#I need an mother manic type album right now

[halseygray]

Hints for H5/A2 from a letter halsey sent to fans via email

[ocuious]

Okay, so Joe hawley:

Hot take, but I think everyone's being a bit too harsh. Many people, including myself, immediately after hearing the news deleted posts about joe hawley, said that they don't support joe hawley, and sent hate towards him in general. I take back some words that I said earlier and would like to share a full rant about what I feel now.

Not wanting to support joe anymore is totally fine -- after all, he's done some awful things to people and I sincerely hope those people are able to recover.

I do however, still support joe, but not in the way you think.

I support his journey to getting mental help and hope he himself can recover and fend off whatever mental illnesses he may be facing. I continue to enjoy Joe's music, as after all, it's okay to separate the artist from the art. I support whatever's left of sane Joe and hope that he can look back, realize what he's done, apologize, and get the mental health he needs. I think any hate towards him is unnecessary.

Mental health isn't an excuse, but an explanation. Sending him hate is only digging his mental state a deeper hole and piling onto the stress he's already facing. I think we can all agree that he's most likely guilty -- he's not trying to defend himself nor is he apologizing. While people who've done things like Joe deserve a proper punishment, I feel that the best thing we can do now is hope that Joe can return to a proper state of mind and get help.

He needs help. His mind clearly isn't right here. The way he types, the way he talks... it's all off. He needs to go and get mental help or therapy or whatever a person like him needs and that way, he can hopefully come back and we can have hope at a third album. If he owns up to what he did, get's help, and truly becomes a better person, I'd be willing to forgive him. He's been battling mental illness for so long according to Andrew and I think it's heartbreaking to see what Andrew wrote on the matter.

Joe's mental health was one of the main reasons tally hall couldn't get a third album and probably won't if this situation keeps up. Andrew wrote how he and the other band members watched Joe fight to be mentally well. How he's changed, for the worse, and how he isn't the same, happy, Joe that was in tally hall. I think Andrew's response to everything is truly heartbreaking and it sucks that Joe had to go through this and in turn make the other members go through this as well.

I don't condone anything he's done. All I can say is to not approach him or talk to him. Even tweeting at him won't help. Remember, we're trying to get him off the phone and into a therapist's office. I've been trying not to pay attention to any tweets he's made as I think it's right to assume that these aren't made in a healthy state of mind and should be taken with a mother-sized basketball of salt. I believe that he's currently in a manic episode and he's obviously not in the right mind at all. Perhaps after this passes he can give an actual response.

I don't want to drag this on for any longer. Thanks for reading this (if you even finished). I just wanted to get my thoughts down somewhere. I truly hope that Joe get's help and can return to the closest thing to normal that there can be.

One last thing: please don't remove Joe Hawley from tally hall images. It's extremely immature. He was a part of tally hall and that can never be changed. I'll leave you with this:

It's okay to separate the art from the artist.

[wrxn-blxkely]

𝐏𝐀𝐑𝐓 𝟏: 𝐓𝐇𝐄 𝐁𝐀𝐒𝐈𝐂𝐒

What is your full name?:  Wren Kirk Blakely

Where and when were you born?: February 10th,1997

Who are/were your parents?:

Amelia Blakely, 53, retired museum curator who now runs her own art studio. She freelances here and there, but mainly lives a retired lifestyle with flexible hours. It was important for Amelia to spend as much time as she could with Wren, trying to be the PTA-attending-hockey-type of mom.

personality: head strong, earnest, gregarious, demanding, & hot-headed

Mia Blakely, 49, social worker in Quebec and helped raise Wren. Both sisters lived together shortly after Wren’s sixth birthday. Since then they just accepted their situation and continued with it. When it came to Mia she was known as the fun aunt---not to same Amelia was strict by any means, but where her sister had to put on her motherly face...Mia was allowed to indulge in being a bit mischievous with Wren.

personality: Wily, energetic, humorous, thoughtful, & judgmental.

Do you have any siblings? What are/were they like?: Wren doesn’t have any siblings, neither a very large family. His mother’s siblings, which would add his uncle Patrick, didn’t bother becoming parents so he doesn’t share any nephews or nieces.

Where do you live now, and with whom? Describe the place and the person/people: Wren now lives at camp, within the mageia house along with several other mages.

