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scruffyplayssonic · 6 years

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And the best movies of all the years I’ve been alive are... (updated for 2017!)

Hey folks, I’ve got of a bit of a tradition that I’ve started. It wasn’t a New Year’s tradition previously, but this feels like the best time to be updating

Back in August 2015, I watched a Youtube video by Jeremy of @cinema-sins, where he was answering fan questions. One question that he addressed was, “What is the best movie of every year that you’ve been alive?” While Jeremy thought this was a great question, he didn’t think one video would be long enough to explore it fully, and he wanted to find another way to answer it. This eventually was done through the Cinema Sins podcast, SinCast. Each week, the cast would discuss the movies of a certain year and then vote on which one they thought was the best, starting with 1975 in episode 14, and then working their way through another year each episode right up until episode 54, where they voted on the best movie for 2015. They then took a break for a few weeks to get caught up on some of last year’s movies that they hadn’t seen yet before finally tackling 2016 in this week’s podcast, episode 58.

I did my own picks for my favourite movie of each year back in August 2015, when I first saw Jeremy’s Q and A video. I really liked that question and was inspired to try and name my own favourites from each year. I reuploaded the updated version of this when the SinCast finished going through it last year, and I’ve been waiting for New Year’s Eve to update it again for this year. I hope you enjoy it. Feel free to comment and/or argue about my choices. And thanks again to @cinema-sins, for providing me with laughs every week in the podcasts and videos they release. :)

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1982: E.T. The Extra-Terrestrial This might be a bit of a cheat, since the film came out in June and I wasn’t born until October, but oh well. It’s still the same year.

1983: Star Wars Episode VI: Return of the Jedi The first Star Wars movie I was around to see the cinematic release of, although I wouldn’t see it in cinemas (or at all, shamefully) for another 14 years.

1984: The Terminator The original was pretty chilling. This still gets me every time. “Listen, and understand! That Terminator is out there! It can’t be bargained with! It can’t be reasoned with! It doesn’t feel pity, or remorse, or fear! And it absolutely will not stop, ever, until you are dead!”

1985: Back to the Future The beginning of what I still believe is the greatest movie trilogy of all time.

1986: Aliens More awesome from James Cameron.

1987: Spaceballs Well, it’s pretty funny. Plus I haven’t seen much else from this year, other than Lethal Weapon.

1988: Die Hard The original and quite possibly the best. More on that later.

1989: Indiana Jones and the Last Crusade This was a tough one to pick, as Michael Keaton’s first Batman film, Licence to Kill, AND Back to the Future: Part II all came out this year. But it really has to be the onscreen chemistry of Harrison Ford and Sean Connery!

1990: Back to the Future: Part III At the time, I probably would have picked DuckTales the Movie: Treasure of the Lost Lamp. Ahhh, nostalgia.

1991: Terminator 2: Judgement Day I’m sure most of you who know me and know my favourite movies saw this one coming. This was my very favourite movie of all time for almost twenty years, but recently something has surpassed it. Silence of the Lambs would probably get second place for this year.

1992: Batman Returns It was a hard choice between this and Aladdin, which was my favourite Disney cartoon for a very long time. But since it’s not in my dvd collection and Batman is… Honourable mention goes to A Muppet Christmas Carol, my favourite of the Muppet movies.

1993: The Fugitive Another tough choice, considering that Jurassic Park also came out in 1993. But I just love the battle of wits between Harrison Ford and Tommy Lee Jones.

1994: The Lion King Another of Disney’s finest. No contest, although True Lies, Speed, and The Mask were all excellent films too.

1995: Goldeneye (007) This was another tough choice, and Die Hard with a Vengeance came very, VERY close. It’s hard to live up to the awesomeness of that first film, but the partnership with Samuel L. Jackson definitely pays off here. But Goldeneye was the first Bond film I saw in the cinema, and I remember that experience vividly. Pierce Brosnan remains my favourite Bond, even though the next three films he starred in didn’t quite live up to this one.

1996: Scream The Rock and Independence Day were my other main picks from this year, but Wes Craven made an instant classic with Scream, which inspired so many other movies and spoofs. If only they’d stopped after the first Scary Movie…

1997: Star Wars Episode IV: A New Hope (Special Edition) It’s a bit of a cheat, but technically the original Star Wars trilogy was re-released in cinemas that year with new “special edition” footage, which is when I first fell in love with the series. From original movies that came out in ‘97, it’s a toss up between Men in Black, Air Force One, and The Fifth Element.

