#Cherry Audio Harmonia

[kalaplugin54]

How to Download Cherry Audio Harmonia

Discover the innovative world of Cherry Audio Harmonia, a cutting-edge virtual instrument that offers unparalleled creativity and sonic versatility. This guide will walk you through the features and functionalities of Harmonia, providing detailed insights into how to download and unleash its full potential on both MAC and Windows platforms.

Introduction to Cherry Audio Harmonia

Harmonia is not just another synthesizer—it's a revolutionary tool designed to sculpt rich, evolving polyphonic tones with ease. Its intuitive visual interface empowers musicians and producers to create complex sounds effortlessly, thanks to its unique sample-based oscillators and extensive modulation capabilities.

Key Features of Harmonia

Dual Sample-Based Oscillators: Harness the power of two sample-based oscillators that can produce up to eight pitches simultaneously, tuned to harmonic series or semitones.

Expansive Sample Library: Dive into a curated library of 285 waveforms across 11 categories, with support for importing custom samples to expand your sonic palette.

Polyphonic LFOs and Mod Matrix: Explore four syncable polyphonic LFOs and a robust modulation matrix with eight slots, enabling dynamic control over every aspect of your sound.

Studio-Quality Effects: Elevate your creations with 17 integrated effects—from distortion and modulation to lush reverbs—all fully modulatable for expressive sound design.

Getting Started with Cherry Audio Harmonia

Visit the Download Page: Head over to Kalaplugins.com to initiate the download process.

System Requirements: Ensure your system meets the specifications (OSX 10 or later) for seamless integration with Harmonia.

Installation: Follow the download instructions to install Harmonia on your preferred platform (MAC or Windows).

Activation: Enjoy lifetime activation of Harmonia, providing unrestricted access to its expansive feature set.

Exploring Harmonia's Interface

Visual Oscillator Control: Easily manipulate waveform selection and harmonic presets through an intuitive interface.

Dynamic Modulation: Dive deep into dynamic modulation possibilities using Harmonia's comprehensive modulation matrix.

Preset Exploration: Explore over 350 professionally designed presets across various categories, jumpstarting your creative journey.

Unlocking Your Creative Potential

Harmonia opens doors to limitless sonic exploration, whether you're a seasoned producer or a budding musician. Experiment with its versatile features, blend waveforms, and craft unique soundscapes that elevate your music production to new heights.

Conclusion

Cherry Audio Harmonia is more than a virtual instrument—it's a gateway to innovative sound design. Download now and experience the future of music creation firsthand. Unleash your creativity and redefine your sonic landscape with Harmonia.

Download Cherry Audio Harmonia now from Kalaplugins.com and embark on a journey of limitless musical possibilities.

[andronicmusicblog]

Cherry Audio has released Harmonia, and I love it!

Cherry Audio has released Harmonia, a versatile synthesizer that can create evolving polyphonic sounds reminiscent of vector and wave sequencer synths from the 80s and 90s.

The instrument features two sample-based oscillators, interpolated harmonic scanning, and a powerful modulation matrix.

With 285 waveforms and the ability to import custom samples, Harmonia offers a wide range of sound options.

The synth also includes a filter, envelope sections, a master limiter, and various effects. Harmonia is available in mono or polyphonic mode, with up to 16 voices. It is priced at $49.

Here are some of the features of Harmonia:

Two sample-based oscillators with interpolated harmonic scanning

Powerful modulation matrix with 19 sources and 80 destinations

285 waveforms and the ability to import custom samples

Filter, envelope sections, master limiter, and various effects

Mono or polyphonic mode with up to 16 voices

Harmonia is a unique sample-based synth designed to give sound designers rich and evolving polyphonic sounds associated with vector and wave sequencer synthesizers from the 80s and 90s. The synth boasts two sample-based oscillators that use mostly stereo samples taken from a range of synths, instruments, voices, lo-fi sounds, and other sources. Each oscillator uses a technique called 'interpolated harmonic scanning' to generate up to eight individual pitches at the same time, which can be tuned either using semitones or a harmonic series.

The synth's parameters are laid out clearly, and there's relatively little menu-diving to be done. Each oscillator's section has a display that shows these eight pitches, and you can alter each pitch using its unique knob. You can also move between them using the Center slider under each display, as well as changing their level sliders. Each oscillator has an octave and detune control, as well as a variety of presets for both semitone or harmonic setups that dial in a ready-made setup.

