#Jono Bailey?

[dickfuckk]

A list of season 2 cast and crew members, confirmed and speculated

I will try and keep this updated

Not counting the obvious ones

Please note that this is a list of both cast and crew members, so PAs and such are also included and not just actors

Also if you're interested: on my bts instagram I only follow people who have worked on season 1, and people I suspect worked on season 2. So feel free to go through the list of people I follow if you're into that

A

Aaron Morton (Camera) - he’s listed on the very last picture as the camera-man

Adam Stein(Writer)

Alan F. (English solider)

Alexandria S.

Alison Telford (Casting)

Alistair Gregory - from this tweet so uncertain, but followed me back on my bts instagram account so seems to have some interest in ofmd

Amy Barber (Sound department)

Amy Tunnicliffe

Amanda Grace Leo

Amanda M. (Wedding guest)

Andrea Basile (Costume)

Andres Gomez Zamora (Visual effects)

Andrew DeYoung (Director) - I don’t remember if there was any other reason than the fact that he was in Aotearoa during filming

Andy McLaren (senior art director)

Andy Rydzewksi (Cinematographer)

Angelina Faulkner (Sound department)

B

Blair Nicholson (Camera)

Blair Teesdale (Camera)

Brad Coleman (Visual effects)

Brad McLeod (Special effects)

Brian Badie (Hairstylist)

Bronson Pinchot (“Torturer”)

Bryn Seager - I don’t remember why but I follow him

Bryony Matthew (Food stylist)

C

Caleb Staines (Camera)

Chantel Partamian (Visual effects)

Colin Elms (Art department)

Colin Rogers (Sound department)

Cora Montalban (Makeup and/or hairstylist) - I believe she was tagged in an instagram story once, and she’s followed by a ton of cast and crew members

Corrin Ellingford (Sound department)

Corey Moana (Camera)

Corry Greig (Art department)

Coti Herrera (Prosthetics/Makeup)

D

Damian Del Borrello (Sound department)

Daniel Fernandez (Spanish priest)

Danica Duan (Assistan accountant)

David Boden (production manager)

David G. (Stand in)

David Rowell (Financial controller)

David Van Dyke (Visual effects)

Dennis Bailey (Hairstylist)- Leslie revealed that he’s there.

Dion Anderson (Rescue diver)

Don A. (Swampy Town folk)

Donna Pearman (Assistant accountant)

Donna Marinkovich (set decorator)

Doug McFarlene (Pirate)

Duncan Nairn (Visual effects)

E

Eliza Cossio (Writer)

Erroll Shand (Prince Ricky)

Esther Mitchell (Camera)

F

Fernando Frias (Director)

G

Gareth Van Niekerk (Sound department)

Gary Archer (dental prosthetics)

Gemma Campbell (Visual effects)

Grant Lobban

Greg Sager (Safety manager)

Gregor Harris (Camera)

Gregory J. Pawlik Jr. (AD)

Gypsy Taylor (Costume designer)

H

Haroun Barazanchi (Set designer)

Harry Ashby (AD)

Helene Wong (Voice work)

I-J

Jacob Tomuri (Stunts)

Jaden McLeod

James Crosthwaite (Set decorator)

Jamie Couper (Camera)

Jason Samoa, possibly spotted on location

Jemaine Clement, pretty sure this is only based on his friendship with Rhys and Taika tbh

Jes Tom (Writer)

Jessica Lee Hunt (Makeup artist) - followed by a ton of crew and cast members and I believe she’s been tagged in instagram stories and such

John Mahone (Writer)

Jonathan Bruce (Sound department)

Jono Capel-Baker (Groom)

Jonno Roberts didn’t get the role from his audition, but could still have gotten a different role - hung out with Ruibo

Judah Getz (Sound department)

Julia Huberman (Sound department)

Julia Thompson (Costume)

Justin Benn (Republic of Pirates Town)

