#Inspiring Ilango

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Ponniyin Selvan Analysis

Nandhini, Aditha and the Moon.

I realiseddd someeetthhiinnggggsutstjstj!!!!!!!

At the beggining of the film, we have Aditha singing Chinnanjiru Nilave to Nandhini. Rightly so, because she is the calm to his chaos. As calm and peaceful as the moon.

Throughout the entire film, it is emphasized that Aditha will be killed on the coming Pournami (full moon) night. Rather Nandhini says so herself.

On the night however, when she indeed needs to kill him and she hesitates, Aditha proposes, that perhaps it might be easier for Nandhini to kill him if he blows out all the lamps in the room, so that she wouldn't have to see his face.

Yet, his face is illuminated by the moon, making the vignette even sadder, as she struggles to see just bits of his face which are lit by the moonlight slowly fading into the darkness.

It makes me feel as though the moonlight was intended to show that Nandhini's decision to kill the chozha's on the Pournami night was backfiring at her, although she was suceeding at it. Just like many other moments throughout her life. Although she had succeeded as a Pandya, she was in a miserable situation as a person.

Now, there's a female version of Chinnanjiru Nilave, signifying Nandhini singing to Aditha. Because now, Aditha is the peacefull one, having his wish fulfilled, dying with his lover by his side. But it is Nandhini who has lost everything, and is frantically trying to do anything she possibly can to have him back.

Eventually, Aditha collapses as Nandhini is dragged away from him. He's gone. Her Moon is gone. And so has the moonlight. There's only flames all around her.

Now the lyrics of the song perfectly and i mean PERFECTLY align with the situation, but this:

Atham Azhindhadhadi Anname

Rathamum Oyndhadhadi

The stars no longer shine for me

Blood no longer runs in my veins

Her stars no longer shine, and his blood has stopped flowing.

How, honestly how does one co ordinate SO MUCH in a film, huh?!

It feels like mani ratnam shot this scene while Ilango was there so he could pen the lyrics, and then Mani heard to the lyrics and had another idea for a scene, and then Ilango had another lyric inspiration from the new scene and there was just an endless cycle of this until Suhasini came in between to break them up, so we could have the film.

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It is this Rakhi that binds us, a bond of joy forever! As we make new memories, remembering the good old times today. Wish you all the best for the future!

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This necklace tells the story

This necklace tells the story

Divya N’s current exhibition, Jewelery in Narratives, features pieces of clothing inspired by tholu bommalata costumes. “There is a strong connection between the subject and the jewelry in India, where gemstones further the subject. For example, in Shakuntala, written by Kalidasa, the printing ring plays an important role in this story, as well as in Silapathikaaram, by Ilango Adigal, the boat’s…

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Kaviya Ilango never to win followers because of its satiricas creations anti instagram