1998: Rush Hour Jackie Chan and Chris Tucker were hilarious in this one. The Mask of Zorro was another great movie, and Deep Impact, which was waaaaaay better than Armageddon. Of course, a Michael Bay film will be obsessed with making things go ka-boom. :P Yes, yes, I know The Rock was a Bay film too. So sue me.

1999: The Matrix Another of my very favourite movies. The effects, the plot, the action… it was just sensational. The Sixth Sense was another very clever movie, and Austin Powers: The Spy who Shagged Me was hilarious! But… c'mon, The Matrix, man!

2000: The Whole Nine Yards I was still a big Friends fan at the time, so I loved Matthew Perry starring alongside Bruce Willis. There was also Gone in 60 Seconds, which is one of my favourite Nick Cage films, The Emperor’s New Groove, and of course, X-Men. And then there’s Mission: Impossible 2… hey, be nice. I watched this a lot when I was in Virginia and homesick for Australia :P

2001: Ocean’s Eleven Such a clever film with a great cast!

2002: The Bourne Identity Spider-Man came pretty close, but Matt Damon was amazing as Jason Bourne. …well, that most recent movie was kind of hit or miss…

2003: Pirates of the Caribbean: Curse of the Black Pearl Who would have ever guessed that a movie based on a Disneyland ride could be so good?

2004: The Incredibles It was a good year for animation - there was this one, Shrek 2, and Team America: World Police. National Treasure came out too, which I quite like.

2005: Harry Potter and the Goblet of Fire There was also The Hitchhiker’s Guide to the Galaxy, Star Wars Episode III: Revenge of the Sith (a huge improvement on the previous two movies), Batman Begins, and of course, Serenity; the movie that had Firefly fans screaming, “NOOOOOOOOO!!!” near the climax. :P

2006: V for Vendetta I just LOVE this film. Top performances from Hugo Weaving, Natalie Portman and John Hurt. The Da Vinci Code was my second choice. Controversial it may be, and people tend to poo-poo Dan Brown a lot, but I loved this movie too. Tom Hanks was the perfect choice for Robert Langdon, and Ian McKellan was brilliant as always. Casino Royale also came out this year, which brought the 007 franchise back from oblivion.

2007: Harry Potter and the Order of the Phoenix I had to find a cinema playing this in English in Nanjing - no easy feat! But at least they didn’t butcher it like they did with Pirates of the Caribbean: At World’s End (my second pick, after I saw the uncut movie on DVD). Ocean’s Thirteen was pretty good too, if not as good as the original. And of course, The Bourne Ultimatum. I was on the edge of my seat for that one.

2008: The Dark Knight A no-brainer. One of the best films of the decade, let alone the year. Iron Man was a surprise hit too. Little did we know of what was to follow - and in fact, you’ll be seeing a few MCU movies coming up on the list. Taken was great. Oh, and I quite liked Steve Carrell’s take on Get Smart, even if he didn’t quite capture the original magic of Don Adams.

2009: Up One of my very favourite Pixar movies. Angels & Demons was pretty good too, although not as good as the first movie. Plus Tom Hanks cut his hair - I thought his shaggy do in the first movie suited Robert Langdon better. :P Strange that I liked Angels & Demons better of the books but The Da Vinci Code better of the movies. Robert Downey Jr. as Sherlock Holmes was great too.

2010: Kick-Ass This one was a surprise, but I loved the deconstruction of the traditional superhero movie they did here. And when I read the original comic, I loved the film even more for the improvements they made. Nicolas Cage was hilariously hammy, but the major star of this one was undoubtedly Chloe Grace Moretz as the tiny killing machine, Hit-Girl. After that, there was Harry Potter and the Deathly Hallows: Part 1, and Toy Story 3.

2011: Harry Potter and the Deathly Hallows: Part 2 A fantastic end to a fantastic series. There was also Rise of the Planet of the Apes, which really surprised me. Excellent stuff there. The Adventures of Tintin - an amazing film that tricked me into forgetting it was animated and not live-action several times. Finally, The Muppets, which was such a fantastic return for some of my favourite childhood icons.