As for Wren’s bedroom it pretty much a breathing VSCO aesthetic mess of neon, album wall art, & art-hoe aesthetics. The room feels wider than other rooms, with his bed built into the wall with a ladder to climb to it; a reversed looking bunk bed with out the lower bunk. His walls are littered with music lyrics, star chart clippings, and magazine collages he threw together during one of his manic stoned episodes

What is your occupation?: Was a  lead singer/guitarist for a college band but now a mage, son of Asteria, a warrior for Camp Godspeed

Write a full physical description of yourself: Wren is a fairly slender, mildly toned male who is as meek as he is pale. Naturally brunnette, but you’d most likely find him with colored or treated, often finding the need to change up his style depending on his mood. Style and fashion for Wren is more of a mirror to him than what is in or truly stylish. If he’s sad you can tell just by his wardrobe, the expression is important for him. Now that being said he isn’t strutting the cat walk all the time, he dresses fairly regularly unless the occasion calls for something else.�� At first glance you either catch Wren in a good moment where he looks bright eyed and aware of his surroundings; playful and social or who looks lost in thought, only innocence behind those wide eyes.

To which social class do you belong?: Middle-upper. Wren lived comfortably and knew very little of his financial status into he was older. College was expensive but not back breaking, which made Wren learn that he was privileged but no where near being rich.

Do you have any allergies, diseases, or other physical weaknesses?: Wren is allergic to pears & no real weaknesses.

Are you right- or left-handed?: Right dominant but can play guitar both left and right.

What does your voice sound like?: Voice claim Dylan Minnette Singing calim: Leader singer of Dayglow. I think of Wren’s voice as soft, mild manner and mostly friendly. It takes a lot for him to raise his voice, at least angrily, which often makes his voice crack as he hates screaming at others.

What words and/or phrases do you use very frequently?: Fuck, well actually, and often runs on tangents if he can’t exactly pinpoint what he’s trying to say.

What do you have in your pockets?: Some kind of hard candy, sharpie marker/pen for when he’s bored, & in his back pocket a small moleskin journal for notes.  

Do you have any quirks, strange mannerisms, annoying habits, or other defining characteristics?: Wren gets easily stimulated, he’s very emotive, so he often needs clarity and will be direct when needed. So he disbelieves a lot, a bit dismissive of himself but over encouraging of others.

[mixtapekings]

Listen Review of Run The Jewels’ ‘RTJ4’ Album by djbooth.net

“…a shotgun blast to the face.”

Run The Jewels thrives on the spirit of rebellion. The duo, consisting of Atlanta rapper Killer Mike and New York rapper/producer El-P, has grown from indie one-off to one of the most impressive second winds in rap history. Their music finds the middle ground between cartoonish purist rap thrills and anarchic grit. At their very best, Mike and El-P will have you ready to burn everything in sight.

While RTJ’s music has always maintained an anti-establishment bent, the aggression on their 2016 album Run the Jewels 3, in particular, was channeled through the prism of revolt. In the wake of the deaths of Trayvon Martin and Michael Brown and the election of the 45th President of the United States, RTJ’s lawless spirit made them, however unintentionally, uniquely suited to address a world coming apart at the seams.

In the face of Armageddon, RTJ’s message hit differently. Four years later, with another wave of protests taking place in response to Black death looming large over the world, Run the Jewels are offering their fourth album, aptly titled RTJ4. 

The public needs music directly speaking to the times. Mike and El’s timing is perfect; the stakes have never been higher. Let’s see if the Jewel Runners are up to the challenge.

In usual 1-Listen fashion, the rules are the same: no rewinds, pauses, or skips—a straight shot through followed by my gut reactions. Let’s ride.

1. “Yankee & The Brave (ep. 4)”

Killer Mike opening with DaBaby speed. Man, these drums are THUMPING. “I’mma terrorize the actors playing like they want some drama.” No holds barred. Mike and El-P play rap hot potato like no other. El is floating. “I’m ready to mob on all these charlatans.” The beat sounds like a John Carpenter score stripped for parts and hooked to some boomers. “I can’t let the pig take me, I got too much pride / I meant it when I said it, never take me alive.” This exact energy is what I was hoping for. Revolt music right off rip. No brakes, all nitrous. “Yankee & The Brave” is how you open an album.

