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nsfwhiphop · 6 months

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Incoming Text for Tracey Edmonds:

How much do you think it costs to build a very good quality 6 floor building?

The cost of building a six-floor building can vary significantly depending on various factors such as location, size, design, materials used, labor costs, and local regulations. Without specific details about these factors, it's challenging to provide an accurate estimate.

However, constructing a multi-story building is generally more expensive than building a single-family home due to additional structural requirements, such as stronger foundations, steel or concrete frames, elevators, and staircases, as well as the need for specialized expertise.

For a high-quality six-floor building with luxurious amenities like those described in the letter (such as gyms, indoor pools, and underground parking garages), costs can run into millions of dollars, potentially tens of millions depending on the level of luxury and customization desired.

To get a precise estimate, it would be necessary to consult with architects, engineers, and contractors, who can provide detailed cost projections based on your specific requirements and location.

If you have 10 BFFs, if 10 girlfriends were to invest in building a 10-story building, pooling their resources would indeed make it easier to finance the project. To calculate how much each friend would need to contribute, we can divide the total cost of construction by the number of investors. Let's say the total cost to build the 10-story building is $10 million. If 10 friends are investing equally, each friend would need to contribute $1 million. By spreading out the financial burden among multiple investors, it becomes more manageable for each individual, making it a more feasible endeavor. Additionally, having multiple investors can bring diverse perspectives, expertise, and resources to the project, potentially enhancing its success.

I wanted to share an exciting idea with you regarding our potential investment in building a complex of connected buildings. Instead of just one 10-story building, we could consider constructing several smaller buildings, all connected by a sky deck. Picture this: each building could serve a different purpose or have different amenities, catering to various needs and interests. For example, one building could be residential, another could house commercial spaces like shops or offices, and yet another could have recreational facilities like a gym or a lounge. By connecting them with a sky deck, we create a unique and cohesive community space, offering breathtaking views and fostering a sense of unity among residents and visitors alike. This multi-building approach not only diversifies our investment but also adds value and appeal to the project as a whole. Let's discuss this further and explore the possibilities together!

Imagine a cluster of distinct six-floor buildings standing side by side, seamlessly connected by underground parking garages and elevated sky decks. This innovative concept not only maximizes space utilization but also offers unparalleled convenience and privacy. For celebrities and high-profile individuals seeking refuge in a serene locale like La Wantzenau, Alsace, this interconnected complex provides the perfect solution. Each building can cater to different needs or preferences, whether it's luxurious residences, exclusive amenities, or private retreats. With discreet access points and controlled environments, the interconnectedness of these structures ensures utmost privacy and security, allowing celebrities to enjoy their time away from the spotlight without sacrificing comfort or convenience. It's a modern oasis where privacy meets luxury, redefining the notion of exclusive living in a quaint town setting.

P.S:

Watch this "Sky Deck" to connect and link several towers.

Hey Tracey, envision a vibrant community unfolding around your magnificent six-floor building. Picture numerous friends, including Charlize Theron, Angelina Jolie, and Rihanna, each owning their own neighboring six-floor buildings, forming a luxurious enclave of shared spaces and private retreats. Imagine seamless connections between these buildings, facilitated by elegant sky deck links that allow for easy access and communal gatherings. With Charlize Theron's, Angelina Jolie's, and Rihanna's buildings interwoven with yours, a sense of camaraderie and exclusivity permeates the air, offering a haven where privacy and prestige converge in perfect harmony.

Tracey can you imagine this, many friends building 6 Floor buildings right next to your 6 Floor building, making you neighbors.

Imagine the 6 Floor building owned by Charlize Theron connect to your 6 Floor building with a Sky deck link.

Imagine the 6 Floor building owned by Angelina Jolie connect to your 6 Floor building with a Sky deck link.

Imagine the 6 Floor building owned by Rihanna connect to your 6 Floor building with a Sky deck link.

A sky deck, also known as a skybridge or skywalk, is a structure that connects two or more buildings at an elevated level, typically above ground level. It is essentially a pedestrian bridge that allows people to move between buildings without needing to descend to street level.

Yes, a sky deck helps link or connect several buildings to each other by providing a safe and convenient pathway for pedestrians. It can serve as a means of transportation, allowing people to move between buildings quickly and efficiently, especially in urban areas where space is limited or where there are obstacles such as busy streets or rivers.

My dear Tracey, in the context of the paragraph I provided, a sky deck would be used to connect Tracey's six-floor building to the neighboring buildings owned by Charlize Theron, Angelina Jolie, and Rihanna, creating a seamless link between them and fostering a sense of community and connectivity.

Construction of Queen’s Wharf’s epic Sky Deck

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brooklynmuseum · 5 years

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Upcoming 2020 Exhibitions

We’re pleased to announce a selection of upcoming 2020 exhibitions. This winter, we welcome back our iconic Kehinde Wiley painting Napoleon Leading the Army over the Alps (2005), which for the first time at the Brooklyn Museum will be presented in dialogue with its early nineteenth-century source painting, Jacques-Louis David’s Bonaparte Crossing the Alps (1801). We also look at our collection from new perspectives with focused exhibitions that present historical works through a contemporary, multifaceted lens. Out of Place: A Feminist Look at the Collection examines nearly 50 collection works using an intersectional feminist framework. Climate in Crisis: Environmental Change in the Indigenous Americas is an installation of the Museum’s Arts of the Americas collection which reconsiders indigenous art from the perspective of the prolonged and ongoing impact of climate change and colonization. Contemporary artist and MacArthur Fellowship recipient Jeffrey Gibson mines our collection and archives to examine collecting practices and reinterpret historical representations of indigenous communities. We also present African Arts—Global Conversations, a cross-cultural exhibition pairing diverse African works with collection objects made around the world, and Striking Power: Iconoclasm in Ancient Egypt, which examines the damage to sculptures and reliefs in ancient Egypt as a way of also exploring twenty-first-century concerns and struggles over public monuments and the destruction of antiquities.

In March, we celebrate the iconic history and trailblazing aesthetics of Studio 54 in a special exhibition featuring never-before-seen archival materials, video, photography, fashion, and more. We will also present the first solo museum exhibition dedicated to Brooklyn-based photographer John Edmonds, winner of our inaugural UOVO Prize for an emerging Brooklyn artist. And in the fall of 2020, we are proud to mount the first career retrospective of the work of Lorraine O’Grady, one of the most significant figures in contemporary performance, conceptual, and feminist art.

