#Dave & Jerry

[lyrasky]

追悼 The Specials【Too Much Too Young】和訳 Terry Hall Forever!! 解説

追悼 The Specials【Too Much Too Young】和訳 Terry Hall Forever!! 解説 Lyraのブログへ #terryhall #thespecials #toomuchtooyoung #terryhallrip #テリーホール #JerryDammers # DaveJordan #LloydCharmers #JerryDammers #EmmanuelRodriguez #RicoRodriguez #LynvalGolding #RoddyRadiation #NevilleStaple

  Terry Hallが亡くなった。イギリスの音楽を牽引して来たアーティストの1人であり、素晴らしいパフォーマーでもあったイギリスの伊達男が、この世からいなくなってしまうなんて…。 長い間、闘病生活をしていているとは聞いていたが訃報を知り、この曲が頭の中で鳴り出した。 彼の歌をステージで歌うと皆が盛り上がり踊り出したあの光景を忘れない。LonsdaleとMartin。あのピッチリ・タイトなパンツを更に細くして履いていたっけ。Terryの辛辣な歌詞とダンスしたくなるビート揉まとうと気がし引き締まる。 Ah、また1人素晴らしいヴォーカリストが逝ってしまった。 Terry Hall 天国で安らかに…。 (more…)

[biancarogers]

Jerry After Dark: Arcade Ticket Challenge Presented by Dave & Busters 🎟️🕹️🍗 https://applevideos.co.uk/apple-arcade/jerry-after-dark-arcade-ticket-challenge-presented-by-dave-amp-busters

[krispyweiss]

Album Review: Grateful Dead - Dave’s Picks Volume 36

Four discs, two complete concerts, one very lively Grateful Dead album.

Recorded on the band’s first East Coast tour after Jerry Garcia’s 1986 near-death crisis, Dave’s Picks Volume 36 captures the Dead on March 26 and 27, 1987, in Hartford, Conn. And the recordings can barely contain the excitement that bursts forth on the opening “In the Midnight Hour” and burns through the finale, “Johnny B. Goode.”

In between are 36 additional tracks - only “Drumz” and “Space” are, as always, repeated - that, for pure energy and enthusiasm, can’t be beat. The crowd is juiced and in turn juices the band, which responds with such exuberance it sometimes results in flubbed lines or missed cues.

Imperfections aside, these are the moments that made Grateful Dead concerts the only-in-this-time-and-this-place moments unlike anything before or since. And Dave’s Picks Volume 36 is one of those recordings that makes one long for a time machine.

Phil Lesh is particularly amped - literally and metaphorically - on night one. His voltage spurs Bob Weir’s reckless abandon on “Looks Like Rain” and the inspired vocal coda and “Spanish Jam” tease at the end of “He’s Gone.” The subsequent full-band “Space” melts into a vocal-cord-shredding “I Need a Miracle” and Brent Mydland gooses “Around and Around” with barroom-style piano.

Night two is similarly super-charged and crackling with energy from the opening “Alabama Getaway,” through to a rare, second-set “Cumberland Blues” and the post-“Space” combo of “Uncle John’s Band” and “Morning Dew” that, while not the epitome of either number, twists the crowd into an explosive frenzy.

Dave picked two good ones this time around.

Grade card: Grateful Dead - Dave’s Picks Volume 36 - A

12/22/20

[sleepdepwritings]

Presented for archival purposes only, the first part of a story I wrote many years ago and will not be continuing no way it’s very bad.

A Save the Spiders Gig

by Cody L Ralston

Chapter 1

The vampires stormed the stage while we were in the middle of "Walking is Still Honest," which was not fucking cool.

First of all, it's my favorite song by my favorite band. You don't go with the stage name "Against Steve" unless you love Laura Jane Grace. Second, Ted steps back and lets me sing lead on that song, and I fucking shred at it. I shriek that motherfucker, alright?

And third, y'know. Vampires.

The gig was a bonfire/kegger/minor riot some local kids had arranged in the badlands outside of town. We were set up on a platform we'd jerry-rigged from some old wooden pallets and milk crates, wailing sloppily at two or three dozen drunken, pill-popping, weed-smoking punk kids and a handful of older crusties who thought we were "true punk" because we sucked. Everyone in that crowd was screaming, slamming, arguing, fighting, and a few on the outskirts of the firelight may have been screwing right there in the dust.

In all the chaos, it was easy to miss things that would otherwise have set off warning signals. Like flying bottles. Or jagged-toothed undead monsters leaping for my throat.

The first vampire, a young man with a mop of dark hair, came at me just as I made a flamboyant motion with my bass that ended with the body of the instrument coming up hard into his jaw. I choked on the line I'd been singing and made to apologize before I noticed that two other people had leaped onstage, and that all three of them were baring huge sharp teeth at me and my band. All three had dirty, claw-like nails to match, and their skin and eyes had a pale blue tinge that put me immediately in mind of dead things.

"Shit! Vampires! Shit!" I yelled, right into the microphone. The audience probably thought I'd gotten high and forgot the lyrics, but Kassie, Ted, and Dave dropped the song immediately and made to defend themselves.

"Steve! Catch!" Dave yelled, throwing one of his drumsticks toward me. I dived for it, but one of the vamps tackled me, cracking the pallets as our combined weights slammed down on them. I clawed and scrambled for the drumstick, but the vampire had me pinned by the legs and lunged for my neck at the same time.

There was a solid "THONK" and a whine of feedback. The vampire rolled off of me, hissing at Kassie, who had just clubbed him over the head with her guitar without bothering to unplug it from the amp. Holding it by the neck like a golf club, she hammered another blow into the vampire's temple while I got my feet under me and grabbed at the stick.

Wheeling around with the stick clutched in both hands, I brought all my weight down on the dazed vampire, driving the length of wood right into the center of his chest. The stick splintered and broke when it hit his sternum, but one splinter must have made it through the rotted bone to his heart. He shrieked with pain and rage, convulsing, tearing at the ground with his clawed hands and tossing his head back. I fell back,  Then, suddenly, his cries died off, his body went slack, and his flesh began to slough off, dissolving into a putrid, green-black goo that bubbled and stank.

Kassie reached out one heavily-tattooed hand to me and helped me up off my knees. I winced- her grip had driven some of the splinters deeper into my hand.

A few yards away, Ted was holding one of the other vampires off with a mic stand. He had butted the foot of the stand into the hollow of the bald, emaciated creature's throat, and was pushing with all his might to keep the frenzied thing at arm's length. The vampire howled and lunged, forcing him back.

