#'love' has no inherent moral quality and in fact treating it like it does kinda makes you a dick!

[fearforthestorm]

wow what a great day to support people who experience "love" in an atypical way and often feel left out when people talk about how love is what makes us human. this post goes out to all our aspec (especially aplatonic), loveless, low/no empathy folks, and everyone else who can relate here too. from one low-empathy aro to everyone else who feels ostracized because of the feelings they experience - or are expected to experience but don't - i see you, and you're wonderful, and there's nothing wrong with you, and our experiences are important and beautiful and in no way lesser than anyone else's. <2

[weaselbeaselpants]

Hold it, hold it- HOLD ON.

So SaiScribbles is bringing to light the fact that, on top of everything else alleged about her, Lily's most popular video has a lot of pieces ripped from two articles written by Jaimie Kingston (WuhWack, need link) and Riley H (Medium) complaining about SU's racial problems.

Other than being a bit on that 2016-2019"your fav thing is bad and you should feel bad"-spectrum of criticism that would later fuel our dumb anti v proship discourse we have today, I think the arguments made by Jaimie and Riley against SU are solid. Sai and her commenters are kind of otherwise treating the criticisms themselves like they're the problem and that they ought to be 'debunked'.

As I've stated a few times now, I'm a fan of Steven Universe and even I don't think they handled all the discussions of race and conflicts well. I like the Diamonds as villains and liked them being 'redeemed' -yes, SU truthers, I too have read Rebecca's explanation and how Steven doesn't really forgive the Diamonds. I know that's the intent, mine and other people's counter is that wasn't very well communicated or done particularly well, and yeah no matter how you spin it or put it in the context of fiction; the Diamonds were interspace war and overlords and the series and Steven himself made peace with them- Also, I thought the Garnet anti-racism psa was kind of in bad taste and talking-down to it's audience.

As far as complaints I'm not able to speak for because I'm white as fucc: if Sugalite's design, the human zoo plot, the way the crewniverse drew lips and people of color (AS people of color themselves) is uncomfortable or offensive to you- you're within your right to be offended about it and dislike Steven Universe on that basis. Don't let anyone tell you otherwise. Just because an LGBTQ or BIPOC person had a hand in making something does not mean it can't still be offensive: Velma, The Nutshack, Hazbin Hotel and Netflix's Good Times, though shows for adults, were written with/by/for bipoc folks-- that DOES NOT mean there aren't any problems with those series. I can personally think SU beats all those shows into the ground but that doesn't mean it can't be racist just cuz I don't want it to be.

I kinda feel like Sai is missing some of the point of the og articles, dunking on them for ever making these complaints and being upset, when the real focus should be on how Lily pulled an honest to god James Somerton.

What Lily did with Jaimie Kingston and Riley's is proof of her greatest flaw as a critic and activist: she uses (or 'steals') other people's criticisms to fuel her own hatred of something. Moreover, she phrases these criticisms made about the thing she hates as being an inherent moral failing on people who defend it and so her takes are the correct way to feel and think. That was not the point of either article, regardless of how I think they were written. These articles were written as a potential call-out at worst*, Lily's vid was a straight up attack on the Steven Universe fanbase as a whole.

Lily can try to say otherwise, but what she's really angry about is that Steven Universe wasn't written exactly like how she wanted and she's pissy because the fanbase was and is still really toxic. Both these reasons are valid enough to be all 'ick, I hate SU and I hate how god damn in love the fans are with every aspect of it'. You can fill up an entire video with just rants about the fanbase and the writing quality. If you don't know how/don't CARE TO articulate, add upon, link, or source another perspective that's not your own, DON'T TOUCH UPON THOSE TOPICS.

This is why I otherwise leave out the criticisms to be had against Star vs the Forces of Evil's diversity activism fails. I have 'thoughts' on it, as a white fan watching a show by a white creator about a white girl trying to be an ally, but my point in omitting them from this discussion is not to say these problems aren't there and worth talking about. I don't have faith in my own social awareness to talk about these issues I don't have a perspective on. I can talk of them, but not about them.