To replicate on the misuse and abuse of Social networking platforms and our -often - empty existence, a few weeks back the creator of Wallflower Female released the challenge, and hashtag #100DaysofDirtyLaundry (one hundred days of dirty rags, in English), with which it committed alone to publish illustrations "with information" for a hundred times within a row. The obstacle was to move far from the buenrrollismo that entails the social networking sites and to seize, as a result of drawings full of black humor, all All those things of our day-to-working day that are irritating, awkward, somewhat nice, but also painfully genuine. The concept arose when Kaviya was on the lookout by way of your feed of Instagram, and understood that almost everything which was in it had been "selfies retouched, impression type check-in of holiday vacation and images of salads in high resolution, snapshots, which she printed: "guilty, of all this, and much more." The artist is conscious that we have been all endeavoring to undertaking "just the get-togethers to excellent our existence on the internet". And acquired to imagining: "If he judged people today only by their profiles, intended that we were all dwelling delighted lives, total and ideal. But we know that is not legitimate. At the rear of the goggles of pink shade of social networking sites, our era has to manage troubles like loneliness, addiction, cynicism, challenging relations...", he describes. Kaviya has served its reason and remaining with few times for that #100DaysofDirtyLaundry concerns an conclude. "The subjects that I select for my artwork arise within their a lot of the confusion and struggles which i confront in my daily life. I discover inspiration in my way of life, inside the interactions I have with Others or from the media, guides and tv series use. Try and add a contact of humor to my artwork, Though most of the things which I illustrate may be difficult difficulties, like nervousness, fears, sexuality or grief," she clarifies, in an job interview by means of email. Ilango began to publish his drawings in the social network just a little possibility lower than a 12 months ago. An acquaintance insisted on executing it for the reason that he felt that his illustrations were being "relevant". Soon, the artist present in the platform being a location to vent their "confusions and frustrations of each day adult life". Acknowledges that he was motivated by lots of up to date artists and while in the indian society, but makes certain that it truly is self-taught and his kind of get the job done is evolving. "I am even now experimenting with various variations to search out my very own," he says. Even though the illustrator has, every time with a increased amount of followers previously are close to 11,000, and claims that by the point you don't acquire the life as an artist and has Focus on other factors to receive to the end in the thirty day period. The technology nicely, but with cuidaditoNo There exists a week wherein Ilango not publishing a drawing wherein you place the broth to your technological Resource. Precisely what is this instagramer versus social networking sites? He asserts that, even though a lot of his illustrations are according to the unfavorable results of the technology, neither hates nor fears. In reality, your view on it can be neutral, and thinks he has each good and unfavorable features. Everything is determined by "how you can use". For it, as men and women we are not environment the necessary limits for ourselves, and "we are getting to be pretty addicted to our smartphones". Ironically, he details out, many difficulties, including loneliness, anxiousness or jealousy Possess a large amount to perform with that hook, "and that the entire world is closer than in the past."However, this rising artist appears to be paradoxical that although the online world is often a mine of data on any subject that we may well have an interest in, only utilize it to "do foolish issues", like sharing memes, see funny video clips, or squander time". Facebook, Snapchat, Instagram or Twitter are, in his belief, designed and programmed to generally be "incredibly addictive". "Each individual like is often a rush of dopamine to our brains that makes us sense Great, so we use it more and more. To me I dread," he confesses. India, girl and artist: tough triánguloLa illustrator acknowledges that, for the moment, it really is Doing the job day after day devoid of Considerably arranging and it has not yet considered what new topics you want to Enjoy. Even if many of the subjects that comes to consume of your indian society, the illustrator suggests that her drawings can hook up with folks from many countries. "The opinions that I've acquired of my function continues to be frankly frustrating. I'm in Bombay, in India, but persons from everywhere in the world -Pakistan, Denmark or the Uk, for example - who create to me to inform me that you simply recognize a lot in my art," he states.For now, ensures that none of his drawings has been an excessive amount criticized or been a huge controversy, although it reveals that he has had to put up with "some trolls deviant" that have accused his job of staying a "feminist" -in the conception additional detrimental this time period - by addressing troubles centered on Girls, for instance menstruation, sexual harassment, or misogyny. Kaviya confesses that it's demanding to be a youthful female in India that aims to dilemma certain taboos and traditions unquestionable. "My family however won't realize why I choose to speak about these sophisticated challenges. For them, my artwork is simply too Daring, but I am happy that at least you might be willing to accept it Though they do not assistance it", expressed. The margin of his individual relatives, he also operates into partitions during the society by which he lives. "Given that, as indians, we tend to be a little conservative within our see on certain topics including sexuality, psychological well being or menstruation, talking openly of these even now remains difficult. However the optimistic factor is that there are Progressively more on the web Areas that find to problem these stereotypes and raise awareness of such challenges," he says. Ilango says that he doesn't be expecting to break stereotypes or traditions using your art and that your only hope would be to "be capable to awaken some choice factors of view while in the minds with the folks who relate to my drawings. As nothing at all is soiled or taboo, these difficulties are Element of us", he concludes. Instagram not just could be the refuge of your postureo. It's got also turn into a car or truck of expression well suited for some lesser-regarded artists to point out their function and do their certain social criticism. Kaviya Ilango is one of them. Its @wallflowergirlsays is often a profile filled with illustrations of curious and hanging that really encourage reflection on the consumer society, the use of new technologies or perhaps the clichés proven. Almost 30 instagram likes of his drawings are starring his change ego, a youthful brunette of dark skin, who wears a braid and has no qualms about hiding your hair inside the arms and legs.