With 285 waveforms to choose from, as well as the option to import and store your own, the selection of sounds on offer is more or less infinite. Things go to the next level when you start to leverage the powerful modulation matrix, which is able to route modulator signals between any of 19 sources and 80 destinations. This enables you to start animating sounds and creating sequences. By calling up any of the sequence patches from the presets, you'll see how sources have been routed to parameters like the Center slider (to dynamically choose new pitches), effects settings and more.

Harmonia can operate in monophonic or polyphonic mode with up to 16 voices. There's also a lot more sound shaping available, including a multimode filter, amp and filter envelope sections, and a master limiter. The impressive effects section features distortion, modulated delays, echo and reverb, each with their own controls and effect types for you to choose from. Performance controls, including bend depth and note glide, further add to the expressive options available to you.

The instrument is geared largely towards generating harmonic variations, with powerful tuning options that mean you can create all manner of multi-tuned patches, blending and morphing them to create truly organic results and rich sounds. The ability to play and change these in real-time also makes it quite special, fun, creative, and reactive to your input.

Harmonia is a very capable sound design tool used across various musical genres, especially for creating sequences. Whether they're simple or complex, the combination of LFO-triggered sequences, the multitude of pitches on offer, and the excellent onboard effects provide excellent results. Love it!❤️ Go and get your Harmonia at Cherry Audio.

[mus326blog]

Harmonia, the new synth made by Cherry Audio, is an extremely interesting new synth that presents an intriguing mix of wavetable, additive, and FM synthesis in one VST available on IOS, Windows, and Linux. In addition to the aforementioned combination of different synthesis techniques, they also utilize the harmonic series. This is done through modulating eight harmonics of either one of the synths oscillators or through a sample that is given in the synth or user generated. Each harmonic available to manipulate in the synth can have its volume lowered or increased along with some distortion being available for use through a function called “center” on the synth which amplifies and distorts a single harmonic. These controls are available on both oscillators on the synth with both being able to be modulated through the synth’s matrix which has a total of fifty destinations for modulation for near endless possibilities for interesting sound design. Additionally, the harmonics controls can be set to semitones which can open the door for unique harmonies and polyphony with these controls, especially with the possibility of setting both oscillators to semitones instead of harmonics allowing for even more harmonic possibilities. To add onto this this, this synth seems to be especially geared toward more niche genres of electronic music such as IDM, UKG, future bass, dubstep, and drum and bass. This is because of its ability to manipulate wave forms to create unique sounds and sounds that are staples of the aforementioned genres such as “wubs”. If you want to the link is below this post.

[a-minus-mus]

Harmonia, the new synth made by Cherry Audio, is an extremely interesting new synth that presents an intriguing mix of wavetable, additive, and FM synthesis in one VST available on IOS, Windows, and Linux. In addition to the aforementioned combination of different synthesis techniques, they also utilize the harmonic series. This is done through modulating eight harmonics of either one of the synths oscillators or through a sample that is given in the synth or user generated. Each harmonic available to manipulate in the synth can have its volume lowered or increased along with some distortion being available for use through a function called “center” on the synth which amplifies and distorts a single harmonic. These controls are available on both oscillators on the synth with both being able to be modulated through the synth’s matrix which has a total of fifty destinations for modulation for near endless possibilities for interesting sound design. Additionally, the harmonics controls can be set to semitones which can open the door for unique harmonies and polyphony with these controls, especially with the possibility of setting both oscillators to semitones instead of harmonics allowing for even more harmonic possibilities. To add onto this this, this synth seems to be especially geared toward more niche genres of electronic music such as IDM, UKG, future bass, dubstep, and drum and bass. This is because of its ability to manipulate wave forms to create unique sounds and sounds that are staples of the aforementioned genres such as “wubs”. If you want to the link is below this post.

[theloniousbach]

KDHX Twofer: “No Time To Tarry Here” and “Music from the Hills,” 25 March 2018

My Facebook feed reminds that I seem to do several of these back to back shows around this time of year.  While I seem not to learn that 4 hours is more than twice as draining as 2, it is also true that for both shows I have a system in place that means that I am beyond the gee whiz phase.

For “No Time To Tarry Here,” the folk-y show, I can build it from my own collection and have one on the shelf ready to go.  I had three (religion influenced  (never a bad idea but this was Palm Sunday), Ireland in America (since I thought I might have been on the day after St. Patrick’s Day), and folkies playing jazz) and worked up #s 1 and 3.  Actually putting together just an hour was quite easy as I had to limit my choices and held my own interest.

As always the juxtapositions appeal: part singing from Blue Murder and Doc Watson led ensembles; a guitar set of Spence, Simpson, Davis, and Kaukonen; two takes on “Stars in My Crown;”  the St. Louis trad jazz revival tradition with the Sidney Street Shakers going all in on just one facet of the Geyer Street Sheiks; and lots of guitar stretching out on jazz standards.