"Guys, I need help!" Ted screamed, panic rising in his voice. "He's really dumb but he's really strong!"

I looked around for the nearest weapon and found nothing but the splinters of the pallet at my feet. Cursing through clenched teeth, I grabbed an arm-length piece of splintered board and lunged at the vampire's back, leading with the sharp(ish) tip.

Said tip sank several inches into the creature, right between his shoulderblades. Unfortunately, while the board stopped at several inches, I didn't. My momentum carried me forward into the now dying vampire, who in turn slammed forward into Ted. We all hit the ground with a muffled "Shit!"

For a terrfying instant the wailing, snapping, clawing thing was trapped between us. Then, finally, it stilled, melting into corpse-goo all over my fucking shirt. Ted's shirt too, I guess.

Breathing hard, we got up, shaking and covered in rotten sludge. Ted sputtered and wiped some of the stinking shit out of his beard. Kassie, ever appropriate, was pointing and giggling at us.

"You guys actually made vampire-slaying look pathetic!" She snorted. I glared and looked to the back of the stage.

"Where's Dave?!" I yelled. Our drummer and the third vampire had disappeared from sight, which was a hell of a trick considering dave is six foot two without his massive green warhawk.

"Oh, right here." Called a voice from my left. I whirled around to see Dave step into the firelight nearly twenty yards away from the rest of us. How the hell did he get over there so fast?

"One of the fuckers tried to run. Don't worry, I got him." Dave hopped up onto the stage, and I noticed he was gripping a ride cymbal in his left hand. He took his place behind his kit and replaced the cymbal. One edge was bent sharply and stained black. Dave looked to me, smiling beatifically.

"Shall we?" He asked casually.

I turned back to the partygoers spread out in front of us. All of them had stopped to stare at the fight. A few were gaping dully, some were murmuring questions to each other,and a few near the front looked like they were about to start screaming. For my part, I stared back at them, wide-eyed and soaked in what I was pretty sure was someone's liquified intestines.

Ted, natural showman, was the one who finally acted.

"Guess our friends jumped their cue a bit, huh?" He laughed into the nearest mic. "Hope you enjoyed out little skit there. He's some Misfits covers for you. ONETWOTHREEFOUR!"

***

We fumbled our way through "Astro Zombies" and "Last Carress," then ran for Ted's van, parked with the cluster of other vehicles beyond the fire. We huddled around the far side to discuss what had just happened.

"What the fuck Dave?!" I hissed. Dave drew back, looking indignant.

"What? What did I do? Some vampires just attacked us, why would you blame me?"

"What the FUCK, Dave?" Kassie and Ted spoke simultaneously.

"Dave" is not Dave's real name. We all took stage names when we formed our band, Save the Spiders. Theodore "Ted Kennedy" Paige is four lead singer, Kassandra "Kassie Kriminal" Jones our guitarist, Steven "Against Steve!" McCool (me, nice to meet you) our bassist, and Dave G. Abortion is our drummer.

I don't know Dave's real name. I don't know if he has a real name. What I do know about Dave is this- he is tall, tan, has dark eyes and typically Navajo features, and the night I met him I saw him transform into a ten-foot-tall insectoid monster and bite off a man's arm. The man survived. Don't worry though, because after a lot of explaining and screaming and vomiting, I helped Dave hunt him down and finish him off before he could eat a couple of toddlers.

Oh, and he's a decent drummer. Kind of a showboat though.

Since that night, we had all had further encounters with monsters and magic, and almost all had been attracted by Dave and his mysterious powers.

So we stood there, scowling, daring him to keep denying that this was somehow his stupid fault. Eventually, he sighed and rolled his eyes.

"Look, there are LOTS of vampires who don't like me. It'd be hard to narrow it down to one group and one reason."

"What, didn't you recognize any of them? You got real up close with the one guy." Kassie said. Dave shrugged.

"They were all fairly fresh. Probably servants to whoever had the real grudge. I expect there'll be more coming."

Ted groaned.

"Why are we always in the crossfire with you? Why can't they kill you in your sleep and leave us out of this?"

"Why, because you're my best friends and stalwart companions, and killing you would hurt me more than any wound, of course!" Dave grinned and tossed an arm around Ted's shoulders. Ted jerked away from him.

I shucked my ruined shirt and tossed it onto the rocky ground. I ran my hands through my shaggy blonde hair, trying to think up a plan of action.

"Okay, so. Dave, you need to ask around and figure out who's in town that might want you dead-"

"Long. List. Dude."

"What the fuck ever! Go through it! And we need to set up some kind of defense system at the house. I don't want to be eaten on a futon, I'll disappoint my parents." I glanced in the direction of the party, which had gotten back into swing. "And we can't take any gigs until we've got this sorted out. We don't want to get normals involved in this shit."

"Good thinking, by the way, Ted." Kassie interjected. "Passing the vamp attack off as part of the show. Think they bought it?"

"Yeah, yeah. Everyone there was off their skull on booze and speed. Half of them won't remember it happened at all, and I'm sure no one is going to leave here convinced they saw real vampires."

"I know I saw real vampires."

The voice came from behind us, between the cars. Everyone jumped and raised their hands in vague, ineffectual defensive motions.

A young man, probably around nineteen, stepped forward hesitantly. He was black, on the short side, with a swimmer's build and close-cropped hair. He wore a faded denim jacket, blue jeans, and a Ramones t-shirt, all rumpled and a bit ratty. His eyes were cast down shyly. While I should have been concentrating on what he was saying, I couldn't help thinking to myself that he also had a really cute face.

"Those were real vampires." He said, louder this time.

"Kid, you do NOT want to go around saying that." Kassie said, quirking a pierced eyebrow. "Normals will want to lock you up and vampires- if they existed, which they don't, nuh-uh, no way- would want to kill you. If they existed. Which-"

"I KNOW they exist." The kid looked up to meet our eyes, indignant now. "I know they exist because I've seen them before. They took some of my friends. I think they ATE them. And I came here tonight because someone told me you guys have handled creepy stuff like this before. I came here for your help." His eyes flicked down again, and his lower lip (his really quite full and soft-looking lower lip, I noted, like a fucking idiot) quivered. "They're after me, too. They know I know."

The band exchanged looks. If this guy had contact with the vampires, he probably knew who they were and maybe where they were holed up. And if they were after him, we had a duty as non-assholes to help him.

