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#Fallout
critter-of-habit · 3 days
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Okey-Dokey
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feodor-dostoevsky · 2 days
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squidinu · 2 days
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thecollectibles · 2 days
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The Ghoul by Alex Alexandrov
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uservaulty · 3 days
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✨don't judge book by it's cover✨
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buryustogether · 3 days
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songbird
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the ghoul x f!reader
summary: you used to be a singer in your vault - that skill comes in handy when you least expect it, and least want to use it. but who are you to say no when cooper tells you to sing for him?
wc: 5.7k
warnings: swearing, talk of murder, blood, alcohol, gun violence, sexual tension, smut, fingering, p in v sex, biting, possessive sex, possessive cooper
You had to admit - if you and your companion didn't find shelter soon, one of you was going to drop and the other wouldn't hesitate to feast on what was left.
The deserts of the Wasteland were harsh - you had known that the moment you stepped out of your vault those months ago and you had been faced with nothing but a searing sun, sand that got stuck places it shouldn't have, and creatures and fellow people alike who would risk it all simply for a quick grab at the pack on your back. But it seemed like this past week, God or Satan or whoever the fuck was controlling this shitshow of a world was in a bad mood. The heat was unbearable, even at night when the chilly winds should have weaseled their way beneath your vault suit and cooled your burning skin. Creatures mutated by the long-settled radiation were feeling the anger of the wasteland, as well, charging without warning or provocation. To top off a less than perfect week, your water supply had run out yesterday, and unless the skies opened up and released a storm of rad-infested hail upon your head, you weren't sure you would find any more before you keeled over and kicked it.
Struggling to plant your feet stable in the mounds of sand beneath you as you made your way between the shells of buildings that had once stood tall and proud, you glanced over your shoulder at your companion. Cooper was better adapted for this kind of environment than you were, what with his hardened skin and the wide brim of his hat shielding his face, but even he looked worse for wear. When he picked up his head, seeming to feel your eyes on him, you quickly averted your gaze and set your attention back on moving one foot in front of the other.
"Fuck're you lookin' at?" he said, his voice raspy as he called out through the dry air.
"Nothing," you snipped back, refusing to give him the satisfaction of facing him again. "Just wondering if I'm going to have to carry you the rest of the way, asshole."
The heat was making you both snappy - you hated it.
Your first meeting with Cooper hadn't gone smoothly. Hell, your second or third hadn't, either. You weren't exactly sure when you had fallen into a more comfortable presence around one another, but it sure as shit hadn't happened overnight. You'd been only half a day fresh from your vault when you'd seen him scavenging madly over a mess of bodies he'd dropped where they stood, searching for a number of vials kept in their pockets that he let drip into his open mouth like a fountain of youth. When you had called out a friendly hello to him, he'd nearly shot your brains out. Cooper had taken in your shocked expression - as you'd clearly never seen a ghoul before - as well as the stark blue of your vault suit and the pack over your shoulders, then promptly told you to scoot your ass back around to wherever the hell you had come from. Of course, you hadn't. You'd followed him from a distance, watching as he'd picked his way across the dusty sands until he'd wrangled you with the lasso at his hip, told you to fuck right off, and left you tied to a number of old pipes in the basement of a nearly collapsed building.
A day later, you'd tracked his footprints in the sand to a little settlement, where you hadn't ducked away quick enough to avoid his gaze. He'd threatened to blow your brains out if he caught you following him again. He'd only half-delivered on that promise when, not ten hours later, he'd planted a fist-sized hole in the skull of a raider attempting to cut your throat for the Pip-Boy affixed to your wrist.
From then on, he'd simply chosen to ignore you as you followed behind him like a lost dog, intent on staying with the biggest, baddest wolf in the yard. After a week, he'd tossed you a part of his rations. A week after that, he'd - not too gently - invited you to sit at the campfire with him when he saw you shivering beneath your thin, vault-issued blanket a good few yards away.
Somewhere along the way you'd started to talk. Started to share - at least, you had. Cooper had simply tucked his hat over his eyes and pretended not to listen while you rattled about this and that until he physically couldn't take it anymore and told you to go the fuck to sleep.
These months later, having accompanied him all this time, you didn't hesitate to call him a friend. Maybe something more, if you let the ache between your legs when you looked at him speak for you, but you knew it was a fantasy and nothing more, so you decided to stick with 'friend.'
Back in the present, you swallowed and winced when your throat barked with a bout of pain in response. You didn't think you'd make it another mile, let alone five, which was how far Cooper claimed the nearest town was. Despite the months you'd spent adapting out here to the wastelands, you were still attempting to cope with the hardships that came with it. Vault life wasn't anything like this; there was always water to drink, beds to sleep in. Cool air to bask in when it got just the slightest bit too hot. Of course, you didn't voice these complains to your companion. If you did, you had no doubt he'd tell you to shut the fuck up and deal with it.
Just as you were about to ask if you could take a short break and get away from the harsh sun beating on your back like repeated blows from a red-hot hammer, a gloved hand wrapped around your arm and held you in place. You jerked to a stop, nearly falling back on your ass as Cooper held you where you stood. You prepared a strongly-worded question as to just what he was doing before you followed his gaze downward, to where a small handful of pairs of footprints traveled perpendicular to yours. Together, you tilted your heads to the left where the foreign prints were headed, and it was there you found a small slope leading downward into what may have once been a shopping mall. From where you stood, you were able to see that the glass dome around the center of the mall had been shattered, letting out the gentle sound of music and human hollers.
You exchanged a look with Cooper, each of you sunken from the iron-fisted heat weighing you down, then slid down the sandy slope after him when he took off toward the shopping mall.
If there was one thing you had learned about Cooper since planting yourself at his side and refusing to leave, it was that he valued silence above almost everything else. You, on the other hand, had come from a talkative vault, where gossip reached every end of every chamber only an hour - at max - after anything noteworthy had happened. Your companion had once called you the biggest yap he'd ever heard, and you would have taken it for a compliment had he not told you to shove it a moment after. The two of you had been silent nearly the entire day now, save for a few venomous barks at each other, and you cleared your scratchy throat in an attempt to lighten your shitty moods.
"I used to read about shopping malls in the magazines," you said, leaning your weight backwards as the sandy slope shifted downward. "They had all kinds of stores inside."
"Thanks for the reminder," Cooper bit back, quickening his stride. "Would have fuckin' forgot without you here."
You let your eyes roll into the back of your head as you struggled to catch up to him, your boots digging into the uneven earth beneath you. "When I was a kid, a few of my friends and I would draw pictures of clothes - because, you know, we only had our suits - and then spread them across one of our rooms and pretend to shop. It was stupid, but it we made entertainment where we could."
"Now, was this before you started pretending to be Billie Holliday?"
You gave him a sideways glance. "Who's that?"
Cooper shook his head and took off ahead of you. "Jesus fuckin' Christ."
During one of your, as your companion called them, yap sessions, you had confided in him that your vault valued the arts above anything else. Since you were a child, they had encouraged you to find something you enjoyed, as long as you were able to call yourself an artist. Painting hadn't worked out too well. Writing had been a bust. But then you'd discovered singing - a way in which you were able to express yourself without actually saying how you felt. You could drape the tunes in metaphors and similes, bump the second verse from the first, and when you were done, everyone would get to their feet to applaud as if your songs were the best things they'd ever heard. Cooper hadn't expressed much interest in this, instead taking to calling you a songbird with her wings clipped when he deemed you were at your lowest and needed to be kicked while you were down.
Of course, you hadn't shown him - you would have to be long dead for that - but over the course of the few months you'd known him, you had confided in your notebook carried in your pack all the little things you'd come up with that complimented his persona. How the gold at his heels called for you with each step he took. The way his hands, encased behind leather that creaked, held a smoke so delicately you could have imagined it was you. The rasping curl of his words when he smiled while he spoke and how each word cast a spell that made you want to follow him until the sun exploded and the earth was gone.
Cooper was an enigma you couldn't help but wonder after, and every scrap of himself he tossed to you led you on like a dog on a leash.
The music and echoing sound of laughter from deep inside the shopping mall became louder as the pair of you approached, eyes scanning for snipers on the roof or guards posted at the busted-out windows. There wasn't a person in sight, only mannequins stripped of their clothing hanging out the openings and long-shredded posters clinging to broken glass. Cooper led the way inside, picking a path across the wreckage and rubble stacked haphazardly against the entrance. You felt your pulse tick up when he produced his gun from the worn holster at his side, tapping his trigger finger against the side of the firearm in time with the music winding its way down the wide corridors.
As you followed your companion through the shopping mall, you couldn't help but ogle at the numerous attractions you passed. Shops had been boarded up and torn open again, giving you a glimpse of tattered clothes still on hangers, books tipped over on shelves, pre-war machines behind display cases that were covered in two hundred years' worth of dirt and grime. Gang signs and dirty catchphrases had been spraypainted along the walls and windows in a rainbow of colors. In the center of the long aisle you were wandering, a carousel meant for children sat neglected, still fitted with cartoonish horses who had seen better days than these.
"Did you used to come to these often?" you asked as you stepped across a mannequin missing its head.
"Shut the fuck up for a minute." Cooper raised a hand to pair with his little spat, silencing you from asking any further questions. His tongue darted out between his cracked lips as he placed his steps carefully around shattered glass and wind-up toys that would declare your position to the entire mall. He led you around a few wide corners before coming to a stop behind an old escalator, motioning for you to take cover. You crouched to peer around the other side, pulling your bag strap tighter over your shoulder. You were met with a sight that made your lips part in wonder.
Made up in the center of the mall's large atrium, directly beneath where the glass dome had been broken out, a small encampment of people had established what looked like a tiny town. Tents rested just inside nearby shop windows and winking Christmas lights had been strung above their heads. Lanterns cast shadows along the faces of the camp's locals as they milled back and forth, sharing dinners, reading from books - and dancing. Booming from a solar-powered stereo was a symphony of fiddles and guitars, harmonies of trumpets and clapping in time with the beat. A woman's tinny voice came through the speakers and she reminisced about an old lover who had gotten away. As you watched the people dance and stamp their feet along with the music, you found yourself drumming your fingers along, as well.
You were so engrossed in the music that you nearly missed what Cooper had his watchful eye on; the fridge-sized container with several spigots on its sides marked with a large piece of paper that read 'Clean Water.'
You and Cooper ducked back behind the escalator.
"Bunch of fuckin' idiots," said Cooper as he pulled a red-capped round from his bandolier and loaded it into his gun's chamber. "That shit'll attract every goddamn raider and feral within the mile."
"They're just having fun," you said, unsure of why you felt so defensive of these people you didn't even know. Maybe it was because they reminded you of your fellow vault dwellers back home. There had been a dance or performance like this nearly every night.
Cooper scoffed. "Fun like this gets you killed, little lady."
Your eyes widened as you watched him pull back the hammer of his firearm. "You're not going to just go up there and start shooting, are you?" You knew for a fact that he would. You'd seen him do it before - draw his pistol and start spinning the trigger because a raider or flock of ferals had what he wanted. But this - this was something different. Before he could do anything more, you reached out and grabbed his upper arm in a grasp so tight your knuckles paled. He flashed you a dark, dangerous look from beneath the brim of his hat, but you refused to let go. "Cooper, these people are innocent. They haven't done anything to us."