Even if Lily is native, which she could be (not what this post is about), she is not black. She sat here talking for black people using black people's words as if they were her own -> blocked these writers for stealing from her. And then she[Lily] went and made a couple dozen Nazi-references to the whole issue of genocide in the show -> when Jewish fans and listeners told Lily to maybe not do that (especially cuz Rebecca Sugar is Jewish), Lily dismissed, blasted or blocked them outright.

Lily only cares about social justice when she can use it to benefit herself and her own selfish ideas, feelings and wants.

Allies (of any kind, speaking for a group they aren't a part of) may be misinformed, apologetic, ignorant, rude or abrasive in how they go about their activism. There's no exact right way to do any of this. But, there is always a wrong way.

[firebunnylover]

LoSH S2 discussion

I love Legion of Superheroes. And i love season 2, but that doesn’t mean I don’t think about how it could have been improved. In terms of quality, it varies more than season 1. Some parts are top tier while others… eh.

Season 2 is darker than season 1. And there’s the inherent stigmatism that darker means better. But it’s not true.

A horror schlock film is not inherently better than an animated film.

I don’t blame the staff on all its shortcomings. Kids WB was on its deathbed, so they probably had less time to work and iron out ideas. And executive meddling.

The second season had a lot of good elements, but there are things that weighed it down. I am here to discuss how to improve said things.

Heads up: ended up editing part of this post after rewatching the episodes.

This first bit is more of a personal preference, but instead of the 41st century, maybe move the original source of conflict to a farther region of space, one that the UP doesn’t interact with, and has been growing in terms of turmoil until they finally resort to bringing the Legion over. In other words, it has just been put aside by everyone else to the last minute.

Parallel to Brainy’s relationship to Brainiac. He doesn’t want to deal with it. He never brings it up. But maybe if he did, he wouldn’t have gotten corrupted.

This place still has plenty of old documentation of the original age of superman, so Kell is disillusioned with the ideal glory days. Keep Kell Edgy.

Kell’s home and K3NT still gets destroyed - reflects Krypton’s own destruction.

SPEAKING OF KELL:

Make his story more apparent that it’s one realizing that kindness is not an inherent weakness. And neither is being soft. He was raised for fighting and killing Imperiex, and was taught to think that they were weaknesses. Have him realize his identity can be beyond the Clone of Superman made to kill Imperiex. Or rather, have him react more to realizing that he’s moving beyond his given identity.

To clarify; they do address his development in the show a few times, but I want more continuous development instead of the rapid nods we get. Have him try to interact in a more humane way with others. Especially with other members of the Legion. Where they have to take a double take in seeing him acting not that edgy. Maybe offer more flashback of him fighting Imperiex in comparison, and how he treated allies then.

Also put K3NT’s story under the microscope. I doubt Imperiex just came out of nowhere with his attacks. Plus the fact they went far enough to send a hitman after a fucking child? That screams yikes and maybe we need to double check the story.

And an overall issue to be addressed is what rights do robots have and what conditions need to be met? Because let’s face it, we make robots to do complex work for us. But Colu is a culture where the main people ARE robots. Like in Transformers. What line do we draw between non-sentient robots vs the sentient ones in the 31st century? And what about cyborgs/people who give up their original bodies for robotic ones?

Plus Imperiex himself came to be because of the perfected combination of organic tissue and robotics. This topic of robots and individuality/personhood could have been a fun topic to explore.

Don’t sideline the girls. Leave TG alone. 

Don’t put SG in a coma for nearly the whole season - seriously it’s the reason why the guys make one bad decision after the other. Although with that said, it’s because she’s not around we got the majority of s2 plots. She’s the goddamn mom of the squad. Just make her busier and unable to keep an eye on her idiot boys for the plots based on bad decisions to happen. 

Or have her deal with after-effects of what Esper did to her. Maybe after a whole season of being the emotional support character, have her be the one in need of emotional support or not being able to help directly, especially when the group needs emotional support. Emotional support paradox.

Maybe don’t make Cosmic Boy appear as much as a dick in the episodes where he does show up. He’s trying to hold this goddamn team together, and there’s a goddamn tyrant trying to conquer the galaxy. HE’S FUCKING TIRED AND STRESSED. AND IM SURE THERE ARE A BUNCH OF JERKS WHO WANT TO TAKE ADVANTAGE OF THAT TO DISSOLVE THE LEGION. Better yet, throw in some more backstory with him and his little brother Pol!