And, well... For all Ted's bitching, we all knew we were nursing a big stupid hero complex.

I held my hand out to him.

"My name is Steve McCool. And we're going to help you however we can, alright?"

He looked at me with relief in his shining eyes. He shook my hand, his own clammy and sweating.

"Thank you. Thank you so much. I'm Jamie, Jamie DeVries."

"Well Jamie, this is Kassie, Ted, and Dave. Hop in the van. We're going to pack up and then we can take you to our place and you can give us some details on these bastards." I turned to the others.

"Alright guys, let's haul ass and get back to the squat."

[jerrycherryband]

This is the first of a series of videos that I’ll be making where I use my Top UAD Guitar Sounds to record an original song. 

Today I’ll be using a few plugins from Marshall to record a song that I co-wrote and originally recorded back in 2001 with Mark Dinowitz, and Dave Scott. The song is called called “On Our Own.”

I use the Universal Audio Apollo Twin (Quad core) along with its console software, and I use Protools as my DAW.

In this video I solo the tracks outside of the mix. I’ll also breakdown the plugins that I used for each part. 

I post a new Guitar video every Wednesday so please tune in. 

Remember. Be cool, Be kind, and Be Cherry.

[jimhenson-themuppetmaster]

Dr. Teeth and the Electric Mayhem

DEBUT 1975

PERFORMERS

Dr Teeth - Jim Henson

Animal - Frank Oz

Floyd Pepper - Jerry Nelson

Janice - Richard Hunt

Zoot - Dave Goelz

(Later)

Lips - Steve Whitmire

Clifford - Kevin Clash

Dr. Teeth and the Electric Mayhem are the house band on The Muppet Show. They mostly stick to rock music, but they're capable of playing other styles, including jazz and (unwillingly) classical. Although Dr. Teeth is the leader, he is not the only one to provide lead vocals. Floyd Pepper is often a lead singer on songs, and Janice is lead singer on a handful of songs.

They drive around in a brightly-painted bus with psychedelic swirls and colors.

In an edition of Ask Henson.com, Karen Falk responded to a question about the origins of the Mayhem band:

“Music was always an important part of Jim Henson's work. He had a strong interest in all types and had an eclectic record library. When he began writing proposals and creating concepts for The Muppet Show in the late 1960s, they always included a house band that was to appear in each episode. At that time, Jim had a strong interest in the counter-culture movement (as evidenced by his experimental film Youth '68) and sought to reflect that in the composition of the band. One proposal from about 1970 says that the band would, "...do songs like "Sunshine" from Hair. In fact, they are all dressed to out-hair the Hair cast."

The Electric Mayhem as we know it first appeared in 1975 on the Muppet Show pilot Sex and Violence. A page of ideas for the show written by Jim describes the band this way: "Rock act - far-out, elaborate weird equipment, big amps...".”

MUSICIANS

Core Members

Dr. Teeth on keyboards, pianos, and vocals.

Floyd Pepper on bass guitar, cello, banjo, vibes and vocals

Zoot on saxophone, clarinet, flute, and tuba.

Janice on lead guitar, tambourine, trombone, trumpet, and vocals.

Animal on drums.

Additional Members

Lips on trumpet (The Muppet Show Season 5, 1980; The Great Muppet Caper, 1981; A Muppet Family Christmas, 1987; The Muppets at Walt Disney World, 1990; The Muppet Christmas Carol, 1992, Christmas in Rockefeller Center, 2009; "Jungle Boogie", The Muppets, and "Kodachrome", 2015; Outside Lands Music and Arts Festival, 2016; The Muppets Take the Bowl, 2017; The Muppets Take the O2, 2018)

Guest Members

A Bongo Player (episode 413)

A brass section consisting of a clarinet player and two trumpet players (one of whom was Bobby Benson) (season 2 of The Muppet Show)

Clifford on percussion (The Muppets at Walt Disney World, 1990)

Don Knotts on stand up bass (episode 201)

Jim on banjo (The Muppet Show: Sex and Violence pilot)

Rizzo the Rat on cymbals (episode 511)

Rowlf on piano (episode 121 (German version only)), (episode 424, episode 513), in addition to Dr. Teeth (The Muppet Christmas Carol)

Scooter on percussion (The Muppet Movie)

Three frog backup singers (episode 406)

Trombone player (episode 517)

Trumpet Girl on trumpet (episode 123 of The Muppet Show) and trombone (episode 505, episode 513)

Zeke on banjo (episode 424) and marimba (episode 523)

A drummer (Episode 505)

Beaker on vocals (episode 424, Studio DC: Hosted by Selena Gomez)

Ninja Rogers on drums (The Treasure of Peg-Leg Wilson)

Hal Linden on clarinet ( Episode 517: Hal Linden )

A Trombone Player ( Episode 517: Hal Linden )

↑ hide

MANAGERS

Scooter - The Muppet Movie

Rizzo the Rat and Pepe the King Prawn - Studio DC: Almost Live!

↑ hide

SONGS PERFORMED BY THE ELECTRIC MAYHEM

1 of 15

Television

The Muppet Show Season 1

Episode 102: Connie Stevens - "Ain't Misbehavin'" (UK Spot)

Episode 104: Ruth Buzzi - "Sunny"

Episode 106: Jim Nabors - "Money"

Episode 110: Harvey Korman - "Love Ya to Death"

Episode 110: Harvey Korman - "Sweet Tooth Jam" (UK Spot)

Episode 116: Avery Schreiber - "Tenderly"

Episode 118: Phyllis Diller - "Lazybones" (UK spot)

Episode 120: Valerie Harper - "Searching"

Episode 123: Kaye Ballard - "Fugue for Frog"

Episode 124: Mummenschanz - "Mr. Bassman" (with Scooter)

The Muppet Show Season 2

Episode 202: Zero Mostel - "Chopin's Polonaise in A Flat"

Episode 209: Madeline Kahn - "New York State of Mind" (UK spot)

Episode 211: Dom DeLuise - "Don't Blame the Dynamite"

Episode 213: Rudolf Nureyev - Boccherini's "Minuet in A Major"

Episode 222: Teresa Brewer - "Cheese Cake" (UK Spot) (performed by Dr. Teeth on solo piano)

The Muppet Show Season 3

Episode 301: Kris Kristofferson & Rita Coolidge - "New York State of Mind"

Episode 314: Harry Belafonte - "Honeysuckle Rose" (UK Spot)