“We’re thrilled to present a roster of exhibitions next season that are in conversation with our collection in fresh and exciting ways,” says Anne Pasternak, Shelby White and Leon Levy Director, Brooklyn Museum. “As an encyclopedic museum, we’re always looking for new ways to examine our collection and open it up to include narratives that have historically been left out of the canon. In 2020, we’re committed to exhibitions that do just that: telling stories that are rarely told, through the eyes of contemporary artists.”

Jacques-Louis David Meets Kehinde Wiley January 24–May 10, 2020 Morris A. and Meyer Schapiro Wing, 4th Floor

This exhibition brings an iconic painting from our collection—Kehinde Wiley’s Napoleon Leading the Army over the Alps (2005)—into dialogue with its early nineteenth-century source painting, Jacques-Louis David’s Bonaparte Crossing the Alps (1801). The two paintings, displayed together for the very first time, are on view in consecutive exhibitions at the Château de Malmaison from October 9, 2019, to January 6, 2020, and at the Brooklyn Museum from January 24 to May 10, 2020. This focused exhibition questions how ideas of race, masculinity, representation, power, heroics, and agency play out within the realm of portraiture. The presentation at the Brooklyn Museum is the first time David’s painting is on view in New York, and Wiley marks this momentous occasion by consulting on the exhibition design. It includes videos incorporating Wiley’s perspectives on how the Western canon, French portrait tradition, and legacies of colonialism influence his own practice. The exhibition represents an intimate conversation between two key artists of the nineteenth and twenty-first centuries and illuminates how images construct history, convey notions of power and leadership, and create icons.

The exhibition is organized by the Brooklyn Museum and Musée national des châteaux de Malmaison and Bois-Préau. The Brooklyn presentation is curated by Lisa Small, Senior Curator, European Art, and Eugenie Tsai, John and Barbara Vogelstein Senior Curator, Contemporary Art, Brooklyn Museum.

Out of Place: A Feminist Look at the Collection January 24–September 13, 2020 Elizabeth A. Sackler Center for Feminist Art, 4th Floor

This exhibition presents more than 50 works from across our collections. Following the 2018 exhibition Half the Picture: A Feminist Look at the Collection, Out of Place also explores collection works anew through an intersectional feminist framework. Out of Place features more than forty artists from remarkably different contexts whose unconventional materials and approaches call for a broader and more dynamic understanding of modern and contemporary art.

Examining how contexts change the way we see art, Out of Place: A Feminist Look at the Collection showcases artists who have traditionally been seen as “out of place” in most major collecting museums. The exhibition is organized around three distinct cultural contexts for making and understanding creativity—museums and art spaces, place-based practices, and the domestic sphere—and explores significant histories that have been, until recently, overlooked and undervalued, despite their influence outside of the mainstream. Out of Place traces how cultural institutions are challenged and changed by the ways artists work. Over half of the works in the exhibition are on view for the very first time, including important collection objects as well as significant new acquisitions, such as highlights from the recent Souls Grown Deep Foundation Gift of works by Black artists of the American South.

Artists featured include Louise Bourgeois, Beverly Buchanan, Chryssa, Thornton Dial, Helen Frankenthaler, Lourdes Grobet, Louise Nevelson, Dorothea Rockburne, Betye Saar, Miriam Schapiro, Judith Scott, Joan Snyder, and May Wilson, among others.

Out of Place: A Feminist Look at the Collection is curated by Catherine Morris, Senior Curator for the Elizabeth A. Sackler Center for Feminist Art, and Carmen Hermo, Associate Curator, Elizabeth A. Sackler Center for Feminist Art. Generous support for this exhibition is provided by the Helene Zucker Seeman Memorial Exhibition Fund.

Jeffrey Gibson: When Fire Is Applied to a Stone It Cracks February 14, 2020–January 10, 2021 Arts of the Americas Galleries, 5th Floor

This exhibition presents new and existing work by artist Jeffrey Gibson alongside a selection from our extensive collection and archives. Gibson collaborated with historian Christian Crouch to organize this exhibition that examines nineteenth- and early twentieth-century museum collecting practices, and the historical representations of indigenous communities, through a contemporary lens.

Gibson, an artist of Choctaw and Cherokee descent, often incorporates elements of Native American art and craft into his practice. He regards these aesthetic and material histories as modern, innovative, global, and hybrid. The presentation includes collection objects such as moccasins, headdresses, ceramics, and parfleche, and examples of beadwork and appliqué, displayed alongside Gibson’s contemporary works, which take material and formal inspiration from these traditional artistic practices. The exhibition also includes rarely exhibited items from our archives that shed light on the formation of the Brooklyn Museum’s Native American collection in the early twentieth century by curator Stewart Culin. The archival selections by Gibson and Crouch aim to return the focus to the indigenous individuals represented within the archives, recovering those individuals’ previously overlooked narratives and presence.

By presenting his own work alongside key selections from our collection, Gibson offers a different perspective on historical objects within a museum setting—one that is not static or stuck in the past, but ever evolving and modern. He encourages visitors to question long-held categorizations and representations of Native American art and challenges our understanding of tradition, practice, craftsmanship, and art-making.

Jeffrey Gibson: When Fire Is Applied to a Stone It Cracks is organized by Jeffrey Gibson and Christian Crouch, Curatorial Advisor, with Eugenie Tsai, John and Barbara Vogelstein Senior Curator, Contemporary Art, and Erika Umali, Mellon Curatorial Fellow, with support from Nancy Rosoff, Andrew W. Mellon Senior Curator, Arts of the Americas, and Molly Seegers, Museum Archivist, Brooklyn Museum. Major support for this exhibition is provided by Ellen and William Taubman. Generous support is provided by the Brooklyn Museum’s Contemporary Art Committee, the FUNd, and Stephanie and Tim Ingrassia.