And in regards to Imperiex… The dude has a lot of potential. I like his voice actor, Phil Morris. The guy voiced Dr. Sweets from Atlantis.

But his writing needs help.

In the original DC comics, he’s the embodiment of Entropy. Anyone who’s seen Madoka is probably familiar with what that is. But if you're not, here’s a definition: “ the measure of a system’s thermal energy per unit temperature that is unavailable for doing useful work...” He’s the embodiment of that energy that cannot be used for anything. And Entropy grows over time.

Another definition of what Entropy is “lack of order or predictability; gradual decline into disorder.”

In the comics, he’s more of a cosmic being as a result of him being an embodiment of unusable energy. He’s been in existence since, well, the beginning. He had destroyed the universe and recreated it multiple times. Okay, so that lines up with how the show portrays him. And technically, he does get the universe to reset itself in the 41st century when he alters the 31st century enough.

But I personally feel that making him a cosmic being is kinda… meh?

I personally prefer more personal villains most of the time. Don’t get me wrong, an Eldritch being done right makes a great character, but I can’t see Imperiex as one. At least not LoSH’s version.

Plus I like it when the protagonist sees the villain has a point and has changed as a result for the better.

You know, over a year ago, I used to think that it was impossible to make a tyrannical villain who’s presented as real evil seem complex.

And then… I was introduced to TFP Megatron.

Now for you LoSH fans who haven’t watched Transformers Prime, Megatron was once Megatronus. A low caste member who worked in the mines and Gladiator games. He wanted to fix the growing corruption of Cybertron. To make things better.

But his worse personality traits took over, and he lost that good motivation. Now he’s just fighting to win and defeat Optimus Prime. 

But despite the change of goals and ideals, he doesn’t want to simply abandon his relationship with Optimus. He and Optimus, or as he used to be called, Orion, were fighting for the betterment of society. And they meant something to each other. Megatron doesn’t want to just get it over with. He wants fanfare for his victory over Optimus. And he doesn’t want anyone else to rob him off that. But he isn’t opposed to getting Optimus/Orion back on his side. It’s because of this you can still argue that there is a remaining shred of good in him.

They were the best young lovers anD NO I AM NOT CRYING OVER THEM!

Also, the fact we know he was part of a minority group in the form of the lower cast  that was enslaved can make us sympathize with Megatronus of the past, as well as understand how he came to be.

It doesn’t mean we forgive him for his actions - and he has done a lot of shitty things. And I mean a lot.

But his history is more understandable. TFP Megatron’s a fall from grace.

OK I’m done dissecting TFP Meg’s writing.

We know Imperiex was a slave, and was originally organic, who’s from a society where his purpose is literally just to fight, and was gradually stripped of his original body. He was originally stripped of any agency before then though.

But he says this was a good thing. Calling his original body a weakness. And refers to his old self as a pathetic slave.

He gave up whatever softness he had.

Also, this is where K3NT’s story needs to be reexamined. Imperiex was made during what K3NT described as “A Time of Extended Prosperity”. That time had freaking slaves. And K3NT says that when Imperiex did rise up, they were unprepared. So… they were prosperous, but lacked defense to prevent anything like that happening? Or perhaps those who were in charge were that unpopular that it was easy for Imperiex to start the war.

What made him decide conquering the galaxy was the next thing to do after he had every bit of his original self stripped away? Why go as far as destroy it?

What I’m trying to say is that they could borrow a few pages from the Megatron book. Maybe he was once trying to better the society he was part of, but he decides to play the violent card at some point. And somewhere along that strategy, he starts to lose sight of the initial goal. With that, being the victor and in control becomes the main one.

Or perhaps he has grown cynical of the galaxy as it is and decides it just needs to go all together, and then start from scratch.

Like the second definition of Entropy, he gradually declines in predictability and descends into disorder.

Maybe to juxtaposition the fact that Brainiac became the main threat at the end, make him the opposite or foil to him. Rationality or logic do not serve as first-or-second influences to decisions under pressure. Emotions and his own perceived ideas do.

Speaking of Brainiac, maybe offer more of the OG Brainiac. Give us more of that smooth-voiced Corey Burton. 