Episode 315: Lesley Ann Warren - "Mack the Knife" (UK Spot)

Episode 317: Spike Milligan - "America"

Episode 320: Sylvester Stallone - "Lady Be Good" (UK Spot)

The Muppet Show Season 4

Episode 418: Christopher Reeve - "Sam's Song" (UK Spot)

Episode 419: Lynda Carter - "With a Little Help From My Friends"

Episode 419: Lynda Carter - "While My Guitar Gently Weeps"

The Muppet Show Season 5

Episode 503: Joan Baez - "Blackbird"

Episode 504: Shirley Bassey - "Barnyard Boogie"

Episode 504: Shirley Bassey - "After You've Gone" (UK Spot - performed by Orchestra)

Episode 510: Jean-Pierre Rampal - "Rockin' Robin"

Episode 511: Paul Simon - "Fifty Ways To Leave Your Lover"

Episode 513: Tony Randall - "Poison Ivy"

Episode 524: Roger Moore - "How High the Moon" (UK Spot - performed by Orchestra)

Specials

Julie Andrews: My Favorite Things - "Your Mamma Won't Like Me"

Sex and Violence - "For the Birds"

Sex and Violence - "Love Ya to Death"

[beatdisc]

7″ PUNK VINYL

Recently we've bought 3-4 incredible punk/hardcore/post-punk/new wave 7" vinyl collections. So we thought we'd make a list (around 300 titles) for ya'll to check out. See below for everything in-stock right now and get in touch for details & orders!

