#Jed Gregorio

[jedidiahsioco]

Rosario Mata Castro and Joanne Benedicta Charissima M. Castro, vs. Jose Maria Jed Lemuel Gregorio and Ana Maria Regina Gregorio

G.R. No 188801 15 October 2014

Case Digest

Facts: 

Atty. Castro was allegedly married to Rosario Castro (Petitioner). Unfortunately, they separated later on due to their incompatibilities and Jose’s alleged homosexual tendencies. Their marriage bore two daughters: Rose Marie, who succumbed to death after nine days from birth due to congenital heart disease, and Joanne Castro (Petitioner).

On 2000, a petition for adoption of Jose Maria Jed Gregorio (Jed) and Ana Maria Regina Gregorio (Regina) was instituted by Atty. Jose Castro. Atty. Castro alleged that Jed and Regina were his illegitimate children with Lilibeth Gregorio (Rosario’s housekeeper). After a Home Study Report conducted by the Social Welfare Officer of the TC, the petition was granted.

Rosario and Joanne filed a petition for annulment of judgment seeking to annul the decision of the TC approving Jed and Regina’s adoption. Petitioner allege that Rosario’s consent was not obtained and the document purporting as Rosario’s affidavit of consent was fraudulent.

Issue:

Whether consent of the spouse and legitimate children 10 years or over of the adopter is required?

Held:

As a rule, the husband and wife must file a joint petition for adoption. The law, however, provides for several exceptions to the general rule, as in a situation where a spouse seeks to adopt his or her own children born out of wedlock. In this instance, joint adoption is not necessary. But the spouse seeking to adopt must first obtain the consent of his or her spouse.

In the absence of any decree of legal separation or annulment, Jose and Rosario remained legally married despite their de facto separation. For Jose to be eligible to adopt Jed and Regina, Rosario must first signify her consent to the adoption. Since her consent was not obtained, Jose was ineligible to adopt.

The law also requires the written consent of the adopter’s children if they are 10 years old or older (ART. III, Sec. 9, RA 8552).

Since the trial court failed to personally serve notice on Rosario and Joanne of the proceedings, it never validly acquired jurisdiction.

[twins2994]

Minnesota Twins @ Oakland Athletics 9.22.18

Minnesota Twins Lineup Oakland Athletics Lineup

1.) Joe Mauer 1B          1.) Nick Martini LF

2.) Jorge Polanco SS    2.) Matt Chapman 3B

3.) Jake Cave CF          3.) Jed Lowrie 2B

4.) Robbie Grossman LF 4.) Khris Davis DH

5.) Max Kepler RF         5.) Matt Olson 1B

6.) Tyler Austin DH        6.) Stephen Piscotty RF

7.) Ehire Adrianza 3B    7.) Ramon Laureano CF

8.) Willians Astudillo C    8.) Marcus Semien SS

9.) Gregorio Petit 2B        9.) Jonathan Lucroy C

SP Chase De Jong RHP SP Mike Fiers RHP

(0-1) 3.68 ERA                 (12-7) 3.38 ERA

(2018 MLB Statistics)

-Chris Kreibich-

[creativinn]

What dreams are made of: An art exhibition that walks the thin line between the illusory and the real | Inquirer Lifestyle

An intriguing new group exhibition gathers the work of five emerging young artists with diverse practices under the umbrella of one of the most elusive yet evocative of human experiences: dreams.

The exhibition entitled “Dream Sequence” includes new work developed within the past year from artists Wipo, Celine Lee, Pam Quinto, Miguel Lorenzo Uy, and Jed Gregorio.

“Dream Sequence” opened last June 26 in Modeka Art Gallery in Makati, Manila, and is on view until July 19.

According to the show notes, the artists “respond to the storytelling technique of the dream sequence as a point of departure for modes of artistic inquiries that deal with themes of the paradoxes of tactility and conceptuality, belief systems and post-Internet intimacy, and the fragmentary phenomenology of perception and memory.”

Below we talk to the five artists about their larger art practices, fuzzy dream logic, and the place of the physical exhibition in a virtual world.

Can you tell us about your work in the show from within the context of your larger art practice?

