, france feels not unlike a claw trap closed tight around her ankle.  

𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛 𝚝𝚛𝚊𝚒𝚝𝚜 — choleric, intelligent, bold, vindictive, poised, restless, fierce

𝚛𝚎𝚕𝚊𝚝𝚒𝚘𝚗𝚜𝚑𝚒𝚙 𝚝𝚘 𝚛𝚎𝚕𝚒𝚐𝚒𝚘𝚗 — she no longer believes in god. her prayer is show, her piety is act, and if she did believe, the things she’d pray for would be any manner of blasphemy, treason and regicide.

ⅲ. —     brief backstory.

— will be updated and changed with plotting and development; relationships with family and french royalty are purposefully left vague until plotted — tw / miscarriage, depression, mentions of suicide

born the middle princess and good for little but bargaining, isabella was spoiled and coddled by her governess from a young age. education, hope and foolish naïveté let her believe the future was wide and wild, that her betrothal was a thing she could become accustomed to, that her father could do no wrong, and that her brothers were blessed by the sun itself. she was looking forward to a life atop a throne with an endless library, travelling and dancing.. and children. happiness. old age and grandeur.

married life quickly disabused her of these childish notions. though she is its queen, she often feels trapped and cornered by france, by her marriage and her duty, willing her body through hatred and shame to do its damn job and provide one squealing shouting babe so she could point to it and say see, i am worth something, i am a princess of spain and i cannot be made less than i am —  but an heir never came, and happiness never followed, and the years have made a bitter, hollow woman of one that was once bright and playful.

though miserable and often times wishing for a grave alongside her buried children, she forces herself to persevere through spite alone; she can think of many worthy things to fall to, but a failed marriage and shame are not worthy things to die over. instead she cultivates the anger over the sadness and tries as hard as she can to put herself back together in the wake of her collection of small tragedies.

her only solace is the repeated hope that one day she will be allowed a child she can keep and hold, the stories and poetry she finds among the pages and pages of the french library, and the art and music that calls france home as much as she has to. she keeps tokens of her lost children, even ones she knew for weeks alone. a small ribbon on her bible for the babe she birthed, and river stones for the ones she did not.

ⅳ. —     connection ideas.

platonic —  

closest friend, confidant ( future or current )

unlikely friendship ( preferably someone with an opposite personality )

earned trust & loyalty ( put some of that endless loyalty and hero worship she’s capable of to good use )

casual friendships, gossip partners, reading circle

political allies, spanish courtiers who she’s remained friends with, a younger noble/royal she’s vaguely maternal towards

negative —  

hatred at first sight ( we all love drama )

enemy of france or spain, enemy of her brother or husband,

someone who’s been cruel to her ( french people who have been cruel to her )

someone who dislikes her backbone, rivals

almost lover turned sour

romantic —  

formative young adult love ( can be m/f/nb, royalty or no, idc i just like angst )

forbidden temptation ( can be one-sided )

previous betrothals pre-marraige ( can ofc be negative and/or platonic )

an ex lady’s maid she was lowkey in love with

an ill-advised comfort hookup that she’s now avoiding

[iisabclla-blog]

queen  isabella maria  of france !  ﹙ a bed untouched and blankets on the windowseat, immaculate hair and porcelain skin,  what have i done, what have i done?  an untouched plate and an empty wine glass, books piled up on an unused bedside table, a plate of cherries, if only i had died too            a worn bible with a small length of ribbon sewn into the cover, candles burned to quick, crescent-moon shaped cuts on the inside of a soft palm, black kirtle, black shawl, everything black ﹚ 

hi all !! sorry this is so loooong, i’m big into character development so once i got started i couldn’t stop ! i’m enna, i’m 21 and from pst. my pronouns are she/her !!

 i have discord, so hmu if you want to contact me there, and if i’m online, i’m always available thru ims !!   i’ve played isabella before a few times and she’s the angry-sad love of my life so i’m thrilled to bring her here !! 

feel free to like this to plot. there are connection ideas at the bottom so please take a look and see if anything fits your muse and it might help us brainstorm something fun! 

ⅰ. —     statistics & appearance.