2012: The Avengers No surprise there. Honourable mentions go to The Cabin in the Woods, which is a delightfully insane deconstruction of horror movies, Looper, a film I still occasionally stay up late at night scratching my head in confusion over, and Skyfall, which is probably Daniel Craig’s best Bond film so far. I also loved Wreck-It Ralph.

2013: White House Down This one was definitely the film I liked best from 2013What can I say? I love Die Hard, and this was basically Die Hard in the White House, yet it felt original enough to not just be a knock-off. The other ones I liked best would be the Marvels (Iron Man 3, the Wolverine and Thor: The Dark World), Kick-Ass 2, and Gravity, which was absolutely terrifying.

2014: Guardians of the Galaxy Marvel sure knows how to get my bum into the cinema - X-Men: Days of Future Past and Captain America: The Winter Soldier are up there, but Guardians wins out for pure fun (and the delightful company I had in the cinema <3). There was also The LEGO Movie, which I thought was very clever, and Dawn of the Planet of the Apes.

2015: The Martian When I first made this list in August 2015, my prediction was that Jurassic World would be my favourite of the year. Nope, not by a long shot. The Martian was absolutely amazing - Matt Damon’s ability to keep the audience on the edge of their seats when he’s completely alone on the screen (and on the planet) is a major credit to him as an actor. In fact, I think this film has now actually surpassed Terminator 2 to become my favourite movie of all time. Then of course we have Avengers: Age of Ultron, Mission: Impossible: Rogue Nation, and Terminator: Genisys. …no, really. Stop laughing, I really enjoyed it. :P And then there was Ex Machina, which was a really intriguing film that kept me guessing the entire time.

2016: Captain America: Civil War It’s no secret that I love my comic book movies, and this was definitely my favourite of last year. Civil War (the comic) was the first instance that got me intrigued enough to actually pick up and read a Marvel comic. It really raised an interesting question for me - just how accountable should superheroes be for what they do when fighting crime? Granted, the comic really went too far and made both Cap AND Iron Man look like total dicks, and I was relieved when the film managed to not use some of the more ridiculous ideas, such as a homocidal Robo-Thor-clone or a prison for superheroes in an alternate dimension that literally saps your will to live. On top of that, the film also introduced a fantastic Black Panther, and Tom Holland really nailed what Spider-Man should be. And that airport scene was worth the price of admission all by itself.

2017: Wonder Woman Ohhhhh man, it has been a really good year for superhero movies. We’ve had Tom Holland really prove he is Spider-Man in Homecoming, and the most ridiculous-and-yet-accurate portrayal of Batman ever in the LEGO Batman Movie. Hugh Jackman and Patrick Stewart’s swansongs in Logan were heartwrenching. Ragnarok and Justice League were a lot of fun (yes, I liked Justice League. Fight me). The Guardians managed to surpass their first movie in Volume 2 with really great character development and humour, and that would probably have been my pick for the year if there wasn’t one other superhero movie I loved even more. But I found Wonder Woman to be truly inspirational. Patty Jenkins,Gal Gadot, Chris Pine and everyone else involved with this movie created something that took my breath away. I cheer every time I see her walk out onto no man’s land, and I scream, “FUCK YEAH!!!” every time that iconic butt-kicking theme music plays. In non-superhero movies... Coco was simply amazing, and is another of Pixar’s very best movies. Star Wars Episode VII: The Last Jedi was fantastic, and I can’t wait to go see it again. And I went into Jumanji: Welcome to the Jungle with pretty low expectations, but I really enjoyed it and laughed a lot.

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I challenge any of my friends out there who are avid movie lovers to give this challenge a try - it’s not as easy as you’d think. Wikipedia is your friend though - just browse by “(insert year here) in film.” Comments telling me, “Yes, I love that film!” or, “Are you nuts? How could you forget THIS film?” are quite welcome. :)

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mrmichaelchadler · 6 years

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New York Asian Film Festival 2018: Highlights and Memories

The New York Asian Film Festival (NYAFF) turned 17 this year, a not-insignificant age if you, like me, have been attending the festival with regularity (like, say, the last 15 years). I've seen this film series grow over time, and would like to think my taste and sensitivities have grown with it. NYAFF used to be run by a group of white guys—Grady Hendrix, Paul Kazee, Brian Naas, Nat Olson, and Goron Topalovic—who had the necessary chutzpah and dedication to start a pop culture phenomenon. I know these guys: they paid for the festival with their personal credit cards and only really broke even during their first few years.