Wipo: “Eye Level” is a progressive project I started last year during lockdown and since my practice revolves around perception, imagination, and memory, I decided to expand the idea to three dimensional work and painting.

Celine Lee: “Earth To Me, Me To Earth (2021)” is an iteration of my disinfection series, which I started during the onslaught of the pandemic. Using a combination of household bleach and chlorine granules, I erase the dye from the abaca paper revealing parts of its natural color. The manner of erasure is what produces the image. Rendered using a 3D software, the image is a montage of topographies of different cities I’ve visited on Earth thus far. The image is also a reference to a dream I had once about the inevitability of my passing, of never being able to experience all that encompasses the universe.

For most of my artistic career, I’ve been producing works with the use of different materials and media, often focusing on process and materiality. Whether in the form of a painting, a sculpture, an embroidery piece, or multimedia work, I try to explore the ability of visual perception and spatial recognition to invoke concepts that extend beyond form.

Pam Quinto: “Feels like a glitch or déjà vu” is a series of lenticular photos with anecdotes of my dreams, like postcards from my dream self. The work seeks to capture the errant shifts one experiences within a dream, where time and space are nonlinear, allowing multiple permutations.

The work fits within my attempts to blur the line that divides the public and private, through the use of personal anecdotes and images. My practice endeavors to articulate a sense of intimacy and vulnerability wherein remnants of memory, among other themes, are seen and felt.

Miguel Lorenzo Uy: The work I produced for this show “Abstraction (24H)” stems from my fascination with how time and space have evolved to become something that’s contracted and at the same time, dilated; something that is given and also taken away — all due to the incorporation of technology-based solutions in our daily lives. The works in my art practice try to make sense of the paradoxes that come with development or progress, especially with advancements in different fields like science, economics, etc.

The paintings are actually images of the sky, each an hour of the day according to the metadata embedded within it. The images of the sky are a reference to what’s known as cloud computing, where you can upload, share, and access your files from any of your devices wherever you are. I then cropped a small part of the file and saved it to its lowest resolution and proceeded to use them for the 24 paintings, also referencing abstract paintings from the post-war era.

Jed Gregorio: Some of the works in “Babylon Suite” I had been developing parallel to producing the performance-film “King of Babylon”, like the paintings, for example. So there have always been these other things — landscapes, poetry, latent energies, if you will — at the periphery of the work. The idea for “Babylon Suite” is to attempt to tap into the parts where several of those motifs remain open, not to abandon them. There is a line in the “Chorus of the Hebrew Slaves” from the opera “Nabucco” that says: golden harp of our prophets / why do you hang silently on the willow? “Babylon Suite” is about rediscovering that golden harp and daring to play it, even with cruder hands.

Before this exhibition were there already aspects of your art practice where the dream sequence became a tool or subject matter for conceptualizing?

Wipo: There’s something in sleeping or dreaming that I can’t explain well. My first series of portraits entitled “People from Last Night” were actual people I saw in my dreams and actually met in real life randomly. I nap at least twice a day and dream in black in white.

Celine Lee: Since most of my works don’t have a narrative framework, I would say no.

Pam Quinto: I haven’t explored dream sequences in my practice prior to this exhibition, but I think drawing prompts from experiences and recounting memories in previous works still very much ties in with the show’s subject matter. Everything coalesces within the dreamscape, our memories, fears, even precognition. I had already been jotting down a few dreams over the years, ones that I do manage to remember.

Miguel Uy: I never thought of the dream sequence becoming a tool or a subject matter for conceptualizing, but the opportunity to be a part of this show is a starting point for me. For my piece, I focused on a very common and cliche shot used in dream sequences: the cloud timelapse shot. For the digital photos of clouds to have a physical manifestation (to paint them by hand) for me is the perfect act in strengthening my idea of how the simulated becomes a part of physical reality. I haven’t thought about or utilized the dream sequence as a tool for conceptualizing in the past, but this definitely opened another path for me to explore and see things in another perspective.