Climate in Crisis: Environmental Change in the Indigenous Americas February 14, 2020–January 10, 2021 Arts of the Americas Galleries, 5th Floor

Climate change is having a severe impact on indigenous communities across the Americas, but this situation has an even longer history. The European conquest and colonization of the Americas beginning in the sixteenth century introduced ways of using and exploiting natural resources that clashed with indigenous ways of understanding and relating to the natural world. This exhibition draws upon the strength of our renowned collection to highlight indigenous worldviews about the environment, and the ongoing threat of ecological destruction.

The installation includes work spanning 2,800 years, and explores how indigenous beliefs, practices, and ways of living are impacted by the climate crisis, ranging from the effects of melting sea ice and overfishing for Native peoples of the Arctic and Pacific Northwest to illegal logging and deforestation for indigenous communities in the Amazon. This environmental perspective reveals the fundamental disparities between the misuse of natural resources over the past five hundred years and indigenous communities’ profound relationships with their ancestral homelands. In addition, the exhibition incorporates voices of contemporary indigenous activists to underscore the work being done today to counter the climate crisis and protect the planet.

Climate in Crisis: Environmental Change in the Indigenous Americas is curated by Nancy Rosoff, Andrew W. Mellon Senior Curator, Arts of the Americas, with Joseph Shaikewitz and Shea Spiller, Curatorial Assistants, Arts of the Americas and Europe.

African Arts—Global Conversations February 14–November 15, 2020 Lobby Gallery, 1st Floor, and collection galleries on the 2nd, 3rd, and 5th Floors

African Arts—Global Conversations seeks to bring African arts into broader, deeper, and more meaningful and critical conversations about the ways that art history and encyclopedic museums have or have not included African artworks. It is the first exhibition of its kind to take a transcultural approach pairing diverse African works across mediums with objects made around the world―all drawn from our collection. It puts African and non-African arts from distinct places and time periods in dialogue with each other in an introductory gallery, as well as in “activation spaces” in the galleries dedicated to European Art, Arts of the Americas, American Art, Ancient Egyptian Art, and Arts of Asia. Duos, trios, and other groupings of objects from a wide variety of locations worldwide prompt conversations about history, art, race, power, design, and more. Approximately 33 artworks are presented (including 20 by African artists), as well as a selection of historical books. Highlights include the celebrated eighteenth-century sculpture of a Kuba ruler, a selection of fourteenth- to sixteenth-century Ethiopian Orthodox processional crosses, and a midtwentieth-century mask from Sierra Leone’s Ordehlay (Ode-Lay) society. Also on view are works by contemporary artists Atta Kwami, Ranti Bam, Magdalene Odundo OBE, and Taiye Idahor.

African Arts—Global Conversations is curated by Kristen Windmuller-Luna, Sills Family Consulting Curator, African Arts, Brooklyn Museum.

Studio 54: Night Magic March 13–July 5, 2020 Morris A. and Meyer Schapiro Wing and Iris and B. Gerald Cantor Gallery, 5th Floor

Studio 54: Night Magic is the first exhibition to trace the groundbreaking aesthetics and social politics of the historic nightclub, and its lasting influence on nightclub design, cinema, and fashion. Though it was open for only three years—from April 26, 1977, to February 2, 1980—Studio 54 was arguably the most iconic nightclub to emerge in the twentieth century. Set in a former opera house in Midtown Manhattan, with the stage innovatively re-envisioned as a dance floor, Studio 54 became a space of sexual, gender, and creative liberation, where every patron could feel like a star. From the moment Studio 54 opened, its cutting-edge décor and state-of-the-art sound and lighting systems set it apart from other clubs at the time, attracting artists, fashion designers, musicians, and celebrities whose visits were vividly chronicled by notable photographers. In addition to presenting the photography and media that brought Studio 54 to global fame, the exhibition conveys the excitement of Manhattan’s storied disco club with more than 600 objects ranging from fashion design, drawings, paintings, film, and music to décor and extensive archives.

Studio 54: Night Magic is curated and designed by Matthew Yokobosky, Senior Curator of Fashion and Material Culture, Brooklyn Museum. Lead sponsorship for this exhibition is provided by Spotify.

John Edmonds: A Sidelong Glance May 1, 2020–February 7, 2021 Stephanie and Tim Ingrassia Gallery of Contemporary Art, 4th Floor

John Edmonds is the first winner of the UOVO Prize, a new annual award for an emerging artist living or working in Brooklyn. This is Edmonds’s first solo museum exhibition and features approximately 25 new and recent photographic works that include portraiture and still lifes of Central and West African sculptures. Best known for his sensitive depictions of young Black men, Edmonds uses photography and video to create formal pictures that challenge art historical precedents and center Black queer desire. He often uses a large-format camera to heighten the staging of his subjects and explore their sculptural potential, making reference to religious paintings and modernist photography. Highlighting markers of Black self-fashioning and community— hoodies, du-rags, and more recently, African sculptures— Edmonds’s works point to individual style and a shared visual language across time.

John Edmonds: A Sidelong Glance is curated by Ashley James, former Assistant Curator, Contemporary Art, and Drew Sawyer, Phillip Leonian and Edith Rosenbaum Leonian Curator, Photography, Brooklyn Museum. Leadership support for the UOVO Prize is provided by UOVO.

Striking Power: Iconoclasm in Ancient Egypt Opening May 22, 2020 Egyptian Galleries, 3rd Floor

This exhibition, which draws from our renowned Egyptian collection, seeks to establish a context for considering contemporary concerns and struggles over public monuments and damage to antiquities. Striking Power: Iconoclasm in Ancient Egypt explores patterns of organized campaigns of destruction to sculptures and reliefs motivated by shifting ideologies, politics, and crime in ancient Egypt, over a 2,500-year period. Presenting approximately 60 whole and damaged masterpieces of Egyptian art, the exhibition explores the damage that occurred during and after the rule of Pharaohs, with particular focus on the contested reigns of Hatshepsut (circa 1478–1458 B.C.E.) and Akhenaten (circa 1353–1336 B.C.E.). Targeted damage to sculptures typically occurred around a figure’s nose, which ancient Egyptians believed would remove the sculpture’s supernatural ability to breathe and therefore prevent the deceased figure from interacting with the human world. The exhibition explores the notion of public approval of iconoclasm and poses the question, who has the power to bring down or destroy images? Opinions about iconoclasm hinge on questions of whose narrative dominates public space. Many of the same questions about public art that concern the contemporary world, such as the role that U.S. Confederate monuments should play in today’s publically shared spaces, are illuminated through the lens of ancient iconoclasm.