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Methil Devika’s ‘Kottichetham’ wins applause for it choreography and presentation as a duet

New Post has been published on https://jordarnews.in/methil-devikas-kottichetham-wins-applause-for-it-choreography-and-presentation-as-a-duet/

Methil Devika’s ‘Kottichetham’ wins applause for it choreography and presentation as a duet

Methil Devika has been not been resting on her laurels during the lockdown. The danseuse and academic has been busy with performances, classes and choreography. New themes and fresh interpretations, some of which were shared on social media, won acclaim for her interpretation and interesting perspectives that she translated into the vocabulary of classical dance.

Recently, ‘Kottichetham’, an excerpt of which was shared on her Facebook page, created ripples of excitement among dance buffs. Performed by Devika and Dr Arun Azeez, the video of the recital was launched by singer KS Chitra on her Facebook page.

“This is an excerpt from the Tamil epic Silappathikaram, written by Ilango Adigal. Kottichetam is believed to have been danced by the Parayur Chakyan of the Chera court for the King and the queen. The Chera King had just emerged victorious from a battle and the image of the king and the queen together inspired him to dance this piece,” explains Devika.

She adds that Kottichetham is the dance of Lord Siva and Uma, a part of himself. While Siva’s eyes are blazing and his matted locks are tossed around, the Uma within him is the picture of composure. “The pointers in the lines are definitely towards the Ardhanareeswara concept and talks about the twirl of energy between the divine masculine and the feminine within one self and not two persons,” she elaborates.

Set to music by the late Kavalam Narayana Panicker and Kavalam Srikumar in Champa tala, a tala native to Kerala’s art forms, Kottichetham was choreographed by Devika 10 years ago.

In January 2020, Devika had conducted a dance workshop for international students. Kottichetham was one of the pieces she had taught at the workshop. One of the participants was Melbourne-based ENT surgeon Dr Arun Azeez. “Almost 32 years ago, Arun had bagged the first prize for Mohiniyattam at the Kerala State Youth Festival competition. Now, a busy medical practitioner, Arun is more into painting. The workshop caught his attention and he decided to explore the aspects of Mohiniyattam once more. I was amazed to find him getting into the groove without many difficulties. He picked up the steps within six days and that is how Kottichetham was performed recently,” says Devika.

Television director Rajesh Kadamba visited her Kalari in Palakkad when the workshop was in progress. When he saw the performance, Rajesh was keen on archiving it. Despite Devika’s initial reluctance, Arun also felt that it must be recorded as he had no idea when he would be able to come to India again. Given the present circumstances, Devika feels it was a good idea to have archived it.

New path

Pleased with the reception to the video, Devika says the whole experience has opened a new path for her as she plans to explore the dynamics of the dance form for a male genre. “I am working on many items that suit the male energy for the dance form. I feel it will push the boundaries of the art form,” asserts Devika who cherishes dancer-actor Vineeth Radhakrishnan’s compliments for the piece.

Moreover, she points out that as soon as they had finished the preliminaries of the workshop, she had an intuition that Arun would come into his own with ‘Kottichetham’.

Although she had composed it for a solo and had danced at prestigious venues in India, she says the dynamics of a duet came as a pleasant surprise. “We improvised a lot but it came out well,” she says.

Delving into the roots of the piece, she recalls that this particular part of the Tamil epic was not very familiar to many practitioners of music and dance.

“According to anthropologists, Parayur Kootu Chakyan must be from the present-day Paravur. The Chera King in those parts may have inspired the Chakyan to come up with this piece. Kavalam sir had told me that ‘Kottichetham’ mean a dance accompanied by clapping of hands. Later, I happened to read that it also signifies a moment when these two entities, the feminine and the masculine, cannot be distinguished despite their dualities. That is yet another interpretation of Kottichetham.

“However, Kavalam sir’s description is also correct. When I narrated the background and performed this in Chendamangalam, near Paravur, one of the priests of a temple there told me that there was an offering in some Siva temples there that involved clapping and laughing. Known as ‘Kottum Chiriyum’, it was performed only by women,” she explains. The priest told her that her recital reminded him of that offering.

Devika, completely bowled over by the antiquity of the piece, goes on to add that it is still a work in progress.

Notwithstanding the fact that she had no plans to release it, Devika says the pandemic has highlighted how unpredictable life has become and so she decided to share it with the world.