K

Karl L. (Action extra)

Kate Fu

Kate Leonard (Casting)

Kathleen Zyka Smith (“Red Flag”)

Kosuke Iijima (Fabricator/Sculptor?) - due to interaction on this post

Kris Gillan (Fabricator/Sculptor)

Kura Forrester - followed by quite a few cast and crew members, but I don’t remember if there was anything else to it

L

Laura Stables (SFX makeup artist)

Leanne Evans (Art department)

Lee Tuson

Leslie Jones (Spanish Jackie) - she’s spoiled this so many times, but gjfhdks

Leyla - followed by a lot of cast and crew members, don’t remember if there was more to it than that

Lindsey Cantrell (Set decorator)

Louis Flavell Birch (Blue coat)

Luke V. (Stand in)

[newcountryradio]

New Country   #1174 (733) van  24 april 2023  (wk 17) tussen 19.00 -21.00 op Smelne fm

Album van de week:   Ian Munsick – White Buffalo -  Warner Nashville

           Artiest                         Title                                                    

 1.    Emmylou Harris – C’est La Vie  (you never can tell)       maandartiest

2.    Jordan Davis – Singles You Up        #1    5 years ago

3.    Rodney Crowell (feat Jeff Tweedy) -Everything At Once

4.    Jake Worthington - State You Left Me In  

5.    Robbie Fulks - _One Glass Of Whiskey

6.    Bailey Zimmerman - Religiously  

7.    Trucksong of the week - Dierks Bentley - Every Mile A Memory –

8.    Ian Munsick -White Buffalo *album vd week*

9.    Ian Munsick  - Long Live Cowgirls (with Cody Johnson)  *album vd week

10. The Kendalls – Heaven ‘s Just A Sin Away        1978

11.  Bailey Zimmerman – Rock And a Hard Place        #1

12. Candi Carpenter - Little Sparrow * juweeltje

13. Nina Lynn - A Taste Of The Wild

14. Maurice Van Hoek – Traveling Man

15. Alan Jackson – Small Town Southern Man    

16. Lukas Nelson & POTR. - More Than Friends (feat. Lainey Wilson)--favoriet   

17. Emmylou Harris - Poncho & Lefty  

18. Kenny Chesney - Everybody Wants to Go to Heaven (with The Wailers). *sofi

19. Luke Elliot - Let 'em All Talk

20. Esther Rose - Chet Baker.

21. Jason_Aldean_Kelly_Clarkson--Dont_You_Wanna_Stay.  3 in 1 1982

22. Rebecca Lynn_Howard—Forgive .3 in 1 1979

23. Danny_Gokey---My_Best_Days_Are_Ahead_Of_Me. 1980

24. John Michael Montgomery - Sold

25. Ian Munsick  - Field of Dreams (feat. Vince Gill) *album vd week*

26. Jono Manson featuring Joan Osborne - Loved Me into Loving Again

27. Morgan Wallen, Eric Church - Man Made A Bar* #1album

28. Willie Nelson –   Dry Lightning

29. Randy Travis – Three Wooden Crosses 2003

30. Lonestar – My Front Porch -Looking .In

[placerdiario]

Nike Vapourfly 4% - Piggyback from Ian Pons Jewell on Vimeo.

Director: Ian Pons Jewell Agency W&K Creatives: Tom & Tom Prod Co: Friend EP: Luke Jacobs Producer: Rob Leonard DOP: Ben Fordesman Prod Design: Tim Gibson Stylist: Ameena Kara Callender VFX: Time Based Arts Editor: Joe Guest @ Final Cut Sound Designer: Sam Ashwell @ 750 Casting Director Kharmel Cochrane