"Listen here, dollface, and listen well," he said, quickly spinning you around so that your back was pressed against the escalator. He caged you in, his gun hand still in your grasp and his other arm propped against the wall beside your head. You tried your damndest to not flush when you felt his breath on you, when his hips came just inches from pressing up against yours. "If we're goin' to be carryin' on this little arrangement, you need to learn to keep that pretty mouth of yours shut when I tell you to shut it. Now, I know you vaulties think everyone and their mama is goin' to repay that silly kindness of yours, but do not be mistaken. Keep yappin' and I will drink my fill of that there water while I make you watch, and then I'll tip the rest of it onto the floor. You hear me?"
You were at a loss for words, your tongue dry and your knees beginning to feel wobbly from the lack of water and proper rest. Just when you were about to let your eyes fall back down and accept that he was going to clear out the settlement for their water, footsteps echoed past where the two of you stood. Cooper snapped around and raised his pistol, his other arm still caging you in, and aimed down the barrel at a few young men approaching the rest of the locals beneath the glass dome. Instead of yelling, instead of dropping their belongings and begging for their lives while they pissed their pants in the presence of a ghoul, the men waved and smiled friendly grins.
"No need to hide," one said, gesturing the pair of you toward the others. "Y'all are welcome to come and make yourselves cozy. The more the merrier!"
They continued on, greeted by the other locals with shouts of welcome backs and fond hugs, paying no mind to the wide eyes and parted lips of you and your companion. Breaking away from Cooper's little cage he had created with himself and the wall - as much as it pained you to - you peeked back around the escalator. The young men pointed your way, and a number of people waved in kind and beckoned you forward. You found yourself taking a few steps toward the inviting sight of fresh water and the smell of food being cooked over one of the fires when Cooper snagged you by the back of your suit's collar and pulled you back into cover.
"Where on this good green earth you think you're goin'?" he said in a hushed tone, bringing your face close to his with a commanding grip on your jaw. Another flutter of excitement, of blood rush, bubbled to life in the pit of your stomach and began to travel south, but you suppressed the urge to lean into his touch. You didn't pull away, either.
"They invited us," you said, your eyes wandering back over to the light flickering from the lanterns and fires. "It's rude to turn down an invitation."
Cooper harrumphed and released you a little harsher than necessary. "What you've got is a one-way ticket to bein' on tomorrow's menu, sweetheart," he said, tilting his head to follow your gaze and keep eye contact when you looked away. "If you've about had your fill of the real world up here topside, then be my guest. Go and let'em fatten you up. I'll pour one out for 'ya tonight."
Deciding not to wonder if he would actually pour one out for you, if you really meant that much, you scoffed and shook your head. "You know it's okay to let your guard down every once in a while. Smile, maybe? Wave back? No wonder you're so damn bitter, old man."
Cooper stared down at you, and you wondered briefly if he was considering slamming your head into the side of the escalator. Would he drag you away with him, you thought? Or would he leave you for the strangers just around the corner. After what seemed an eternity, he hummed a short little note and nodded his head toward the camp. "You want to play friends, little lady? Go ahead. See how far that gets you before I've got to turn around and put one between the eyes of a man who's not lookin' just for the sake of lookin'."
With the faintest hint of a smile, you blinked up at him. "You'd turn around for me?" you asked in a murmur.
He matched your heated gaze, dark eyes intense and flaring a torch in your belly. "I suppose you'll just have to find out one of these days."
Swallowing thick, you took a breath, then turned and led him toward the little encampment of people. Heads turned as the pair of you approached, and you found that most of them smiled. You waved to those who offered little shakes of their hands, trailed by a ghoul stalking in his own shadow and resting the crook of his palm on his pistol. You were met by a kind-faced woman near the large tank of water, and she was forced to speak loudly to be heard over the sound of the thumping music.
"You folks just get in?" she said, already fixing two bowls of stew from a large pot simmering over a fire.
You broke yourself from the staring match you were having with the pot, the same one Cooper was still stuck in. Although, he may have been watching the chickens that roamed inside a little pen nearby as he licked his lips. "Yes, ma'am," you said over the trill of the woman's singing. You so desperately wished you knew the words so you could sing along. "I hope we're not imposing."
"Not at all!" A bowl of stew was pushed into your hands, and you forced yourself to be polite and not spoon it down your throat immediately. At your side, your companion gave the rim of the bowl a lick with the tip of his tongue before tipping it to slurp up. "We pride ourselves in being an open community. We might be small, but that just means there's more to share." The tin cups of water she handed over didn't last but five seconds before she was refilling them. "Make yourselves comfortable and stay however long you like. All we ask is that you keep your weapons holstered and don't disturb the music."
You and Cooper took seats at a dining table that had been dragged over from the cafeteria, neither of you speaking much as you both wolfed down what was in the bowls in front of you. Both of your spoons went untouched, each electing instead to drink up the strangely-colored meat floating around inside. Cooper finished much faster than you, and shucked off his gloves so that he could dip his scarred finger in to collect what juices were left. When he was finished, the bowl looked as though it hadn't even been used.
Watching him with a small smile, you let up from your own bowl and said, "I'm waiting."
"For what, exactly, little lady?"
"Your apology." You lapped up the rest of your stew before politely setting your bowl inside of his. "You wanted to -" You hesitated and glanced over your shoulder to make sure no one was too close to hear you. "You know." Then you settled a rather self-satisfied smirk over your features. "And look where we are now. So I'd like my apology now."
Cooper sucked on his finger, ensuring he was getting every last morsel of the stew that he could, and your attention was pulled down to where his lips wrapped around his digit. A part of you began to imagine it was yours. He noticed you staring and grinned wide. "And you know what I'm waitin' for, darlin'?"
"What?"
"For you to walk yourself over there and get me seconds."
You rolled your eyes, but nevertheless grabbed your stacked bowls and began to make your way over to where the woman was tending to the pot. "You'd better be thinking about your apology," you called over your shoulder. When you turned back around you nearly collided into someone retreating back to their spot with their own dinner. You jerked to the side, attempting to get out of their way first, and in doing so rammed yourself into the stereo set on a table in the center of the little camp. You watched in horror, bowls clasped to your chest, as the stereo tumbled over the edge of its pedestal and fell to the floor, where it shattered into what must have been hundreds of pieces. The camp became shrouded in a tense, shocked silence as every eye in the mall turned to face you and look upon your sin.
"I..." Your voice carried through the atrium and down the corridors of the shopping mall, sounding like an isolated cry for help. "I'm so sorry. I - I didn't mean to, I really didn't. Here, I might be able to fix it." You bent down to try and gather the pieces with your free hand, and the moment you did, a number of the camp locals drew weapons to aim in your direction.
"Now," came that familiar drawl behind you as you heard a hammer lock into place. "Are we really goin' to be killin' each other over some silly radio?" asked Cooper, and you felt some of your nerves ease slightly when you felt his chest press against your back.
A man to your right hissed. "You killed him!"
You shook your head viciously. "No, no! I - I didn't kill anyone. I'm sorry, I really am."
"You killed Sterry!" a woman accused.
"Sterry?" You looked down at the broken stereo and began to scoop up the bigger pieces you could find. "I - I can fix Sterry, I swear -"
"There's no fixing Sterry," moaned the woman who had served you stew as she sunk into the closest bench, looking as though she were about to faint. "He's dead. And you've killed us all."
You glanced back at Cooper, who wielded both his pistols now, each pointed in a different direction toward locals who had drawn their weapons. He offered a shrouded look that screamed, 'Now, didn't I tell you so, sweetheart?' You took a shuddering breath and faced the woman who had served you. "What do you mean?" you asked.
The woman placed her head in her hand as if she'd already accepted her fate. It was a daunting sight, the face of a woman so cheery and joyful such a short time ago, now deflated as though someone had let out all her air. "This place," she said, gesturing vaguely to the mall around you. "It's infested." The word was so heavy you felt as though you nearly choked on it. "Infested with creatures that will tear us limb from limb now that you've ruined everything. The music! The music was what kept them away, and now that it's gone..."
As if on cue, from the darkness of one of the long-winding corridors straight ahead, there came the bone-rattling sound of a feral hissing and snapping its weathered jaw. A few of the locals scrambled back as the creature emerged from the inky blackness, arms twisted and eyes sunken so far back into its skull they looked like they were forever pointed toward the sky. It took a rushed few steps forward before Cooper's arm rotated and he put a hole between its eyes. The feral dropped to the floor, leaking dark blood that stained the tile floor.
"Stop being so dramatic, Uma," said an older gentleman who stooped at your feet to begin gathering the pieces of Sterry. You immediately dropped to your knees to help. "We've fixed Sterry before, and we'll fix him again. It won't take long. But while we do, we'll need something to drive those creatures off..."
Your stomach dropped when, as you stood to hand over the pieces of the stereo, you felt Cooper's hands - still fitted with his pistols - rest heavily on your shoulders. "Well, then, y'all folks are in luck," he drawled, and you could practically hear the smirk playing his lips as he spoke. "I've got my very own songbird right here. I'd be happy to lend her to 'ya if, say... you filled our flasks from that there tank when the time comes for us to leave."
"Cooper," you hissed through your teeth as you spun around to face him. Singing for your vault was one thing, but singing for a bunch of strangers in the middle of an infested mall while ferals stumbled from the darkness all around you? He may as well have tossed you back out into the wastes. "You are not going to fucking trade me -"
"Done," said the old man as he sat down and began to sort Sterry's pieces. "Have your girl start singing - anything her heart desires. Just long enough for me to fix old Sterry here."
Giving the man a mock salute that didn't quite raise to his brow, Cooper shoved you onto a bench so that you stood over the rest of the camp. From this angle, they were all able to see your petrified expression and your hands shaking at your sides. "You heard the man," your companion said and smacked the back of your knee. "Get to it, songbird."
"Cooper, I can't -"
Before you were able to finish, Cooper turned, his ears pricking at something yours did not pick up, and dropped another feral that had been silently stalking the camp from the other side. A few of the locals yelped in terror, fleeing into shopfronts and tents.
"Sing for me, sweetheart," Cooper said. He sent you a wink, tipped his hat, then unleashed another round of lead into the darkness which only his eyes could penetrate.
You felt as if you were going to vomit. Sweat began to form on the back of your neck as you fisted your hands and swayed slightly where you stood on the bench. Turning your head, you met the eyes of a few camp locals watching you from their hideouts, their expressions filled with fear, anger, anticipation. They were waiting. Expecting. Needing. Attempting to push down the swelling that was beginning to form in your throat, you looked down at Cooper as he emptied his pistols of empty shells before reloading in order to fend off the ferals attacking the camp - the very camp he'd wanted to take out not half an hour ago.
He'd told you to sing for him. So you'd sing. For him, and only him.
Clearing your mouth and opening your lips, you took a breath and forced yourself to sing. "Death will come from where the earth meets the sky." Your voice wobbled slightly, rusty from having not singing since you left your vault. That, along with the fear and dehydration sitting on your tongue. "The sand is scorched beneath his step, the future decided by his eye." As you sang, the miniature explosions banging from the barrels of Cooper's pistols created a short, quick beat you unconsciously began to tap your foot along to. "He'll come for you all in the end, you'll never be free... he'll come for you all, but never for me."
Ferals shrieked in response to the gunfire, to the song torn right from your notebook in your pack, and one by one, like stage performers who had practiced this dance a hundred times, they dropped at the feet of the camp.