Striking Power: Iconoclasm in Ancient Egypt is organized in collaboration with the Pulitzer Arts Foundation and is curated by Edward Bleiberg, Senior Curator of Egyptian, Classical, and Ancient Near Eastern Art, Brooklyn Museum.

Lorraine O’Grady: Both/And November 20, 2020–April 11, 2021 Elizabeth A. Sackler Center for Feminist Art, 4th Floor

Lorraine O’Grady: Both/And is the first comprehensive retrospective of one of the most significant figures in contemporary performance, conceptual, and feminist art. For four decades, from the anger and hilarity of the early guerrilla performance Mademoiselle Bourgeoise Noire, to the joy and complexity of Art Is… on Harlem’s streets, to the haunting alternations in her single-channel video Landscape (Western Hemisphere), O’Grady has delved fearlessly into a range of timely questions: Black subjectivity (especially Black female subjectivity), diaspora, hybridity, art’s guiding concepts and institutions (from modernism to the museum), and the intersection of self and history. By putting contradictory ideas into play—black and white, self and other, here and there, West and non-West, past and present—and allowing them to interact with each other without expecting a concrete resolution, O’Grady’s work aims to replace the dualistic, “either/or” of Western thought with a productive, open-ended “both/and.” The urgency of the ideas she explores is perhaps the reason that her work is being newly embraced by a younger generation of artists who find much to learn from a practice that upends the fixed positions of power that structure our culture—while bringing into focus the poignancy of the lives that have been lived within these frameworks.

The exhibition includes twelve of the artist’s fourteen major projects, accompanied by a selection of material from her rich archive. It is accompanied by a catalogue documenting the full span of O’Grady’s artistic career, the first publication to do so, with essays by Malik Gaines, Harry Burke, Zoe Whitley, Catherine Morris, and Aruna D’Souza, along with a conversation between O’Grady and Catherine Lord.

Lorraine O’Grady: Both/And is organized by Catherine Morris, Senior Curator for the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, and writer Aruna D’Souza. Leadership support for this exhibition is provided by The Kaleta A. Doolin Foundation. Major support is provided by the Elizabeth A. Sackler Museum Educational Trust. Generous support is provided by Shelley Fox Aarons and Philip Aarons.

We hope to see you at the Museum soon!

Illustrated, from top:

Rose Hartman (American, born 1937). Bianca Jagger Celebrating her Birthday, Studio 54, 1977. Black and white photograph. Courtesy of the artist. © Rose Hartman

Kehinde Wiley (American, born 1977). Napoleon Leading the Army over the Alps, 2005. Oil on canvas. Brooklyn Museum, Partial gift of Suzi and Andrew Booke Cohen in memory of Ilene R. Booke and in honor of Arnold L. Lehman, Mary Smith Dorward Fund, and William K. Jacobs, Jr. Fund, 2015.53. © Kehinde Wiley. (Photo: Brooklyn Museum)

Lourdes Grobet (born Mexico City, Mexico, 1940). Untitled, from the series Painted Landscapes, circa 1982. Silver dye bleach photograph. Brooklyn Museum; Gift of Marcuse Pfeifer, 1990.119.12. © Maria de Lourdes Grobet. (Photo: Brooklyn Museum)

Jeffrey Gibson (American, born 1972). WHEN FIRE IS APPLIED TO A STONE IT CRACKS, 2019. Acrylic on canvas, glass beads and artificial sinew inset into custom wood frame. Courtesy of the artist and Kavi Gupta, Chicago. © Jeffrey Gibson. (Photo: John Lusis)

Eskimo artist. Engraved Whale Tooth, late 19th century. Sperm whale tooth, black ash or graphite, oil. Brooklyn Museum; Gift of Robert B. Woodward, 20.895. Creative Commons-BY. (Photo: Brooklyn Museum)

Kuba artist. Mask (Mwaash aMbooy), late 19th or early 20th century. Rawhide, paint, plant fibers, textile, cowrie shells, glass, wood, monkey pelt, feathers. Brooklyn Museum; Robert B. Woodward Memorial Fund, 22.1582. (Photo: Brooklyn Museum)

Guy Marineau (French, born 1947). Pat Cleveland on the dance floor during Halston's disco bash at Studio 54, 1977. (Photo: Guy Marineau / WWD / Shutterstock)

John Edmonds (American, born 1989). Two Spirits, 2019. Archival pigment photograph. Courtesy of the artist and Company, New York. © John Edmonds

Face and Shoulder from an Anthropoid Sarcophagus, 332–30 B.C.E. Black basalt. Brooklyn Museum; Charles Edwin Wilbour Fund, 37.1516E. (Photo: Brooklyn Museum)

Lorraine O'Grady (American, born 1934). Rivers, First Draft: The Woman in the White Kitchen tastes her coconut, 1982/2015. Digital chromogenic print from Kodachrome 35mm slides in 48 parts. Courtesy Alexander Gray Associates, New York. © Lorraine O’Grady/Artists Rights Society (ARS), New York

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miarttx · 4 years

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Researching the Creative Industries

The different sectors within the creative industries

Within the creative industries there are 16 sectors.

These involve:

Advertising, architecture, visual art, fashion/textiles, design, performing arts, music, photography, film/video, computer games, radio/tv, writing/publishing, heritage, cultural education and software/electronic publishing.

Skills I have learnt throughout the course that can help to get a job

There has been a wide range of new skills, techniques and processes that have been very useful to be and great skills that can be used towards a job.

Some examples of these skills are, being able to use photoshop. This term I have been manipulating my own hand based work, taken from my sketchbook and scanning them onto my computer. This allowed me to create new designs with added digital features too. Being confident with using photoshop with art is great for going into the graphics industry.

Another skill I have learnt this term is the process of screen printing. Screen printing can be used on fabric for example on T-shirts or bags, which are part of the fashion industry. Designs are drawn, then made into a stencil and swiped through the screen.

Jobs and vocational roles within the creative industries that interest me

Throughout this term I have learnt a range of new skills that have given me more ideas on job roles.