𝚗𝚊𝚖𝚎 —  isabella maria 

𝚝𝚒𝚝𝚕𝚎 —  queen of france

𝚑𝚘𝚞𝚜𝚎 —  trastámara of spain

𝚗𝚒𝚌𝚔𝚗𝚊𝚖𝚎 —  bella, but only by her favorite lady’s maid and closest friend 

𝚖𝚎𝚊𝚗𝚒𝚗𝚐 —  devoted to god

𝚊𝚐𝚎 / 𝚍𝚘𝚋 —  twenty seven, born 23rd may

𝚗𝚊𝚝𝚒𝚘𝚗𝚊𝚕𝚒𝚝𝚢 — spanish

𝚜𝚎𝚡𝚞𝚊𝚕𝚒𝚝𝚢 —   bisexual ;  she’s aware of and has acted on her attraction to women in the past. although it is, naturally, a secret, she is not ashamed of her love for other women. 

𝚐𝚎𝚗𝚍𝚎𝚛 —  female

𝚙𝚛𝚘𝚗𝚘𝚞𝚗𝚜 —  she/her

𝚑𝚎𝚒𝚐𝚑𝚝 —  5′4

𝚌𝚘𝚖𝚙𝚕𝚎𝚡𝚒𝚘𝚗 —  her skin is soft, warm and blemish-free, a necessity in her station. she likes to keep her skin clean of any marks and pale, like a doll. she augments the warmth and softness of her features with sharp, simple jewelry & wardrobe choices, although notably she does not display her wealth through jewelry, and instead chooses simple and elegant designs over heavy and ornate

𝚋𝚞𝚒𝚕𝚍 —  she’s small and well-built, not skinny, but soft and with a certain amount of roundness to her. she has the typical feminine shape and a bit around her tummy, thighs, and arms

𝚑𝚊𝚒𝚛 —  her voice is lovely and her accent is chocolatey, carefully schooled to be soft and convincing; when she’s angry, her voice becomes much louder and less delicate, slipping further into her accent

𝚝𝚛𝚊𝚒𝚝𝚜 —  she carries herself like her station, with an air of superiority: her chin is always held high and her neck long, her whole posture ramrod straight; she rarely smiles without coaxing these days, but when she does it’s usually warm and surprised, like she’s forgotten that she knows how to do that

ⅱ. —     personality. 

tw / miscarriage, depression, mentions of suicide

𝚌𝚑𝚒𝚕𝚍𝚑𝚘𝚘𝚍 —  as a young girl, isabella was a more naive and patient thing. her family ties were strong, and her loyalty to her father & later her brothers was as unwavering as the moon’s rise and fall. she was raised a perfect princess ; educated, crisp, pious and penitent, faithful to the last and hopeful for the future.

𝚙𝚛𝚎𝚜𝚎𝚗𝚝 —  after having lost all of her children thus far, isabella’s disposition has hardened, and her love and loyalty has started to chip away. she still acts a quiet, faithful and penitent wife, sewing her husband’s shirts and spending an hour or two in the chapel a day. beneath it all, however, is a boiling rage, born of shame, injustice and sadness that she cannot tame.

𝚎𝚖𝚘𝚝𝚒𝚘𝚗𝚊𝚕 𝚜𝚝𝚊𝚝𝚎 —  were she a more modern woman, she would hunt for sport and retire to a country house. the business of being queen sits heavily on her shoulders. suffering from depression and often times a passive narrative that her life has been wasted and will continue to be wasted, isabella is about as unhappy as any queen has a right to be. she bears it quietly and acts the part of pretty, perfect wife, although nearing closer and closer to her limit.

𝚊𝚜 𝚊 𝚚𝚞𝚎𝚎𝚗 —   although she was perhaps spoiled and too young when crowned, isabella has become known as a thoughtful, keen-witted and fair queen. remarkably thoughtful, every action and position she takes is well-informed and thought through; she is known for heeding evidence and admitting when she’s wrong. her favorite subjects to learn about are history and economy, and as such she’s done good things for trade and public infrastructure, making her relatively popular with the smaller towns and common people benefiting from her strategic work. she has come to love france, although she does not love governing, and consider its people hers.