"Death's got a girl who croons his songs, which is why he never stays for long. He's got to run back to his lady, just as harsh as he, he's coming for you, but he's running back to me." As you sang you realized your voice was getting louder, louder, swelling until it filled the mall's atrium and every corridor far beyond. You tapped your heel along with the rhythm you'd created, closing your eyes and imagining an audience of one; a ghoul with his arms slung out across the chairs beside him and a knowing smirk playing his thin lips. It pulled you forward, pulled forth a song you hadn't realized was already in you. "He might sound mean, but I swear, he's kind. He's just got to peer into these eyes of mine. I'll ride with him, and he'll follow me, leaving behind a trail of blood far as the eye can see. Oh, my baby's got teeth to bite and a gun to blow, see his smoke and soon you'll know. Death ain't my man, he's my right hand. He'll come for you all in the end, you'll never be free... he'll come for you all, but never for me."
You had just been nearing a second verse when, from where it rested before the old man on the table, the stereo jumped back to life and filled the atrium with thrumming, pulsing folk music. It drowned out your voice, silenced you like a gunshot, and the ferals teetering on the edge of the darkness leading to the rest of the mall stumbled back into their hiding places. The camp locals slowly emerged from their hiding places, chattering excitedly about Sterry and his newfound love of life. Feeling a little stupid still standing on the bench, you climbed down and shuffled away toward where you had been originally sitting.
Taking a seat, you rested your forehead on your arms and exhaled a shaky breath. What had you been thinking? Singing a song for the man you'd become hopelessly fascinated with while he was just a few feet away, battling ferals who were intent on tearing out your throat and taking your voice with it? You were such a fucking idiot. You wouldn't be surprised if he told you to never open your mouth again.
Just as promised, your flasks were filled to the brims with fresh water before you went on your way, leaving the mall atrium and the singing, dancing camp locals behind as you picked your way back outside. Neither you nor Cooper said much as you continued your trek to nowhere, leaving a pair of footprints like echoes in your wake. Your cheeks remained flushed long after the mall had disappeared into the horizon, and long after you picked out an abandoned building to set up camp for the night. For once, it wasn't from the heat.
You sat across the lantern and what light it cast from Cooper, who stared into the little beacon as if he were watching the most fascinating flick within its glass. You held your notebook in your lap, thumb marking your place as your tried to write, but nothing would come to mind save for the things you'd sung about today. Mortification stirred like a serpent in your belly, and you briefly considered excusing yourself to get up and throw up outside.
"Let me see that book you've got there."
Your head lifted at Cooper's request - more of a demand - and unconsciously tightened your grip around your notebook. Your notebook - full of songs, melodies, lyrics. The most recent half of which you had written about the ghoul staring at you. "This?" you said, your trembling voice giving way to your nerves. You forced out a chuckle and smacked it shut. "It's nothing worth looking at."
"Why not?" he said, voice rasping lower than the baritone he usually held it at. You swore his gaze was hotter than the sun during the day and the fires at night. "You got more songs 'bout little old me in there?"
Fuck, he knew. Fuck all, he knew. You felt your flush deepen as you pointedly tucked your notebook into the bottom of your pack and flipped the top shut. "I... I don't know what you're talking about," you said, avoiding his eyes. Instead you focused on the fraying tip of your boot. "I wrote that a long time ago. Back in my vault."
"Uh huh." Cooper stared you down for so long you thought that perhaps time had frozen. Then he took a barely-there breath. "Come over here, songbird. Let me get a good look at you."
For a long, long moment, you remained still as you ever had been. What was he saying? Normally the only time he let you close to him was when he invaded your personal space to deliver a shove or to smack your knee or thigh to tell you to get a move on. Your breath hitched when you finally lifted your head and found his gaze boring into yours, heavier than a ton and white hot like a branding iron.
"I ain't goin' to tell you again, pretty girl."
As if he had you on a fucking leash - because you swore he did - you found yourself pitching forward, crawling on your hands and knees toward him. He spread his legs slightly, enough to give you room to fit between them, and hesitantly, so very carefully, you rested yourself against his front. His rough, scarred hands, free of his gloves, came up to rest on the swell of your hips as if they were made to be there, fitting like puzzle pieces against your skin beneath your vault suit. You stared up at him, backlit by the lantern light, and let his thumb drag down your bottom lip until it slipped from his touch.
"Didn't think my songbird had such desire in her," Cooper chuckled, his warm breath fanning across your face.
You relished in the goosebumps that crawled over the planes of your skin. "I... I don't..."
"Oh, you'd be dead wrong if you said that little ditty you sang today wasn't all about desire." He settled back deeper where he sat, giving you more room to settle against him between the columns of his thighs. Your lower belly rested against his crotch, where you felt the hard outline of his cock straining against his trousers. Your heart skipped a beat or three. "If you wanted to ride with death, sweetheart, all you needed to do was ask."
Cooper sealed his lips to yours without word or warning, pulling a surprised little noise from the back of your throat that he swallowed up with fervor. As the initial shock faded, you found your eyes slipping shut and your mouth moving against his, lips opening without fight when his tongue demanded to explore your own. Bracing yourself with one hand against his thigh, you reached up with your other and cradled the back of his head, knocking off his hat in the process.
Swift to get a move on, to feel you against him and swallow up more of your sounds, Cooper easily flipped you around so that you were now lying flat on your back and he was hovering over your prone form. Both tingling excitement and nauseating nerves pulled groans from your lips as he moved to pressing harsh kisses and nips to the column of your neck, licking up red spots that would surely bruise come morning time. He shucked off his duster and abandoned it somewhere behind him, at the same time, by some skill you had no idea anyone possessed, also grasping at the zipper of your vault suit to pull it down as far as it would go.
It didn't take long for you to shimmy out of the suit, leaving you in just your underwear, the seams of which he traced with his calloused finger. It sent a chill running up your spine despite the heat prodding at your skin.
"My songbird sounds real pretty when she's singin'," Cooper muttered as he sucked a bruise into the swell of one breast over the cup of your bra. "I bet she sounds even better screamin' for me."
His hand plunged beneath the waistband of your panties and began to explore your folds, pulling a long, whining moan from your lips. He ate you and your whimpers up, devouring your lips like he wanted to eat you whole - maybe he did - while his middle finger ran up and down your cunt a few times before deftly finding your clit and applying a bit of pressure to the sensitive bud. You cried out. It had been far too long since you'd seen any real action. It didn't take long before your folds were soaked, and he was able to gingerly nudge his finger past the entrance of your pussy. It felt foreign to have another person thrusting their finger in and out of you, building you up to a kind of high you hadn't known since far before you left your vault. In less than a few minutes - something he would surely tease you about later - you felt that familiar coil snap in your stomach and you soaked his hand with a loud, throat-rattling wail that escaped your lips and flew right past his.
Cooper pulled back with a self-satisfied smirk and pulled his hand from your panties, lifting his spread hand to show you to slick you'd coated his digits with. You were only able to huff for breath and watch with hooded eyes as he brought his fingers to his mouth and used his skillful tongue to lick off your cum. You briefly wondered what else that tongue of his could do, what it would feel like to have him lap up your pussy like it was the only thing to guarantee him his daily hit of medicine.
"Sweet as honey, baby," he cooed, bracing himself with one hand while the other worked on the buckle of his belt. "Well. Maybe Tennessee honey. You ever had a taste of that?" He knew you hadn't. But that didn't stop his smirk from growing in size when you numbly shook your head. "Don't you worry your pretty little head about it, baby. We'll get you a lick one day. 'Til then..."
Your limbs dancing with pins and needles, you lifted your hips to help him tug off your panties. "I'll just have to settle for what I've got," you exhaled with a hazy smile.
Cooper grinned wide, a smile that bordered on the edge of dark, as he tugged down his trousers just enough for his cock to spring free. He was thick - larger than you'd expected - and his member was rough and scarred like the rest of him. It made you want to feel him all the more. "I'll promise you somethin', darlin," he said as he positioned himself at your entrance and you locked your legs around his waist, heels digging into the edge of his gun belt. "I'm better than anything else you'll taste these days." With that he slid into you, filling you at once to the brim like he just couldn't wait to feel you from the inside. A loud, sharp yelp escaped your lips as your back arched instinctively, curling yourself up into him. He only waited a few moments for you to adjust before he started moving, pulling himself out to the tip before thrusting back inside your welcoming cunt. You were able to feel each and every ridge of him, every scar, and you swore you were getting drunk from just the feeling.
"Fuckin' shit, girl," he groaned, moving to press the flat of his hand to the base of your neck so that he could keep you in place while he fucked you. "Better than I could've fuckin' dreamed."
Cooper's thrusts began to increase in speed, your moans and whimpers accompanied by his low, almost growling snarls he panted against the shell of your ear. You couldn't believe this was happening. You were being fucked by the ghoul you'd been following all these months, the ghoul you'd been watching and studying and falling hopelessly for. And it felt good. It felt so fucking good, a part of you wasn't entirely convinced this entire scenario wasn't a dream concocted by the recesses of your mind.
"God, Coop," you heard yourself moan as your nails dug crescent moons into the fabric of his shirt. "Feels so fucking good..."
"Atta girl," he muttered, moving his head down so that he could suck at the junction where your neck met your shoulder. "Such a sweet little songbird." His grip on your hips tightened as his movements increased even further. "Might just have to fuck you good every night so I can hear you sing for me."
You panted deep as you felt your second orgasm of the night approaching at an alarming rate. Your hips bucked up to meet his with each thrust, the sound of skin on skin filling the abandoned building in which you had taken shelter. "Don't have to - ah! - even ask. I'll sing for you any time, Coop."
Cooper's breaths came shorter, sharper, and it wasn't long before he came with a harsh bite against your shoulder, one that spilled blood into his awaiting mouth and pulled your own orgasm from deep within your depths. You shuddered and cried for him, tugging him close and holding him there for several minutes after your highs had faded and your breaths evened.
Finally, he pulled himself off of you. A short whine escaped you when he slipped from your heat, and he chuckled low before tossing you your panties to slip back on. When you were both covered again, you sat up and crossed your legs as you basked in the afterglow of what had just taken place. Cooper dug around in his saddlebag for a moment before producing his inhaler and drinking up a shot of his medicine, shaking his head against the sudden buzz that came with it as he sat back on his elbows and stared at the lantern light.
"I..." You struggled to find the words so desperately clawing at your chest. "I hope you don't..."
Cooper reached up and pulled your wrist out from under you, causing you to fall back on the ground beside him with an 'umph.' He let his arm cushion your fall before sweeping a few strands of hair from your face and giving you that crooked smirk which made your legs fall numb all over again. "Oh, don't you worry yourself, songbird," he said. "I ain't lettin' you fly away from me any time soon."
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periprose · 3 days
Text
Sweet as Nuka Cola
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Cooper Howard/The Ghoul x Reader
You're an upcoming actress who has a constant flirtation with Cooper Howard. But even if things seem to be off to a good start, a nuclear bomb, a cryogenic pod, and two hundred years of carnage ruins all of it. Is there something to be salvaged from your relationship with Mr. Howard?
Genre: Mutual pining, flirting, slow-burn, angst, friends to kind-of enemies to lovers (no cheating but maybe it's a little murky?)
Word Count: 11k
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“Action!”