Production Manager James Greenall Production Assistant Alexandra Michaels Produciton Runner Conor Duffy Location Manager Tom Petch Location Assistant Saba Kia Location Assistant (4th) Alex Von Brockdorff 1st AD Rob Blishen 2nd AD Isusko Garcia 2nd AD Peter Bromfield 3rd AD Riccardo D’Amico Runner Josey Jacobs Runner Bradly Boorham Runner Lucy Kelly Runner (4th) Charlotte Miller Work Experience George Power Focus Puller Mike Linforth 2nd AC Ed Ratcliffe Camera Trainee Charlotte Croft Camera Trainee Camera Car Driver Alister Bugge Camera Car Driver Spencer Butcher Key Grip Alex Hudson Trainee Grip Jordy Sheasby Steadicam Doug Walshe DIT Vlad Martins CCTV Dave Newis 2nd Unit DOP David Bird 2nd Unit Focus Puller Edward Tucker 2ndUnit 2nd AC Jonny Lewis 2nd Unit Grip Adrian McCarthy Gaffer Jono Yates Electrician Michael Smit Electrician (5th) Michael Robinson Genny Op Paul Roe 2nd Unit Gaffer Adam Bell 2nd Unit Electrician Josh Green 2nd Unit Electrician (4th) Jim Agnew 2nd Unit Genny Op (4th) Josh Sound Recordist Nick Robertson Assistant Art Director Lucy Fewell Props Buyer Ashley Dando Propman Louis Glickman Propman Aaron Batterham Art SFX Alan Senior Art SFX Chris Watson Art SFX (5th) Richard Magrin SFX (4th) Anthony Parker SFX (4th) Freya Hargreaves SFX (4th) Chris Barlow

SFX (4th) Melza Woodall Wardrobe Assistant Lucy Upton Prowse Wardrobe Assistant Lottie Cutcher Trainee Assistant Scarlett Wallis Make-Up Artist Lu Hinton Make-Up Assistant Holly Miller Stunt Co-ordinator Jim Dowdall Wires Supervisor Max Schofield Wires Rigger Steve Daly Wires Rigger Rikki Harris Crane Op (4th) Danny Whitemore Libra Head Tech (5th) Danny Whitemore Low Loader Op (5th) Peter Elsik Editor Joe Guest Edit Assistant Lucy Berry Edit Producer Frankie Elster Director/Prod Driver Tim Lewis Agency Bus Lee Righelato Mini Bus 1 Michael Giorgio Mini Bus 2 Sean Biggins Winniebego Tony Kent Wardrobe/Makeup Split Colin Blance Dining Bus 1 Nigel Page Dining Bus 2 Pritam Johal Honey Wagon Howard Doubtfire Mini Honey John Bailey Medic Paul Mortimer Medic (4th) Mick Leeming Ambulance Paramedic Peter Hatch Ambulance Paramedic Paul Lay Catering Them

CAST -

[clubpheiyngphxn]

2/Project : Color Study.

Photographed by JONO Photography.

Modelled by Darnel Williams, Aaron Bailey and Jonathan Mark Weber.

#oa0jDebutant

[easyfoodnetwork]

When Restaurants Close, What Happens to the Ceramicists Who Make the Dinnerware?

Pottery from Cuarto Suspiro, which supplies many of the dishes for Brooklyn restaurant Claro. | Courtesy Cuarto Suspiro

With restaurant orders canceled, the artisans that supply restaurants with handmade pottery need to find new ways to get through the coronavirus crisis

Since Brooklyn Oaxacan restaurant Claro switched to takeout and delivery only in response to the coronavirus pandemic, chef and owner TJ Steele has been working around the clock. He let most of his staff go and is serving moles and soups alongside two sous chefs. Moles take days to prepare and he’s constantly somewhere in the process, cleaning chiles, grilling outside, or packing finished dishes into plastic and foil containers for delivery drivers to take to their final destinations, where they’ll likely be eaten directly from the container or perhaps on chipped Ikea plates.