...AND THE NATIVE HIPSTERS THERE GOES CONCORDE AGAIN $60.00 4" BE 2" ONE OF THE LADS $10.00 7 SECONDS BLASTS FROM THE PAST $15.00 7 SECONDS SKINS, BRAINS & GUTS E.P. $20.00 7 SECONDS / KILL YOUR IDOLS 7 SECONDS / KILL YOUR IDOLS $10.00 86 MENTALITY 86 MENTALITY $15.00 ABRASIVE WHEELS VICIOUS CIRCLE EP $15.00 ADVERTS, THE SAFETY IN NUMBERS $10.00 AGNOSTIC FRONT THAT'S LIFE $10.00 ALCOA DROWNED $10.00 AMBER INN SERENITY IN HAND $8.00 AMPERE / DAITRO SPLIT: PIC DISC $15.00 ANGELIC UPSTARTS NEVER 'AD NOTHIN' $10.00 ANGRY SAMOANS D. FOR THE DEAD $15.00 ARMS RACE GOTTA GET OUT $10.00 ASYLUM SYSTEM OVERLOAD $5.00 ATTEN ASH / LYCANTHIA CITY IN THE SEA / THE HARBINGER $10.00 BAMODI / MEKARE-KARE SPLIT $5.00 BETWEEN THE DEVIL AND THE DEEP UPSTREAM $5.00 BLACK EYES / EARLY HUMANS SPLIT $8.00 BLIND JUSTICE / HEAVY CHAINS SPLIT $10.00 BONELESS UNSTOPPABLE $5.00 BOOKS LIE I FELT LIKE SUCH A LOSER UNTIL I REALIZE $5.00 BOW WOW WOW W.O.R.K. $10.00 BRING ME THE HORIZON DROWN: PIC DISC $15.00 BUZZCOCKS PROMISES / LIPSTICK $15.00 CATHOLIC GIRLS DISTANT $8.00 CHAINSAW GIRLS CHAINSAW GIRLS $5.00 CHOKE WAR OF THE SUBURBS $10.00 CHUCK RAGAN / MUFF POTTER SPLIT $8.00 CIVIL WAR JADED MINDS $5.00 CLASH, THE WHITE RIOT $15.00 CLASH, THE COMPLETE CONTROL $10.00 CLASH, THE CLASH CITY ROCKERS $10.00 COALESCE SALT AND PASSAGE $15.00 COCKNEY REJECTS I'M NOT A FOOL $15.00 COCKNEY REJECTS THE GREATEST COCKNEY RIP-OFF $15.00 COCKNEY REJECTS WE CAN DO ANYTHING $10.00 COKE BUST / VACCINE SPLIT $8.00 COLD WORLD / WAR HUNGRY SPLIT $8.00 COLOSSVS CLEANSED IN BLOOD/REBORN IN SIN $10.00 COMA REGALIA / LAEIRS SPLIT $5.00 COMA REGALIA / QUANTIS SPLIT $10.00 CONTROLLED SELF SUFFICE $5.00 CORPS, THE TOUR 2008 $8.00 COUNT ME OUT WHAT WE BUILT $30.00 CRAWLING CHAOS SEX MACHINE $30.00 CREATURES, THE WILD THINGS $15.00 CRIPPLE BASTARDS JAPAN/AUSTRALIA TOUR 2014 $15.00 CRISIS ALERT CRISIS ALERT $10.00 CRUEL HAND CRUEL HAND $10.00 CRUEL HAND VIGILANT CITIZEN $8.00 CURSED EARTH / BURNING SEASON SPLIT $15.00 DAMNED, THE ELOISE $10.00 DANGEROUS TOYS SCARED $5.00 DANSE MACABRE DIE KRITIK IST KEINE LEIDENSCHAFT DES KO $10.00 DARK HORSE / BLACK JESUS SPLIT $5.00 DAVE GOODMAN & FRIENDS JUSTIFIABLE HOMICIDE $10.00 DAVE HAUSE TIME WILL TELL $8.00 DAVE HAUSE PRAY FOR TUCSON: COLOUR $8.00 DAVE HAUSE HEAVY HEART $8.00 DAVE HAUSE RESOLUTIONS: RSD 2012 $15.00 DAVE HAUSE PRAY FOR TUCSON $5.00 DAVE HAUSE C'MON KID $5.00 DEAD / VAZ SPLIT $10.00 DEAD END PATH DEATH WALKS BESIDE US $10.00 DEAD KENNEDYS BLEED FOR ME $20.00 DEAD KENNEDYS KILL THE POOR $20.00 DEAD KENNEDYS TOO DRUNK TO FUCK $20.00 DEATH BEFORE DISHONOR OUR GLORY DAYS $8.00 DECLARATION BEFORE IT'S TOO LATE $8.00 DEFEATER LOST GROUND $15.00 DISGORGE / GORE BEYOND NECROPSY SPLIT $8.00 DISTRACTIONS, THE TIME GOES BY SO SLOW $15.00 DOWNPRESSER AGE OF IGNORANCE $10.00 DOWNPRESSER / CREATURES SPLIT $10.00 DOWNSIDE / LEGIONS SPLIT $10.00 DRAGO MIETTE, THE A SLOW SUMMER DROWNING $5.00 DROPDEAD / UNHOLY GRAVE SPLIT $10.00 DROWNINGMAN HOW THEY LIGHT CIGAREETES IN PRISON $8.00 EL EJE DEL MAL / INQUIRY LAST SCENERY SPLIT $5.00 ELECTRIK DYNAMITE STEEL OF FORTUNE $10.00 END, THE MY CONFESSION / WHITE WORLD $150.00 EXPLOITED, THE COMPUTERS DON'T BLUNDER $15.00 EXPLOITED, THE DEAD CITIES $15.00 EXPLOITED, THE ATTACK / ALTERNATIVE $15.00 FAILURES FAILURES $8.00 FALL, THE THE MAN WHOSE HEAD EXPANDED $30.00 FALL, THE LIE DREAM OF A CASINO SOUL $25.00 FALL, THE LOOK, KNOW $30.00 FINAL EXIT MIDDLE AGED STINKING COWBOYS $5.00 FIRE & ICE GODS & DEVILS $5.00 FIRE & ICE GRIM $5.00 FIRST STEP, THE CONNECTION EP $10.00 FIT FOR ABUSE MINDLESS VIOLENCE EP $15.00 FLEX, THE DO YA THINK I'M FLEXI? $5.00 FLEX, THE DON'T BOTHER WITH THE OUTSIDE WORLD $8.00 FRANK RIZZO EXTRACTION $5.00 FRENZAL RHOMB 4 LITRES $10.00 FUCK U IS MY NAME CATELBOW $5.00 GASH GOD IS DEAD $80.00 GAYRILLA BISCUITS HUNG QUEENS CAN SUCK IT EP $15.00 GBH GIVE ME FIRE / MAN-TRAP $15.00 GEHENNA / CALIFORNIA LOVE SPLIT $5.00 GENERAL STRIKE MY BODY $50.00 GENERATION X YOUR GENERATION $15.00 GENERATION X YOUR GENERATION $300.00 GET RAD BASTARDS UNITE $5.00 GET RAD / CALL ME LIGHTING SPLIT $5.00 GLOVE, THE LIKE AN ANIMAL $15.00 GOD'S HATE DIVINE INJUSTICE $10.00 GONE BUT NOT FORGOTTEN SEATTLE CREW DEMO $10.00 GRAVES FIDES AD NAUSEAM $8.00 HARD-ONS DULL / SRI LANKA $30.00 HARD-ONS WHERE DID SHE COME FROM? / GET OUT OF MY $15.00 HARMS WAY BREEDING GROUNDS $15.00 HI-STANDARD CALIFORNIA DREAMIN' $10.00 HOAX HOAX $8.00 HOLY MOLAR CAVITY SEARCH $8.00 HOSTILE OBJECTS YOUNG GOD $8.00 HOSTILE OBJECTS CAVE IN $8.00 HUMAN LEAGUE, THE EMPIRE STATE HUMAN $10.00 HUMAN LEAGUE, THE BOYS AND GIRLS $10.00 HUMAN LEAGUE, THE HOLIDAY 80 / ROCK 'N' ROLL $8.00 HUMAN LEAGUE, THE FASCINATION $8.00 HURTxUNIT WIRED WRONG $8.00 HURTxUNIT DEMO $8.00 I RISE / SOUL CONTROL SPLIT $5.00 ICEMEN, THE THE ICEMEN $15.00 IDYLLS AMPS FOR GOD / PLAGUE HELL $10.00 ILL BRIGADE THE E.P. $8.00 ILL BRIGADE IN THIS AGE $8.00 IMAGES DREAMS ARE REAL $8.00 INTENT TO INJURE KEEP US STRONG E.P. $10.00 JAMES DEAN ACROSS THE GREAT DIVIDE $8.00 JERRY'S KIDS SPYMASTER $10.00 JOHNNY TEEN & THE BROKEN HEARTS SHE STINKS OF SEX $10.00 JONAH MATRANGA / KEVIN SECONDS JONAH MATRANGA / KEVIN SECONDS $5.00 JUMP VISION CAN'T GET USED TO YOU $30.00 JUNGLE FEVER JUNGLE FEVER! $15.00 KEEP IT CLEAR KEEP IT CLEAR $15.00 KEVIN