“Hello. Yes, it’s me.” You wave at the camera, adorned in a classic-red sweetheart neckline dress. “You might know me from ‘Girls Want It All’ or ‘Next Door Babe.’”
Here, you play up your recent bombshell status. As Ed, the director of this advert, keeps reminding you, you need to sell yourself to make customers listen.
You sway in your dress, squeezing your arms and throwing your waist back to plump and push out your chest. The implication of the sex appeal in your movies keeps people watching.
But you’re still a rather new actress, so America might not know you so well. You’re glad Nuka Cola has hired you– if you want to be a star, you need more exposure.
“Do you enjoy feeling refreshed?” You cock your head to the camera, pursing your red lips. “Well, golly, what a silly question. Who doesn't?”
“That's where Nuka Cola comes in.” You lift a bottle out of the cooler next to you, all gentle in demeanour, showing off the logo of the bottle to the camera, in your perfectly manicured hands. “With triple the amount of caffeine found in competitor's bottled cola, it's sure to keep you feeling up for a long, long time.”
“And it's good for you.” Ed whispers, a last minute adlib you did not agree to, but you're a professional, so you add it on with a little wink.
“And it sure as heck is good for you.” You smile, the infamous smile that's won you notoriety to Hollywood execs for being the newest bombshell on the block, and you throw your shoulders back as you really lean into your image. 
“Cut! That's a wrap, everyone!” Ed, wanting to finish early, quickly starts ushering everyone out so not a cent more gets spent. 
You immediately relax out of your practised, professional smile. “Any ADR needed?”
“Don't think so, but we'll let you know.” The director is already moving onto whatever his next project is. Advertisements make more money than anything else these days.
You head over to catering, where you're craving– not a Nuka Cola, considering how much sugar is in that thing it's hardly refreshing at all– but an iced tea. 
You stretch out your ankles in your kitten heels as you prepare it. If you told your Ma back in Mojave that the worst thing about fame would be the uncomfortable outfits, she'd smack you. So you keep it to yourself– you're grateful, you're humble, you'll never be an entitled asshole like those fucking execs.
“Watch out, I'm behind ya.” A man gently presses your shoulder as he walks next to you.
You know that voice. Famous movie cowboy, devilishly handsome, easy to admire. A career worth emulating.
“Mr. Howard?” You turn to look at him, and it is him. Wearing a tuxedo suit, smiling his classic, rugged grin at you.
“The one and the only.” He laughs in a self-deprecating way, as a man tired with his fame and used to mocking it. “Hey, wait, don't I know you?”
You immediately feel your face heat up. “Probably not– lots of people have mistaken me for Lucky Yates so far…”
“No, I do know you.” He points a finger at you, while pouring himself a mug of black coffee. “I told you mister, I'm not here for a long time. Just a good one, and if you can't provide it for me, I'll be inclined to look elsewhere.”
Cooper Howard does a perfect impression of your girly, haughty tone from “Girls Want It All”, and it surprises you that he even knows your dialogue that well. You're not used to this much attention, especially not from one of Hollywood's most notable movie stars.
He says your name.
“Yeah, that's me.” You say sheepishly– even though you know you have to fake that confidence, it's hard when you've been caught off guard. You're starstruck– you don't know how to operate, now realizing that even celebrities are noticing you. “Just shooting an ad for Nuka-Cola.”
“Ah, that’s smart of you.” He leans in– about to give you a bit of Hollywood advice, no doubt– and you feel yourself turning warm at the attention he’s giving you. “I wouldn’t expect any less from one of Hollywood’s upcoming stars– residuals aren’t enough to make the world go round.”
You know he’s admiring your street smarts, but you have to ask. “Upcoming, really?”
“Miss, I’m not sure many other actresses could’ve delivered that little monologue I just did without, er, pardon my language,” Cooper takes a sip of his coffee, his eyes peering down at you over the perimeter of the cup. “Fucking it up. Pantomiming too much wily, feminine shit  that execs love, without that little edge of real, subtle emotion. I’m not the only one who thinks so.”
You giggle a little. “C’mon, really? I hardly got to act the way I wanted to.”
“That’s how it starts. Little moments, little subtleties where you’re letting your real character shine through– it’s noticeable to the industry. More opportunities come that way. But it’s smart to use, uh…” Cooper swallows, a tiny, imperceptible thing that reminds you of your bombshell image, that he must be thinking about it. “Smart to use such attractive imagery, if you get my drift. The public will eat you up.”
The way he drawls that latter part makes you feel excited, but you keep it down– it’s well known Cooper Howard is a married man, and you are not about to be ruined by an affair. Even if he does sound sort of flirty, this sort of complimenting is so common in Hollywood.
“What are you doing in the advertisement shooting lot?” You ask, changing the subject, and Cooper shrugs, a nonchalant ripple of a movement that tells you his general cool demeanour isn’t just acting.
“Promised my wife I’d shoot an advert for her. Vault-Tec, you know?” He admits, telling you he hasn’t forgotten about his wife, either. “Gotta head to the experimental Vault they’ve set up next door.”
“Yes, of course.” You, like anyone else, have seen the ads of Cooper in the Vault-Tec suit– it’s a rather controversial thing to be partaking in, but you think he knows what he’s doing.
“Well, Nuka-Cola.” He hands you an iced tea– one you didn’t even notice him making for you as you were talking to him. “I’ll see you around.”
/
The Ghoul walks around the wasteland, two hundred something years into the future.
He’s searching for a bounty– Leopold St. West– worth at least 1000 caps, and it’s terribly difficult to find him when every single person claims he’s in all these different locations, not a single one correlated to each other.
So he’s walking around a destroyed neighbourhood, where Leopold was last seen a day ago, if his fellow ghouls are to be trusted. If he had to guess, these are the remnants of China Town– the faux Asian-esque details, the cheesy red colouring, the false authenticity Hollywood loves to portray as “good as the real thing”. God, Coop does not miss some parts of the fame.
He suddenly stumbles over a piece of the broken sidewalk. Coop’s usually pretty agile, nonchalant on his feet– he knows this feeling. He’s going through withdrawal.
“Shit, I need a minute.” He mutters to himself, feeling a bit woozy.
He's only got a couple more vials of drugs, so he can't be using them all willy-nilly. No, he needs to recoup things and go through this carefully.
Shelter is necessary– the longer Coop is out in the sun, the harsher the effects of withdrawal feel. And, if he’s lucky, one of these buildings might have something for him to loot– more drugs if he’s extra, extra lucky.
Coop enters a nondescript building– where a radroach is waiting, and he immediately fires at it without even looking, killing it in one shot– and he sees the sign over the entry way, marking the lobby.
This is some Hollywood executive-owned club. It’s hard to tell– two hundredyears of wear-and-tear will do that for you– but Cooper Howard distinctly remembers this place, maybe in some conversation back then, maybe when he was networking. 
Every single thing has a distinct, thick layer of grime over it. Coop thinks of sweaty strippers dancing, actors cheating on their wives– they’re all probably dead now.
He reaches into his satchel and takes a hit of one of his vials– and hopes he can replace what he uses with something here.
There’s not a single bottle behind the bar, and he jostles through, not seeing a chem or a drug left behind by anyone on the floor or behind the counter, and he’s mildly disgruntled over how every place has nearly everything picked clean by raiders, wastelanders– just other people. Coop will always loathe these other assholes.
He climbs the broken stairs with a lanky, languid stretch, making it over a fairly large hole where a corpse waits on the floor below. A raider who didn’t watch where he was stepping. That tells him there should be loot up on this upper floor– at least a bit of it.
He walks to the one closed door in a less-than-discreet hallway, gold sconces and railings marking the way.
“Ah… private office.” Coop jiggles an ostentatious handle to a mahogany door, that is surely leading to an even more pretentiously ostentatious office, and he finds that it’s locked.
A good sign. Most likely no one’s ever been in there, because it’s probably a difficult lock to pick. 
It surprises him that no one’s ever just forced their way through.
Coop doesn’t waste time on this though– he just takes a teeny gun out of his bag, fires it, and admires the hole in the door where the handle used to be. The door creaks open on it’s own, and he saunters into a well furnished, dusty office room.
“Nope, nope, nope…” He pushes box after box in the shelves next to the wall, and they fall with loud clatter– loaded with panicky, nuclear-war-on-the-horizon type shit, like canned meats and beans and preserved jams and pickles. “Fuck no.”
He pushes off a toy figurine of Vault Boy down with extra gusto.
Coop looks behind the desk, where there’s a dusty placard reading Adrian Amos II. He grins– one of the worst producer bastards of all time is not someone he’d feel bad about stealing from, even if there was still some conscience left in him. No, sir, Adrian Amos the second did not deserve any sympathy, especially after the way he was known for bitching about salaries, abusing PAs, and having a predilection for going after less-than-consenting women.
Coop grits his teeth, remembering that asshole and how terrible and gaudy this club was back then. Not that it was better now– but he’s grateful for one man’s deserved death, at least.
He jostles open where the second drawer is filled with the glass clinking sound of many, many vials.
“Fucking jackpot, Jesus.” Coop stares down at how many there are– at least 40 or 50– a hell of a lot to just be left behind.
Well, based on the other supplies, Adrian Amos got fucked over and either didn’t make it to his vault in time, or forgot to run to his private club before heading in.
Coop doesn’t give a fuck, though. He starts piling the vials into his cases, and then back into his bag.
There’s a sudden whirring sound near him. “Huh?”
To his left, an imperceptible secret door has pushed itself outwards, decorated in the same dark brown wallpaper as the rest of the room.
Coop looks down and under– he’s accidentally pressed a secret button on the underside of the drawer. “Fuck.”
He doesn’t know what would be inside the secret room– assassins, raiders waiting on someone to dupe? Maybe even synths, just meant to protect Amos when he needed it.
Inside the room, it’s dark, and he can’t make out anything. Coop can only draw his gun rapidly when there’s a blue light suddenly emitting out from the inside.
He’s careful as he approaches– last thing Coop wants is an ambush– and as his vision improves, he sees it’s a cryonic pod, all frosted over so he can’t make out who’s inside.
Coop sighs, ready to leave it behind– he’s not interested in waking up Amos– and instead, the thing whirs, heating up it’s insides with extremely hot steam, and then opens up with a mechanical flourish.
Coop instinctively steps back, coughing “Holy shit!” as the air whooshes past him.
A body falls out, just looking slightly frosted– mostly thawed by whatever the cryo tank just did. 
/
You're on set again, sitting in a free lawn chair while others get ready for their take– it's not for a Nuka-Cola ad, it's just a guest appearance on everyone's favourite sitcom, The Grady Group, where you play an overly promiscuous babysitter who has no sense for watching over kids.
It's comedic, it's an easy way to get laughs– plus it actually boosts the shows’ ratings since you've been in movies and all. You’re done filming already, you’re just sitting here watching the rest of the shoot, dragging out your return to your car, and then back home. 
Something about the fictional family you wait on, Gill and Gina Grady, and their kids Gideon, Gessica, and Gwen, it makes you miss having a family of your own. In fact, you have half a mind to call your mother, despite all the bitching she’ll give you about the things you haven’t done yet.
It also doesn't help that Gill and Gina are a couple in real life– named Arthur and Bea Smith, they really, really are in love, and in between takes they're often canoodling with each other.
You're happy for them, if not a little– jealous, despite the fact that you're not interested in dating anyone right now. At least, you thought you weren't, but you find that lately, when you return back to your apartment all lonesome after a shoot, you feel like something is missing.