2. “Ooh LA LA” feat. Greg Nice & DJ Premier

Did El-P source his drums from fucking mortars? These boys are monstrous. El’s beats are big enough to walk through. I don’t like this hook. Greg Nice’s voice is grating. “When we usher in chaos, remember we did it smiling.” They may be smiling, but Mike and El sound pissed. “Ooh LA LA” isn’t playful music; it’s angry. This song doesn’t leave me shaking the way “Yankee & The Brave” did, but it’s still a nice jolt of catharsis. Premier scratches are always a plus. I’m glad he’s still so revered by rappers across generations.

3. “Out of Sight” feat. 2 Chainz

El-P made a beat out of jumping vocal cuts that would sound at home on a post-apocalyptic workout tape. He never fails to impress. I love hearing references to Public Enemy’s “My Uzi Weighs A Ton.” Mike and El are trading off lines. “I’m only doing what I want by hocking loogies at the swine.” I see why they wanted to push this project up two days. Forget “F*ck The Police,” this is FUCK THE FUCKING COPS. Mike caught a CRAZY flow and held onto it forever. The energy is stabbing me in the chest. If you’ve ever downed a bag of Pop Rocks with nails inside, then, and only then, will you understand the power of “Out Of Sight.” Here comes 2 Chainz. One mention of growing up in poverty, but the rest of his verse is just soulless flexing. It’s not 2 Chainz’ fault, but I’m not tryna hear his verse right now.

4. “Holy Calamafuck”

A reggae sample to start things off. And everything just devolved into a 404 error. The beat is actively falling apart. A line about jacking Supreme jackets and calling out hypebeasts. Are those record scratches or Windows 95 program glitches? I can’t keep my head straight. A line about drones and time elves. “Every other goddamn year I’m brand new / It’s been 20-plus years, you think that’s a clue?” TALK YOUR SHIT, EL. Since the Def Jux days. Mike and El stood the test of time, gotta respect it. These two were born to rap together. “PTSD, streets did the damage.” Mike is pouring his heart out. If the streets run red with blood, “Holy Calamafuck” will be the soundtrack.

5. “Goonies vs. E.T.”

These drums and synths were sourced from space. Mike and El are rapping for their lives. “Goonies vs. E.T.” is pure fucking chaos. How did they keep their heads together recording over this beat? E.T.’s healing touch couldn’t help them. The hook’s not doing much for me—it feels like dead space—but the beat is breathing. Man, this shit is manic. I’m on a sugar high. “The revolution is televised and digitized.” All facts. Mike has one of the most potent rap voices. I can’t see his face, but I know there’s fire in his eyes. “This is people with an attitude in Beverly Hills.” Making people uncomfortable is progress.

6. “Walking In The Snow”

A nice crunchy guitar riff to incite more chaos. The beat just cracked open, and now it sounds like a fucking Tesla coil. I feel more compelled to type the word “fuck” than I ever have during a review. “All oppression’s borne of lies.” El has been talking that talk all across this shit. El sounds like a preacher. “Just got done walking in the snow / Goddamn that muhfucka cold.” Who’s rapping on the hook? OH SHIT, IT’S GANGSTA BOO. Nice surprise. OG needs more love. “Every day on the evening news, they feed you fear for free.” Mike is laying everything out. “I can’t breathe.” That line really hurt. “The most you get is a Twitter rant and called a tragedy.” He’s just talking at this point. Brutal. I know he was fighting back the tears rapping this one. The beat is mutating like crazy. I can’t keep up—breathless rap music at its finest. I love love LOVE this song, holy shit.

7. “Ju$t” feat. Zach De La Rocha & Pharrell Williams

It’s the famous four-count! Pharrell must’ve had a hand in production along with El-P. Pharrell’s voice doesn’t fit into the cracks of this hook; it’s distracting. “Look at all these slave masters posing on your dollar.” Mike is doing call-and-response with himself. He’s talking about corporations co-opting marijuana and pedophiles in high places. “Confuscious say you’d better thug out.” That got me. El has a thing for turning voices into drum patterns. These beats are fun but they will also turn around and rip your throat out if you try them. Here comes Mr. Rage himself, Zach De La Rocha. His voice cuts through everything. I love how analog his voice sounds. He sounds fired up. I’ll take another Rage Against the Machine album, please. Without Pharrell, “Ju$t” would be close to perfect.

