#Dobi the house drone

[jazzstarrlight]

My Immortal - Chapter.1 Page.5

Death by death, clone by clone, a piece of his mind wanders off on it's own. Heart to heart, hand in hand, only a friend can bring piece to this man. ...and maybe a hug or two.

9 13, 19 15 18 18 25, 21 26 9.

(poor Dobi.) [No humans were killed in the making of this fire. Only injured and very few were hospitalized.]

Am I doing the right thing by continuing this story? Well, can't stop now. Gotta keep it up. So enjoy some good angst!

[crushingdeath]

KIRAN LEONARD + ABLE NOISE + SHOLTO DOBIE

Sun 14th Nov @ The Blue Moon Doors 7:30, £10 adv (+bf) from here

KIRAN LEONARD

A welcome return to great friend of the CD&G crew, the prodigious polymath, Kiran Leonard. Last seen in these parts as half of the willfully haphazard duo Or Sobre Blau, Kiran has spent the period since his last solo record, 2018′s Western Culture, reappraising his songwriting method, moving from the abstruse to the enigmatic. The result is a staggeringly ambitious double album, Trespass On Foot, that makes enormous demands on the listener, and pays off in the greatest possible way for those intrepid enough to seek its sublime rewards. Whilst previous works have focused on fearless complexity and semi-obscured specificity the new record is a sprawling collection of metaphorical drone-songs, sparse chime-ballads, and harmonically rich slowcore ruminations. A highly emotionally fluent set of homeward perambulations, Trespass On Foot is his most abstract and also most essential piece of work to date. Come see how it plays out on the stage...

https://kiranleonardhtmlwebsite5555.co.uk/ https://kleonard.bandcamp.com/

ABLE NOISE

The fine folks behind GLARC (the Greater Lanarkshire Auricular Research Council) have unearthed another delicious nugget, following on from their previous finds including Bamya, Horse Whisperer and Still House Plants. The cryptically-named Able Noise are a baritone guitar and drums duo inconveniently based based between The Hague, and Athens. Originally a strictly live-only concern, last year they committed a collection of vehemently non-rock synecdoches to tape, cramming in atypical technique, loops and fragments of external sounds, and ghosts of songs past. Still they retain a commitment to attendant performance, taking pre-existing pieces and reshaping them in the context of the space to create something remorselessly new with each appearance.

https://www.facebook.com/this.is.able.noise/ https://glarc.bandcamp.com/album/recordings

SHOLTO DOBIE

Leaning heavily on self-invented, home-made instruments, experimental underground staple Sholto Dobie is a performer who delicately balances elements of the profound and the absurd. His work stems from the radical potential of music-making and performance, particularly psychedelic, non-linear or “timeless” experiences, carnivalesque traditions and the insurrectory nature of improvisation.

[myriadmuzik]

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MyriadMuzik.com #Repost @lloyd_robinflex ・・・ Here I sampled a Doby Atmos sound test. Placed it on 8 trigs flipped it, adding a few distortions and got this at 0:32 seconds. . . ❤️❤️❤️ My Best one today (00:54 zzz) I think. ... I so missed the Digitakt. My 1st Digitakt and Digitone House Glitch jam. Featuring Michael Jackson part 2. . . Headphones recommend for Bass. . . Again at 60 bpms @weareelektron #elektron #digitakt #sundayjam #digitone #michaeljackson #Sunday #glitchmusic #drone #noise #jammin #housemusic #deephouse #dolbyatmos #DanceMusic #experimental #sampling #3dmusic #bassmusic #dnb #nottrap #MyriadMuzik

[bonegrenade-archive]

Every once in awhile I’m struck with the urge to make a tiny little game about Night Driving with the Dobis System just for the hell of it but

I’d need to be able to compose my own damn music because I won’t be able to just take what I need

Make my own fucking Witch House and Drone Metal

[bonegrenade-archive]

Dobis System Music Taste

Miles: Anything that’s been seen elsewhere in the system and more, I am the Procurer, I shape the music availability, I am the music

The Walrider: Drones, Extratone, lowercase, Numbers Stations, Harsh Noise, Wall Noise

Armin: Industrial, Drone Metal [Especially Sunn O)))], occasional bouts of Death Grips

Blaire: Noise Rock, Synthwave, Breakcore and related genres (Especially from Touhou Doujin artists), anything Lauren Bousfield touches

Palace: Pengosolvent, Masa, Sigríður Níelsdóttir

Val: Industrial and Witch House (Especially Throbbing Gristle and Радость Моя) Sometimes also Crystal Castles

Jonathan: Electronic Drone/Ambient, especially Tim Hecker

Felicity: Did Richard D. James make it? She likes it.

Furiosa: Said she really likes The Knife once, no clue beyond that

Moon Presence: Dungeon Synth, sometimes things with Choirs

Stag: Mount Eerie/The Microphones. Very specifically likes I Am Made of Chalk by Crystal Castles as well

Gyro: I saw him listening to KaitO once

Jasper: If you believe Blaire she likes NDaD

Fletchling: Anything that isn't horrifically loud, anything she can chirp back at really

Red: A Mystery! Aside from the "Rocks in a Washing Machine" Silent Hill tracks