𝚍𝚒𝚜𝚙𝚘𝚜𝚒𝚝𝚒𝚘𝚗 𝚝𝚘 𝚜𝚝𝚊𝚏𝚏 —  although a haughty and strict mistress, isabella finds herself more and more drawn to common folk. it seems the servants are the only folk that show her empathy within the french borders.  

𝚍𝚒𝚜𝚙𝚘𝚜𝚒𝚝𝚒𝚘𝚗 𝚝𝚘 𝚛𝚘𝚢𝚊𝚕𝚝𝚢 — depending on the person, isabella ranges from curtly polite to quietly warm ; she does not particularly enjoy french court, but she’s always polite and graceful. there can be no rest for her; although her home and a country she’s deeply proud of, france feels not unlike a claw trap closed tight around her ankle.  

𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛 𝚝𝚛𝚊𝚒𝚝𝚜 — choleric, intelligent, bold, vindictive, poised, restless, fierce

𝚛𝚎𝚕𝚊𝚝𝚒𝚘𝚗𝚜𝚑𝚒𝚙 𝚝𝚘 𝚛𝚎𝚕𝚒𝚐𝚒𝚘𝚗 —  she no longer believes in god. her prayer is show, her piety is act, and if she did believe, the things she’d pray for would be any manner of blasphemy, treason and regicide.

ⅲ. —     brief backstory.

— will be updated and changed with plotting and development; relationships with family and french royalty are purposefully left vague until plotted — tw / miscarriage, depression, mentions of suicide 

born the middle princess and good for little but bargaining, isabella was spoiled and coddled by her governess from a young age. education, hope and foolish naïveté let her believe the future was wide and wild, that her betrothal was a thing she could become accustomed to, that her father could do no wrong, and that her brothers were blessed by the sun itself. she was looking forward to a life atop a throne with an endless library, travelling and dancing.. and children. happiness. old age and grandeur.

married life quickly disabused her of these childish notions. though she is its queen, she often feels trapped and cornered by france, by her marriage and her duty, willing her body through hatred and shame to do its damn job and provide one squealing shouting babe so she could point to it and say see, i am worth something, i am a princess of spain and i cannot be made less than i am —   but an heir never came, and happiness never followed, and the years have made a bitter, hollow woman of one that was once bright and playful.

though miserable and often times wishing for a grave alongside her buried children, she forces herself to persevere through spite alone; she can think of many worthy things to fall to, but a failed marriage and shame are not worthy things to die over. instead she cultivates the anger over the sadness and tries as hard as she can to put herself back together in the wake of her collection of small tragedies.

her only solace is the repeated hope that one day she will be allowed a child she can keep and hold, the stories and poetry she finds among the pages and pages of the french library, and the art and music that calls france home as much as she has to. she keeps tokens of her lost children, even ones she knew for weeks alone. a small ribbon on her bible for the babe she birthed, and river stones for the ones she did not.

ⅳ. —     connection ideas.

platonic —  

closest friend, confidant ( future or current ) 

unlikely friendship ( preferably someone with an opposite personality ) 

earned trust & loyalty  ( put some of that endless loyalty and hero worship she’s capable of to good use ) 

casual friendships, gossip partners, reading circle

political allies, spanish courtiers who she’s remained friends with, a younger noble/royal she’s vaguely maternal towards

negative —  

hatred at first sight ( we all love drama ) 

enemy of france or spain, enemy of her brother or husband, 

someone who’s been cruel to her ( french people who have been cruel to her ) 

someone who dislikes her backbone, rivals

almost lover turned sour

romantic —  

formative young adult love ( can be m/f/nb, royalty or no, idc i just like angst )

forbidden temptation ( can be one-sided ) 

 previous betrothals pre-marraige ( can ofc be negative and/or platonic ) 

an ex lady’s maid she was lowkey in love with 

an ill-advised comfort hookup that she’s now avoiding

[iisabclla-blog]

👑👑

 ⅰ. 𝖎𝖘𝖆𝖇𝖊𝖑𝖑𝖆 𝖒𝖆𝖗𝖎𝖆 ♖﹙x. name.﹚

 ⅱ. 𝖎𝖘𝖆𝖇𝖊𝖑𝖑𝖆 𝖒𝖆𝖗𝖎𝖆 ♖﹙name — relationship.﹚