Still, they persisted, for which I'm very grateful. Back when the festival began in 2002, NYAFF's programming was a big deal for New York cult film fans like me. NYAFF's organizers regularly highlighted moving dramas and crowd-pleasing comedies that spoke to a spectrum of audiences and experiences from around Asia.

Like Uncle Boonmee, I vividly remember the festival screenings of my teenage years. Lines of ticket-holders coiled around 1st Street and towards Houston. A smaller slate of films and a different group of programmers, whose preferences and budgets necessarily limited what they showed. But those founding programmers and the current NYAFF selection committee—David Wilentz, Claire Marty, Karen Severns, and Koichi Mori, all led by Deputy Director Stephen Cremin and former Japan Society film programmer Samuel Jamier—remain some of the most influential among American film festival organizers.

The New York Asian Film Festival of today doesn't feel like the one from my already-calcifying memories. In 2010, they moved on up to the Film Society at Lincoln Center and now split their yearly program—a robust 48 films this year!—between the Walter Reade Theater and Chelsea's School of Visual Arts (SVA) auditorium. The festival's programming has become more diverse, which is something of a necessity when your international slate is co-assembled by various state-sponsored cultural institutions, particularly the Hong Kong Economic and Trade Office of New York and the Confucius Institute Headquarters and China Institute. NYAFF's programmers also now give out several awards—more than just their original Audience Award—including a prize for the best action film, an honor that's dedicated to the memory of the late and much missed former NYAFF programmer Daniel Craft.

Still, the most important aspect of NYAFF remains a constant: the festival's consistently hearty and diverse crowds are great proof that American film distributors are wrong to think that only native language speakers want to watch new Asian film. Every NYAFF is like a party, and it's a party that everyone is invited to (and many seem to feel welcomed at).

With this in mind: I tried to find movies at this year's festival that gave me the same feeling of discovery and excitement that I got back when I first started attending in 2004. Not the easiest task when you can't take off work for a day or five just to watch movies and feel connected with a typically energized NYAFF crowd. NYAFF screenings have a definite vibe, one that many film festival programmers envy and try to copy. You can see it in the way that attendees respond to Hendrix's high-energy, high-content carnival barker spiel. This crowd is EXCITED.

Still, I didn't want readers to think I'm some kind of stuffy ivory tower aesthete (my greatest fear), so I began this year's festival with some Serious Arthouse Cinema: Korean historical drama "1987: When the Day Comes," a great place to start given that the festival organizers previously showed director Joon-hawn Jang's hilariously weird comedic short film "Hair" back in 2006. Jang used to be known among Korean film devotees as the weirdo who helmed the unsettling 2003 sci-fi black comedy "Save the Green Planet." Now he is rightfully known for making "1987: When the Day Comes," a rousing, if doughy dramatization of the events surrounding the murder of several Seoul-based student protesters, particularly the journalistic and police cover-up of their deaths. "1987: When the Day Comes" has Jang's characteristically queasy mix of moods and tones—in this case, sentimentality for a bygone era and punk rock anger for rights-suppressing authority figures—and a lot of charming period detail, particularly its costumes and sets. Still, this is basically a prestige drama that, in any other country, would be as big of a to-do as "The Post" or "Spotlight." It's solid, if a little stiff.

Next came "The Bold, The Corrupt, and The Beautiful," a soapy Taiwanese political drama about three generations of women, two of whom act as power-brokers, facilitating various below-the-table deals between local politicians and businessmen. This movie won three of Taiwan's prestigious Golden Horse Awards (their country's equivalent of the Oscars) for Best Feature Film and Best Actress (Kara Hui, as imperious matriarch Madame Tang) and Best Supporting Actress (Vicky Chen, playing Tang's daughter). Its plot is convoluted and jumps between the memories of its three anti-heroines, particularly the young daughter of Chen's character. There's also a lot of melodramatic twists involving illicit trysts, political double-dealing, and drunken speechifying. So a fun time is guaranteed for everyone who meets the film at its sudsy level. Or maybe just anyone who wishes "All the King's Men" were more like "The Days of Our Lives."

