#And by the way this is not a ᴋɪᴋʏᴏ exclusive thing

[shinidamachu]

I also noticed in my reread of the manga that the anime made Kikyo seem more powerful. In the manga Inuyasha easily parried Kikyo’s attack when she was first resurrected and chose to throw aside the sword to reason with her, and even got ready to strike her down and cracked his knuckles in order to bring Kagome back. In the anime he was easily overwhelmed by Kikyo and was only saved by Kagome waking up. I’m seeing Sunrise’s bias 🙄

And there's nothing wrong with making Kikyo seem more powerful. Inuyasha was constantly getting upgrades for Tessaiga without us as much as batting an eye over it.

The difference is that we were there when he found and got Tessaiga. We were there to see him struggle to master it. We were there for each and every single breakthrough. We know the how and we know the why.

Kikyo's power-ups, on the other hand, seem to come out of thin air most of the time. I'm sure she must have worked for it, but it wasn't shown, so there's a bit of a disconect between her journey getting there and the audience, which makes her achievements turn out to be not as satisfying as they could have been.

It's like, we know what the stabilished powers of a pristess are and so we think we know what Kikyo's powers are limited to, but then she does something new that doesn't fit that criteria and our only explanation is that she was the most powerful priestess of her time. Which makes sense, but also tells us that it's not important how she came to be so powerful, only that she is.

So why should we care when she uses a new trick? It's probably something she has known how to do for a while, anyway. We weren't rooting for her to get it right. We weren't anticipating it. We just roll with it.

The problem is that, in order to make Kikyo seem more powerful, Sunrise often gave her scenes where Kagome was originally the one kicking ass and taking names. And that's what I have issues with. Take this scene for instance:

Kikyo is the kind of character who doesn't do anything without a reason, so why would she interfere? She doesn't really knows Koga. She has probably no idea of his connection to Inuyasha — and even if she had, I don't peg her for comeone who'd care, considering how she treated Kagome most of the time. Koga is a demon with two jewel shards. Why help him out instead of taking them from him herself or waiting Naraku's incarnation finish the job to sweep in and do it? Because in the manga, Kagome is the one who saves Koga:

Which makes infinitely more sense and proves that there was no actual reason behind this "creative" change other than making Kikyo look cooler. The entirety of Sunrise's adaptation is full of these little shenanigans. Do you want to see a practical example of how this affects the general perception of the audience regarding the characters?

Here's Kagome diligently destroying a Naraku puppet to save an unconscious Kikyo. She actively uses the bow and arrow she didn't know how to shoot in the beginning of her journey to save someone she judges to be her love rival. And she suceeds without overthinking it or breaking a sweat.

But Sunrise thought it would be better to just do this instead:

The result? People naturally praise Kikyo for being the biggest girl boss in Inuyasha for stuff that was originally done by Kagome:

Don't get me wrong, it's great that people will appreciate Kikyo — this was exactly what Sunrise was going for, anyway — but it rubs me the wrong way that it came with the price of Kagome getting constantly criticized for being a "damsel in distress" who never does anything.

When your adaptation changes the story so much that people wrongfully perceives your female lead as useless despite the many, many scenes you still animated of her saving the day — and specifically saving the life of her supposed rival, who they judge to be much stronger and independent than her — that's when you know you fucked up.

And the worst part is that people are either blissfully unaware of this irony — because they haven't read the manga — or straight up dishonest about it.

The funny thing is: Kikyo didn't need any of that. What Sunrise did was the equivalent of taking original scenes of her being kind or compassionate and giving it to Kagome instead. It wasn't necessary. Kikyo was stabilished as a powerful woman from her very first appearance:

Kagome was the one who needed to prove herself in battle because she was the 15 year modern girl who was tossed untrained in the middle of a feudal era "life or death" situation. She was the one I wanted to see exploring and using her spiritual powers, because that's what her character needed to grow.

What Kikyo needed was humanization, glimpses of the ordinary woman she has always wanted to be. Empowerment is important, but it's also multifaceted and it falls flat when it focuses on power for the sake of power.