Jed Gregorio: I often joke about it, when I’m asked to explain a work and I’m not able to articulate it well, I say that it came to me in a dream. I’m fascinated with our experience of dreams, how dreams can be fundamentally convoluted yet have this undoubted coherence deep inside them, some of which you immediately lose upon waking. Dreams are bodiless ghosts; the dream sequence is pure fabrication. I’d like to think the works in “Babylon Suite” function the same way, like shrapnels from a distant explosion.

With your piece or pieces in the show what were your considerations about showing within a group or alongside each other? Did discussions with each other affect or contribute to how you approached your work for the show?

Wipo: I think we did a great deliberation when it comes to presenting and curating the artworks. One factor was that we have known the practice and behavior of each other for quite a while now.

Celine Lee: When I conceptualize for an exhibition whether for a solo or a group exhibition, it’s either I work around the pre-existing concept or if there isn’t any concept yet, I try to do a site-specific work just to get ideas running. Initially, there was no concept for the exhibition yet, so working with the windows at Modeka became an easy target for me. I always thought that the layout of their space was interesting and challenging at the same time.

During the whole process of brainstorming for the concept of the show and discussing individual ideas, we found a way to patch them together into a concept: Dream Sequence. In one of our Zoom meetings, Jed was talking about his idea of trying to recreate a dream he had. This is where it dawned on me that our individual works have qualities of a dream within them — where there is a thin line of being illusory and of existing in reality.

Pam Quinto: Conversations shape some of our ideas, or make them robust. Our group’s discussions definitely contributed to my final output. I had a totally different initial idea, but over the course of our discussions, the works in progress being shared, the ideas on memory, time, and space. This instinct of wanting to capture the feeling of being drawn into shifting scenes and perspectives crept in. The multiplicity and scale of the other works were some things I responded to as well, to contribute to the rhythm of the exhibition. I eventually arrived at this concept that responded and meshed with the other works.

Miguel Uy: We were invited by friend and fellow artist Wipo around late 2020 to join this group show and initially, I had no idea on how our works could align with each other in terms of our very diverse lines of artistic practice. From then on, we would occasionally talk about our ideas via Zoom and somehow we slowly saw the connections. It was only a matter of bringing everything together under one common denominator (the conception of the “Dream Sequence” idea) that would eventually have the works somehow curate themselves in a way where everything just worked out. I think our Zoom discussions had greatly influenced and affected how I (or we) saw my (or each other’s) work and how it evolved to become what it is presently. I was the first one in the group to come up and share an idea about my initial plans for the piece I’ll be presenting. My idea was initially too rigid and concise at first but evolved to somehow share a subliminal quality with the other works.

Jed Gregorio: We started to talk about this show sometime in June of 2020, and we’ve had many conversations as a group since. My peers influenced me greatly, if not exactly in terms of apparent subject matter, then more significantly in terms of the pace at which everyone worked, the openness of the exchange, and the audacity of ideas. Of course familiarity with each other was a big plus in communicating largely abstract ideas. That’s really great especially when the need to explain can become such an impediment to working intuitively.

In this show which fellow artist’s work resonated with you or your own practice the most, and why? 

Wipo: I think we unconsciously influenced each other for this exhibition and for me that’s the essence of group shows.

Celine Lee: [Miguel’s] work because we had collaborated just last year for a virtual exhibition entitled, “Disruption of Frequencies”. I feel like both of our bodies of work lean towards exploring technology; he explores its implications, whereas I try to explore welding it to its foundations.

Pam Quinto: I think everyone’s work somehow intersected with my work, and overall our works turned out being interweaved with each other. Wipo’s take on perception ties in with the lenticular execution of my images, the errant shifts within scenes in a way responded to Miguel’s take on the passage of time. Celine and I both took on navigating or visualizing dreamscapes. And in hindsight, a few passages from my anecdotes echoed some of the lines from Jed’s poem.

Miguel Uy: I really couldn’t say which fellow artist has resonated with my own work or practice but looking at it (the whole exhibition and the works themselves) in a formalist and conceptual perspective or approach, I think there’s this fragmented and deconstructive quality in our works that somehow are common and resonate with each other.