Following that: "Crossroads: One Two Jaga," another ensemble drama, though this time concerned with Filipino immigrants living in Malaysia. This was a must-see for me because I still fondly remember when the festival's organizers screened their first Malaysian film: "Gangster," a mostly kinda bad crime drama that screened back in 2006. The Malaysian film industry is still in its nascency and that shows in the many technical rough edges that hold back "Crossroads: One Two Jaga"—a repetitive, and unpolished social issues drama—back from greatness. Still, the film is ambitious—switching between three or four main sub-plots about police corruption and systemic brutality that's passed on like a birthright from father to son—and smart enough to bring to get under your skin. "Crossroads: One Two Jaga" is a major step up after "Gangster," and is, I'm told, part of a new wave of Malaysian cinema. I'm eager to see what comes next.

The first film that I loved at this year's festival would, however, fit right in at any country's arthouse cinema: "Hit the Night," a funny, dialogue-heavy South Korean sex comedy that feels like a pointed reaction to the prolific (and now unbearably self-pitying) Korean auteur Sang-soo Hong. Like many of Hong's films, "Hit the Night" centers on a series of booze-fueled conversations—about adultery, philosophy, art, and personal freedom—between a filmmaker and their potential romantic conquest. The main difference between Hong's films and "Hit the Night" is that this film is directed in real-life by a woman (Ga-Young Jeong, whose previous credits, including "Bitch on the Beach" and "Cinema With You," also sound like direct rebukes/responses to Hong's films) and is told from a female protagonist's perspective. The conversations that drive "Hit the Night" are consequently a little more involving sine Jeong considers her two main protagonists' inherent loaded assumptions about sex and gender in dialogue exchanges that are sometimes scathingly blunt and sometimes slyly nuanced. Like Hong, Jeong doesn't know if there's a solution to the questions that her stand-in poses. But oftentimes, it's a pleasure just to listen to Jeong's characters circuitously gab about their respective talking points and not-so-secret agendas.

I also really dug the Chinese revenge drama "Wrath of Silence," a macho, but often moving action film that, like "No Country for Old Men" and "In the Valley of Elah," is a pulpy narrative from the Whatever Happened to My Country sub-genre of crime fiction. "Wrath of Silence" follows a mute coal miner (played by martial artist Yang Song) who searches for his missing son by actively pummeling his way through an exploitative, nouveau riche bussinessman's empire. Director Yukun Xin effectively translate Song's characters' mixed feelings—of loss, confusion, and awe—through gorgeous, desolate panoramas of desert hills and valleys. There's a lot of on-the-nose symbolism here too, so anyone who dislikes blunt metaphors should steer clear. Everyone else will probably find something to like about this effectively punishing revenge tragedy.

Also, be sure to check out the rousing Filipino rap battle drama "Respeto," a corny, but satisfying story about a trio of teenagers who get schooled in the art of street poetry by a depressed used book salesman. "Respeto" is a NYAFF specialty: here's a film that breathes new life into tired coming-of-age tropes about growing up on skid row without real parents (imagine if "8 Mile" and "Finding "Forrester" eloped and had a child after moving to the Philippines). There's a real sense of loss and dynamism in every scene where our heroes attend and compete in local rap battles. And the filmmakers' unique brand of heart-felt, but sensational didacticism—Rap battle fame is fleeting! Teenage prostitution isn't glamorous! PTSD and rape are no joke!—is also pretty irresistible. I bet this movie takes home the festival's Audience Award.

"Respeto" screens right before this year's surprise screening, a can't-miss event for festival attendants both old and new. Last year, Hendrix programmed the delightfully bonkers 1992 sexploitation spy thriller "Naked Killer." And the year before that, Hendrix selected the John Woo-esque 1998 Hong Kong action-drama "A Hero Never Dies," a winningly nutty action bromance featuring the only wheelchair shoot-out you'll ever need. I'm not really sure if the typical NYAFF audience member attends these secret screenings, nor do I know if my reservations about the festival's steady growth matters much in the long run. I do, however, know that I'll be at this year's surprise screening at the SVA Theater. I hope to see you there.

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scruffyplayssonic · 7 years

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My favourite movies of all the years I’ve been alive.

