#I like to call them “doomed by the narrative and hated by the gods trio”

[pigin-is-so-rad]

The Watchers’ Favourites

[ramblings-of-a-mad-cat]

How’ve you never been a Draco anti? Just cause he was a teenager doesn’t mean he had the right to make disgusting racist comments and do other ignorant shit. Age is just a number. I don’t mean that in a creepy sexualising way or anything but there’s never an age where it’s okay or acceptable to be racist and just be a terrible person overall. Sorry I’m all for respecting opinions and whatever but I really can’t comprehend how you apparently didn’t go anti for him. You called him insufferable in the Malfoy TLSQ but that wasn’t even him at his worst 😒

(Going under the cut, this became a #LongPost)

Did I say that? I don't doubt it but I have no memory of this and I don't really think I'd agree with that description anyway. Because he really wasn't insufferable during that quest, you're right. He was pretty spoiled for sure, and if anything I was pleased to see that side of him which the films could occasionally downplay. Like, don't get me wrong, Jason Isaacs is amazing, but he has specifically talked about his motivation during interviews, how he wanted to build sympathy for Draco by being such a cruel father. Which is just...not the kind of dynamic Lucius and Draco had, and I've talked about this before, but Lucius abusing Draco is just very out-of-character if you ask me. It's also the secret backstory of every cheesy Draco redemption fanfic ever and by no means is that limited to his character, but he's a prominent example of the trope. Ben Solo is another.

As far as the books go, Draco is another character like Snape where he gets downplayed. In the early books, he was such a pain in the ass, but I never took him seriously as a threat even as a child. I knew enough about bullying to recognize how small he felt on the inside. In no way does this make it okay for him to behave the way he does in books 1-5, I'm just saying that he was scarcely a character that I would even argue earned the title of "villain." He was Harry's school rival. The worst thing he did, by far, was the entire framing of Buckbeak. Painting this narrative of him being the innocent victim of a savage monster, with Hagrid as the negligent fool who let it happen. Draco felt humiliated and wanted revenge, and he saw an opportunity to try and get Hagrid fired. And amazingly, despite an entire classroom of witnesses who can verify that Hagrid did everything by the books and that Draco's own arrogance got him just a minor scratch....he is still, even next year, telling people like Rita Skeeter about the Hippopriff attack. How is he getting away with that? Well, I say this, and then I remember that the man behind the "Anti Vaccine" study had his license revoked after it was debunked and yet he continued to give lectures about the dangers of vaccines...

Boy, I'm getting off topic. Draco's character just doesn't bother me that much because I don't take him seriously. The Buckbeak Incident was his worst moment by far, but he remains a stagnant character for the first five books. And god damn, how can I not empathize with him starting in Half Blood Prince? Voldemort selects him for a mission that he fully expects to result in his death, all to punish Lucius. It is made very clear to Draco that he must murder his school Headmaster, Albus freaking Dumbledore. I have already on many occasions, documented how much this world reveres him as an all powerful, omniscient force of nature. I doubt I need to reiterate just how daunting and impossible this task would and did start to feel for Draco. But the consequences for failure were plainly stated. Either Dumbledore had to die, or Draco and his parents would die. He was all of sixteen years old, and he was cornered by Voldemort, when his family was already deeply involved with the Death Eaters.

I hold nothing against Draco for any choice he made in HBP. What was he supposed to do? He was trapped. He had no reason to trust Snape or Dumbledore, and they were probably his only lifelines. Even if he had managed to escape Voldemort, his parents would still have been in danger. Dumbledore offers them protection up in the Astronomy Tower, but how does Draco know he's telling the truth? How does he know that to be a promise that Dumbledore can keep? In the end, he couldn't do it. He didn't have it in him to take Dumbledore's life. Despite all that pressure on him. I think that means something. The stress of trying to carry out the mission was making him physically ill. Oh, and this was the year that Harry hit him with Secumsempra. Probably the stupidest thing Harry ever did, and I'd say it leaves them even for Ron and the poisoned mead, however indirectly. After Snape kills Dumbledore, Draco just tries to keep his head down. All he can do is nod or shake his head whenever Voldemort addresses him at Death Eater meetings.