Jed Gregorio: Everyone’s, in different ways. For example Pam’s and Celine’s works are like in opposite sides of the scale spectrum, but I admire the subtleties those works share; how Celine’s landscape undulates, and how Pam’s photos are constantly shifting, like sand in a desert. With Miguel’s and Wipo’s works, I admire the clarity of what they are able to communicate with abstract forms. I aspire for those qualities in my own work.

With the rise in popularity of online and virtual exhibitions, how important for you is the physical exhibition space, in terms of making and seeing art?

Wipo: We always consider how the viewers experience our works in actual spaces, by the way they communicate through senses and how they perceive the works differently.

Celine Lee: Just last year I did a solo exhibition, “The Length and Breadth of Depth”, held at Underground Gallery exploring the same question. I scanned and modeled canvases based on my paintings, then 3D-printed them. The 3D-printed versions were shown at the physical space of the gallery while the paintings were only seen online.

I still prefer seeing and experiencing art physically. Like I said earlier, I sometimes work with the architecture of the space before I come up with the piece/s. Working in a physical setting is like working with an independent variable and the work is the dependent variable. In a virtual space, however, so much can be manipulated easily already that these variables can interchange constantly. It can be daunting and exciting altogether. Suffice to say, I am very much open to this new platform of online experience, especially if these virtual spaces go beyond a white cube setting.

Pam Quinto: Tactility and intimacy underlie my practice, so the phenomenology of the work is something that I factor in. How the audience encounters the work is imperative. The palpable experience of creating and seeing art is a different experience from works being mediated by screens.

Miguel Uy: I think having a virtual exhibition is as equally as important to mounting a show physically. Virtual exhibitions are recently becoming mainstream and I think there’s great potential in its quintessence similarly with the physicality of physical exhibitions. As the coronavirus pandemic is still ongoing, a significant number of people do not have the means to travel and visit physical exhibitions. Virtual exhibitions somehow filled that hole and opened up new possibilities of different ways to experience art. For me, physical and virtual exhibition spaces are equally as important today but they sit on the opposite ends of the spectrum. One kind cannot not truly satisfy a sensory or perceptual experience as the other one could.

As for this group show, as it is a physical exhibition, the works are tangible and exist with form and scale, experiencing it physically is what I strongly recommend.

Jed Gregorio: This past year I think have come to understand the physical and the virtual as less of a dichotomy and really as two sides of the same coin. The challenge for me is how to make the exercise of differentiating them or acknowledging their intersections ultimately productive for me, and for the momentum of my practice. Having said that I think it would be nice to see the show in person, if you can. There is no use defending that experience, we all know it’s better.

The group exhibition “Dream Sequence” is currently on view in Modeka Art Gallery. The show runs until July 19.

This content was originally published here.

[raharodriguez94]

The year 2020 changed the world as we know it, and so, MONO8 Gallery’s year-end exhibition gathered more than thirty artists at different stages of their careers to somehow recognize the lives that, perhaps, we will never live again. The exhibition’s title is lifted from Joan Didion’s seminal essay, where she recalls her life as a young writer in New York. Curator Gwen Bautista writes, “what attracted me to this line as a prompt for this exhibition is the generosity that Didion’s writing displayed as she enumerated every small detail of her life in the city. No memory is too small, trivial, or worthless. It was all about making sense of a life she had once lived.”⁣⁣⁣ ⁣⁣⁣ “Goodbye to All That” features the works of Angela Silva, Atsuko Yamagata, August Lyle Espino, Celine Lee, Ches Gatpayat, Chicco Ramos, Dexter Sy, Don Bryan Bunag, Faye Pamintuan, Indy Paredes, Issay Rodriguez, Jan Sunday, Jed Gregorio, Jessica De Leon, Jomari T’leon, Jonas Eslao, Kelli Maeshiro, Koki Lxx, Luis Hidalgo, Margaux Blas, Miguel Lorenzo Uy, Miguel Puyat, Noelle Varela, Omega Projects, Pauline Reynolds, Pepe Delfin, Pin Calacal, Poeleen Alvarez, Raha Rodriguez, Raymond Briones, Regina Reyes, Renz Baluyot, Roan Alvarez, Roselle Perez, Shiela Molato, Teo Esguerra, Therese Nicole Reyes, Veronica Lazo, and Victoria. The exhibition is curated by Gwen Bautista and will open on December 15, 2020 at 3 PM (by appointment only) at our Malate location: MONO8 Gallery, Casa Tesoro, 1335 Mabini Street, Ermita Manila. "Pati" Cold Cast Marble & Wood . . . . #Mono8Gallery #RahaRodriguez #contemporaryart #ArtistsofSEA #artPH #designPH #sculpture https://www.instagram.com/p/CIw3PmDhgWX/?igshid=65nbnzqy2r59