“Hey. Nuka-Cola.” Cooper Howard strolls over to where you're sitting, and you smile up at him, covering your eyes from the sunlight streaming through the windows.
“Mr. Howard. Shooting today?” You ask, and he shakes his head.
“Not at all. Just lounging around, waiting for my kid.” He sits in the lawn chair next to you, leaning back, crossing one leg over the other. “Janey is on a field trip at a museum next door– I thought I’d kill some time before picking her up.”
“Ah, cute.” You grin. Janey Howard is an absolutely precious kid– she shares her dad’s smile, but has a curious nature that you admire. “Is she well?”
“As well as kids can be at that age, running around all the time.” Cooper shrugs. “You know how it is.”
“Kind of. I actually did used to babysit kids, so I know– they can never sit still or mind their business.” You laugh as Cooper grins. 
“So you went method for your guest appearance, huh?” He asks, and you’re mildly baffled.
“How do you know about that?” You squint at him, just being jokingly suspicious.
“Oh, I saw a few clips of your footage. While I was walking over here.” He points over at Stu, the director, standing on the living room set, watching clips on his viewfinder. “Seemed pretty natural to me.”
It almost bothers you that he seems so interested in you and your work, that he always voices support– but he’s well-known for being happily married, for being content in general, unlike you.  
Still, better a friend than nothing at all, that’s what you always tell yourself.
“Thanks. But it’s not hard being around kids, is it?” You reminisce being a kid in Mojave, playing with your friends on your street– and then as a young adult, babysitting new kids that still wanted to play with you. “I still sometimes feel like I’m just a kid pretending to be an adult.”
“That never goes away, darlin’.” Cooper laughs, and you blink. “Being an actor, especially, you’re never losing that childhood sense of wonder, you get my drift?”
“Yeah, of course.” You nod. “I just don’t feel complete, I guess. I’m still waiting for the moment I’ll know I’m an adult– like maybe if I get married or something like that.”
“Being married didn’t change that for me either. Neither did being a dad.” He winces, and scratches at his stubble. “Just don’t tell anyone I said that, but I think it’s all apart of being a human person.”
Your face turns a little more glum at that, and he wonders what he said that bummed you out. It’s not his intention– he wants to cheer you up.
“What’s with the sad, forlorn, ‘I’m-a-pretty-girl-come-comfort-me’ look?” Cooper utters as he leans in, and you laugh a little but silence yourself, recognizing his compliment.
It’s dangerous to flirt with this guy, this taken man who has nothing to gain but a bit of affection he may be missing, but you see that he knows his compliment had effect anyways– and he definitely likes that.
You just choose to assume it’s entirely friendly.
“I just… I like the thought of having a family.” You suck in air,at how foolish and girly this sounds, hardly the cutthroat businesswoman you need to be out here. “This is stupid, I’m sorry.”
“No, no, it isn’t.” Cooper taps his arm rest, thinking. “You’re hurting, I can tell. You got that same pissed off look most ladies get when they ‘don’t wanna talk’ but they’re holding tons of shit inside.”
Damn this guy, you think, but you decide to be honest.
“I just didn’t think it’d be so lonely out here. In Hollywood.” You press your palms together. “Like, everywhere I go, I’m surrounded by classic Americana, the nuclear family– and I can’t believe I’m saying this, but I’m jealous.”
“As a bachelorette, don’t you got plenty of options?” Cooper grins. “I mean, are men not lining up to court Nuka-Cola girl?”
“Ah…” You hum, thinking of dates you’ve had here, settling back in your seat. “I don’t know– it’s cheesy but I want more sincerity.”
“In that case, don’t be jealous, marriage ain’t all that.” Cooper tuts, knowing that you of all people should hear about how it doesn’t complete you. “It’s not perfect, it’s not a magical fairy-tale where everything gets solved, it’s a hell of a lot more work than people let on.”
“Oh.” You knew that, deep down– but hearing it from him really solidifies that for you. It’s a silly dream.
It sounds like he’s speaking from experience, so you quiet down. But you’re not trying to get your hopes up about that or anything.
“And you’re not an idiot, Nuka-Cola. Don’t get into something you’re not a hundred fucking percent sure about.” Cooper clicks his tongue. “If you really feel the urge to suddenly go and play wife with someone, just for me, make sure he’s absolutely worth it.”
“For you?” You raise your eyebrows at that.
“I figure you won’t do it for yourself. Love is blind and all that.” He points at himself. “But if I, as your buddy Cooper, hold you to that? I’ll bet that you’ll vet every single guy.”
“Oh, really.” You smirk at him, your nose scrunching a little. “Is that for my benefit, or yours?”
“Uh…” Cooper is truly caught off guard here. He knows he didn’t intend anything by what he said, but it does feel like… he won’t enjoy the fact that if the next few times he talks to you, continuing become close to you, he’ll have to get the approval of some man.
Some man who wouldn’t even know you as long he has known you. He always likes his chats with you, and there’s an urge inside him not to let you go.
He thinks again that you’re a little too spontaneous. Not easy to dupe, no– he can’t just flirt with you for fun because you’ll always pick up on it, even if he did it by mistake.
“No comment.” He finally answers with a raspy, low tone, one that you barely hear but are satisfied by.
/
A few months later, you check your face in your little compact mirror before stuffing it in your purse and heading inside Sebastian Leslie’s home. Exciting, yes, because this is the first time you’ve been invited not just to network, not just because a big name has seen you in the movies and wants to flaunt that they know you tangentially.
No, this is the first time you know someone, you’re actually in with a crowd– you’re friends with the host. You don’t feel nearly as awkward walking into Sebastian’s comfortable home and seeing familiar faces that you’re close with, decor that you already recognize.
“There she is.” Sebastian greets you with a tight hug– for a massive flirt he’s actually rather protective of you sometimes. “Love the dress, by the way– is that a vintage Chanel? Black is very flattering on you, my dear.”
You get the sense he didn’t want you to be involved in this industry sometimes, but other times– he likes that you put work in.
“I saw your newest advertisement on TV yesterday.” He comments, and you giggle.
“Was it good?” 
“Yeah, amazing as usual– but you gotta do more than that.” Sebastian holds your hand as he pulls you into the crowd of other low-level actors, people who could risk showing up, really, and you fix your dress, a black one with a low square neckline. “Look into Vault-Tec– I’ve been telling Cooper here about how our futures are totally going to be surrounded by their products, even though that fucker does not want to listen.”
Cooper’s lounging in a low sofa in the pit of this living room, holding a crystal glass full of amber liquid, black button up shirt half open– he looks dishevelled, hair slightly askew, jaw off-kilter as he presses his tongue into his cheek, thinking. Lost by something, but still put together as celebrities are. Geez, you really need to temper your attraction to him.
It doesn’t help how he looks at you, either– there’s something deep and reverent about his gaze, like he wants to believe whatever he sees when he’s looking at you– but you have no idea if it’s real, or if it’s just an act like with most of these celebrities.
You used to see him a lot more frequently too, over the last few months. Either at set, or at more fancy parties– most of which he’s been perfectly pleasant and kind to you.
“Of course you’d label me as some fucking chairman for them, Seabass.” Cooper slams back half a pint of whisky, and pours himself some more. “Hey, Nuka-Cola.”
“Hey, Mr. Howard.” You smile gently. You’ve heard about his divorce– everyone has, but you’re not 100% sure why it’s happened, why now when things seemed to be going so well for him.
Well is relative, though. You know loads of actors have decried him privately– no one wants to hang out with the man promoting the end of the world, apparently. It must be a tough thing to only be hired for your wife’s advertisements– and even then, you don’t exactly agree with what they’re marketing, either.
You don’t feel so strongly against Cooper, though. Maybe because you do like him– but also because you know what it’s like to have your image connected to something you don’t really promote. Nuka-Cola isn’t healthy, it’s got enough sugar to induce instant death when drank regularly. But you do it for the connections, the money– and you’re sure Cooper did too.
“Cooper is fine.” He grumbles, and you remember his last name is maybe a sore subject right now.
“Sorry.” You do your best to be delicate as you sit next to him, and Sebastian sits on the other side of you. “How’re you, Cooper?”
“Not bad. If you count being divorced as being alright.” He sighs, and you feel terrible that you even asked. “It’s like I never knew her, man– I thought Barb was different. Or they changed her, I don’t fucking know.”
“She had her eyes set on the prize. As did you, Coop.” Sebastian states, and Cooper turns, affronted.
“We’re all interested in money and glory, Seabass. Fuck you if you think otherwise.” Cooper tenses, and you feel a bit awkward listening in on this conversation.
“What did I say that negates that? I’m as money hungry as they come.” Sebastian shrugs. “I only meant that– despite it all, making money was what you had in common, evidently not the world-going-nuclear shit. Maybe you’ve got a heart of gold, a change of mind, I don’t know, Cooper. But throwing away an easy life just to pay alimony must be fucking awful, so I just don’t think you’re in it for the money anymore.”
“You’re fucking telling me.” Cooper sniggers. “I don’t think Barb cares. I’m here with no career, and she’s out there getting promoted in Vault-Tec. As for the heart of gold… any former marine would’ve been against that shit.”
You want to ask what shit, but you don’t want to overstep your boundaries. You get the general fear of nuclear war– but Cooper sounds more personally affected by it.
Cooper glances over at you. “What do you think? Better to be richer than you can spend in a lifetime, or to be out with a good conscience?” 
“I don’t know if I’m that interested in money.” You say honestly, and Cooper raises his eyebrows.   
“Really? Nuka-Cola’s a saint, huh.” He chuckles– he’s clearly a bit buzzed.
“No, I’m not. Of course I want to have a career.” You think about this carefully, so it doesn’t sound insincere. “Making money is nice– but I don’t think I have the right to say it should come at the cost of human lives. You know Nuka-Cola is terrible for you, right? ”
Cooper stares at you for a moment too long, and then looks away. “Yeah… addicting.”
He’s definitely not talking about Cola, but you continue on. “Yeah, so just in that way– I disagree with how much power marketing has. We’ve convinced America that they need this– just so some chairman can make an extra dollar.”
Cooper looks at you, renewed by whatever you just said. “Hell, woman after my own heart. That’s damn true.”
“Yes, yes, you two oblivious flirts– there’s no art in filmmaking anymore, just commercialism. Not like it hasn’t been the case for a century.” Sebastian chimes in, and you bite your lip, pretending not to notice how Cooper’s face is smirking bashfully. “But, babe. You’re going to want to make your money before the world fucking ends.”
“What’s that?” You startle, and Cooper laughs sardonically at your surprise, while Sebastian gets up.
“Let me get myself a drink– I hardly want to tell this story sober.” He leaves, and Cooper has half a heart to glare at him– he knows Sebastian is leaving the two of you alone so he can do the dirty work.
Not like his reputation can ever get better, especially by telling this story again with it’s lurid details, but at least it doesn't hurt that he's with you. 
“What does he mean by that, Mr. Howard?” You wince at your use of that. “Sorry– I meant Cooper.”
“Ah, call me what you’d like.” Cooper takes another sip of his drink, leaning back in the couch to the point where he is practically lying down and against you. “It sounds good coming out of your mouth no matter what you pick, Nuka-Cola.”
Now that’s a suggestive, loaded line, and you feel a little more comfortable flirting with him even if it’s a bit of a rebound for him. The end of the world is approaching, right?