When The Golden Trio is captured and taken to Malfoy Manor...Draco's fear, and his growing moral conflict, show themselves again. He cannot commit to identifying Harry, even though we're meant to assume he knew damn well that it was Harry. Now, sure. You can argue that he wanted to wait and be absolutely sure before they went as far as summoning Voldemort. Or you can argue that he just didn't want Voldemort to show up because he was frightened of him. I think that's more likely. Because Harry under a stinging hex is one thing, but Hermione? When asked if Hermione was who they thought she was, he once again gives an evasive "Yeah, it could be." Like it's not clear as day. Draco flip-flops a lot during Deathly Hallows. He does try to capture Harry during the Battle of Hogwarts...and a childhood best friend dies before his very eyes. Ultimately, Harry's choice to save Draco winds up being a positive inversion of his choice to save Wormtail. Saving Wormtail guaranteed Voldemort's return. Saving Draco, on the other hand, ensured Narcissa's cooperation, and thus, it bought enough time for Neville to kill Nagini, and doom Voldemort once and for all. Harry saving Draco made all the difference.

In canon, Draco is little more than a sleazy coward. His story echoes that of Regulus, and sometimes I like to imagine what it would be like if he had taken on a more heroic role toward the end and had a more complete redemption. That said, I don't strictly speaking, mind that he didn't. I love the image of the Malfoys just huddled together after the battle, unsure if they're welcome or not, but no one is actually sparing them a thought. I also like final shot of them in the film, where they just up and leave. That works for them. There was apparently a cut scene where Draco was supposed to throw Harry his wand and properly defect...and while that would have been pretty cool, again: He didn't need a full redemption necessarily. The books kind of ran out of time, especially since there was no eighth year. Draco was not emotionally ready to do the right thing. But he had learned enough about himself and the world to know that he was uncomfortable doing the wrong thing. It's easy to parrot the slurs you're taught from the cradle, but as you get older and are expected to start participating in hate crimes and things of the like...you might begin to realize just how fucked up it all is. Even if the realization is slow. Even if you're not brave enough to take a stand.

TL;DR: Early books Draco is annoying, but no more so than a fly. I just kind of brush him off. Late books Draco is actually a very compelling character and he has my sympathy.

[darkarfs]

my favorite WWE matches of 1997

Though I officially started watching wrestling in 1995 (my family famously first bought SummerSlam that year, which would be my first wrestling show ever, because it was $25.00. 1995 was a bad year for wrestling), I became a regular watcher of both WWE and WCW Raw and Nitro, and was able to buy my own PPVs, around summer of 1996, when Hogan turned. The first show I bought with my own money was In Your House: Buried Alive, though I kept up with weekly TV. And, for better or worse, I've been a fan ever since.

1997 was a REAL rollercoaster year for wrestling. The NWO was becoming a bloated mess in no time at all, Bret Hart was riding high, while he and Shawn Michaels publicly hated one another, a young Rocky Maivia was slowly transforming into the most charismatic wrestler of maybe all time, a young Steve Austin has broken his neck and can only work 5 minute matches but is somehow the most OVER wrestler in the company, and by the end of the year, the Screwjob happens, Bret's in WCW, Shawn's on handfuls of SOMAs (yet main-eventing). In a lot of ways, I'm grateful, because I side-stepped all of Hogan's WWF and WCW run. But it was a tornado of a year for a business always on precarious footing, as it ever has been.