8. “Never Look Back”

A little techno bounce to start “Never Look Back.” All I can see in my head is Tron light cycles burning digitized vapors. Was that a Pop Smoke bar? His death still hurts. Mike and El managing to rap about current events and not sound lame is amazing. No other rapper their age could pull off a TikTok bar. Mike is rapping about his mother. Did she pass? Man, that’s heavy. So that’s why it’s called “Never Look Back.” “All that matter is gratitude. Gratitude is everything.” Who’s speaking right now? Can’t make it out. El is talking about how he never saw class or race as a child. Mike follows with, “Never look back, you’ll only be bitter / If you get bitter, you’ll never get better.” They’re confronting demons. RTJ4 feels as immediate and punchy as Mike and El’s respective solo work. Ending with a ticking timer, always coming through with the relief.

9. “The Ground Below”

Is this nu-metal I’m hearing? These guitars and smashing drums are super silly, even by RTJ standards. They rapping, though. “Screaming fuck the world and you can drink what’s coming from my urethra.” El always knows how to rap familiar shit differently. “Not saying it’s a conspiracy but you’re all against me.” Funny. A weird melange of sounds and images, and I’m not sure what to make of it. The raps are crazy, and the beat is kinda growing on me. Easy to believe them saying, “The money never meant much” when they’ve been giving out their albums for free since 2013.

10. “Pulling The Pin” feat. Josh Homme & Mavis Staples

Okay, last two tracks. If you’re gonna name a track “Pulling The Pin,” there’d better be an explosion. Ominous marching and some warbled vocals. “These old foxes got a lot of plots to outfox us.” El hit that Aesop Rock flow real quick. Those chorus vocals are ghostly. Josh Homme is a name I haven’t heard in a long time. Shout out Queens of The Stone Age. “Every cage built needs an occupant.” Is that Mavis Staples? It is! Her vocals are so rich. Staples finding space in this interstellar mayhem is wild. Mavis is my favorite feature so far. There’s much less frivolous shit-talking this time, especially from Mike. “Kicking and screaming while watching the demons collecting the gold and the diamond residuals.” Career-best rapping from Mike. More Mavis, thank God. “There’s a grenade in my heart.”

11. “A Few Words for The Firing Squad (Radiation)”

RTJ4 has been a ride. Ending with the firing squad can’t be a good sign. El starts with a short tribute to his wife. Touching. Mike back to rapping about asking his mom to cling to life. His kids, his wife, and his craft have made him a better man. These are death-bed confessions set to music. Mike and El must be rapping blindfolded, standing in front of the wall and the firing squad. Heartbreaking. “Last word to the firing squad was ‘Fuck you, too.’” Kicking and screaming. It sounds like we’re going out with a big instrumental explosion—saxophone, brass, and reverbed synths and choirs. This is BIG.

Where do Mike and El find the energy to keep expanding their sound like this?

Oh, we’re not done yet.

A narrator is laying down the story of two rebels forced together by the odds. They’re still running with this Yankee & The Brave angle. It’s playing like an end credits song. So… The whole thing’s been a TV show? I’ll admit, this takes away some from the immediacy of Mike and El’s message.

Final (First Listen) Thoughts On Run the Jewels’ RTJ4:

Run the Jewels dropping their fourth album in the middle of a global pandemic and a nationwide uprising is perfect.

The duo crafted a potent mix of braggadocio and political and personal reflection set to beats made for video game boss battles. Both Mike and El deliver career-best work behind the mic, and El-P’s production has only grown more expansive.

Golden-era boom-bap (“Out of Sight,” “Holy Calamafuck”), and murky synth-scapes (“Never Look Back”) are flayed and split open to create digitized warzones. They’re as frantic and restless as the rappers pushing them to their limits.

From beginning to end, RTJ4 is a shotgun blast to the face; an album to turn up to 11 while the precincts burn. Pent-up emotions shoot through every bar, every beat, and every second of breathing room. The anti-police sentiment couldn’t be more timely.

The only time the momentum drags on RTJ4 is when other voices cram into the frame. Several features are either inappropriate (2 Chainz on “Out of Sight”) or distracting (Pharrell on “Ju$t”).

Unintentionally, the running motif of the Yankee & The Brave TV show stifles some of the immediacy from Mike and El’s best verses to date. Maybe the TV show angle will age better in a world where the president didn’t just declare war on his fellow citizens.

Minor missteps aside, Mike and EL understand the stakes at hand. RTJ4 mixes the punchy and the profoundly personal with cartoonish zeal, EPMD by way of Adult Swim’s Superjail! 