“The end of the world?” You prod at him, and he sighs, leaning against your shoulder. 
“It’s fucking ridiculous, what it is… probably never going to happen anytime soon.” Cooper’s tone of voice is hazy as he examines his last sip of whisky in the glass. “No, no. Just something those fucking commies put in my head. I guess they’re not really commies, are they?”
“Unless you elaborate, I can’t say.” You utter back at him, and he pushes down a smile.
“Alright. Vault-Tec’s been selling this nuclear protective stuff, right?” He says, and you nod, your cheek brushing against the top of his hair. “All I can say is that a few… radicals, if you will, think that Vault-Tec might actually be more involved with it than they say. Like, they might be…”
“Not just protective, huh? More offensive? Everyone’s got that feeling, Mr. Howard. And that doesn't sound like a particularly commie-train-of-thought to me.” You hear the sorrow in his tone, even if he’s trying to make it sound like a rumour. “Did you hear this from your ex-wife?”
Cooper winces here. He still feels slightly guilty about spying on her. A part of him thinks they might’ve not divorced if he hadn’t found out– but he knows he was bound to find out eventually, and he would’ve just delayed the inevitable.
“Maybe, Cola. Maybe you’re just sharp.” He whispers, and you smile and he feels it– your skin is intoxicatingly close right now.
“So, odds are?” You ask, just curious, and he exhales.
“Bad. I have to agree with them.” He admits, and it feels exhilarating to admit this– that Vault-Tec is gonna nuke the world at some point, that the radicals are more like minded to him than he’s wanted to believe in the past. “Even if it didn’t cost my movies, I regret partaking in what they were selling.”
That’s a big thing for him to say– you know Cooper loves acting, he absolutely adores playing a hardened sheriff, the last vestige of goodness in the wild, wild west. All the times you’ve visited him on his set– probably during his last contractual movie, now that you think about it– and he was always so excited to show off the architecture and intricacies of the fictional western town they’d set up, share script details and little character quirks so you could have an insider’s viewpoint. He even donned his cowboy hat on you, saying you wore it like a natural.
He loved being the hero, really.
He lights a cigarette, and takes a puff.
“Most big-name connections refuse to talk to me because of this stuff– I’ve basically been dropped out of phonebooks all together. They think I’m still in on it, they think I’ve only stopped because of backlash–” He stops as you begin to scratch his scalp, still leaning against your shoulder, but getting progressively into your neck area.
Jesus, that feels good. He thinks. He hasn’t been intimate in a while– Barb became increasingly more cold to him over the last few months, as their marriage kept falling apart.
“Backlash, really?” You whisper. 
“Yeah.” He stutters for just a moment, because your eyes are peering into his, and for a moment he thinks you could really make it as just a bombshell if you wanted to– then he takes another puff. “When really, I was just backing out of what I thought was really a massive crime against humanity.”
“Are you only telling me this to validate your poor conscience? Remedy that reputation a little?” You ask, and he presses his lips together. 
“Well, I'll be honest, yeah. Of fucking course I'd tell the one woman who seems to be like me on this.” He sounds so certain of you, sounds so sure that you're on his side.
And you absolutely are.
“The world’s about to end, Mr. Howard. You're not a bad man for not wanting to support it. I'm inclined to agree.” You inhale deeply, and Cooper stares at you– something stirs inside him as he does. 
“Kiss me, then. Humour me– since none of this will matter soon.” Cooper murmurs, lying on top of your chest now, the smoke from his cigarette enveloping your face.
He’s so close you barely have to move to oblige to what he’s said– you're second guessing yourself for just a moment, because it feels like a dream that he'd ask you to do this, so out of the blue, such a picture perfect fantasy that you almost don't care about the impending doom, and you press your lips gently to his in an upside-down kiss, his hair brushing against your open cleavage, but Cooper is insistent and leans upward, kissing you with such intensity that your head is spinning afterwards.
God, now that's a movie star kiss. You think.
He kisses you again as Sebastian returns, drink in hand.
“Oi! You two. Jesus Christ, can't keep your hands off each other, can you?” Sebastian pretends to vomit. “C’mon, if I want to talk to you at my party, I should have that right.”
You attempt to pull away– but Cooper, being a little mischevious, perhaps wanting to show off in a way he hasn’t been able to, sits up right and kisses you again, this time normally, just very slowly and passionately though, slithering an arm around your waist in a way that has Sebastian rolling his eyes. 
“Okay, present.” He says, not pulling his arm off your waist. 
“Thanks.” Sebastian shakes his head. “I was thinking we should take the mood off with some party games…”
/
It's about 2 AM when you've finally left the party. Cooper didn't want to let you go– he's crashing at an apartment for the time being, but you really don't want to waste yourself on being his rebound, if he really likes you.
You tell him as much, and he likes that– you really are rather sharp about things. 
“Well. Gimme a call when you realize I'm not kidding around with you.” He says unabashedly, holding your hand, kissing it as you leave.
You’re absolutely sure he's drunk, and he's being a little too clingy– but you want to believe him anyways. 
You walk back to your car, alone. Thinking about if Cooper is worth the damage it could have on your potential career. But then again– the end of the world is coming, right?
So maybe it won’t matter. And you find that you like this, the secret potential of this option, just hanging out with Cooper in a place that used to be America, no more expectations on you both. There’s also the chance you just both die, though.
You shudder.
You don't notice that there's a man in the backseat of your car when you get in, brandishing a chloroform stained cloth.
/
The Ghoul prods at the body that's just fallen out of the cryo pod.
Oh fuck. 
It's starting to stir, whoever it is, and Coop knows he's ready, if this is really some synthetic android-clone thing, to make their life hell. Get some of his anger out on something that doesn’t matter.
Wait– he recognizes that cherry red fabric. That coiffed hair, frosty after being inside the pod. Oh, Jesus… even the makeup is the same as when he last saw you. 
“Ah… shit.” He chuckles to himself in exasperation, because this is beyond belief. “Nuka-Cola, is that you?”
You tilt yourself to the side, eyes bleary, unable to see clearly. Everything’s dark. But you know that voice, you just heard it a couple of days ago.
“Mr. Howard?” You croak out, and he hisses inwards– nobody has called him that in centuries. Nobody knows who he is… except for you, of course. 
“The one and the same, baby.” He licks the side of his gums, deciding to stick with his identity for now. “Well, maybe a little different. You wouldn't happen to know what a Ghoul is, huh?”
“What?” You don't know how long your vision is going to stay black for, but you don't like the sound of that. “What the fuck does that mean?”
“Eyes haven't been opened for… two hundred years. I'll give you some time, Cola.” He sighs; cracks his neck, while you sink back into the floor. “Just imagine the ugliest horror-picture monster you can imagine. Zombie, no nose. That paint a picture for you?”
“...”
“What was that?” Coop can't hear you when your voice is muffled into the tiles of this secret room. He grasps your hair gently, from the root, pulling your head upwards so you'll speak– clearly you don't have the strength to lift up your body. 
“I said, how is that any different from before?” 
“Oh, she's still a jokester.” Coop scoffs– despite himself he snorts– and he lets go of your hair so you land back on the floor with a thump.
“–Ow!” You flinch, and then turn over so you’re on your back. “Still an asshole, huh?”
“Me?” He grins maliciously. Ooh, maybe he can use some misplaced anger on you. “You're the one who didn't call back for several weeks.”
“How could I? You can see I've been trapped in a cryo thing for… however long. Did you say two hundred years?” You flatly ask, and Coop still thinks you're lying.
“Yes, and bullshit. You probably had a couple weeks since I last saw you to call me.” He states, and he doesn’t actually hold a grudge, at least not that much of it in comparison to all the other horrid shit that’s happened to him– he just thinks it's funny to push your buttons after all of that, like looking into a mirror of the past– and you groan.
“No, I didn't. I got in my car after Sebastian's party, and some goon sprayed something in my face, I passed out, and he drove me here.” You start, and you begin frowning in such a way that Coop almost feels bad. 
“Why you, sweetheart?” He shakes his head. “You weren't exactly high up in popularity yet.”
“Exactly. No one would miss me.” You spit out bitterly, remember the end to that night, where you were so unaware of your surroundings, and terrified of being assaulted as you were pushed around into this room, blindfolded.
“Adrian fucking Amos, the fucking Second, thought it would be great if I just became his permanent doll during the apocalypse.” You swallow, and Coop sits down next to you, to listen more clearly. You shift towards his body heat– and to his surprise, he still likes that. “See, his daddy has shares in Vault-Tec, so he decided before nuclear fallout happened, he wanted a guaranteed sex slave from his favourite advertisements.”
“Nuka-Cola.” Coop utters with the slowest drawl, concluding your statement– and you like that.
“Yeah, Nuka fucking Cola.” You grimace. “Then he undressed me, put me in this little number, and threw me in the pod. I barely remember this shit because I was so out of it.”
“Shame. I always wondered why you never called me back.” Coop circles back to his little grudge– but he also feels bad, feels some level of guilt that neither he nor Sebastian had the sense to look out for you back then, and you were practically assaulted (maybe actually so if you didn't remember). 
“Yeah, because I wanted to miss out on that piece of ass. Sure.” You joke feebly, and Coop laughs despite himself. 
“Honey, you're gonna run away screaming when you finally see me. Don't worry about it.” He shakes his head. “The real world's a lot more fucking difficult than would'ves and could'ves.”
“Okay, explain. If you're willing to owe me that much.” You start, and Coop gets reminded of that fateful night a couple hundred years ago, where he was the one to clue you into the impending nuclear war.
Not even three months later, it was all over, and you were nowhere in sight– if his mind ever did drift to you, the what-ifs and who-knows that still persisted– he would always assume you were dead.
Now he thinks you're just unfinished business. 
“Fine.” He taps your shoulder, and you lean a little closer towards him– you touch his hand, and instead of flinching as many people have in the past– you trace the tough, callused skin there.
He thinks there’s something wrong with you. Why do you seem drawn to him anyways? You’re completely fucking up his tough guy, lone-wolf persona by being here, and he wants you gone. He pulls away his hand, ignoring how your face falls for a moment.
Coop inhales, and then starts. “In October 2077, they nuked America, bombed it all to hell. By they, I think we both know what I’m implying.”
“It wasn’t the Chinese.” You interrupt, and he shushes you.
“Yeah, Cola.” He starts playing with his fingers, feeling like you don’t deserve to be here right now. That you should’ve just stayed dead. “Vault-Tec destroyed it all.”
It’s no good. He’s an old man, and you’re still as soft and young as ever. He’s always haunted by his past, like with Barb and Janey, and then Sebastian’s voice in every single Mr. Handy robot he comes by, and then finally, his last couple memories with you.
“The last two hundred something years have been filled with carnage, death, unspeakable horrors that your pretty little mind could never comprehend.” He grits out, pushing past the past and remembering that this is who he is now– a killer– and you stare at him vacantly, because his tone is so much more serious suddenly. “Nothing is the same. Everyone has blood on their hands, water is a fucking commodity, if you’re not watching out for humans to betray you, hideous creatures like me roam the ground, and that ground? Sands, deserts, barely a hint of green. It’s nothing worth coming back to.”
“So you’re saying I’m in hell.” You suddenly inhale harshly, and Coop ignores the urge to check on you.