Or TFA Megatron.

Seductive Bastard.

I’m sorry I have fallen for the shady-business-mafia-boss-but-morally-grey robot.

Also, the members of the legion that only get one episode focus? Give them more screen time. You can’t just introduce superman’s new adopted son Karate Kid and just not bring him for another speaking role again!

Actually, that brings me to another point.

As @spandexinspace​ pointed out, his episode is not the best, and is arguably the worst written of the whole series. Things that are issues do get brushed off to the side.

So a proposal on potential rewrite:

First, have the legion look over its current rules and what exceptions/changes they need to make.

Explore the subject of kids having to participate in these fights.

To clarify, kid shows are meant to be escapism for kids.

Shocking, I know.

So it makes sense that some characters would be the same age as the viewers. 

But while this is good representation, as you get older, you find yourself going “WHY WOULD THE ADULTS LET THEM ENDANGER THEMSELVES?!”

Kids having to fight at that age does have consequences. Batman Beyond certainly addressed it. So did Steven Universe Future.

Steven ended up being responsible for so much, that when he no longer needed to take care of things, he was unsure of who he was. And then there’s the fact he ended up with PTSD because of him having to fight so much. Then you have the fact that Greg and Rose never intended to raise him like their caretakers did... but as good as their intentions were, they still caused damage. Rose for… all the gem stuff. And look, Greg is a great dad, but not enforcing anything for Steven when he’s growing up still has it’s cost.

With Batman, he’s obviously going to do his damn best to keep kids safe, including the Robins. But sometimes, it’s not enough. He wasn’t able to keep Tim safe in the event with the Joker in Batman Beyond. Where he was held captive and tortured.

But the Batkids are never expected to resolve this stuff by themselves. Because Batman knows how much you can get screwed up as a kid. He fucking cares.

And to be fair, in most continuities I’m aware of, the other sidekicks came out pretty okay overall.

Except Jason Todd.

So my proposal?

Have Val originally with Grimbor, as a sort of Protege. But have the legion capture him, only to go “uhhh this is a child with no powers”. And Superman, being the good, wholesome paragon we all love, takes him under his wing.

In all honesty, I want Superman pulling a batdad for Karate Kid in his intro episode the whole time. That was the best part of the episode for me.

Plus after the events of “Cry Wolf”, the Legion should examine the no-killing rule. Because they do need to kill Imperiex to save the universe. But that goes against the code. But they can argue it’s a necessity. But Mar Londo is also a monster. He’s the everyday monster some of us have grown up with.

When do you need to make exceptions to kill someone?

And my final main suggestion:

Add more Mekt.

What the heck were you guys expecting? You all KNOW me by now. I LOVE MY GARBAGE BOY.

Joking aside, here’s what I would do.

Have the Chained Lightning episode pushed back, but have Mekt with Imperiex earlier. Most of us would yell “Why the heck would you join the guy whose main goal is to destroy the galaxy?!” But this is one of the easiest things to address.

Explore more of his past. Use the comic sources with him being outcast for being a solo on Winath. With that in mind, him deciding to side with Imperiex can make sense.

Why try protecting something that has done nothing but hurt you?

There’s actually a pretty good reason why he would side with Imperiex, as seen in Champions and Lightning Storm. Remember, Mekt was willing to cheat to get ahead of the sports competition he was introduced in. And also was thrilled when fighting Garth and was beating him on his own. He likes being in power.

Imperiex offers him that.

As for why Imperiex would bother with Mekt? That’s a little harder to answer. He knows that Mekt has a soft spot for his brother, and in turn sister, which proves to be the reason why the Tachyon Cannon fails. You’d think Imperiex would remove a huge fatality.

But he doesn’t.

Maybe he could hold another type of value for Mekt. Perhaps... nostalgia?

I’m still sold on the idea that they were sleeping together.

Also, give us a conclusive answer on where Mekt stands with the LSV. In the comics, he was the leader, but that role was given to Tyr in the cartoon more or less.

OK I think this has been polished enough for me to post now. What you guys think? Feel free to add on!