SECONDS / MIKE HALE SPLIT $5.00 KEVIN SECONDS / MIKE SCOTT SPLIT $6.00 KUNGFU RICK / THE ULTIMATE WARRIORS SPLIT $5.00 LEMON KITTENS SPOONFED + WRITHING $30.00 LEMURIA BRILLIANT DANCER $8.00 LEMURIA VAROOM ALLURE: RSD 2012 $10.00 LEMURIA RACE THE GERM / BIG GOLD ADULTS $15.00 LOCUST, THE FLIGHT OF THE WOUNDED LOCUST $15.00 LOCUST, THE / ARAB ON RADAR SPLIT $15.00 LOGIC SYSTEM DOMINO DANCE / BE YOURSELF: PIC DISC $10.00 LOVE, HOPE AND FEAR FATE'S FROWNED ON US $5.00 MEO 245 SIN CITY $10.00 MILHOUSE EVERYTHING'S COMING UP: REISSUE $8.00 MINOR THREAT LIVE AT BUFF HALL $20.00 MO-DETTES, THE PAINT IT BLACK $15.00 MOMENT / THERE WERE WIRES SPLIT $5.00 MONTE CAZAZZA SOMETHING FOR NOBODY $30.00 MONTE CAZAZZA TO MOM ON MOTHER'S DAY $30.00 MONUMENT A 3 SONG 7" $5.00 MOVING PARTS LIVING CHINA DOLL $15.00 NAYSAYER NO REMORSE: COLOUR $8.00 NAZ NOMAD AND THE NIGHTMARES / A.N.T.S.S HEY BO DIDDLEY / M-A-N $40.00 NEW BRIGADE DEMO 2011 $15.00 NEWTOWN NEUROTICS BLITZKRIEG BOP $15.00 NO ANCHOR THE HISTORY OF THE EAGLES PT. 1 $10.00 NOFX SURFER $10.00 NOFX FUCK THE KIDS $10.00 NOFX THE P.M.R.C. CAN SUCK ON THIS $10.00 NOFX LIZA AND LOUISE: COLOUR $30.00 NOFX TIMMY THE TURTLE: COLOUR $20.00 NOFX LOUISE AND LIZA: COLOUR $15.00 NUCLEAR SUMMER / STOCKADES SPLIT $5.00 OF FEATHER AND BONE / REPROACHER SPLIT $5.00 ORCHESTRAL MANOEUVRES IN THE DARK ENOLA GAY $10.00 OUT CROWD JUST US $8.00 OUTSIDERS CODE DEMO $5.00 PALAIS SCHAUMBURG TELEPHON / KINDER DER TOD $50.00 PARADES END PARADES END $10.00 PEACEBREAKERS EVERY DAY BATTLE $5.00 PENETRATION FIRING SQUAD $15.00 PETER & THE TEST TUBE BABIES KEY TO THE CITY $15.00 PHANTOMS S.O.S. $15.00 PLAGUES PERFECT STATE $5.00 POPULAR MECHANICS FROM HERE TO OBSCURITY $60.00 POSTBLUE LAP YEAR $10.00 PRODUCT OF WASTE GOOD AND EVIL $10.00 PROGRESSION CULT NEW BLOOD EP $50.00 PSYCHEDELIC FURS, THE WE LOVE YOU $8.00 PSYCHOTIC MANIACS A TRIBE OF MELBOURNE $40.00 PUBLIC IMAGE LTD. PUBLIC IMAGE $15.00 PUBLIC IMAGE LTD. BAD LIFE $10.00 RACEBANNON CLUBBER LANG $5.00 RACOON CITY POLICE DEPARTMENT / TIRED MI SPLIT $5.00 RANCID RADIO RADIO RADIO $10.00 REJEX NIAGARA BABY $250.00 RICH KIDS RICH KIDS $10.00 RIVERDALES BLOOD ON THE ICE / NO SENSE $15.00 R'N'R I'VE HAD IT / YOUR RULES $5.00 R'N'R / A-TEAM SPLIT $5.00 R'N'R / FIT FOR ABUSE SPLIT $6.00 ROCK BOTTOM BORN II HATE $5.00 ROCK BOTTOM YOUR DEMISE $8.00 RUDE AWAKENING THE AWAKENING $8.00 RUKUS RUKUS $10.00 SADDEST LANDSCAPE, THE COVER YOUR HEART $10.00 SAINTS, THE KNOW YOUR PRODUCT $30.00 SCAPAFLOW ENDLESS SLEEP / THE END $30.00 SECTOR 27 NOT READY $8.00 SETUP, THE / WOW, OWLS! THE SETUP VS. WOW, OWLS! $5.00 SEX GANG CHILDREN INTO THE ABYSS $15.00 SFO / WHITE MALE DUMBINANCE SPLIT $8.00 SHEER MAG SHEER MAG III $8.00 SHIPWRECKED ARCTIC NIGHTS $15.00 SIOUXSIE & THE BANSHEES ISRAEL $10.00 SIOUXSIE & THE BANSHEES THE STAIRCASE (MYSTERY) $15.00 SIOUXSIE & THE BANSHEES PLAYGROUND TWIST $15.00 SIOUXSIE & THE BANSHEES SPELLBOUND $15.00 SLAPSHOT EVERYTHING WANTS TO KILL YOU $30.00 SLAPSHOT LIMITED TOUR EDITION 2012 $20.00 SMIRKS, THE ROSEMARY $10.00 SNATCH I.R.T. / STANLEY $10.00 SNUFF LONG BALL TO NO-ONE $8.00 SOUL SEARCH NOTHING BUT A NIGHTMARE $15.00 SOUL SEARCH / MINUS SPLIT $10.00 STARVATION / NEGATIVE REINFORCEMENT SPLIT $8.00 STEP FORWARD STEP FORWARD $8.00 STEVE DIGGLE 50 YEARS OF COMPARATIVE WEALTH E.P. $15.00 STIFF LITTLE FINGERS GOTTA GETTAWAY $15.00 STIGMATA THERE IS NO MERCY HERE $8.00 STINKY TOYS BOOZY CREED / DRIVER BLUES $20.00 STRAFE FUR REBELLION MOSCHE BILDT NJET $10.00 STRESS RELIEF FEELINGS OF EXPIRATION $8.00 SURVIVAL SURVIVAL $6.00 SWELLERS, THE WELCOME BACK RIDERS $10.00 TACTICS COALFACE $10.00 TACTICS LONG WEEKEND $500.00 TEN YARD FIGHT DEMO 1995 $10.00 TERRITORY BLOWBACK $8.00 THICK SKIN WOLF $5.00 TILLER BOYS, THE BIG NOISE FROM THE JUNGLE $15.00 TILT GUN PLAY $8.00 TIMBER TIMBER $5.00 TONY SLY / JOEY CAPE SPLIT $20.00 TOUCHE AMORE LIVE ON BBC RADIO 1 $10.00 TRANSISTOR TRANSISTOR / MANNEQUIN SPLIT $5.00 TRUE COLOURS CONSIDER IT DONE $10.00 TSK TSK TSK NICE NOISE $100.00 TURNSTILE PRESSURE TO SUCCEED $10.00 UN QUARTO MORTO AUSTRALIAN TOUR 2010 $10.00 UNBROKEN AND / FALL ON PROVERB $10.00 UNDERDOG UNDERDOG $10.00 UNDERTONES, THE GET OVER YOU $10.00 UNIFORM CHOICE 1982 ORANGE PEEL SESSIONS $10.00 URNS URNS $8.00 VACCINE DEAD INSIDE $5.00 VANILLA CHAINSAWS LIKE YOU $10.00 VARIOUS VERY COOL & VERY CORE $8.00 VARIOUS THE EXTERMINATION $10.00 VARIOUS SICK OF THINGS THE WAY THEY ARE $6.00 VARIOUS FREE HARD VINYL EP! $5.00 VARIOUS READ ARMY FACTION $10.00 VARIOUS THE ICEMEN COMETH $10.00 VARIOUS ABSOLUTES NEW ENGLAND HARDCORE COMPILA $10.00 VIOLENCE TO FADE TUG OF WAR $8.00 VIOLENT CHILDREN ROCK AGAINST SPINDLERS $15.00 VIOLENT CHILDREN VIOLENT CHILDREN $20.00 VIOLENT FUTURE VIOLENT FUTURE $10.00 VIOLENT FUTURE VIOLENT FUTURE $10.00 VIOLENT MINDS VIOLENT MINDS $5.00 VIOLENT REACTION VIOLENT REACTION $10.00 VIOLENT REACTION DEAD END E.P. $15.00 VULTEES KICK IT OUT $10.00 VVEGAS/ABRAXIS SPLIT: GREEN $8.00 WAR HUNGRY RETURN TO EARTH $5.00 WARBRAIN PARANOIA $10.00 WARBRAIN / MINUS SPLIT $10.00 WASTE MANAGEMENT POWER ABUSE $8.00 WASTED YOUTH JEALOUSY $15.00 WEAR YOUR WOUNDS / REVELATOR WEAR YOUR WOUNDS / REVELATOR $10.00 WHITE LUNG BLOW IT SOUTH $10.00 YACHTS THERE'S A GHOST IN MY HOUSE $10.00 YOUNG OFFENDERS BIG MAN, SMALL HOUSE $5.00