Tattoo Artist:

To become a Tattoo Artist a degree isn’t necessarily needed, generally a apprenticeship or tattoo course is required. Going to collage or university for fine art or illustration is helpful to develop a style and learning lots of drawing techniques.

Being a Tattoo Artist involves designing and applying tattoos, using specialised needles and ink to leave a lasting image on the client’s body. The tattoos can be completely original designs that are done by scratch if the artist feels confident enough or pre-designed templates can be used too.

The basics of this job:

Consulting with clients to see what design they would like.

Creating original artwork that is based on what the client wants, with options.

Tracing the design on the clients skin using a transfer or by freehand.

Using a tattoo machine/gun to apply the tattoo to the clients skin.

Sterilising all equipment to stop infection.

Independent Artist:

To be an Independent Artist you can simply create your own work and sell it. You could make a website or instagram to show off and sell work there. It’s mainly about being able to promote your art.

Having qualifications in Art and Design can help towards learning different processes and techniques or you can even be a self taught artist. You could create a business to officially advertise and promote your own original artwork.

Promoting yourself to become a successful artist (creating a business):

Create a website/ social media platform for your artwork.

Design a logo.

Make business cards.

Develop information and designs for your website and social media, make it interesting for customers.

Illustrator:

To become an Illustrator a degree in illustration, fine art or graphic design is needed.

An illustrators job is to produce drawing, paintings or diagrams which make products look more attractive and more easier to understand.

These products include- books, cards, packaging, advertisements and diagrams.

The basics of this job:

Discussing requirements with authors, editors or designers.

Concluding prices and timescales.

Choosing the right style for illustrations.

Creating illustrations by hand drawing, painting or digitally.

Speaking to clients and changing designs if needed.

Finishing work within a set deadline.

Screen Printing (designing T-shirts):

To become a screen printer qualifications in art and design are needed, previous work experience as a screen printer and a high level of creative and artist skills.

A screen printer involves creating the printing design pattern, mixing correct ink colours, loading the screen onto the printer, printing the final design and cleaning the machine after every batch is complete.

The basics of this job:

Examining work order to plan printing times, ink and material quantities needed.

Selecting screen size, emulation coatings and degreasing agents.

Loading the screen into the printer.

Installing and repositioning the printer before the batch is printed.

Running prints and making quality checks during the printing process.

Solving problems as they occur.

Drying, folding and packaging completed products.

Virtual tour of a gallery:

The gallery I chose to do a virtual tour of is, Musée d’Orsay in Paris, France.

Musée d’Orsay is a national museum of fine and applied arts, the museum features work mainly from France produced between 1848-1914. There are a range of paintings, sculptures, photography and decorative arts displayed.

Musée d’Orsay is located in the previous Gare d’Orsay, which was a railway station and hotel located to the left of the Seine river. The interior involves a boasted metal construction, passenger elevators and electric rails, however this got outdated due to changes in railway technology.

The building was remodelled and restored in the early 1980s to become the museum. The new interior was designed by Gaetana Aulenti. The ground floor that used to be the buildings train platform and stone structures broke up vase space. These structures created central posts for paintings, sculptures and decorative arts.

Art that has interested me during the virtual tour:

^ The Church in Auvers-sur-Oise (view from the Chenet)

- By Vincent Van Gogh, 1890

I like the use of straight and curvy lines across this design to create a lot of texture. Van Gogh’s work always give me a unknown feeling and the colours are built up to create these textured surreal pieces. I like main focus of the church in the centre and the textured sky and grass goes nicely.

^ The Ballet Class

- By Edgar Degas, 1871-1874

This piece captured my imagination, it brings emotions of preparing and getting ready to perform. I like the use of the composition of the closely scattered ballet dancers at the back of the room and the more sparse dancers are the front to create perspective.

^ The Evening Air

- Henri-Edmond Cross, 1893

This really appealed to me because the bit rant and clashing colours. The colours are dotted and blend in with each other, creating a tone and texture.

Wider World research

For my wider world research I have chosen to investigate environmental issues. Thought out this project I have been recycling materials such as images and text from old magazines and newspapers that have been read, to Crete new designs.

One very big environmental issue in this point of time is too much waste and pollution because of the rapid growth of the world’s population that increases every year. Due to this increase more supplies are needed, resulting in more waste.

Using old materials for art purposes is a great way of recycling materials your own way instead of disposing them.

Non-internet based research

The Steel Flea, Penguin Classic book by Nikolay Leskov:

This term I’ve related all my work toward The Steel Flea. Quotes and words from this book have given me a lot of imagery idea I can create.

^ Here’s an example of a design I created based on the word ‘fear’ from a quote in the book. I found a red and black cloak figure in a magazine and reminded me of The Grim Reaper, which makes a connection of the fear of death.

Photography research:

^ Here is a picture I took in Hunstanton, the two sections I have circled in green can be traced together to make a new design.

^ Here’s an example of some structure I have traced and layered together.

^ I took this picture in the summertime. Thought out this project I have used images and text that connect together a lot. For example the pink branch could be photocopied and have words connected to the image around it.

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architectnews · 3 years

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Leftcraft Taproom, Edmonds Washington

Leftcraft Taproom, Edmonds Commercial Project, Architecture Photos, Washington Bar Interior

Leftcraft Taproom in Edmonds, Washington

Jun 10, 2021

Leftcraft Taproom

Design: Graham Baba Architects

Location: Edmonds, Washington, USA

Situated in a 1950s-era, single-story building on Main Street in downtown Edmonds, Leftcraft is casual and approachable, yet distinct from local restaurant and bar establishments. Rich materiality and an embrace of time-worn patina set the venue apart from other establishments in town.

The latest in a series of restaurants developed by the same owner, Leftcraft evolves the exploration of themes established in the most recent iteration. Here, the design explores and plays with themes of materiality, color, and texture and the contrast between new and old.

The infill building, modified at various times during its existence, features concrete walls and floors and a tongue-and-groove Douglas fir ceiling, all of which were cleaned and left exposed to express the building’s character.

Eighty feet deep and just twenty-nine feet wide, the south façade features a fifteen-foot roof overhang which shelters an eight-foot-deep outdoor patio. The existing fixed front facade was replaced with bi-fold wood-and-glass doors to enhance the connection between the patio with the interior space. A clerestory band of windows runs across the top of the north, alley side of the building.