[lia-nikiforov]

Fall 2017 Anime Watchlist

Blablabla school is kicking my butt blablabla I shouldn’t even be doing this blablabla THERE’S A LOT OF GOOD ANIME THIS SEASON

So naturally I’m gonna go back to my worst to best format for this list. Get the trash out first

Dropped

Dies Irae: Aren’t these villains named after actual historical Nazis who were directly involved with orchestrating the holocaust soooo cooooool , so interesting, such tortured profound souls that--- ugh, I just threw up in my mouth a little. I don’t care if the Nazis are the villains, making them into complex, appealing characters is unacceptable, less so given the times we live in.

(get it, it’s a real nazi getting punched in the face, aren’t you glad you follow me so I can provide you this quality content)

Yuki Yuna wa Yuusha de aru: Yuusha no Sho: Because I wasn’t a big fan of the first season, I thought this might make for decent hate-watch, but it’s just not bad enough to warrant it. It’s also criminally boring. And because part of what made the original so bad was the ending, and this being a prequel we already know how it ends, there’s no point to it imho. I enjoy screaming at the void about shows I find stupid, but this one isn’t even worth the time. Ballroom is all the hatewatch material I’ll ever need

Black Clover: I could say a lot about this show’s egregious lack of uniqueness and originality, or how poorly executed the whole thing is, but really the only thing you need to know about this and why it’s an insufferable watch is:

THE!!!! PROTAGONIST !!!!!NEVER!!!!! STOPS!!!!! YELLING!!!!!! 

Inuyashiki: My first problema with this show is the main dude is supposed to be 58 years old but he looks older than most 65+. It’s a dumb little thing, but it completely breaks my suspense of disbelief. Other than that, the writing is just so viscerally hateful it’s extremely uncomfortable to watch. What I’d understood from the synopsis was that the aliens had accidentally merged the old man and the young dude into a single robot body, but the way it is presented  -with the old guy as the hero and the young guy as the villain- the moral of the story seems to be basically “millennials are killing the diamond industry”, or, in terms of a more well-known -though perhaps too easy- meme:

Urahara: I really wanted to like this show and support these young female creators in an industry that tends to not give them any opportunities. It’s not like it’s bad at all, nor is it offensive, it’s just really boring. The visuals are adorable, but the characters feel completely unreal –three high school girls run their own shop in Harajuku?-, especially pigtail girl who delivers every line like she was trying super hard to sound like an ojousama archetype. The show is completely committed to its Harajuku kawaii culture aesthetic and attitude, which is commendable but also something that honestly make me a little uncomfortable for no particular reason. I also feel extremely robbed off actual transformation sequences in this magical girl show. In a less busy season I might hold on to see where this went, but as it is, I’d rather wait and see how it ends and then decide if I should spend time on it.

Utter trash that I’m still gonna watch because I hate myself or something

Ousama Game: I think it’s important to make a distinction between hate-watch and irony-watch. Hatewatch is something you do with a show that’s terrible and probably offensive, but it never touches so-bad-it’s-good territory.  You can pick the show apart for all of  its flaws, be it an ill-conceived plot, poor characterization, or, you know, being grossly mysoginistic. Examples of shows I’ve hatewatched include KADO, Sailor Moon Crystal and Super Lovers. An Irony-watch is a show that pretty much everyone can agree is a dumpster fire, and it succeeds so much in its terribleness it’s histerical. Hand Shakers and Neo Yokio are prime examples of quality irony-watch material. And so is Ousama Game. It’s not even worth pointing out its flaws because there’s just nowhere to start, there is not a single thing this show does right and it’s hysterical. Of course it has the squick factor of having some gross fetish with people’s tongues lolling out and their faces getting ridiculously contracted in gross fashion when they die, but other than that, it takes itself so seriously and mixed with its 2006 low budget aesthetic the whole thing is madly hilarious.