[angelocampo1-blog]

BULACAN

This province has a lot of wonderful places to visit. The air is fresh and there is a lot of trees, flowers and the nature is refreshing.

Bulacan is, in fact, one of the country’s provinces with the richest culture and history.

You can find the historical Church in Malolos Bulacan, The Barasoain Church, I visited this place when i was in my elementary (Grade1) this is one of our destination in our field trip, this place is a wonderful place to go the surroundings is clean, the structure of church is great. The Church is proverbial for it's historical importances among filipinos.

There is a lot of resorts in bulacan, the first resort that i visited is 8 Waves Waterpark and Hotel this is located at San Rafael Bulacan, this is also one of our destination in our fieldtrip, this resort is so wonderful there's a lot of pool and the resort was big. This resort bacame famous because of their Wave pool. This place is the place that you'll enjoy everything☺

The 2nd resort i visited is the Gallilee Wonderland Waterpark and Hotel when i was in my 5th grade (elementary) this is located at Bustos, Bulacan. This place was great. Like the rest of the other resorts in bulacan, it is also filled with lots of Garden landscape infrastracture around.

The 3rd resort that i visited in bulacan is Jed's island resort "The largest resort in bulacan" this is located at Calumpit, Bulacan. This resort has a lot of pools and complete amenities. This resort became famous because of their non stop facilities and there's a lot of display like their life size character displays.

Feel the heart and soul of the Philippines in Bulacan. Its history and tradition, its land, its culture, and its people, live and breathe Filipino. Truly a melting pot of the past and the present, the old and the new, the countryside and the urbane – that is Bulacan. 

The province is noted as the land of heroes. Bulacan is the home province of some of the nation’s celebrated heroes: Francisco Baltazar (Balagtas), “The Prince of Filipino Poets,” Marcelo H. Del Pilar, “The Great Propagandist,” and Gregorio del Pilar, “The Hero of Tirad Pass.” It is reputed for beautiful women, progressive cooperatives, small and medium scale industries. It is known for excellent craftsmanship as in its jewelries, leather crafts, and garments. 

The province has emerged into a reputable resort haven of Luzon. Just a few minutes north of Manila by car, Bulacan resorts provide an accessible and welcome respite from the pressures of city life.

Bulacan and one gets the impression the whole province is dotted with candy factories and the Bulaqueños have made a pastime of eating dessert. But there’s so much more to the place than Bulacan sweets.

Among those that have also become parts of our national culture and consciousness are Baliwag buntal hat; Meycauayan gold filigree; sukang Paombong; sayaw Obando; Bocaue fluvial parade; Kapitangan Lenten crucifixion; Angat Dam; Baliwag Transit; Barasoain Church; Prince of Tagalog Poets; Malolos Constitution; Pact of Biak-na-Bato; Divine Mercy National Shrine; The Great Propagandist; Philippine Arena; Letter to the Women of Malolos; “Bituing Marikit”; Hero of Tirad Pass; “La Bulaqueña.”

[onenettvchannel]

9 Suspects in a Computer Shop was arrested in Zamboanguita City, during the restrictions of CoViD19

ZAMBOANGUITA, NEGROS ORIENTAL -- Some male students was arrested by the Zamboanguita Police Station (ZPS), after they caught out online in regular and violating the restrictions of Coronavirus Disease-19 (CoViD19).

The World Health Organization & Negros Oriental Provincial Government was issued a regional public health emergency, after a worldwide pandemic was completely happened around January 2020 to early May 2020 onwards.