“Kottichetham has been performed by other dancers as well, including veteran Kanak Rele. But each person has approached it from a different perspective. In this case, it is the duet that changed the entire presentation of the piece,” she says with a laugh.

However, Devika believes that certain portions of the dance need to be improved upon.

“For me, Ardhanareeswara is not being half male and half female. That is more of an artist’s impression. More than two people dancing, I felt that it pointed to the presence of the male and female in every person. It is an interaction of energies within oneself. You have to be in union with yourself to be in the same bandwidth as another person who is also in union with himself/herself. Only then will the Ardhanareeswara concept achieve fullness,” avers the dancer and guru.

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Comcast NBCUniversal Awards $78,000 in Scholarships to 60 Oregon/SW Washington High School Seniors

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PORTLAND, Ore.–(BUSINESS WIRE)–Comcast NBCUniversal today announced that it has awarded $78,000 in scholarships for the 2018-19 school year to 60 Oregon/SW Washington high school students as part of its annual Leaders and Achievers® Scholarship Program. The program, funded by the Comcast Foundation, is a one-time, $1,000 scholarship awarded to the best and brightest high school seniors for their community service, academic performance and leadership skills. Since 2001, more than $28 million has been awarded to nearly 27,000 high school seniors across the country as part of the Leaders and Achievers Program.

“Our Leaders and Achievers Scholarship winners are exceptional students who are committed to academic excellence and community service,” said Rodrigo Lopez, Regional Senior Vice-President of the Oregon/SW Washington region. “We are honored to recognize their achievements and excited to support them as they continue their educational journeys.”

Comcast, joined by Oregon State Senator Mark Hass, recognized the students at a special event held at the Moda Center on Saturday, June 2. In addition to the Leaders and Achievers scholarships, ten students won laptops to help with their studies. Two students were also selected to receive an additional $9,000 Comcast Founders Scholarship – instituted in honor of Ralph J. Roberts, Founder of Comcast Corporation.

Andrew Ho, a student at Portland’s Cleveland High School, along with Ayan Muhumed of West Salem High School were each selected to receive the additional scholarships. Mr. Ho is vice-president of his class, co-founder of the Cleveland Alliance for Racial Equity, a lifeguard and swim instructor, and varsity pole vaulter. He plans to attend the University of Southern California, pursuing a degree in international relations. Ms. Muhumed is the editor of her school newspaper, works at a local food product processing plant, tutors children, and will be the first woman in her family to go to college. She plans to attend Portland State University for a career in social work.

The Comcast Leaders and Achievers Scholarship Program provides scholarships to students who strive to achieve their full potential, who are catalysts for positive change in their communities, who are involved in their schools, and who serve as models for their fellow students. The philosophy behind the program is to give young people every opportunity to prepare for the future and to engage them in their communities. The program also demonstrates the importance of civic involvement, and the value placed on civic involvement by the business community.

Visit here to learn more.