Here’s that playlist:

No Time To Tarry Here (Music) with Sub - Kim Kleinman 03/25/2018 02:00PM to 04:00PM

02:03PM-02:06PM (3:00) Phil Cooper & Margaret Nelson “No Time to Tarry Here” from No Time to Tarry Here on self-released

02:06PM-02:09PM (2:48) Earl Scruggs, Doc Watson, and Ricky Skaggs with Alison Krauss “Down in the Valley To Pray” from The Three Pickers on Rounder

02:09PM-02:12PM (3:32) Blue Murder “Standing on the Promises of God” from No One Stands Alone (2002) on Topic

02:12PM-02:15PM (2:48) John Renbourn “Traveller's Prayer” from Traveller's Prayer (2005) on Shanachie Entertainment (http://www.shanachie.com)

02:15PM-02:20PM (4:45) Hot Tuna “True Religion” from Burgers (1972) on RCA New

02:20PM-02:24PM (4:39) Dick Hogan “The Rich Man and the Poor Man” from The Wonders of the World (1997) on Grand Parade Records

02:24PM-02:30PM (5:48) Joseph Spence “the Lord Is My Shepherd” from Joseph Spence: The Complete Folkways Recordings, 1958 (1992) on Smithsonian Folkways Recordings

02:30PM-02:36PM (5:47) Martin Simpson “O Jerusalem/Go Down Moses” from A Closer Walk With Thee (1994) on Gourd Music

02:36PM-02:40PM (4:25) Rev. Gary Davis “Tryin' to Get to Heaven” from Say No to the Devil on Prestige

02:41PM-02:45PM (3:54) Jorma Kaukonen “There's a Table Sitting In Heaven” from Stars In My Crown (2007) on Red House Records(http://www.redhouserecords.com)

02:45PM-02:51PM (5:55) The Flying Mules “Jenny Wills” from Songs, Tunes & Riddles on Wildstone Audio

02:51PM-02:54PM (3:05) Blue Murder “Stars in My Crown” from No One Stands Alone (2002) on Topic

02:54PM-02:55PM (1:14) Jorma Kaukonen “Will There Be Any Stars In My Crown? (Instrumental)” from Stars In My Crown (2007) on Red House Records(http://www.redhouserecords.com)

02:55PM-02:59PM (3:56) Doc Watson & Clarence Ashley “Amazing Grace” from The Original Folkways Recordings: 1960-1962 on Smithsonian Folkways

03:02PM-03:05PM (2:15) Andy Cohen “Harlem Chocolate Babies Of 1921” from Ridiculous Instrumentals (2005) on Riverlark (http://www.riverlark.com)

03:05PM-03:07PM (2:19) The Sidney Street Shakers “East St Louis Stomp” from Laugh My Weary Blues Away (2016) on Big Muddy Records Local

03:07PM-03:11PM (3:42) Fiddlers 4 “E. St. Louis Todalo” from Fiddlers 4 (2002) on Compass

03:11PM-03:14PM (3:36) The Sidney Street Shakers “You Ain't Got Nothing I Want” from Laugh My Weary Blues Away (2016) on Big Muddy Records Local

03:14PM-03:17PM (2:57) Andy Cohen “High Society” from Ridiculous Instrumentals (2005) on Riverlark (http://www.riverlark.com)

03:17PM-03:20PM (3:15) Geyer Street Sheiks “Dance Around in Your Bones” from Great Dream (1993) on Bjam Records Local

03:20PM-03:25PM (4:20) Doc Watson & David Grisman “Summertime ” from Doc and Dawg on Acoustic Disc

03:25PM-03:30PM (5:00) John Renbourn and Stefan Grossman “'Round About Midnight” from The Three Kingdoms on Shanachie (http://www.shanachie.com)

03:30PM-03:34PM (3:49) Bert Jansch & John Renbourn “Goodbye Pork Pie Hat” from Bert & John on Sanctuary

03:34PM-03:38PM (4:11) Fiddlers 4 “I wish I knew how it would feel to be free” from Fiddlers 4 (2002) on Compass

03:41PM-03:45PM (3:48) Andy Cohen “Happy Time/St. Thomas” from Ridiculous Instrumentals (2005) on Riverlark (http://www.riverlark.com)

03:45PM-03:50PM (5:18) John Renbourn and Stefan Grossman “Cherry” from The Three Kingdoms on Shanachie (http://www.shanachie.com)

03:50PM-03:58PM (7:53) Jerry Garcia and David Grisman “Milestones” from So What (1998) on Acoustic Disc

Then, I opened a two part Sephardic series with a geographical survey.  I had a little bit of Spain, including some of the surrounding culture from that time, before going to Morocco, Thessaloniki, Bulgaria/Bosnia, and Turkey.  Next week will return to all the areas but Morocco to play the Sephardic next to the dominant culture.