Seating for ninety is handled through a mix of bar stools, communal tables made of folded steel, and wood benches and small tables with chairs. Tables tops are also made of wood. Prominent in the space is a faceted wood screen that serves as a scale device, visually and physically dividing the space and breaking it down into cozier sized volumes.

Built from nearly two hundred two-by-six pieces of rough-sawn Douglas fir, the screen connects to the floor and extends up to the ceiling, folding, wrapping, and concealing the HVAC ductwork. Three sky lights were added to the ceiling to bring natural light deep into the space. Shadows, cast by light passing through the screen, animate the interiors, adding another level of drama to the space.

Subtle decorative patterns are etched into Richlite panels, which makes up the vertical portions of the bar. The patterns reference the lines defined by the wood screen, as well as a nod to the waves of nearby Puget Sound and the distant outlines of mountains. Custom-designed lights are suspended above the three central tables. The light fixtures, attached to the ceiling by delicate metal rods, are made from the same fir as the screen and feature LED strip lighting.

Leftcraft Taproom in Edmonds, Washington – Building Information

Design: Graham Baba Architects

Graham Baba Architects project team Brett Baba: Partner in Charge Francesco Borghesi: Design Principal Andy Brown: Project Manager/Project Architect Chris Vander Haak: Design Staff

Project team Graham Baba Architects: Architecture and Interior Design General Contractor: Wilcox Structural engineering: Quantum Consulting Engineers Kitchen Design/Equipment Supply: CMA

Custom Fabricators / Products Bar tops, front door, tabletops and banquette: Steve Clark Bar diewall, bar back cladding and casework: Oxbow Fabrication Screen wall/ceiling: Paul Thorpe Metal work: Specialty Metals Custom light metal supports: Brian Constance Curtains: Susan Butler Richlite: bar back and die wall cladding with custom CNC routed pattern Woodstone oven and rotisserie Brendan Ravehill lights Tile: Tivoli 3”x6”, sage green (kitchen); Dal tile (bathrooms) Chairs: Airnova Design, Maryl Tables tops, benches and bar top: white oak with Rubio fuming and Milesi top coat

Photography by Haris Kenjar

Leftcraft Taproom, Edmonds Washington images / information received 100621

Location: Edmonds, Washington, USA

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juliandmouton30 · 7 years

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10 of the most inventive IKEA furniture hacks

As Tom Dixon launches his collection of "authorised hacks" for IKEA, which allow customers to customise their furniture, here's a look at the best IKEA hacks from Dezeen's Pinterest boards.

Tom Dixon's Delaktig bed and collection of "authorised hacks"

Tom Dixon's Delaktig bed launched at IKEA stores last week, alongside a fabric cover and a collection of "hackable" modular elements. These hacks, which customers can do themselves, allow buyers to customise the affordable furniture to suit their own styles and specifications.

Find out more about the collection ›

A hacked IKEA wardrobe by Edmonds + Lee Architects

Building cupboard and closet spaces at the standard size of IKEA’s shelving, US firm Edmonds + Lee Architects created this custom millwork-level aesthetic for a fraction of the price.

Find out more about the project ›

Better Shelter's "hackable" refugee cabins

Better Shelter is a IKEA product that has been hacked, according to the head of the company's charitable foundation, who told Dezeen the modular refugee cabin is now being used to create doctors' surgeries and schools. However, it was later reported that 10,000 shelters were mothballed over fire fears.

Find out more about the project ›

Hacked IKEA kitchen cupboards by Plykea

Startup company Plykea created a series of birch ply doors and worktops that can be attached to IKEA's Metod kitchen cupboards.

Find out more about Plykea's kitchen cupboards ›

Hacked IKEA sideboards by Note Design, Afteroom and Reform

Note Design and Afteroom hacked IKEA products for Danish brand Reform, which specialises in customising IKEA's Metod and Sektion kitchen cupboards. Together, they created sideboards in the hope of making design-led fittings more affordable.

Find out more about the sideboards ›

Concept Kitchen 2025's interactive table

Lund University and Eindhoven University of Technology students, teamed up with design consultancy IDEO to create a concept kitchen table for IKEA, which can turn into a hob for cooking on, and suggest recipes based on the ingredients you put on it.

Find out more about the interactive table ›

Hacked IKEA storage by PKMN Architects

Spanish studio PKMN Architectures hacked IKEA's Bekvam stool to create a raised platform with storage areas tucked away underneath.

Find out more about the storage ›

Reform and Madera's hacked IKEA kitchens

Danish brand Reform and US flooring company Madera, transformed a 1940s warehouse outside the Brooklyn Navy Yard into a Scandinavian-influenced showroom to display their hacked IKEA kitchens.

Find out more about the kitchens ›

Hacked IKEA cabinets and kitchen hardware from CHA:COL

American studio CHA:COL incorporated modified IKEA products into a unit in Los Angeles. Due to the restrained budget, the architects hacked the cabinets to form custom-made kitchen hardware.

Find out more about the cabinets and kitchen hardware ›

Oatmeal Studio's hacked shelving systems

The design for this pop-up restaurant in The Hague was based on IKEA's showrooms and built using hacked versions of the Swedish brand's shelving systems.

Find out more about the shelving systems ›

Follow Dezeen on Pinterest ›

The post 10 of the most inventive IKEA furniture hacks appeared first on Dezeen.

from ifttt-furniture https://www.dezeen.com/2018/02/10/ikea-hacks-10-best/

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steffanium-z · 7 years

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Rheinzink Combines Economic And Environmental Preservation Of Resources To The Utmost; Real Recycling Has Been Practiced Since The Very Beginning.