        2018-2019 OREGON/SW WASHINGTON

LEADERS AND ACHIEVERS® SCHOLARSHIP RECIPIENTS BY AREA

  Student Name     High School     High School City Ramon Henry     South Albany High School     Albany, Or August May     West Albany High School     Albany, Or Ana Bautista Coleote     Beaverton High School     Beaverton, Or Jonathan Montemayor     Southridge High School     Beaverton, Or Anna Terveen     Clackamas High School     Clackamas, Or Jasmine Engen     Crescent Valley High School     Corvallis, Or Mona Wong     Corvallis High School     Corvallis, Or Lydia Genz     Churchill High School     Eugene, Or Angel Montes-Michel     Marist Catholic High School     Eugene, Or Stephanie Mueller     Henry D Sheldon High School     Eugene, Or Linda Pham     Willamette High School     Eugene, Or Brett Fox     Gaston High School     Gaston, Or Elway Simpson     Gresham High School     Gresham, Or Gracie Patrick     Clackamas Middle College     Happy Valley, Or Joseph Alcantara     Century High School     Hillsboro, Or Claire Graves     Glencoe High School     Hillsboro, Or Patricia Sanchez Cruz     Hillsboro High School     Hillsboro, Or Jacob Schroeder     Liberty High School     Hillsboro, Or McKenzie Evans     Junction City High School     Junction City, Or Cooper Brooks     Lebanon High School     Lebanon, Or Alexis Han     La Salle Catholic College Preparatory School     Milwaukie, Or Kailee Aparicio     Newberg High School     Newberg, Or Sydney Buffonge     St. Mary’s Academy     Portland, Or Maya Fiallos     Lincoln High School     Portland, Or Kendall Fleshman     Sunset High School     Portland, Or Andrew Ho     Cleveland High School     Portland, Or Lara McLain     Riverdale High School     Portland, Or Danny Nguyen     Parkrose High School     Portland, Or Naisrael Saelee     Jefferson High School     Portland, Or Felix Songolo     De La Salle North Catholic High School     Portland, Or Julia Taylor     Wilson High School     Portland, Or Melissa Torres-Duran     Grant High School     Portland, Or Olivia VanSlyke     David Douglas High School     Portland, Or Deepak Ilango     Sprague High School     Salem, Or Ayan Muhumed     West Salem High School     Salem, Or Savhana Satterlund-Stearns     McKay High School     Salem, Or Arnesto Valadez     Chemawa Indian School     Salem, Or Dolores Zavala Espindola     North Salem High School     Salem, Or Nicolle Swanson     Sherwood High School     Sherwood, Or Cody Dean     Thurston High School     Springfield, Or Ally Tow     Sweet Home High School     Sweet Home, Or Kaylee Price     Tualatin High School     Tualatin, Or Carolina Garcia     Wilsonville High School     Wilsonville, Or Kylie Sahota     Battle Ground High School     Battle Ground, Wa Karina Linchuk     Summit View High School     Brush Prairie, Wa Cornelius VanderMaas     Hockinson High School     Brush Prairie, Wa Dylan Henry     Union High School     Camas, Wa Nathan Halladay     Castle Rock High School     Castle Rock, Wa Paul Luke Delashaw     Kalama Middle-High School     Kalama, Wa Jordyn Dole     Kelso High School     Kelso, Wa Elizabeth Horton     La Center High School     La Center, Wa Hannah Cargill     Mark Morris High School     Longview, Wa Miles Gilchrist     Robert A Long High School     Longview, Wa Theresa Phan     Mountain View High School     Vancouver, Wa Ruby Urbina Vega     Fort Vancouver High School     Vancouver, Wa Ellie Furth     Columbia River High School     Vancouver, Wa Zoe Hernon     Hudson’s Bay High School     Vancouver, Wa Bridgette McCarthy     Washougal High School     Washougal, Wa  

About Comcast Corporation

Comcast Corporation (Nasdaq: CMCSA) is a global media and technology company with two primary businesses, Comcast Cable and NBCUniversal. Comcast Cable is one of the nation’s largest video, high-speed internet, and phone providers to residential customers under the XFINITY brand, and also provides these services to businesses. It also provides wireless and security and automation services to residential customers under the XFINITY brand. NBCUniversal operates news, entertainment and sports cable networks, the NBC and Telemundo broadcast networks, television production operations, television station groups, Universal Pictures and Universal Parks and Resorts. Visit www.comcastcorporation.com for more information.

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The Comcast Foundation was founded by Comcast Corporation in June 1999 to provide charitable support to qualified non-profit organizations. The Foundation’s primary mission is to empower communities to thrive by providing access to technology, relevant digital skills and training, and inspiring volunteerism, service and leadership. The Foundation invests in programs intended to have a positive, sustainable impact on the communities we serve. Since its inception, the Comcast Foundation has donated $220 million to organizations in the communities nationwide that Comcast serves. More information about how Comcast supports the communities it serves available at www.comcast.com/community.

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The Indian artist challenging 'dirty taboos' on Instagram

The Indian artist challenging ‘dirty taboos’ on Instagram

Image copyright Kaviya Ilango @wallflowergirlsays

Image caption Kaviya Ilango is inspired by the “dirty taboos” that don’t get discussed

In an illustration on Instagram, a young woman perched on the arm of a bench can be seen letting out a fart. The Indian artist behind the sketch, Kaviya Ilango, speaks to the BBC’s Krutika Pathi…

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Never give up!

Stay inspired with me always!

With unconditional love,

Inspiring Ilango

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