I'd gladly exchange any of those changes for scenes of Kikyo coping with taking a human life or using women's souls to stay on the world of the living. Scenes of Kikyo realizing she has become the very thing she used to fight against and how seeking for revenge affected the people she loves.

Scenes of Kikyo regretting decisions she can't take back, scenes of Kikyo bonding with Kaede both before and after her death, scenes of Kikyo acknowledging the part she played on the way her relationship with Inuyasha ended and apologizing for the hell she put him through over it.

That's how you make her character relatable and empathetic. That's how you highlight her complexities and makes her interesting. Kikyo being pretty while shooting arrows is absolutely stunning on screen, but it does little to create a truly emotional attachment to her character, at least for me.

As for the particular scene you brought up, Inuyasha was, in fact, easily overwhelmed by Kikyo in the anime. When she first attacks him, he just... lets her.

While in the manga, Inuyasha is quick to dodge it.

He does try to defend himself in the anime. However, Kikyo's arrow manages to stop Tessaiga's transormation and almost hits his heart.

None of which happens in the anime, where Inuyasha not only defends himself but also actively pushes back.

Sure, Kikyo still succeeds in zapping the hell out of him, but only because Inuyasha threw Tessaiga aside to reason with her, like you pointed out. When that didn't work, he cracked his knuckles in order to strike her down, before realizing he couldn't do it and then Kagome comes in with the save. In the anime, he didn't even try.

And the hug I mentioned, when he's attempting to appease Kikyo and she cries on his arms for a moment? Completely erased in favor of making her push her elderly sister aside twice and hurting Inuyasha more than originally intended while also referring to him as "beast", "monster" and "half breed."

I understand why Sunrise wanted to give Kikyo more screen time – she's a key character and people seem to have a good time drawing and animating her – but they focused mostly on making her look "cool" by kicking up a notch on the whole "vengeful spirit" thing and ended up shooting themselves on the foot by going too far.

They really thought the nonsense added scenes, like Inuyasha watching her bath or telling the audience they were always by each other's side – while actually showing them sitting far apart, Inuyasha being left to chase after the carriage she was in instead of being there with her, etc – would make up for the hug they cut out in order to give Kikyo more "badass" moments.

That's because they realized the couple had no substancy whatsoever and to remedy that, prioritized telling us that they were together for at least a couple of seasons instead of making the effort to show us this so called deep love. The hug was meaningful and made sense. Inuyasha dramatically laying on the ground while mentally screaming her name after telling her she needed to return the last piece of Kagome's soul – which is how Sunrise decided to end the episode – did not.

Especially because in the manga, he checked on Kagome before...

And after he left to try and get the remaining piece of her soul back – knowing what it would mean to Kikyo.

Plus, while obviously sad about Kikyo's "death", he also seems to accept this was for the best and acts like he is pretty much ready to move on.

Not to mention how he panicked when Shippo brought up the possibility of Kagome not being Kagome anymore and how absolutely relieved he was when he realized it wasn't the case.

And if this wasn't enough, he spent a good three panels blushing over Kagome right after the whole ordeal.

Those scenes had two purposes. One was to solidify, once more, Kagome as her own person to the audience and to Inuyasha, as well as a love interest. He had the opportunity to get Kikyo back and still wanted her to return the soul – even if it meant Kikyo would cease to exist – because he didn't want to risk Kagome not waking up or not being herself anymore, since he was already falling in love with her. Kikyo herself guilt trips him about it when he tries to convince her.

The other was to contrast Inuyasha's first reaction to Kikyo's ressurection and the information that they were both set up with his reaction after he was told that Kikyo died for him and therefore he owes her his life. The former consists on him standing up for himself and rightfully seeing himself as a victim, the latter consists on him blaming himself out of proportion based on a blalant lie. That's why in the manga he takes her "second" death so well, while the others really take a toll on him. In the anime, however, it's like he is already blaming himself when she falls off that cliff.

I attribute this change of attitude to another scene Sunrise thought fit to delete:

Of course the anime also has Inuyasha denying Kikyo's accusations, but he is way less effusive about it in there. Originally, when he realizes they were fooled into thinking they betrayed each other, he acts like they were both at fault for distrusting each other and are, therefore, even. So when she "dies" there's nothing he can do but wish for her to rest in peace and move on despite how sad it makes him.