Welcome to the Ballroom: This is my choice for hatewatch show of the seaon. After the disgusting dung that was episode 15, I’ve lost all hopes of the show ever getting “better” as was repeatedly promised by fans of the manga once the queen lord and savior Chinatsu appeared. Lo and behold, Chinatsu’s character arc is to learn to be more “feminine” and to let herself be “controlled” by Tatara. Throw in some casual homophobia just for good measure. I really have to wonder why the mangaka set out to write a manga about a sport that necessarily requires a man and a woman in partnership if she hates women so much and can’t treat them as anything above second-class citizens-

(srsly show, why do you hate women so much)

Sengoku Night Blood: It’s been a while since we got a dumbass Sengoku bishonen show that wasn’t aggressively boring. This one though, still challenges my tolerance limits for being dumbass ridiculous with its premise of vampire/werewolf Sengoku daimyo. The costumes and character designs are super ridiculous yet strangely non-distinctive. I have a hard time figuring out who is who because most lack their historical counterparts most notable features, and there’s a lot of same-face-iness everywhere. The show is clearly not afraid of embracing its otoge origins, the “love event” moments are terribly transparent. I just wish either the female character was completely erased or that the guys would stop treating her so badly. I know she’s useless, but I don’t understand why the show has dudes saying things such as “it’s really bothersome that you’re here” and frame them as if they were suuuuper romantic.

(lmfao there are no gifs for this one, maybe I’m the only sucker watching it)

Juuni Taisen: To be honest I was ready to drop this one after confirming it was gonna be more Nisio Isin fake philosophical bullshit that is actually just otaku fanservice. Instead I got schlocky ultra violence garbage and it’s actually kinda fun? Look, I’m gonna come clean, I’m just watching it for the necromancer chip’n-dale rabbit with high heels and a huge fluffy tail, but if that’s not a good reason to watch a show, none is.

Not bad, but not quite good

Shoujo Shuumatsu Ryoukou: This was another one that wasn’t quite on my radar before the season began, I only checked it out because it got excellent reviews. It’s actually surprisingly charming, although the pacing is slow, the muted color palette can be tiring and nothing really seems to be happening. I honestly struggled to stay awake during episode 2. Although there is nothing inherently wrong with the show, I’m considering dropping it because I’m just watching too much stuff and don’t have time, but I’ll wait for episode 3 to make my final decision (I’ll probably watch it Monday)

Shokoku no Altair: After the really good Sultan arc, apparently we had to go through another speed course on how to acquire new members for the party. I’m pretty much resigned to this not being the epic historical drama Arslan also failed to be, but it’s still sad to see this one getting the crappy production values while Inuyashiki is a lavishly animated production about bitter old men hating youngsters. Anyway, as long as further arcs can replicate the level of excitement and intrigue of the sultanlu arc, I’ll be looking forward to it and how Mahmut’s story unfolds. 

Fate/Apocrypha: You can tell how trashy the summer season was that Fate, which was one of my favorite shows of the season, is barely in the middle of the pack of this crowded Fall season. It’s also worth noting that I’ve lost a lot of the goodwill I’d mustered for the show after the writers remembered Palurdo-kun was supposed to be the protagonist, so now that he’s taken the center stage (and become Astolfo’s Master, which is a travesty, Astolfo deserves so much better than satisfying otaku’s otokonoko fetiches orz) I find myself rolling my eyes more often than not. Still hope to get cool fights out of this one and more Astolfo and Mordred.

GARO Vanishing Line: MAPPA brings us a new iteration of the GARO franchise, this time with a modern setting that throws back to ultra macho 80s anime OVAs aesthetic –I wouldn’t know, never watched those-. The hero is a buff uber muscular dude that literally prays at women’s boobs and Zaruba is a giant motorcycle that thinks women stink. The production values are impressive, both fight scenes are incredibly cinematic and exciting. The hypermasculinity borders on the hilarious, but I wish it could do away with the sexist humor, which luckily hasn’t been abundant enough to be insufferable. It’s a little soon to judge because they’re barely introducing us to the characters, but I’m still hoping this won’t devolve into shit territory like Crimson Moon did.

Kino no Tabi: Full disclosure, I only watched the first season of Kino a few months ago, so I have it very fresh in my memory. Since I didn’t know that this new season was more a soft reboot rather than a sequel, I thought I needed to watch the first one to check this one out. Turns out it wasn’t necessary, but I’m still glad I did it because the first season is fantastic. Which is why I’m a little concerned about this one, because the reinterpretation of the Colisseum story was… not good. It rushed through the story and made Kino look like a psychopath. The first episode was good so I’m crossing my fingers that this won’t turn into a horrible mess, but so far I’m feeling cautious and worried. But even if this one turns out to be a good reboot, I’d 100% recommend you check out the original.