And it gave us some CRACKING matches! - The 1997 Royal Rumble I love me a Rumble, and it's REALLY hard (but not impossible) to find a bad one (1993, 1995, 1999). And I personally love one with a storyline that runs throughout, and in this case, it's the ultimate heeling of Stone Cold Steve Austin. He visibly dominates the match until he hears Bret Hart's music, and then goes into panic mode. And it furthers the characterization of Bret's hand-spun narrative as being rightfully pissed that he's being taken advantage of by the roster, screwed by the company, and booed by the fans. Fun bonus: this is also the only Rumble appearance of lucha legend Mil Mascaras, who was so full of old-school carny spirit he famously refused to let anyone else eliminate him, so he eliminated himself, pissed Vince off, and was not spoken of again on WWE TV until the 2012 Hall of Fame ceremony, where he was inducted by his huge prick nephew, Alberto del Rio. - Bret Hart vs. Stone Cold Steve Austin, WrestleMania 13 This match is considered legendary, and for good reason. The greatest technical wrestler in the company vs. the best brawler, months of build, the world's most iconic (and off-the-cuff) blade-job (so much so that the visual of Austin bleeding in the Sharpshooter going "DAAAHHHH!" became the cover for his first VHS) and the wrestling world's most exquisite double-turn. It's fun, it's thrilling, it feels at once timeless and modern. Fun fact: there's a fun version of this match you can watch with just Austin doing commentary over it, and it's entertaining as hell. A true classic, and one of the greatest 'Mania matches of all time. - Ken Shamrock vs. Vader, No Holds Barred match, In Your House: a Cold Day In Hell Vader, famously, while a big teddy bear and a for-all-accounts lovely guy outside of the ring, had a reputation of being a bit "snug" with other wrestlers. Meaning he hit a little too hard, had little self-control, and took liberties with people, especially rookies and younger guys. It's supposedly why Shawn Michaels didn't want to work a world title program with him from summer to fall of 1996, because he was "too rough." But what never occurred to Vader is that trying that with a guy who's had 2 matches but has almost 5 years of MMA experience might not be the smartest or most prudent idea. Shamrock gives Vader as much as Vader gives him in this match, and there are moments where you can tell the guys are going into business for themselves. There's a moment where Shamrock is clubbing Vader with punches, and you can hear Vader, as he's turtling up and putting his arms up to block, yell "SLOW DOWN!" and then he rolls out of the ring to catch a breather. Vader, by the end of this match, is bleeding through his mask, a product of a broken nose, which is why I assume he gives Shamrock the stiffest short-arm clothesline I've ever seen. It's brutal, it's stupid, it weaves in and out of the script SO many times like a drunk man trying to stand up straight on a canoe, and I'm fascinated by each and every instance. - Owen Hart vs. the British Bulldog, European Championship Tournament Finals, Monday Night Raw, March 3rd Somehow, a workrate classic is stuck on a rinky-dink episode of Raw from Berlin, Germany. Smith and Hart blended some of their acquired WWE-style of work with classic junior heavyweight wrestling, complete with intricate reversals and fast-paced offense that was unlike either man's designed ethos of the time. Hart's shift toward his underhanded instincts as the match wore on provided enough story to balance the beautiful grappling from two men with impressive resumes. You can feel that these two knew one another, grew up together, and most importantly, wrestled together. An honest-to-God sleeper hit, but everyone who knows this match calls it a classic. - Shawn Michaels vs. Stone Cold Steve Austin, King of the Ring It's a concept that would be beaten into the ground in short order: Tag Team Champions that hate each other's guts. John Cena, seriously, has only been tag champions with people he's feuding with. That's

not even a joke. Austin and Michaels won the belts out of mutual dislike for the Hart Foundation, and then were programmed together for a wild match at the King of the Ring, one without a winner. Early on, the two actually pieced together a tremendous wrestling match full of nifty counters (prior to Austin changing his style after August for obvious reasons), before it degenerated into chaos after both men assaulted referees in the heat of the moment. Granted, neither man could really lose this one, so the screwy finish did serve its purpose. Until that point, it's a different type of incredible Austin match. You're never so happy to see a double-DQ finish. - Owen Hart & the British Bulldog vs. Shawn Michaels & Stone Cold Steve Austin, Monday Night Raw, May 26th And now we have a match set! The previous 4 participants in a brilliant and brutal tag team match. The Tag Team championship switch marked Austin's first piece of recognized gold in WWE, in a match on free television no less. That's not to insult the match any, as it was a pay-per-view quality fracas that barely slowed down. It is a mere 14 minutes long WITH entrances, but it moves at a clip, and everyone has their working boots on. It was a harbinger of days to come for this new period in WWE's history, and the crowd ate it up.

- Taka Michinoku vs. the Great Sasuke, In Your House: Canadian Stampede What happened here? Just when you think WCW had the cruiserweights cornered, WWE pulls this shit...and then kind of ignores it for a few months. But not before importing two of Michinoku Pro's finest to have a TakeOver-length exhibition. At first, the crowd in Calgary wasn't sure what to make of the undersized performers, but it wouldn't take long to win them over. From Michinoku's hands-free springboard dive to Sasuke's beautiful Thunder Fire Powerbomb, the expansive crowd was positively hooked on the daredevils with each passing minute. Although Sasuke wouldn't be long for the company, and Michinoku's run as Light Heavyweight Champion faded as 1998 wore on, the display at Canadian Stampede was a wondrous experience. This wouldn't have looked out of place in a Chikara King of Trios tournament. - The Hart Foundation (Bret Hart, Owen Hart, Jim Neidhart, Brian Pillman, the British Bulldog) vs. Team Austin (Stone Cold Steve Austin, the Legion of Doom, Ken Shamrock and Goldust), In Your House: Canadian Stampede I would have put this match on the list for the entrances and the finish alone. The crowd is at fever static for the entire match, seriously at the level of Punk/Cena at MITB 2011. And even though the Harts are the heels, they're in Calgary, and they get rock-star level ovations for merely existing. Everyone plays it mad and delighted, and you can tell they're all having a ball. Especially Pillman, who is just magically unhinged, a template for a young Dean Ambrose during their feud with the Wyatt Family. It is a magical, unreal main event, one of the best B-ppv main events maybe of all time. Well...other than MAYBE... - Shawn Michaels vs. the Undertaker, Hell in a Cell, In Your House: Badd Blood The very first Hell in a Cell match may very well double as the greatest of its kind. What stands out to me (other than how the match ends) is just how GREAT Michaels' selling is. When he's running away, he's constantly looking around for an exit, like a scared rat. When he finally gets caught and struck, he sells almost to the level he did for Hogan at SummerSlam 2005. But while he was doing that to make Hogan's offense look stupid, he's doing it here to make Taker's offense and anger look legit, and it somehow WORKS. But as fabulous as the match and the psychology is, it somehow takes a backseat to the debut of the Undertaker's monstrous little brother Kane, finally confronting his older brother in perhaps the greatest character debut in WWE history. - Mankind vs. Kane, Survivor Series I dunno what it is about this match that does it for me. Mankind's emotional lead-up to the match, where he's sad that Uncle Paul (Bearer) left him. Maybe the fact that Kane sells like Michael Myers, not so much that he's in pain, but as if he's never been hit in the face with a steel chair, a DDT or a piledriver. Maybe it's because Mick takes more horrific bumps than he needs to to make sure Kane looks like a legit monster. Maybe it's the broken Virtua Boy lighting. But it's genuinely unlike any other Mankind, Kane or ANY match I've seen before or since. It's a perfect somehow sympathetic serial killer vs. bigger, scarier serial killer that feels nothing story in a wrestling match. I didn't even know you could DO that.