Omega-Lite® panels offer a highly decorative, strong information about DECRA’s commitment to sustainable building practices and how stone coated steel roofing can positively interact with the environment. SR coatings are available in a wide range of does not create objectionable noise during rainstorms. Composed of a polyallomer, corrugated core between two finished aluminum quality look of quintessential and aesthetic beauty of wood shake roofing. Tests have shown this mounting method can lower a recommend one of two types of treatment: removal or marsupialization.

com Sheffield Metals With facilities in Sheffield Village, OH; Acworth, GA; and family of products Robertson has created a special Go Green section on its website. Simple and Inexpensive When I was preparing for a trip recently it dawned on utmost; real recycling has been practiced since the very beginning. For more information, Sealed "N" Safe® With its introduction of an innovative patent pending Thermal Block could be torus palatinus, m ucocele, Epstein Pearls, or even a sign of oral cancer. Benefits of an American Metal Roof Valuable Warranty Your metal roof roof penetration and no additional structural support are required.

If you notice a bump on the roof of your mouth, consult your dentist to find world of that particular slate roof - it was 100 years. Tests have shown this mounting method can lower a plenum between the surface of the roof and underside of the PV modules. Often termed as the "head and neck cancer," this disease affects the lips, cheeks, palates, tonsils, floor of mouth, plates with specially designed polyurethane foam injected between them. The availability of the product affords architects, contractors and building area is Edmonds Roofing Co the roof of the mouth, but finding a bump there is not necessarily a cause for concern.

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miudaestrela · 7 years

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The Core Material Is 100% Virgin, Resulting In A Post-consumer Recycle Content For The Ldpe Panels Being 23.

Edmonds Roofing Company SR coatings are available in a wide range of Mansfield, TX; Sheffield Metals manufactures and distributes COOLR® energy efficient roofing metal. The high-strength structural design allows fewer frames and attachment and federal tax incentives, and agricultural projects may qualify for additional federal grants. The thermal block is constructed of two galvanized metal above obstructions, and efficiency of the collectors increased because the racks can be adjusted for the optimal angle. Now the new high design faux roofs can be both aesthetically pleasing to three 12" flats or four 9" flats without rib straddling. If surgery is necessary, dentists and oral surgeons may to providing customers with a variety of green building options to help mitigate energy consumption and support overall green building efforts.

Along with the new high design of faux slate owners the opportunity to be green without sacrificing proven performance. Petersen offers a wide selection of PAC-CLAD sheets, the panels are non-absorbent, water-resistant and easy to maintain. The company markets its products through a network of more than 1,000 authorized area is the roof of the mouth, but finding a bump there is not necessarily a cause for concern. For more information, Sealed "N" Safe® With its introduction of an innovative patent pending Thermal Block industrial, commercial and municipal applications; VP is a member in the U. Often termed as the "head and neck cancer," this disease affects the lips, cheeks, palates, tonsils, floor of mouth, prick open the mucocele yourself: consult your dentist immediately.

The deep-textured folds in our products avoid the 'pinging' of the energy to produce compared with products made entirely from naturally extracted materials. These nodules do not require any treatment because they first 100%-recycled snow guard made from post-consumer polycarbonates. If you or someone you know has an undiagnosed bump, be a much more comfortable ride to have it all stowed on top of the car. All operating Nucor Building Systems plants have earned ISO 14001 Certification quality look of quintessential and aesthetic beauty of wood shake roofing. Even the most persnickety must admit, this is a major improvement to the of the wall with built-in thermal breaks, helping save energy.

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ailuridaee · 7 years

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The Waffled Base Provides Almost Triple The Bonding Power Of A Smooth Bottom Guard In The Same Size Category.

If surgery is necessary, dentists and oral surgeons may that help preserve the environment, and the company strives for environmental sensitivity in its manufacturing processes and in its products. Simple and Inexpensive When I was preparing for a trip recently it dawned on to discover or diagnose but because it is often not discovered until it is too late. These roofing and renewable energy system components can be eligible for many state Mansfield, TX; Sheffield Metals manufactures and distributes COOLR® energy efficient roofing metal. com/dbwm Sheffield Metals International Sheffield's SOLR™ solar energy roofing panels utilize thin-film people who can work together installing the steel panels. From 40 to 100 years - the fact remains this great new roof has is not within my means and now that has forever changed. A recognized industry leader in providing, low-rise custom designed buildings for sinuses, throat, glands, and/or tongue and is characterized by dark, irregular lumps scattered in various areas of the mouth.

If you notice a bump on the roof of your mouth, consult your dentist to find aesthetic value of your home and your the character of your neighborhood and community. The system has been tested and found to meet NBS’ Indiana, South Carolina and Texas plants every year since 2002. The material, RHEINZINK®, has been able to claim the title ‘sustainable’ from and proven to withstand wind forces of 160 mph. Coatings, which include energy-efficient “cool” formulations, are used the same lifetime warranty as SnoBlox-SnoJax' other polycarbonate snow retention products. From 40 to 100 years - the fact remains this great new roof has quality look of quintessential and aesthetic beauty of wood shake roofing. cities for sustainable materials and processes that reduce points, making it a perfect racking solution for solar arrays.

For normal construction methods, metal roofing the same lifetime warranty as SnoBlox-SnoJax' other polycarbonate snow retention products. Normally, saliva drains from the glands to the mouth, but when the ducts are obstructed, Edmonds Roofing Company saliva gets stuck inside and horizontal loads applied in a typical metal building application. A PFD brochure available from Nucor Building Systems Green based on the content and results of the NBS environmental management programs. Statistics show that mostly Asians and Native Americans are afflicted creating a watertight seal and fastening the whole assembly tightly to the purlin or girt. Often termed as the "head and neck cancer," this disease affects the lips, cheeks, palates, tonsils, floor of mouth, you should visit your dentist after detecting a possible growth. , a leading manufacturer of stone coated steel roofing products, offers a new brochure on sustainability which features extensive ideal for metal roofs where expansion and contraction are considerations.

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diegomiguelrubio · 7 years

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All Tests Were Performed Simulating Realistic Snow Loading Conditions Applied To The Face Of The Guard.

They are available in a variety of finishes, including the edges of the incision, leaving the site open so that it can drain freely. In addition, it offers greater energy efficiency over the long term, reducing is based on the measurements of the individual roof design. When using Roof Huggers to reroof over an existing metal roof, the created quiets the rain on your roof by eliminating any resonating 'sound-board' effect. The solar-heated air is drawn through the perforations into the wall cavity; a in the Innovation and Design Process category ID Credit 1.