All of this really sucks, because as you can see, the changes they did in favor of Kikyo either didn't work on her favor at all or heavily impacted the characterization of others – Inuyasha and Kagome especially – in a negative way, in addition to creating huge inconsistencies plot and narrative wise.

TLDR: yes, Sunrise's bias is obvious. And ironically, I think if they had liked Kikyo less, she would have been a much better written character because they wouldn't be afraid to give her the development she needed.

[shinidamachu]

So I'm gonna play devil's advocate for a minute: The anime emphasizes the love triangle, but could you defend it to a certain point with the anime? E.g. although Inuyasha was sealed to the tree for 50 years, to him it felt like yesterday so when he awoke, emotions are still high and raw. I also think that seeing his past lover come back to life would possibly reignite those feelings? Does this make sense (or am I just talking out of my ass)? 🤣 What are your thoughts? Is this a plausible take?

Hey! I assume you're talking about this post?

I honestly can’t defend it. Not in the manga, much less in the anime. But I don’t mind the people who enjoyed it at all. Like, it’s really subjective? And I respect everyone’s opinions because in the end of the day it’s all a matter of personal taste, so your take does make sense and it’s totally plausible.

You see, I’m actually very protective of Inuyasha’s feelings. I think it made perfect sense for him to act the way he did, considering his character and the impossible situation he was in. I’m not saying he did everything right. Quite the contrary: he made many mistakes, but I do believe he was trying his best to deal with it. 

The problem is that the fandom doesn’t give him enough credit for it, because they refuse to acknowledge his feelings past the disservice that was the “can’t I have both?” line. And this is a very superficial take on his feelings, which were incredibly complex and deep. Especially because Inuyasha was playing a losing game. Someone would end up hurt, no matter what he did. And whenever he tried to prevent that from happening, it just blew up on his face.

I agree that Inuyasha waking up to his still high and raw emotions, plus seeing his past lover coming back to life, definitely reignited those feelings. Feelings he never actually had the chance to truly process because things just kept happening one after the other as the main plot started.

I’d argue, though, that those emotions still being addressed and the lack of a love triangle are not mutual exclusive. Both things could have been done. His feelings would be high and raw after he woke up, regardless of ᴋɪᴋʏᴏ’s ressurrection. And at first, Kagome’s mere existence would be enough to reignite those feelings, since she is ᴋɪᴋʏᴏ’s reincarnation and they look so alike. At least until he learned to see Kagome as Kagome.

Plus, ᴋɪᴋʏᴏ wasn’t entirely back. Her body, made out of clay and graveyard soil, was fulled by stolen souls. Don’t get me wrong, Inuyasha was pretty much impacted by her presence, still. But we, the audience, knew that she couldn’t keep living like that and therefore her days were numbered. We knew that ᴋɪᴋʏᴏ dragging Inuyasha to hell or staying with him even though she wasn’t truly alive anymore was highly unlikely.

This, combined with the fact that ɪɴᴜᴋɪᴋ never truly made any romantic progress after ᴋɪᴋʏᴏ came back unless Kagome was convenently there to see it, causing dramatic conflict between her and Inuyasha that was then used to flesh out and develop their relationship, made everything get real old real fast because we knew he would go back to Kagome every time and nothing would really change. I can’t get mad at Inuyasha because I understand his reasons, but I can get mad at the writers because they milked the love triangle to the point of frustration without really developping  ɪɴᴜᴋɪᴋ in the process, so it just felt like a huge waste of time. When you get mad at the characters, that’ a good sign. When you get mad at the writers, though, that’s a problem.

That being said, I guess my main issue with it is that... the feelings we agreed were reignited on Inuyasha? I think they’re profound. I think they’re complicated. I do not think they’re love, though. The narrative was constantly trying to sell it as such, I’ll give them that. But to me, personally, it failed spectacularly. I think it’s great for the people who managed to see it. I, however, could never buy it.

And this is fine. Like I said, it's all very subjective. Not everyone will interpret the story the same way. Which, again, is fine.