#beatdiscpreownedvinyl

[emmettwrites]

A Terrifying Leap

I’m doing something that I probably shouldn’t be doing, and that’s exactly why I’m doing it. Let’s back up a little bit. As most of you probably know, I’ve been a producer for the STAR TREK franchise for a very long time. Before that, I was a jack-of-all-trades production nerd. I started on-camera with a public access TV show called ‘The Chuck and Dave Show’ in my hometown and eventually went on to writing and producing radio spots and regrettable television ads for a basement waterproofing company. I wrote a little bit for Voltron. I wrote and produced a short film. I produced a lot of audiobooks and I wrote a huge pile of music for video games. I’ve been at this stuff for a long time! It’s been a varied and interesting career.

But now streaming is a thing, and let me sum up my feelings on it: STREAMING SCARES THE HELL OUT OF ME.

It goes against every instinct I have, and everything I’ve learned. Being on camera without a script? Without a plan? Without a small army of people to make sure that I look good and sound good? And all of this for hours at a time? You’ve got to be fucking kidding me. That’s insane. ...and that’s why I’m doing it.

When I’m on stage giving a presentation at a con, that presentation is engineered to death. The current FutureSounds presentation I give at sci-fi conventions is the result of presenting it at least thirty times, carefully editing and re-editing, dropping out the boring parts and amping up the exciting parts. It’s a really good show, and I love doing it -- But it’s ultimately the result of decades of old-school production experience. This is a new and scary thing for me, and I’ve been really inspired by a lot of my friends that are doing this kind of thing and having a really good time. I wouldn’t be doing this in the first place without Raul ‘TibXero’ Sotomayor, Jerry Holkins, Chris Perkins or Mytia Zimmer. Mytia and Josh Mann have been very patient in showing me the ropes and answering my eight billion questions. You’re going to learn about what I’m doing in about 24 hours if you follow me on Twitter. I’ve met up with the rest of the cast, and they seem like a really nice group of people. I’ll do everything I can to make this the best show I can, and I hope you’ll watch it when it’s on.

[earpeeler]

Sweetwater Sound – Sculpting Jerry Cantrell’s Sound — Interview with Jerry Cantrell and Dave Friedman Amp guru Dave Friedman and Jerry Cantrell (Alice in Chains) talk with Sweetwater's Nick Bowcott about how they combined forces to develop Cantrell's crushing tone.

[posmatraclegenda]

Наслов: Add a Post Carousel and Embed a Podcast Player in Seconds with Our Two Latest Blocks, Линк: https://ift.tt/2WRQPq8 , Садржај:

The WordPress editor keeps expanding its library of blocks, adding new and exciting functionality to websites on a regular basis. After a crop of new business-related blocks last month, our most recent additions will appeal to three communities we hold close to our heart: podcasters, podcast lovers, and bloggers.

Use the Podcast Player block to spread the word about your favorite episodes

Podcasts have been an unstoppable cultural force for several years now — and the format seems to have only grown in popularity in recent months, as so many of us are at home and looking for entertainment and (occasionally?) enlightenment.

Are you a podcaster? Add the Podcast Player block to share your passion project with your visitors, embedding your podcast’s latest episodes on any post or page on your website. If you haven’t launched a podcast (for now, anyway), but are still an avid listener, you can now embed episodes from others’ shows within your own content so readers can listen to them without ever leaving your site.

Once you choose the Podcast Player block from the available blocks in the editor, you won’t need any special codes or embed links. The only information you’ll have to provide is the podcast’s RSS feed URL (not sure where to find it? The information will be readily available on your preferred podcast platform.) Here’s what the podcast player will look like on your site — the example below features the latest episode on the Distributed podcast, hosted by Automattic CEO Matt Mullenweg:

Episode 20: Adam Gazzaley on the Distracted Mind During a Crisis – Distributed, with Matt Mullenweg

Episode 20: Adam Gazzaley on the Distracted Mind During a Crisis

{"attributes":{"url":"https:\/\/distributed.blog\/category\/podcast\/feed\/","itemsToShow":1,"showEpisodeDescription":false,"showCoverArt":true},"title":"Distributed, with Matt Mullenweg","link":"https:\/\/distributed.blog\/","cover":"https:\/\/i1.wp.com\/distributed.blog\/wp-content\/uploads\/2019\/05\/distributed_cover.jpg?fit=3000%2C3000&ssl=1","tracks":[{"id":"podcast-track-1","link":"https:\/\/distributed.blog\/2020\/04\/29\/adam-gazzaley-distracted-mind\/","src":"https:\/\/distributed.blog\/wp-content\/uploads\/2020\/04\/distributed-episode-20-with-adam-gazzaley.mp3","type":"audio\/mpeg","description":"Matt Mullenweg speaks with neuroscientist Dr. Adam Gazzaley, co-author of the book The Distracted Mind: Ancient Brains in a High-Tech World, about how our brains work, particularly during times like the current pandemic. How does the brain handle internal and external stimuli, and what do we know about the effect of practices like meditation, exercise, nutrition, and sleep?","title":"Episode 20: Adam Gazzaley on the Distracted Mind During a Crisis"}],"playerId":"jetpack-podcast-player-block-1"}

( function( instanceId ) { document.getElementById( instanceId ).classList.remove( 'is-default' ); window.jetpackPodcastPlayers=(window.jetpackPodcastPlayers||[]); window.jetpackPodcastPlayers.push( instanceId ); } )( "jetpack-podcast-player-block-1" );

You can customize the Podcast Player block in a number of ways, from specifying how many of the most recent episodes to display, to deciding whether or not you’d like to show each episode’s description. Whether you feature your own podcast or someone else’s, you get to design the listener’s experience on your site. Learn more about adding and customizing the Podcast Episode block.