I did my own picks for my favourite movie of each year back in August 2015, when I first saw Jeremy’s Q and A video. I really liked that question and was inspired to try and name my own favourites from each year. So to celebrate the SinCast crew finally completing this task, I thought that I’d re-post my list, which is now updated to include 2015 and 2016. I hope you enjoy it. Feel free to comment and/or argue about my choices. And thanks again to @cinema-sins, for providing me with laughs every week in the podcasts and videos they release. :)

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1982: E.T. The Extra-Terrestrial This might be a bit of a cheat, since the film came out in June and I wasn’t born until October, but oh well. It’s still the same year.

1985: Back to the Future The beginning of what I still believe is the greatest movie trilogy of all time.

1986: Aliens More awesome from James Cameron.

1987: Spaceballs Well, it’s pretty funny. Plus I haven’t seen much else from this year, other than Lethal Weapon.

1988: Die Hard The original and quite possibly the best. More on that later.

1990: Back to the Future: Part III At the time, I probably would have picked DuckTales the Movie: Treasure of the Lost Lamp. Ahhh, nostalgia.

1991: Terminator 2: Judgement Day I’m sure most of you who know me saw this one coming. To this day it’s still my favourite movie of all time. Silence of the Lambs would probably get second place for this year.

1993: The Fugitive Another tough choice, considering that Jurassic Park also came out in 1993. But I just love the battle of wits between Harrison Ford and Tommy Lee Jones.

1994: The Lion King Another of Disney’s finest. No contest, although True Lies, Speed, and The Mask were all excellent films too.

2001: Ocean’s Eleven Such a clever film with a great cast!

2002: The Bourne Identity Spider-Man came pretty close, but Matt Damon was amazing as Jason Bourne. ...well, that most recent movie was kind of hit or miss...

2003: Pirates of the Caribbean: Curse of the Black Pearl Who would have ever guessed that a movie based on a Disneyland ride could be so good?

2004: The Incredibles It was a good year for animation - there was this one, Shrek 2, and Team America: World Police. National Treasure came out too, which I quite like.

2008: The Dark Knight A no-brainer. One of the best films of the decade, let alone the year. Iron Man was a surprise hit too. Taken was great. Oh, and I quite liked Steve Carrell’s take on Get Smart, even if he didn’t quite capture the original magic of Don Adams.

2009: Up My favourite of all the Pixars. Angels & Demons was pretty good too, although not as good as the first movie. Plus Tom Hanks cut his hair - I thought his shaggy do in the first movie suited Robert Langdon better. :P Strange that I liked Angels & Demons better of the books but The Da Vinci Code better of the movies. Robert Downey Jr. as Sherlock Holmes was great too.

2012: The Avengers No surprise there. Honourable mentions go to The Cabin in the Woods, which is a delightfully insane deconstruction of horror movies, Looper, a film I still occasionally stay up late at night scratching my head in confusion over, and Skyfall, which is possibly Daniel Craig’s best Bond film so far. I also loved Wreck-It Ralph.

2013: White House Down This one was definitely the film I liked best from 2013 - and yes, that includes Frozen. You may charge with your flaming torches and pitchforks when ready. But what can I say? I love Die Hard, and this was basically Die Hard in the White House, yet it felt original enough to not just be a knock-off. The other ones I liked best would be the Marvels (Iron Man 3, the Wolverine and Thor: The Dark World), Kick-Ass 2, and Gravity, which was absolutely terrifying.

2015: The Martian When I first made this list in August 2015, my prediction was that Jurassic World would be my favourite of the year. Nope, not by a long shot. The Martian was absolutely amazing - Matt Damon’s ability to keep the audience on the edge of their seats when he’s completely alone on the screen (and on the planet) is a major credit to him as an actor. Then of course we have Avengers: Age of Ultron, Mission: Impossible: Rogue Nation, and Terminator: Genisys. …no, really. Stop laughing, I really enjoyed it. :P And then there was Ex Machina, which was a really intriguing film that kept me guessing the entire time.

2017 (so far - I’ll update this at the end of the year): Passengers I’ve only seen two films so far this year, and Resident Evil: The Final Chapter was okay, but not great. I really enjoyed Passengers though, despite all the controversy it has surrounding it. It’s definitely not the same movie the trailers made it look like it was going to be though.

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