It’s a different experience entirely from dining at the restaurant, not least because at Claro, Steele plated dishes like duck mole and broccoli quesadillas on ceramics, handmade by artisans in Oaxaca. Estudio Cuarto Suspiro, a studio founded by Brian Corres and Natalia Bolaños, is responsible for many of the restaurant’s signature items, like Mezcal glasses adorned with ocean life and colorful plates for mole and appetizers.

But now the plates, bowls, cups and other vessels that were once the complement to chefs’ creativity are no longer needed at restaurants across the country, and the people who make them are feeling the effects of a devastated restaurant industry. Restaurants are often these artists’ biggest clients, and this is yet another example of an unseen industry that, without restaurants, is needing to find new ways to get by.

For Bethany Kramer, a potter based in Melbourne, Kentucky, the consequences have been immediate. “All work has been halted,” she says. “I have several boxes [for now closed restaurants] sitting here ready to ship and orders in progress.” Before the outbreak, making bowls with contrasting rims, wide speckled plates, and ramekins for restaurants like the Baker’s Table in Newport, Kentucky; Nada in Cincinnati and Indianapolis; and the Beach House in Pompano Beach, Florida were Kramer’s primary sources of business. “I offered to hold onto everything until things get back to normal,” she says. “We’re all in a super tight spot and I’m trying to be as understanding as possible. I know that plateware is the last thing on their minds right now.”

Courtesy Cuarto Suspiro

Claro tacos on a Cuarto Suspiro plate

As restaurants reopen, Kramer worries they won’t be in the financial position to invest in handmade pottery, which is both more breakable and more expensive than mass produced dishes sold at restaurant supply stores. “There is definitely a concern if everyone can reopen or bounce back after this,” she says. If the restaurants can’t use the work, Kramer will try to sell the pieces she made for them individually. She spent the week of March 16th building out her online shop, which will be her main source for sales until she can attend art shows in the summer and fall. “It may take a long time but it may be the only option I have,” she says. “I’m not going to put more of a financial burden on anyone if they can’t take the work. Nothing is so custom that I wouldn’t be able to sell it elsewhere.”

New York based ceramicist Jono Pandolfi makes custom stoneware for restaurants like Eleven Madison Park and the Nomad. In the past several weeks, his business has shifted dramatically. “Two weeks ago we were operating at full capacity, working on about 30 new restaurant orders, and 72 hours later most of those orders needed to be put on hold or canceled altogether. It was shocking how quickly we went from full steam ahead to a screeching halt.”

For Pandolfi, who works out of a studio in Union City, New Jersey, the restaurant closures were only half the disruption; he needed to minimize risk in his production space as well. “It became clear that it wasn’t safe for our entire team of 17 people to be working in the studio so we’ve had to scale things back considerably and are currently focused on packing and fulfilling orders with existing inventory,” he says. “Even if we had the demand, we couldn’t have a studio full of people making the orders.”

Pandolfi had to lay off most of his team, and he isn’t alone. Seventy-year-old Heath Ceramics in the Bay Area was forced to lay off staff to adjust production to the state’s shelter-in-place order. As owners Catherine Bailey and Robin Petravic shared in a letter to customers, “Pausing the business suddenly for two to three months was never part of our plan. We have insurance for fires and earthquakes, given our California location. But nothing covers this type of unexpected hit.”

Pandolfi is hopeful the layoffs are only temporary. “Our landlord has been very accommodating and hopefully the new stimulus package will allow us to hire our employees back quickly. I’ve been spending a lot of time calling other small business owners and reading about the CARES act this week.” However, Pandolfi notes that his business is so interconnected with restaurants, that its future depends on them reopening. “It is imperative that restaurants get the support they need so everyone else involved —chefs, servers, dishwashers, food purveyors, etc. — can get back to business,” he says. “As long as restaurants can make it back after this, we should be in fine shape.”