Politically and musically, Run the Jewels are done asking for favors. RTJ4 is five-finger discount rap at its finest.

from Listen Review of Run The Jewels’ ‘RTJ4’ Album by djbooth.net

[luckylagerlegacy]

Lil Uzi Vert “Luv Is Rage 2″ Album Commentary

I’m excited that this Album is here… But at the same time it makes me a little bit sad that the twitter jokes about it never being released will cease now. I think I put the first Luv Is Rage mixtape as my rap album of the year in 2015, which makes it hard for me to know what to expect from this one. It’ll either be a classic, or an audio version of whatever Lil Uzi’s hair is doing right this very moment. Let’s not waste anymore time here, and instead just shoulder roll our way into Luv Is Rage 2:

1) Two:

Calling the first track on your album “Two” is a piss off, Uzi… But this song’s beat got the trademark accordion over it and I am instantly lulled into being okay by it. This track leads off right where Luv Is Rage ended,which is fire.. Sure, now he’s rapping about fame being poisonous and money being evil BUT shit slaps stupid hard and I can suspend my concern for his personal well being for at least as long as this song lasts.

3.5/5

2) 444+222:

EITHER SLOW DOWN WITH YOUR DIRECTIONS OR DON’T TELL ME WHAT TO DO, MR UZI VERT. I’m also not doing math so your probably clever song title is completely lost on my dumb ass!!!!! This song has me voguing into a broken mirror while thinking about all the girls who have ever wronged me. I’m flash dancing in my back yard, nae naeing at the thought of my own death. This is a total stripper joint, but don’t be surprised if some of them dancers recognize the sadness in Lil Uzi’s voice and shake their titties wild mournfully and make all of the perverts watching reflect on their own shit.

4/5

3) Sauce It Up:

Coincidentally, this song title is exactly what I tell the drive thru dicks at Wendy’s when they ask me which one (1) sauce I want with my six (6) orders of the dollar menu  Five (5) piece nugget. This song is sort of about nothing, but it has the cutest fucking line lmao check it out: “I WAS ON THE PHONE, YEAH WITH PLAYBOI CARTI - COMMES DES GARCON, HEARTS ALL ON MY CARDI” lol that’s silly as hell I love it, who the hell calls a cardigan a cardi? Tegan And Sara fans do. I do. This is the first song on the tape that hasn’t made me want to call a distress hotline on Lil Uzi’s behalf.

3.5/5

4) No Sleep Leak:

This song stupid as fuck but in a good way. I just woke my dog up dancing to this song. That’s a real thing that happened. He raps about recouping all of his wealth in the span of a single night which is tight, but I often do the same. I can go from like .34 cents in my bank account to uhhh like a few hundred when it’s payday. It’s not that impressive, Uzi.

3.5

5) The Way Life Goes:

My girl is at her Aunt’s house in Maryland this week (holler at me if ur tryna rob her house while she’s gone just hmu she has an xbox) and I’m actually glad now, cus you have got to be missing somebody to truly grasp whatever the fuck Lil Uzi Vert is going through right now. Who the hell hurt you Lil Uzi Vert? Your hair dresser? Reese La Flare when you ripped his whole existence off and added KPOP to it?? Who the fuck did this to you lil guy??? Lmao this song goes hard as hell though I’m pouring out a tear for my guys rn over it. This one is hilarious to me tho cus he samples an “Oh Wonder” song, and it’s adorable to me that Lil Uzi Vert knows about some fabulist ass pop duo like the rest of us sad schmucks do.

4.5/5

6) For Real:

I’m assembling an interracial squad of dance teens to perform funny looking dance moves to this song while I stand behind the camera and jerk it side to side (not like that) whenever they do the dab. This song is the most stripped down, “normal” on the project I guess. It’s cool, but I like my Lil Uzi Vert to be manic and sad and weird. NEEEEEEEEXT

3/5

7) Feelings Mutual:

Oh wow we’re diving back into the sad drug stuff pretty abruptly here. Hold the fuck on I’m gonna google “Who Did This To Lil Uzi Vert??” gimme a second. Okay, nothing came up… But damn we gotta get this guy some mood stabilizers and a workout routine so he can start to turn that frown upside down. Nobody getting double toppy from models and driving ferraris should be sad. Even if he is like, five foot minus five. Nobody who’s friends with The Migos should cry, ever! They have their own chips! This song is very good though. Again, his sad shit is really effective so even tho he’s crying for help I’m gonna pretend he’s asking me to ignore his situation and dance instead!