The suspects reveals from the following in Alphanumerical Order by age:

*Earl Austin Tabañera Suan / Boat Crew *Danielle Gregorio Eltanal / 18 y/o, Regional Student at Santiago Delmo Memorial High School in Zamboanguita City *Andrew Paulo Elnas Teston / 21 y/o, Student at Negros Oriental State University *Glenn Mendez Baylon / 21 y/o, Student at Maritime College Dumaguete *Jady Jed Yangco Elumir / 22 y/o *Xavier Elnas Teston / 23 y/o, Student at Negros Oriental State University *Noel Tinaytinay Eltanal Jr. / 24 y/o *Perry Solon Alatan Jr. / 24 y/o, Student at Asian College (formerly ACSAT) and lived in Sitio Capaclan, Brgy. Basak, Zamboanguita, Negros Oriental *Elbert Tabañera Suan / 26 y/o, Supervisor of Logistic Coast in Cebu City and a resident of Sitio Malatapay, Brgy. Maluay, Zamboanguita, Negros Oriental

Speaking to 94.5mhz DYRA-FM Radyo Bandera Sweet FM Siaton... Most of it's arrested students was assulted in this regional computer shop called "Roel Japole Internet Café". It was located at the Sitio Capaclan, Brgy. Basak, Zamboanguita, Negros Oriental at 2pm (Manila local time). Michael Rubia (a Police Captain of Zamboanguita Police Station) was perfectly identified the students and, it will be arrested as amended by the Republic Act #11332 or Mandatory Reporting of Notifiable Diseases and Health Events of Public Health Concern Act: Section 3e & 3f.

Michael was told exclusively to Radyo Bandera Sweet FM Siation (in relayed to Bhoy Pilonggo to Dumaguete), the owner in-charge, parents and/or guardian won't be arrested but, only the students will be in custody by filing a lawsuit in court.

SOURCE: *https://www.facebook.com/2109453856021871/posts/2325427491091172 *https://www.facebook.com/307844046762328/posts/495870207959710

HONEST DISCLAIMER: The views and opinions expressed from this news article are not those from the Rizal Memorial Colleges Broadcasting Corporation, Xanthone Plus Broadcasting Services & Bandera News Philippines. Furthermore, the assumptions of this news article will NOT state, intervene or reflect those of our affiliates. The station, management, interwebs & the network. Thanks for reading & stay safe!

-- OneNETnews Team

[confessionsfromvogue]

Julia Barretto for Scout Magazine (July-August Issue)

by Celene Sakurako

Photography by Ralph Mendoza

Styling by Jed Gregorio

Makeup by Lala Flores

Hair by John Valle

SOURCE

[districtgalleryph-blog]

Signal and Noise Group Show On view until June 30 Artists: Nash Cruz Jose Olarte Christina Lopez Jed Gregorio Manny Orozco For Inquiries contact +639175373436 districtgallery@outlook.com District Gallery Operating hours: Wednesday - Sunday, 2pm - 7pm and by Appointment (at DISTRICT GALLERY) https://www.instagram.com/p/Byo8PBrhcLm/?igshid=19g0aodlxbbns

[huttson-blog]

Creativity in Lockdown: A quarantine diary by photographer Artu Nepomuceno — Inquirer Lifestyle

Read more at Inquirer Lifestyle

— by Artu Nepomuceno as told to Jed Gregorio: “My wife Meg and I are staying at our house in Nuvali, Laguna. It’s just the two of us, three of our rescued dogs, and the newest member of our family, a three-month old Jack Russell Terrier…”

Image courtesy of Artu Nepomuceno

[krrw2020]

Shun partisan politics, Galvez tells AFP troops

MANILA – Armed Forces of the Philippines (AFP) chief-of-staff, Gen. Carlito Galvez Jr., on Monday urged military personnel to veer away from partisan politics.

“Let us not be disturbed by the political noise and to take sides. We need to uphold our oath and obey the Chain-of-Command from the President, SND (Secretary of National Defense) down to our office chiefs and section/squad leaders. Let us remain solid and true to our oath, mandate and always undivided,” Galvez said during flag-raising ceremony at Camp Aguinaldo, Quezon City.