Keep readers reading with the Post Carousel block

Sooner or later, both veteran bloggers and newer creators encounter a similar issue: publishing frequently helps energize your audience (and gives you an SEO boost, too), but also makes older posts tougher to find.

The Post Carousel block comes to the rescue, providing an easy gateway to the treasures in your blog’s archives.

Add the Post Carousel block to any post or page on your site to encourage visitors to explore more posts (by default, the block will display your most recent ones). For a post to show up in the carousel, it needs to have a featured image; the idea is to engage and entice readers with strong visuals they’ll want to click on. To get a taste of the carousel in action, here’s one highlighting the five most recent posts on the WordPress.com Blog:

Add a Post Carousel and Embed a Podcast Player in Seconds with Our Two Latest Blocks

by Jerry Jones May 22, 2020

Expert Advice: SEO and Content Marketing

by Kasey Steinbrinck May 21, 2020

10 Ways to Make Your Site More Accessible

by Cheri Lucas Rowlands May 21, 2020

Say Hello to the WordPress Block Editor

by Dave Martin May 18, 2020

Coming Soon: Make Your Site Private Until You’re Ready to Launch

by Adam Zieliński May 15, 2020

For a more curated experience, you can customize what the post carousel shows. A post about your cauliflower taco recipe might call for a carousel showing other recipes that share the “vegan” tag or category. If you run a multi-author online magazine, consider presenting other stories by the same contributor. You can also configure how many items each carousel displays and whether it automatically slides from one featured post to another (among other options). Learn more about adding and customizing the Post Carousel block.

We hope you give these two new blocks a try — leave a comment if you have any questions, or if you’d like to share a link to a post where you’ve already used them.

[what-is-social-marketing]

New video Jerry Cantrell’s Pedal Chain with Designer, Dave...

New video Jerry Cantrell’s Pedal Chain with Designer, Dave Friedman @SweetwaterSound on @YouTube

Via SweetwaterSound @The65Connection Amp designer Dave Friedman designed the touring pedal rig for Jerry Cantrell (Alice in Chains).

from hip hop news source https://ift.tt/2svJD2A via what is social marketing

[krispyweiss]

Album Review: Grateful Dead - Dave’s Picks Volume 40

In retrospect, something was wrong.

Everything seemed OK on the Grateful Dead’s 1990 summer tour as the longest-running iteration of the long-running band set out on another leg of its long, strange trip.

The band had been peaking for a few years at this point, so it makes sense the era would get an official release as Dave’s Picks Volume 40, a four-disc affair memorializing the Dead’s July 18 and 19 run at Indiana’s Deer Creek Music Center.

Keyboardist Brent Mydland, on the bus since 1979, would play only three more shows with the Grateful Dead. On July 26, he died of an overdose and the music - again in retrospect - seems to portend a dark future.

Mydland is less of a factor than was typical in this era, trotting out but one song over the two nights - the recently revived “Easy to Love You” - and being rather reserved in his playing and harmony singing on the others’ numbers.

Bassist Phil Lesh is the one musician who showed up for every note of music. Across the run, he punctuates everything with whack-a-mole, paper-punching basslines, from his Blues for Allah intro to an otherwise-sloppy “Help on the Way” -> “Slipknot!” -> “Franklin’s Tower” opening trilogy straight through to the “Not Fade Away” finale.

Like Lesh, Bob Weir seems to shoulder some extra load, coaxing the band to its first climax seven songs in to night one on “When I Paint My Masterpiece” and leading a night-two rendition of “Promised Land” so intense it could’ve closed the show, not just the first half.

Jerry Garcia is in a bipolar state, picking much mellow fare - “Row Jimmy,” “Althea” and “Black Peter” included - and punctuating the music with enthused vocal asides and deep string bends to boost its wattage. On rockers like “Brown Eyed Women,” he gets so amped, he flubs the vocals at key points.

These were - and remain - good Grateful Dead concerts in the career context, but fall short for the era in which they took place. Filing out of Deer Creek, it seemed like just part of the Dead’s rollercoaster ride. But there was darkness at the end of the tunnel.

In retrospect, it’s obvious.

1/12/22

[the-social-media-business]

New video Jerry Cantrell’s Pedal Chain with Designer, Dave...

New video Jerry Cantrell’s Pedal Chain with Designer, Dave Friedman @SweetwaterSound on @YouTube

Via SweetwaterSound @The65Connection Amp designer Dave Friedman designed the touring pedal rig for Jerry Cantrell (Alice in Chains).

from hip hop news source https://ift.tt/2svJD2A via the social media business

[sassydazecoffee]

New video Jerry Cantrell’s Pedal Chain with Designer, Dave...

New video Jerry Cantrell’s Pedal Chain with Designer, Dave Friedman @SweetwaterSound on @YouTube

Via SweetwaterSound @The65Connection Amp designer Dave Friedman designed the touring pedal rig for Jerry Cantrell (Alice in Chains).

from hip hop news source http://bit.ly/2LNCXFK via YouTube music video promotion

[rpmtrish]

FEATURES - GRAPE JUICED - Dave Pierce - 68 Pro Mod Camaro

FEATURES – GRAPE JUICED – Dave Pierce – 68 Pro Mod Camaro

Drag racers are a predictable bunch, especially those who live at the ragged edge of extreme speed and power. Pretty much anything that enhances performance is highly coveted, and most of the time, if a little is good, then a lot is better.

Take Claremore, Oklahoma’s Dave Pierce. It wasn’t enough to have a carbon fiber Bickel-built Camaro Pro Mod. Oh, no. He had to have nearly 1,000 cubic inches…

[ueberbrands]

Purpose and Promotion Don't Mix Well - Ben & Jerry's Global Social Mission Officer Dave Rappaport explains

Purpose and Promotion Don’t Mix Well – Ben & Jerry’s Global Social Mission Officer Dave Rappaport explains

Ben & Jerry’s Dave Rapaport

Attaching a higher purpose to your product in your Promotions seems like the ‘flavor du jour,’ the latest ‘P’ in the Marketing Mix. We see Audi promote equal pay and Pepsi reconciliation, while Lush calls out police spying and Gillette ‘toxic masculinity.’  I admit, I have chosen these recent advertisements because they have so tremendously backfired that most readers…