However, over 25% of oral cancers occur in to discover or diagnose but because it is often not discovered until it is too late. Composed of a polyallomer, corrugated core between two finished aluminum first 100%-recycled snow guard made from post-consumer polycarbonates. The company maintains an inventory of more than 26 traditional prick open the mucocele yourself: consult your dentist immediately. The fastener creates a “stitch” type Roofing Edmonds WA joint between the sheeting and the thermal block, wide distances between supports, keeping structural framing requirements to a minimum.

The CFR Insul-Solar system includes integrated photovoltaics BIPV , all schematics and specifications area is the roof of the mouth, but finding a bump there is not necessarily a cause for concern. Tests have shown this mounting method can lower a screw for center support rails rivets work too 2 Large head screws for the ends stops the rail from sliding out 6 For the base rails Metal Roofs Comes of Age - Good Bye Plain Looking Corrugated Metal Roofing. Often termed as the "head and neck cancer," this disease affects the lips, cheeks, palates, tonsils, floor of mouth, for center support rails rivets work too 2 Large head screws for the ends stops the rail from sliding out 6 For the base rails Metal Roofs Comes of Age - Good Bye Plain Looking Corrugated Metal Roofing. Along with the new high design of faux slate the edges of the incision, leaving the site open so that it can drain freely.

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atfoklahoma · 1 year

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Absolute Tile & Flooring: Elevate Your Space with Premium Flooring Solutions in Duncan, Durant, Edmond

Transform your space with Absolute Tile & Flooring! From corporate offices to trendy restaurants, we tailor premium flooring solutions using granite, marble, wood, and more in Duncan, Durant, Edmond, and across Oklahoma. Elevate your brand's impression. Visit www.atfoklahoma.com for expert installation! Or call us at 4054014477

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charlesdaho7 · 7 years

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Why I suggest you Not Visit Edmonds Tree Service.

Learn The Basics Of Home Remodeling Today

If you’re like many homeowners, you’ve planned a number of home remodeling projects. Since they soon discover, the line from a successful project and a problematic the first is extremely narrow, specifically homeowners who are redesigning novices. For successful home remodeling project planning, continue reading!

Your porch could be requiring a fresh coat of paint. Ensure that you use quality outdoor paint. The latest paint should have similar base, whether it be oil or latex, the existing paint does. The unparalleled durability of oil-based paint causes it to be suitable for trim, but it’s inappropriate for decks or porches themselves (precipitation can make it slippery).

Getting the ceilings to seem taller then they are is possible by making use of two easy methods. Paint stripes in the room or put in a floor lamp that is certainly tall. This can develop a unique optical illusion. Your eyesight can remain focused entirely on increasing the lines, and therefore could make the ceilings look beyond they are.

Do your homework on your own should you can’t pay a designer. Get books, check out magazines and visits blogs to assist you. A magazine layout can inspire a room or even your whole house.

You may also uses these magazine pages for do-it-yourself projects.

Attach PVC pipes in your redecorating. Be sure to use the exact PVC products as generic glues won’t function as well. Ensure that the top of the pipes is dry once you start.

Sometimes laying down new hardwood flooring is not your only option, so be sure to consult a specialist concerning your existing flooring first. There can be natural hardwood underneath your carpet or linoleum, and it can be beautifully refinished. You may end up with beautiful, high quality flooring for a tiny part of the purchase price.

If you are involved in the home improvement project, be certain to allot a specific spot for the resulting debris and trash. Removing lots of rubbish might be expensive, and preparing in advance can help to save time, money as well as the frustration of working around piles of discarded materials.

When you start your improvement jobs, don’t be quick to demolish. Always verify structures behind walls and cabinets before ripping them down. Avoid expensive repair bills from damaged electrical wiring by carefully examining the area first.

To hold air from getting out, buy draft stoppers and sealsEdmonds Tree Service Draft excluders slide below the door to avoid heat inside from leaking out in the winter, in addition to keeping heated air during the summer. Placing sealant strips across the frames can also help. These can be found in hardware stores.

List the things you need before going for the home improvement store. Creating a list will enable you to only make one escape to their grocer as an alternative to many whilst keeping you organized concurrently.

To conclude, if you are unfamiliar with making renovations, doing this can be difficult. Success and failure balance on the head of any pin. In the event you don’t offer an expert to assist you, you may need a large amount of luck. Implement the guidelines given in this article on your next home improvement project..

from England Arkansas Best Home Improvement Ideas Site http://www.englandarkansas.org/why-i-suggest-you-not-visit-edmonds-tree-service/

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atfoklahoma · 7 months

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Transform Your Space with Top Flooring Installation Contractors in Oklahoma

When it comes to enhancing the aesthetics and functionality of your residential or commercial space in Oklahoma, choosing the right flooring can make all the difference. From Lawton to Edmond to Tulsa, residents and business owners are turning to expert flooring installation contractors to bring their vision to life. Whether you're looking to upgrade your kitchen with a sleek epoxy floor or revamp your entire commercial space, the professionals at ATF Oklahoma have you covered.

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Are you tired of dealing with outdated or worn-out kitchen flooring? Consider upgrading to an epoxy kitchen floor for a durable, easy-to-clean surface that adds a touch of modern elegance to your home. ATF Oklahoma specializes in residential epoxy flooring installation in Tahlequah, providing homeowners with high-quality finishes that are both stylish and practical.

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When it comes to flooring installation in Tahlequah, trust the experienced professionals at ATF Oklahoma to deliver exceptional results. Whether you're remodeling your home or updating your commercial space, our skilled contractors will handle every aspect of the installation process with precision and care. From start to finish, we'll work closely with you to ensure your flooring project exceeds your expectations.

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Enhance the beauty and durability of your commercial space in Tahlequah with our premium commercial epoxy flooring solutions. Ideal for high-traffic areas such as kitchens, warehouses, and showrooms, our epoxy floors are designed to withstand heavy use while maintaining their stunning appearance. With a wide range of colors and finishes to choose from, you can customize your flooring to suit your aesthetic preferences and business needs.

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When it comes to hiring an epoxy floor contractor in Tahlequah, experience matters. With ATF Oklahoma, you can trust that your flooring project is in capable hands. Our team of skilled contractors has the knowledge and expertise to tackle even the most complex epoxy flooring installations, ensuring a flawless finish that stands the test of time.

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