What this week showed is that there is a definite through line where Sephardic music sounds distinctively itself.  But already I can tell that the music changes as it moves around.

I often explore borders for this show.  This time the border isn’t regional but with a displaced, mobile people.  

For this week though I could play a nicely exotic music that draws on other favorite types.

Here’s what it looked like:

Music from the Hills (Music) with Sub - Kim Kleinman 03/25/2018 04:00PM to 06:00PM

04:02PM-04:06PM (4:00) Miguel Sánchez: Alia Música “Yiru 'enenu” from El Canto Espiritual Judeoespañol (1996) on Harmonia Mundi iberica

04:06PM-04:09PM (3:19) Hesperion XX “Pues Bien Para Esta” from Music from Christian and Jewish Spain (1976) on Virgin Veritas

04:09PM-04:12PM (2:49) Hesperion XX “Una Matica de Ruda” from Music from Christian and Jewish Spain (1976) on Virgin Veritas

04:12PM-04:20PM (7:51) Ensemble Saraband “Una Ramika de Rud” from Sephard on BMG

04:22PM-04:26PM (3:54) Voice of the Turtle “Levantísme Madre” from Bridges of Song - Music of the Spanish Jews of Morocco on TITANIC

04:26PM-04:34PM (7:52) Ensemble Saraband “Quien Huviesse Tal Ventura>Gerineldo” from Sephard on BMG

04:34PM-04:39PM (4:28) Mara Aranda “Al Pasar por Casablanca” from Sefarad: En El Corazón De Marruecos (2016) on sgac

04:40PM-04:45PM (4:31) Savina Yannatou “Nani Nani” from Primavera en Salonika (1995) on Kinesis Sound

04:45PM-04:50PM (5:21) Ensemble Saraband “Abenamar” from Sephard on BMG

04:50PM-04:55PM (5:11) Ensemble Florata “Delgadina” from Far Away Lands: The Medieval Sephardic Heritage - Ensemble Forata (1997) on ASV

04:55PM-04:59PM (3:42) Savina Yannatou “Alta Es la Luna” from Spring in Salonica on Lyra (http://www.lyra.com)

05:01PM-05:06PM (5:11) Jordi Saval: Hesperion XXI “Paxarico tu te llamas” from Diaspori Sefardi on Alia Vox

05:06PM-05:14PM (7:58) The Renaissance Players & Winsome Evans “El Rey de Francia Tres Hijas Tenia” from The Sephardic Experience: Vol 3 Gazelle and Flea on Celestial Harmonies

05:14PM-05:18PM (3:50) Kavanah “Shabehi Yeruschalayim” from Kavanah (1983) on self

05:20PM-05:23PM (3:03) Kavanah “Kuando el Rey Nimrod” from Kavanah (1983) on self

05:23PM-05:30PM (6:33) Voice of the Turtle “A la una” from Balkan Vistas - Spanish Dreams: Music of the Spanish Jews of Bulgaria and Yugoslavia on TITANIC

05:30PM-05:35PM (5:19) Montserrat Figueras; Jordi Savall: Hespèrion XXI “El Rey Que Tanto Madruga (Sofia)” from Diáspora Sefardí [Disc 1] (1999) on Alia Vox

05:35PM-05:39PM (3:58) The Renaissance Players & Winsome Evans “Pravo Za Ramo” from The Sephardic Experience: Vol 3 Gazelle and Flea on Celestial Harmonies

05:41PM-05:47PM (6:07) Ensemble Florata “Esta Montana D'Enfrente” from Far Away Lands: The Medieval Sephardic Heritage - Ensemble Forata (1997) on ASV

05:47PM-05:51PM (3:53) Voice of the Turtle “Azeremoz una merenda” from From the Shores of the Golden Horn: Music of the Sephardic Jews of Turkey on TITANIC

05:51PM-05:57PM (5:42) Montserrat Figueras; Jordi Savall: Hespèrion XXI “Por Alli pasa un cavallero” from Diáspora Sefardí [Disc 1] (1999) on Alia Vox

05:57PM-05:58PM (1:50) Apollo's Fire & Jeannette Sorrell “La Komida La Manyana” from Sephardic Journey: Wanderings of the Spanish Jews on Avie