4/5

8) Neon Guts (Feat Pharrell Williams):

Two things: I misspell Pharrell’s name every single time I type it, and whoooo shit Pharrrlel can make a goddamn track, even now that he’s more of a spiritual guide to XXL’s freshman classes than a hit maker. He took his gigantic cowboy hat off and donned the BDBC fitted for this one. This is gonna be the biggest song off this whole album, mark my words. Shit slaps dummy hard.

5/5

9) Early 20 Rager:

Oh hey, Lil Uzi named this song the same thing as my friend’s name their Birthday events on Facebook! Hopefully this song doesn’t make me get dressed up and go to 3 bars I don’t like. He says “FUCK YO GIRL ON CAM, GOPRO” which is hilarious. I want my POV porn to have an extreme sports edge to it now. I wanna see Mia Malkova giving head while jumping out of an airplane ASAP.

3.5/5

10) UnFazed (Feat. The Weeknd):

Dog I fucking hate the weekday. I -oh wow this shit slaps nvm I’m wrong.. Still tho if I catch you out here with XO gear on I am throwing it high up into an unscalable tree. One with mad prickles. He does say “Take three Xannies like a hattrick” on this which is super fucking lame and ultra Canadian of him. I know I said that the Pharalel track would be the biggest song on this album, but every white girl I know who does blow loves The Weeknd so this track is gonna go quadruple platinum.

4/5

11. Pretty Mami:

               This song boring as fuck! Maybe Lil Uzi not liking rapping anymore… Isn’t a good thing? I thought disenfranchisement meant bangers that would make me wipe tears away in secrecy at the club… But maybe, instead it means a lack of bangers?????????????????????????? Fuck man… I hate whoever made this man so sad.

2.5/5

12) How To Talk:

THIS BITCH! This song starts with the audio of some woman calling Lil Uzi Vert out for some shit that uhhh I’m not paying attention to. Somebody on 4chan analyze this woman’s vocality n stuff so we know who to speak to about making this guy sad. This song slaps tho, he’s all apologetic about treating her badly and jealous that she’s talking to a ball player. The beat is rad as hell. This is the mood I think of when I think of Lil Uzi’s music. More of this, less Pretty Mami.

4/5

13) X:

Metro Boomin and Pierre Bourne co-producing a Lil Uzi Vert track? I’m in clout heaven. Somebody fetch me a pair of those dumbass glasses that every future dead kid wears while they nod out on xanax. You know the ones? The Fallout 4 fancy lady joints. Thanks. Okay this song is golden and I will defend it no matter what the hell happens with the next two tracks. I’m doin all of Uzi’s dances as best I can to this, eating gummy bears, feelin cute.

5/5

14) Malfunction:

               In the first verse on this dreamy lil song Uzi says “ALL MY GIRLS DRESS LIKE THEY WORK AT HOOTERS” like it’s a good thing. If I’m worth millions of dollars, my many, many girlfriends would all be dressed in differently themed designer garb: One goth model with diamond encrusted tears, one pioneer thot with a golden pitchfork, a pair of ghost women wearing spooky Red Bottoms, etc. Let’s have some showmanship, please. This song is good though, the last ¼ of this album is picking it up.

4/5

15) Dark Queen:

Dark Queen is my favourite race in World Of Warcraft, so I’m stoked on this. The song is all about his relationship with his mother, and how it relates with his relationship with the music business instead of sick raids and fuckin uhhhhhhhh killin monsters? Idk I never played WoW I was too busy playing other videogames u fuckin dorks.

3.5/5

16) XO TOUR LIF3:

               *Crying* SHE SAID BABY I AM NOT AFRAID TO - *still crying* DIE! I forgot this song was on the album. Wow, what a fuckin banger. I want whoever reads this to make sure the lyrics to this song are etched into my gravestone (if I somehow don’t end up buried in an unmarked grave by a jilted lover and her new, tougher boyfriend) Ugh this goes so fuckin hard. This is one of the only songs that, if you have it as your ringtone and it goes off really loudly while we’re sitting next to each other on the C-Train, won’t earn you a dirty look and a subtweet. I want to celebrate the sadness in this song. You did it, Lil Uzi.

5/5

 FINAL SCORE: 7.8/10

This shit had some up and down moments, I’m not gonna lie. But, the good outweighed the bad. I hope Uzi finds the help he needs before his hair gets any more neon than it already is. We believe in you, lil fella.