[rubberduckyrye]

god im sorry if im flooding your inbox with questions but uh got anything about ur ocs theos and richard? (sorry if i've spammed you with questions i can't tell if i've actually hit the ask button or not sometimes oof)

uhm, how about your OCs richard and theos(?)

Not the same anon but could you describe theos

I’m finally getting to these, wooo!

I’m going to mostly focus on Theos here, but if you really are curious about Richard, let me know! I just. I felt bad cause I was drawing a reference of Theos but it took a while and I couldn’t really get to Richard, sorry;;

Okay, so a little bit of history for this;

These characters are two parts of a trio that I made with @celestriakle waaaay back when we were both in the NiGHTS fandom. These characters were based off of Wizeman the Wicked, the big bad final boss of “NiGHTS into Dreams” and “NiGHTS: Journey of Dreams.” If you want to watch a let’s play of the latter (as it actually has story/a narrative to it where as the first game has only game play. Older games had their stories mostly written in the little booklets that came with the games) you can watch this here. NiGHTS is like, the OG purple gremlin child and they are such a mischievous delight. The game sadly hasn’t aged well and wasn’t like, the best of games, but I still hold it fondly to my heart and I’d say it’s got some great concepts.

Anyway! If you want just a very rough summary and not watch 5 hours of a game; Wizeman the Wicked is the self-proclaimed god of Nightmare, which resides in the Dark Ocean underneath the Dream Gate. The Dream Gate allows dreamers (called “visitors” in the game) to enter their dream worlds of paradise (or, more accurately, worlds created by the reflections of their hearts) called “Nightopia.” However, Wizeman is constantly sending his creations, “Nightmarens,” to steal fragments from the hearts of visitors (these fragments being called “Ideya,” and are Courage (Red), Purity (White), Blue (Intelligence), Growth (Green), and finally, Hope (Yellow). The Ideya of Courage allows visitors to unlock their first Nightopia, and if they can gather the remaining Ideya, they can unlock new dream worlds. In these dream worlds are little creatures called “Nightopians,” which are like… fairies, I guess, to simplify things. There’s also an owl creature that doesn’t have a clear origin, and his name is…. Owl. Real creative, I know.

Another thing–SPOILERS, IF YOU DON’T WANT TO BE SPOILED FOR THE NIGHTS GAME, STOP READING AND WATCH THE VIDEO AND COME BACK TO THIS–that is important to note here is the Nightmaren. There are three levels of “nightmaren”; Third levels - the weakest enemies, the ones you find wandering Nightopia that get in the way/stage enemies; Second levels, which are “boss marens” and are the Nightmarens who have taken the ideya from the protagonist visitors and are keeping it hidden in their lairs, and finally, First level Nightmaren; to which there are only two. A pair of “twins,” if you want to call them that. Reala is the first of the two; he is very loyal to his “master”, Wizeman, and is considered the general of the nightmaren army. He’s portrayed as cruel and even sadistic in a way. The second first level Nightmaren? NiGHTS themselves.

NiGHTS is a renegade Nightmaren that has rebelled against Wizeman for an obscure reason. Fans love to speculate on it, but there is no real “canon” reason, only hints that NiGHTS might be more ashamed of where they come from than they’d like to let on.