The AFP chief also took the opportunity to award 14 soldiers and four civilian personnel of the AFP in recognition of their selfless service and commitment to the country.

“These public servants are stewards of our institution -- a crucial aspect that keeps us on our steadfast pursuit of becoming a world-class AFP. For it is through outstanding work that manifests our dedications to better serve our nation,” Galvez added.

Awarded with the Gold Cross Medal for their gallantry in action during the war against terrorist groups in Marawi City last year are 1Lt. Eddie Badol, 1Lt. Jed Joseph Dandasan, Sgt. Julius Garsuta, Sgt. Wayne Fillalan, Pfc. Marcelo Hora, Jr., all from the Philippine Army, and Airman 1st Class James Gayotin.

While the Distinguished Aviation Cross was awarded to Air Force 1Lt. Julius Macasiray for his conduct of aerial operations during the liberation of Marawi.

Meanwhile, Commander Gilbert Villareal, Jr., and Senior Chief Petty Officer Mario Vasquez received the Distinguished Navy Cross for distinguished achievement as part of the Naval Task Unit Marawi under Joint Task Force-Trident during the liberation of Marawi in 2017.

Also, the Chief of Staff Commendation Medals and Ribbons were given to Army Maj. Jeremy Damonsong, S/Sgt. Ariel Gregorio and Sgt. July Lipaopao for eminently meritorious and valuable achievement as General Headquarters Planning Augmentation Team during the Marawi siege in 2017, and acted as Liaison to GHQ to address immediate concerns of the AFP leadership.

The 'Gawad sa Kaunlaran' were awarded to PA Col. Noel Vestur and Lt. Col. Resurrecion Mariano for their civic-military operation activities that aimed to recognize soldiers’ sacrifices.

The same award was given to Michael Manaois, Susan Bascon, Mark John Ulep, and Myka Loraine Nacionales, civilian employees who significantly contributed to the improvement of the quality of life of beneficiaries of killed-in-action personnel, and the welfare of the wounded soldiers during the Marawi crisis. (PNA)

[twins2994]

Minnesota Twins @ Oakland Athletics 9.21.18

Minnesota Twins Lineup Oakland Athletics Lineup

1.) Joe Mauer 1B            1.) Nick Martini LF

2.) Jorge Polanco SS     2.) Matt Chapman 3B

3.) Jake Cave CF           3.) Jed Lowrie 2B

4.) Robbie Grossman LF 4.) Khris Davis DH

5.) Max Kepler RF          5.) Matt Olson 1B

6.) Tyler Austin DH          6.) Stephen Piscotty RF

7.) Ehire Adrianza 3B       7.) Ramon Laureano CF

8.) Willians Astudillo C      8.) Marcus Semien SS

9.) Gregorio Petit 2B         9.) Jonathan Lucroy C

SP Jose Berrios RHP  SP Liam Hendriks RHP

(11-11) 3.81 ERA         (0-1) 5.30 ERA

(2018 MLB Statistics)

-Chris Kreibich-

[yeokaa]

Powder Room 

Scout Magazine 

September 2015 

by: Jed Gregorio

Photo by: Paulo Crodua

[cenoniii]

Still in Transition

Scout Magazine August 2015

photographer Cenon Norial III

stylist Jed Gregorio

makeup artist Sylvina Lopez

model Mav Bernardo

[confessionsfromvogue]

Julia Barretto for Scout Magazine (July-August Issue)

by Celene Sakurako

Photography by Ralph Mendoza

Styling by Jed Gregorio

Makeup by Lala Flores

Hair by John Valle

SOURCE

[districtgalleryph-blog]

Signal and Noise Group Show Artists: Nash Cruz Jose Olarte Christina Lopez Jed Gregorio Manny Orozco For Inquiries contact +639175373436 districtgallery@outlook.com District Gallery Operating hours: Wednesday - Sunday, 2pm - 7pm and by Appointment (at DISTRICT GALLERY) https://www.instagram.com/p/ByDVZRlhBwa/?igshid=drshpt2kj19s