The last thing he needs is an extra person to take care of– especially someone who doesn’t know the Wasteland. So it’s better now that he just weans you off and leaves you here.
“Yeah, sweetheart. And I'm the devil.” Coop sucks on his teeth again. “If you had any sense, you’d go back into that fucking freezer until some utopia is born four hundred years from–”
You flinch, and he stops. 
“Oh, God, my eyes–”
The sight comes back slowly then all at once. Light everywhere, overwhelming your senses. 
You blink, tears rolling down your face. 
“Maybe it would’ve been better if you stayed blind, Cola.” He stares at you as you rub your eyes, taking in the state of the room. 
It’s a warning, but you look up at him again anyways. And Coop waits for the utter horror, for the sign that he really has transformed into a monster, so he can hurry up and leave– this entire conversation with you is just him finishing Cooper Howard’s past with a bow. A shiny, Nuka-Cola-red bow.
“...” You swallow, and then bite your lip, tilting your head up at him. “Couldn’t let go of the cowboy identity, huh?”
Coop furrows his non-existent eyebrows, disliking how hard you’re making this, how clever you still seem to be– you also seem way too relaxed with him. He has half a mind to fire a warning shot at you. “Yeah, okay, darlin’. You’re just avoiding facing that horrific, bile-inducing sensation in your throat, aren’t you?”
You shake your head, disagreeing immediately. “You might look– a little less like how I remember you, I guess… but you’re still you. I see it, and apparently so do you.”
How dare you? Coop thinks, how dare you intertwine his two images together so easily when he could never be the same man again, when just seeing an old VHS tape of one of his movies pains him?
“Yeah, no thanks. If this is your way to get me to valet you around, I’m not that man anymore, Nuka-Cola.” He resents the way you think he could still be good– just because his western image brings him a little comfort nowadays. “Not a sheriff anymore.”
Your face drops, but you seem to take that information readily. “Yeah, I figured that based on your outfit, the little blood splatters on your pants… if that’s how the world is, then so be it.”
You’re saying things that on paper should be right– but Coop is getting more and more disgruntled with you, and you feel like you need to separate yourself from him. Yes, tough, because to you it’s been all of forty-eight hours since you kissed him– but you can see, no matter how deep the original Cooper Howard is inside this new Ghoul, you’re not going to be able to bring him out.
You stand up, on shaky, bare feet, and motion for Coop to move out of the way. Independent woman to the end, you are, and you want to get your bearings without him.
Coop internally sighs. He doesn’t believe for one second you’ll survive out there– and he really doesn’t need to spend the time seeing you die, so he turns around, and leaves you here.
/
He never did find Leopold St. West, much to his chagrin– you really, really messed up his day. 
It happens. Sometimes he’ll see Janey in another person’s eyes and freak out, and have to boil it down by murdering random raiders. 
But now Coop is just spiteful. He’s always figured that a lot of what happened to the world was just a bunch of rich people picking and choosing a destiny for themselves to the detriment of everyone else, and now he’s aware that included you, too. To casually be grabbed away by some man, just because he was rich… Coop isn’t unsympathetic to how you ended up, even if he treated you quite poorly. It’s sickening.
Two hundred years of quiet, always-dwelling agony, the first few years out of fear for being alone, and the next few years spent conspiring about what could’ve happened to his family– and then here you are as confirmation of his worst theories.
No wonder he enjoys his casket time.
/
Coop sighs.
Vaultie is hard to keep track of. She got away with murder this time at the organ harvesting clinic– so Coop finds it easier to stop working with her, to move when he wants to.
The Govermint (really just Booker’s shitty gang) was rather easy to dismantle. The two sheriffs that he killed required no expertise on his part.
He’s thinking about the fact that since Moldaver is still alive, and apparently that fucker Hank MacLean, then that means there’s a good chance Barb and Janey are too– perhaps he could go and find them.
It’s an odd urge, though. Everytime he thinks about it, he wonders how he’s actually supposed to connect with them again– they’ve been fractured for so long, and he’s changed, and there’s a good chance neither of them would accept him like this.
But you did, didn’t you? You were on the verge of saying yes, you’d accept him– as if nothing had changed.
Coop grumbles. The big, significant difference is that you were infatuated with him, but Barb divorced him, and Janey was too young to make that choice. He considers that it could be a pipe dream, but he still has hope– for Janey, at least.
He thinks you’re probably dead anyways. He hasn’t seen you in several months, since that day where he unceremoniously woke you up– and he hopes it stays that way.
He's chilling in another small, scrappy area of the wasteland. Nobody bothers the Ghoul, not when he's casually fiddling with his gun and and chewing on a toothpick.
A man runs past him, holding a significantly valuable piece of Brotherhood equipment. Maybe worth thousands of caps if he knows his shit, and he does. That’s a fusion core, and they’re not exactly mass producing those anymore during the apocalypse.
Coop points his gun at him, finger on the trigger, seconds away from creating a bloody mess–
A blade thwacks into the guy’s neck, blood spurting as he falls and chokes. A person– a woman– jumps on his back, her face obscured by a deep green bandana . She yanks out the knife, stabs a few more times for good measure– and Coop knows the game, he’s not surprised he’s not the only one to go after this guy.
He’s pretty good at killing casually, and he barely even moves from where he’s standing, aiming the gun at her.
No way is he letting easy money pass by him.
He’s about to pull the trigger extra-quick when she yanks the bandana down, taking a deep breath as she sweats, and Coop actually misses.
It’s you. You stare up at him from where you’re squatting over the body, and your gaze hardens, furrowed brows, dark lashes, intensely dark pupils. You purse your lips, press them together, jaw set in a stern fashion, recognizing him but refusing to hear him out– and Coop doesn’t know why he’s not firing, but he’s almost… enamoured with how you are now, almost taken aback by your new nature.
Not so taken aback that he doesn’t immediately start firing when you take the fusion core and start running.
And Coop doesn’t want to actually kill you, he just wants to incite some damage. See how far you can take it.
You interweave through random gaps in the metal scraps of this little abode, seeking shelter as you do so, and Coop’s gunfire only ricochets off them with cartoony sounding “pings!”
He manages to graze your left thigh through a small window, and you inhale sharply, stopping as you grit through the pain.
Coop grins to himself. This little cat and mouse chase is what he expected, what was predictable from you– you’re smart enough to stay on the defense, but you would probably never attack him, avoiding him because of your sad feelings of the old times, never resort to carnage unless you needed to–
You shove past the walls where you’ve been roaming, and manage one kick against his stomach and he manages to grab you and restrain you, your back against his front.
You grab his own jacket for purchase, and instead of pulling forward– you push back, landing on top of him with a thud that surely hurts him. Coop clenches his teeth, back against the ground now, but you scramble, straddling him. Hands around his throat, knife pressed against one of his tendons. Not outright strangling him, but just enough pressure that he knows you’re seriously threatening him.
Holy fuck, have you changed. Just like Vaultie, maybe you’re showing your honest self– and Coop supposes it may have been his mistake to underestimate you.
“Got a whole new outfit… I like it.” He admires your new leather jacket, cargo pants around your thighs pushing his arms down, a blouse fashioned out of your old Nuka-Cola dress. Tough combat boots dig into his thighs as you push against him. “Don’t fucking start–” You squeeze a little harder and he groans, the tip of the knife pushing in. “With your on and off, hot and cold bullshit.” 
Ooh, it sounds like you have a little bit of a grudge over how you were treated.
“Get over it, Cola. It was centuries ago, whatever we had.” He spits out, and you have a glint of sadness in your eyes.
He knew you were a little too gushy for your own good– not even he adapted that quickly to the wilderness of the Wasteland. He waits for you to make the mistake, apologize, break down– and then he can take the core and get out of here.
But you’re still firm in your grasp of him, your weight pushing him down, blade against him.
You’re not angry about back then. You’ve come to terms with that.
You’re angry at the state of the world. 
“You know what I fucking hate, Ghoul?” You spit in his face, and he blinks, spittle now on his chin. “You are all so selfish. I got left behind, likely for dead, right, and nobody gives a shit, whatever. But instead of me hoping that the leftover crumbs of society would at least try to be, I don’t fucking know, more hopeful and kind, or at the very least, not be so fucking greedy and transparently trying to be the new party in charge.”
“You’re living in a dream world.” Coop interrupts, and he’s rewarded with you carving a small, little cut on his cheek, a rapid movement you hardly think about, and it causes him to inhale sharply, a drop of blood smearing across his face.
“Oh, no. I’m not asking for everyone to hold hands and play family.” You laugh suddenly, and then somehow lean in closer, and Coop finds that in some fucked up way he enjoys the pressure against him. “It’s bullshit, that kind of image making– you and I both know that. But for all this supposed talk against the rich billionaires who ruined our lives, how are we not just emulating them?”
Coop is actually drawn to silence.
“Maybe you actually got fooled by self-image, Cola.” He murmurs. “Or maybe that’s just people’s true nature.”
You don’t like that answer. You don’t actually want to believe that, but the more you think about it, the more it’s probably true. People lie all the time, but the amount of outrage you’ve heard from people the last few months, bemoaning Vault-Tec and all those rich fuckers, you were inclined to believe they wouldn’t act the exact same way.
Just at a different level. Power corrupts all, you guess.
You loosen your grasp a little. “Thank you.”
It’s honest, and Coop doesn’t like how much he does like your nature of trusting him– how even as this new, terrible version of yourself, you still trust him, and you still ask for his advice.
He doesn’t know what to make of this, but he thinks maybe he can get some use out of you yet.
Coop wrangles his arm from out under your thigh, where you’ve accidentally let a gap through, and shoves you over.
You fall with a gasp, hitting the ground, and he stands up and kicks you for good measure, while you screech in pain. 
Coop picks you up by your throat, and you instantly move to fighting– your blade against his stomach, teeth gritted in resolute urge to kill– but he’s got his pistol at your neck, and the way he brushes it against you is almost like a lover’s embrace.
“One thing I hate is a fucking liar, Cola.” He grumbles, and you glare at him. “You’re not some innocent– why else do you got a fusion core in your pocket?”
“I never claimed I was a good woman.” You shake your head. “I just wonder why the Brotherhood, the Enclave, hell, even some of the Raiders… everyone wants the ultimate piece of the pie.”
“Besides, you’re the one who kept saying to survive out here I’d have to be a killer.” You remind him, and he looks down at you, thinking. “The world’s grieving– I don’t blame it for that, I feel the same way.”
You’ve still got a way with words, he thinks, and he was right. He can use you for his benefit.
“Say, Nuka-Cola. Why don’t we take some of those fuckers down?” He stills. “Not randoms. The power-hungry pie-eaters, like how you so eloquently put it.”
You don’t fully trust him again, but you’re into the prospect. You don’t want power, and you know he doesn’t either, but it’s not just looting. No, no, this is something akin to revenge.
“Alright.” You whisper.
“Alright. Okay, I won’t shoot if you don’t cut me.” He speaks softly, slowly, trying to cajole you out of attacking– and you move as he does. 
The threatening air of before is gone now, and the Ghoul has only a odd stare for you, something that makes you feel watched, almost reminding you of two centuries ago. It could be that he doesn’t trust you either– and so you walk onward with a gap between you two, heading to wherever a faction that needs fucking up could be.
/
Coop strolls inside the makeshift bar as you make conversation, staying within the shadows. It’s not on official Enclave grounds, it’s simply a nearby bar where members have been known to hang out. 