Why is this important? Because it ties in to Theos, and consequently, Richard and Cyrus–Celest’s character, though I won’t talk much about him here since that’s her muse/character so go ask her about him if you’re really that curious. Either way, I’ll note here that Theos, Richard, and Cyrus are all “parts” of Wizeman. Think of Steven Universe and “fusions”, except this was created long before Steven Universe was airing. So Wizeman is a “Fusion” of these three characters--though the three “humans” that make up Wizeman are called “The Fragments.”

Anyway! Moving on.

The initial translation of the “NiGHTS into Dreams” biography for Wizeman was mistranslated, I do believe, but it suggests that Wizeman is a “Visitor with no Ideya” and among the first intelligent life form to exist in the world of dreams. Long before I even met Celest, me and an ex friend/boyfriend (don’t ask) of mine laughed at the idea, but them we started pondering the logistics of that information, and created Theos. He worked on the original story for Theos (which I can’t remember for the life of me, it’s all been scrapped though) and I made up a design.

So for reference, here is what Wizeman the Wicked looks like.

Here is what Theos used to look like. Be warned, it’s old as shit art! Wow, this art is almost ten years old, holy shit–

And this is what Theos’ current design is, plus a very sinister looking goop monster.

The first design you see on the most modern design (the more obviously human looking form) is Theos when he was alive. His eyes are actually a dark, dark brown, but they are hazed over. I forget the technical term for it, but anyway, it left him blind. This was kind of a problem, a huge problem, for Theos--because he was born during the age of Sparta.

For those of you who don’t know, Spartans were very vicious awful, and if an infant was born with a clear deformity or disability, they were doomed to be abandoned in the wilderness and left to die. Theos was born blind, and very visibly so. However, his mother had died during child birth, and her last request was that her baby live a happy life. To honor that request, Theos’ father convinced everyone that his child was a prophet of the gods, and that his blindness was due to an ability to predict the future via his dreams. He warned that the gods would strike Sparta down with vicious rage if they killed the baby boy, and that when Theos does pass on from the realm of the humans, he will report his life back to the gods. He managed to convince them that Theos was, indeed, a prophet, and he was an exception to the rule for about eight years.

However, his father had grown resentful and hateful of his son for “killing” his wife, and making his life a living hell, so he decided that he was tired of it all and threw Theos into a river, where he drowned.

Before Theos had died, he discovered the dream gate, and discovered that he was a lucid dreamer. He created a creature he named “Owl” (yes, this gives Owl an origin story) and had all five of his Ideya before he died, thus had access to all of his Nightopias.

However, when he died, he hit his head on a rock and fell unconscious just before he drowned, and a remarkable series of events occurred.

First, his mind and soul went to the world of Dreams.

Second, his lucidity started to violently lash out, as he himself was panicking and in a lot of pain, and started to change his “body.”

Third, all of his Ideya started shattering.

With the unique circumstances of his death, Theos’ soul transfered from the waking world to the dream world just before he died, sacrificing his Ideya to stabilize his form as a “creature of dreams” instead of as “a visitor.” 

From there, after the horrid traumatic experience, Theos tried to seek comfort in his nightopias--nightopias that no longer had Ideya to support them, and thus were destroyed. Devastated by the fact that the world of dreams basically rejected his being, Theos threw himself into the Dark Ocean--the Sea of Nightmare--and was engulfed in the madness below.

This is where the fourth and crucial yet remarkable event occurred. You see, the goop monster depicted in the drawing I did is called “Dream Force.” The state of it in that picture, is when it takes on the negative thoughts and feelings of visitors, thus turning it into sludge and into “nightmare” force. This is a personal creation and headcanon of mine, but I imagine that the Dark Ocean is basically made up of “negative” Dream Force--or, Nightmare Force.

Now normally, when visitors die in a similar manner like Theos, they don’t last long in the dream world. Their souls eventually lose power and fade as they finally pass on to the next life. However, Theos was the first visitor to have “tamed” the Nightmare Force through his own lucid powers, and using the Nightmare Force as energy, he was able to survive for centuries--but at a cost. Being surrounded by nightmares, horrible, violent thoughts and feelings, and all that good stuff, only fueled the hatred and despair he felt. So, Theos grows more and more angry, hateful and resentful of the human race, wanting to be rid of it. 

That’s basically his story, tbh! I don’t really know what to do with him, though me and Celest are planning a rp-to-fic thing of the Fragments, so he might just star as a NiGHTS oc. 

Sorry this took so long to get to :’D I hope that satisfies you curiosity about Theos at least. I might do Richard another time.

Anyway! Thanks for asking~