Anime is in Fact Good

Classicaloid: Another show that came back with a different director and that I worry will struggle to replicate what made the first season special. There are some tonal things that make the change very evident, but so far it has overall been pretty great nonetheless, Classicaloid insane business as usual. I must say “New character appears claiming to be X’s relative, X believes it and starts treating N better to the detriment of the established cast” is a trope I’m not too fond of, but I’m willing to give them some time purely because they have a Hippopotamus that can do Musik. Honestly watching anime makes one write the weirdest of sentences.

Hoozuki no Reitetsu. Something comedy shows have in their favor is that if they come back, even after a long time, it feels like they never left. Hoozuki’s the same old Hoozuki and it’s a load of fun. I’ve loved both episodes so far, I can’t even pick a favorite skit of the ones we’ve had so far because all of them were so good. There’s not really a lot to say, if you liked the first season you’ll like this one. As usual it’s only detriment is you may miss some of the jokes if you’re not familiar with Japanese folklore, but there’s a lot of fun to be had nonetheless. 

Recovery of an MMO Junkie: Honestly, I’m very quick to judge a book by its cover, or in this case, an anime by its title. In this case, I promptly dismissed this as yet another otaku oriented harem videogame fantasy or whatever without even reading the synopsis. Then I heard the positive reactions to it and decided to give it a shot and boy was I pleasantly surprised! Not only does it feature a woman in her thirties as a protagonist –which is insanely rare! But it also focuses on delightfully adorable romance that breaches the barriers of gender. And honestly, there’s that scene in episode two in which Moriko sends a text and then horrified realizes it’s 2:00 am and feels super ashamed about it and it was so relatable I was 100% sold.

Best of the season

(don’t mind the order, I’ve loved all of these equally

Kujira no Kora wa Sajou ni Utau: So I may have misunderstood what this was about. I rarely read plot synopsis, so for some reason –I guess at first I thought the title was Kujira wa Sora- I thought there would be flying whales. There aren’t, but that’s definitely not a detriment to this incredible fantasy dystopian world. The color palette and the watercolor texture of the backgrounds gives it a magical atmosphere that is just a delight to watch. Although there’s a lot of exposition, none has felt like a forced infodump. The pacing is overall fantastic, and although the characters are a mystery for the most part, they’re already very endearing. This season is ripe with enchanting fantasy worlds and I’m really hyped about it. 

Houseki no Kuni: I was concerned about the CG designs on this one, but they work surprisingly well! The plot is still a bit unclear, but they’ve done a really good job in building the characters through their relationships to one another. Even though we don’t know a lot about them, I felt a lot of empathy for Cinnabar and Diamond and Bort, and Phos is a pretty nice point of view character to follow around. I’m definitely intrigued by the concept, and the execution has been great so far.

Blood Blockade Battlefront & Beyond: I hadn’t realized how much I missed this show until I watched the first episode of this new season. The loss of Rie Matsumoto’s wonderful directorial vision is very noticeable in the straightforwardness of the storytelling, but otherwise the show is surprisingly still a load of bombastic fun with endearing characters and fascinating world building. I particularly liked the hospital episode. I’m not sure where this story is going, but I’m excited to go along for the ride.

The Ancient Magus Bride: It’s important to note that the first episode has a lot of questionable material (please, can Elias never ever call Chise a puppy ever again), but I have to commend a great production when I see it. Readers of the manga assure that the questionable content will be contextualized later on, so I’m hopeful, because I’m already really sold on this show and I really don’t want it to be gross. It’s hard to explain or describe, but it just has this fantasy magical charm and a beautiful production that got me hooked from start to finish. It has been hyped to hell and back and so far it has lived up to my expectations. I think, apart from the lovely production values, the characters feel very real and deep from start to finish. It’s hard to explain why I feel so drawn to this show that should have so many red alarms ringing in my head, but I can’t help feel completely charmed by it

How am I gonna survive such a busy season with so much homework? Will I die trying? Will Ballroom ever stop hating women and gay people? Stay tuned to find out! And let me know which shows you’re watching this season!