He doesn’t exactly mind being the one to pick up the slack of killing people– he can tell you’re good at charming people what with your former bombshell acting techniques, your silly, soft blinks, the way how your skin still looks smooth and untouched.
Was it all a lie with him? Aw, shit, why does he care? He really doesn’t have time to wonder if he’s been manipulated by you– he won’t be manipulated by you now, when he gets rid of many the people who represents obstacles in his way to finding still-existing Vault-Tec members.
Yes, that’s all this is to him. Another step to finding Moldaver, Henry MacLean, then his family if he’s lucky. And you’ll get some rage out of it, so he doesn’t even consider this to be that bad of an evasion of his. 
You laugh at something the knight next to you says. Coop catches a bit of it, of him asking how you look under that big jacket– and you mentioning you’d like to see him without that government get-up, too.
He grits his teeth. He’s not fucking in love with you, or anything stupidly juvenile like that– but he definitely felt something before when the two of you were fighting, or when you had conversations during the long, arduous talk here– you bit into a piece of his jerky when he offered it, and he laughed in surprise that you didn’t spit it out after he revealed it was feral ghoul ass jerky.
He also found that his gaze kept being drawn to you, too. You kept up with him, you were capable of hunting and searching on your own, you took lives when the need arose, and you had his back, even if he didn’t ask for it.
You made him subconsciously draw from the past, reminiscing about a time with you and a future he never thought he’d revisit. And now he can’t ignore that, so he needs to let off some steam.
There’s a splatter of blood across your face as the guy in front of you splutters, a bullet hole shot through his forehead. Little pieces of flesh hit the bar counter as he falls, and you gasp.
Coop is kind of quick with it now– he fires off, and because these “politicians” are unprepared, he’s able to kill off more than half.
You get over your shock quickly and fire your own tiny pistol at random, managing a few kills, but the Ghoul takes the last one and looks back at you, with an intrepid glance that you can’t figure out.
“What the hell was that?” You call out, and he doesn’t respond, instead beginning to pilfer the bodies, looking for shit to take. “Hey, Ghoul…”
“We came here to kill off those guys.” He answers you, but it’s not really an answer.
“Yeah, but I thought we agreed on discussing this shit as we were doing it. What happened to signalling?” You approach him, and as you get close enough, he turns around and stares unnervingly into your eyes.
“I did signal, sweetheart.” He clicks his tongue, lying through his teeth. 
“Bullshit.”
“No, I did.” He points at you. “It’s not my fault that you were too busy schmoozing and flirting to notice.”
“Wow.” You laugh exasperatedly at his antics, while he tilts his head. “You’re really obtuse, you know?”
“Nah. I’m not.”
“Yes, you are. You’re gonna say you’re not jealous–” At that word, the Ghoul snarls, ready to tell you exactly how little he cares for you, and you motion for him to zip it. “But at the very instance of seeing me flirt, mind you, in the most fake way possible, you lost it. You can’t even tell the difference between my genuine flirting and the fakest, schlockiest shit?”
“...” Coop frowns, because you’re right– he did kind of let his mind go wild over nothing in particular. 
Even worse, it means he’s made it apparent to you that he still harbours some feelings for your long-ago relationship. And that’s definitely a potential weakness– he does not want you to believe you can just work him around.
“Fuck you.” He spits, and instead of your face flinching in hurt, you stay neutral.
“I know you think you can come close and then shove me off every once in a while, because you’re fucking terrified of what it means that you’re not as hard as you pretended to be, that you still have a bit of human emotion inside you.” You tiptoe up to his face so he can’t avoid you. “I don’t care. That’s your problem.”
You turn to leave, to continue looting the bodies– and Coop’s hand wraps around your wrist. 
He hates what you’ve said, because it’s absolutely provoking the worst issue he has– he can never just let go. Two hundred years of this has made him a different creature altogether, spiteful; evil, but Coop knows as well as anyone that his transformation doesn’t negate his original nature, buried deep down.
It was a lie on his part– people are not as evil as he made them out to be, it’s the cycle of this situation that perpetuates that shit. Violence begets violence and all that. He can’t seem to say this to you, though, because he can tell you already probably knew that.
What is this fuckery, that you’re able to generate such a sense of guilt in him?
“Show it to me again. Genuine flirting.” he says instead, and he knows it’s stupid as hell to say something like this. “It’s been hundreds of years, you can’t expect me to fuckin’ remem…”
You grasp his arm back, making him quiet.
He’s half expecting you to punch him, but you see something you like– something that finally satisfies you, and you kiss his cheek, where you cut him much earlier in the day. It’s a soft bruise, mostly healed over in the way ghouls heal– but it’s overwhelmingly, embarrassingly hot there now as you pull away.
“I won’t forget the difference next time, Nuka-Cola.” He tips his hat at you in a mockery of his acting as a dashing cowboy once upon a time.
“Won’t be a next time.” You shrug. “I would hate to have to flirt with someone again just to get you to notice me.”
This severely bothers him, like you haven’t been an annoyance in his mind this whole time. And then he wonders if you’re an idiot, like you have no idea the effect you had on him back then, and even now. Hell, even that overly-chaste kiss has him remembering how he felt at Sebastian’s party when you humoured him the first time.
Do you think the only thing he’s burying is some empathy for the human race?
He can’t just let you be this wrong about this, no fucking way. And it’s with this in mind that the Ghoul feels his reserve melt as he tightly grabs your face and kisses you. Not a soft, movie-star kiss of the past, but one more hungry, his lips swallowing yours, pressed sternly, firmly, like he’s not gonna let you go. He parts his mouth ever so slightly, trying to catch a reaction from you.
You’re caught off guard, and he’s glad. He likes that you don’t know what to do with yourself, that for once you’re floundering rather than him, and you barely remember to kiss back until a couple seconds later when your hands grasp the base of his skull. You’re tracing grooves, calluses, skin that’s been eroded by his ghoulishness. You feel like he tastes ever so acidic– perhaps from the radiation emitting from his body– but some weird part of you loves it, and you part your lips as you kiss him harder, wanting to feel his tongue.
Your lips are just as soft as he remembers– but there’s more excitement now, more of an urgency as you kiss him, so he takes your invitation and swirls his tongue around on yours, disgustingly vulgar and perversely fast, yet lingering to enjoy the sensation, and he kinda loves being a corrupting force, being the ghoul who eats up this sweet human girl, and he tightens his grip– it almost hurts you, how tightly his hands weave around your waist suddenly– and then before you know it, he pulls away.
He wipes his mouth, never taking his eyes off of you.
“So. Did I taste like Nuka-Cola?” You joke, and he laughs in your face.
“Nope. Darlin, you haven’t been the Nuka-Cola girl for hundreds of years. They replaced you not long after you vanished.” He smiles widely at how your face drops. “I can show you some of the new girl’s billboards, if you’d like.”
“That would explain the lack of revenue.” You raise your eyebrows. “Then why do you still call me Nuka-Cola, Cola, etcetera?”
“That’s how I remember you.” It sounds too sweet, too nice that he keeps your nickname on tabs, so he twists his lips in a sneer. “Plus I don’t remember your name.”
“Oh.” You bite your lip, finding his insult more funny than anything else, and turn around to take items from the bodies around you. “Okay, Mr. Howard.”
It was the optimal moment for you to joke back, calling him the Ghoul, but in classic you-fashion, you decided to extend an olive branch to him– reminding him that he’ll never just be the Ghoul to you. And even if Coop knows he’ll always remember you by Nuka-Cola, he has a fondness for you that he doesn’t neglect anymore– and he murmurs your name so softly, but just enough that you turn back and look at him, and smile with pleased recognition. 
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molinaesque · 3 days
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Cooper's nicknames for Lucy
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acecroft · 2 days
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WALTON GOGGINS as Cooper Howard/The Ghoul in Fallout (2024)
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gr00vifying · 22 hours
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ok
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dracfields · 3 days
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everyone's talking about which fallout ghoul they'd fuck but i don't see you guys talking about HER
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clickbaitcowboy · 3 days
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“You’re dyin’ sweetheart…”
Some concept art for my fallout stuff 🥺
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midaskey · 2 days
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And remember... don't lose your head!
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lanthart · 3 days
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I watched the Fallout series! ✨
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Okie dokie! Time to color it:3
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ghoulphile · 3 days
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janey's dad | c.h./the ghoul | teaser
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➥ pairing | cooper howard/the ghoul x f!reader ➥ word count | 465 for the teaser, overall wordcount tbd ➥ overall warning(s) | 🔞 smut; age gap (i hc reader to be late 20s but i tried to leave it vague enough), cowgirl position, biting, hair pulling, choking, squirting, teasing, pining, lipstick kink, breast/nipple play, masturbation (m), porn w/ feelings, porn w/ plot, mild angst w/ happy ending, coop's pov to start - rest of the fic will be in reader's, divorced!coop, babysitter!reader, pre-war/bomb ➥ summary | "We really s-shouldn't - oh fuck - be doing this." ➥ notes | here's a teaser for the fic i took a poll on, some people wanted more info 😊 coop is a big dick dilf fite me. feedback is always appreciated ❤️ lmk if you want to be tagged feel free to send in thots, questions, requests! | other ghoul fics
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Divorce is hard, but being a divorcé is downright hellish.
Ugliest thing in the world, if Cooper Howard has any say.
It's not like being a Marine with a gun in hand, being told where to point and shoot, or an actor reading off a script. There's no guidebook, no crash course. These people aren't nameless threats coasts away or co-workers following a cue.
In fact, his 'enemies' aren't enemies at all.
They have names: Barb, so smart it hurts, and sweet little Janey, his very own North star. Sometimes looking at them rips open a hole in his chest that'll never close, edges jagged and sore. The phantoms of family, of happier times, found in the glint of a smile or a peal of laughter.
See, war's something he understands. Something he's good at.
But these domestic battlefields where he's gotta look his ex-wife in the face, and struggle to meet his daughter's eye? Barter this weekend and that holiday? To pay for the privilege of his child's presence (he does, he will, she's worth every goddamn cent he's ever made)?
To look down the barrel of a smoking gun only to find the woman he loves staring back; he doesn't, can't, comprehend that. Because once upon a time, he was happy (with her) and life was sweeter than pie.
Now he's nothing but a washed up actor who struggles to land a call back let alone make his monthly alimonies. His marriage has failed, his reputation is in shambles, and his bank account is dryer than the Mojave.
Barb gets the house. He gets the dog.
And caught in the middle of it all is his little girl; the only thing he’s got left worth while. He wants to protect her, provide for her the way she deserves — only he seems to fall short every goddamn time.
The mistakes and missteps keep stacking up against him; such is his new life in all its raw, unglamorous glory.
Look how far the mighty fall.
Lucky for him — the first bright thing that's come his way in a long, long while — a sweet, young woman moves into the apartment next door. Of course, it isn't long before Janey takes a shine, always so friendly.
Thankfully, you're just as good with her.
It only makes sense you'd watch her when a gig runs late. Rustle up some grub and put her to bed whenever he slinks in through the door, stripped to the bone.
And if he takes himself in hand late at night, stroking his cock to the thought of you down on your knees in that pretty little sundress? Imagines the wide stretch of your lush mouth as you peer up at him from between his thighs when he cums hard?
Well, what you don't know won't hurt you.
After all, he promises to keep his hands to himself.
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TBC
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