Pandolfi is still working on dishes for restaurants scheduled to open this fall, but to make ends meet and support his staff, he and his brother, general manager Nick Pandolfi, are focusing on making sales through the Jono Pandolfi e-commerce site and through a partnership with Food52. Pandolfi is also finding ways to give back to the restaurant industry: starting April 10, Jono Pandolfi is directing 20 percent of the sales of a fermentation crock (produced in collaboration with Bon Appetit video host Brad Leone) to the Restaurant Workers Community Foundation COVID-19 emergency relief fund. “We’re fortunate to still have some orders coming in right now, so we want to do what we can to support the restaurant industry that has enabled us to grow for the past 10 years,” Pandolfi says.

The ripple effects from closed dining rooms in America are felt as far as the pottery studios in Oaxaca, where Steele once shopped for Claro. Steele was Cuarto Suspiro’s first international customer when he ordered a turkey-shaped pitcher in 2017 before Claro’s opening, and since then, Bolaños explains, the studio’s business has grown to include a number of international customers, both restaurants and individuals. “We’ve had different clients in the States, some of whom come through social media.”

But since the coronavirus outbreak, tourism in Oaxaca has dried up, and it’s affected the studio’s sales. Art fairs, where the team meets new clients and does much of its business, have been canceled and the duo is seeing a huge decrease in orders. Through March, the studio had been able to continue production — the workshop is spacious and each employee has their own work station and commuted by bike or foot. “We’re staying optimistic and working on back orders and outstanding ideas,” Bolaños said at the time. However, on March 30 following a lockdown order, Cuarto Suspiro closed. Bolaños and Corres, who live next door, are able to continue to work some, but production has effectively been suspended.

Ceramicists desperately want restaurants to reopen. In the meantime, they’re hoping individual customers will purchase their products. And replacing those chipped Ikea plates with artisan dishes is one way for those with the means to support industries affected by COVID-19. By buying new dishes, consumers can support the small producers who make them and in some cases, they can help out restaurants directly too: Jean-Georges is selling its porcelain and donating 50 percent of sales to its employee relief fund.

Plus, as Pandolfi points out, there’s a more personal reason to upgrade: “I think all that time cooking at home has made some of our customers want to invest in nicer plates.”

Cuarto Suspiro accepts orders via Instagram or Facebook, but here’s how to shop these other restaurant suppliers:

Vox Media has affiliate partnerships. These do not influence editorial content, though Vox Media may earn commissions for products purchased via affiliate links. For more information, see our ethics policy.

from Eater - All https://ift.tt/2xV0Qsx https://ift.tt/2wqzEBF

Pottery from Cuarto Suspiro, which supplies many of the dishes for Brooklyn restaurant Claro. | Courtesy Cuarto Suspiro

With restaurant orders canceled, the artisans that supply restaurants with handmade pottery need to find new ways to get through the coronavirus crisis

Since Brooklyn Oaxacan restaurant Claro switched to takeout and delivery only in response to the coronavirus pandemic, chef and owner TJ Steele has been working around the clock. He let most of his staff go and is serving moles and soups alongside two sous chefs. Moles take days to prepare and he’s constantly somewhere in the process, cleaning chiles, grilling outside, or packing finished dishes into plastic and foil containers for delivery drivers to take to their final destinations, where they’ll likely be eaten directly from the container or perhaps on chipped Ikea plates.

It’s a different experience entirely from dining at the restaurant, not least because at Claro, Steele plated dishes like duck mole and broccoli quesadillas on ceramics, handmade by artisans in Oaxaca. Estudio Cuarto Suspiro, a studio founded by Brian Corres and Natalia Bolaños, is responsible for many of the restaurant’s signature items, like Mezcal glasses adorned with ocean life and colorful plates for mole and appetizers.

But now the plates, bowls, cups and other vessels that were once the complement to chefs’ creativity are no longer needed at restaurants across the country, and the people who make them are feeling the effects of a devastated restaurant industry. Restaurants are often these artists’ biggest clients, and this is yet another example of an unseen industry that, without restaurants, is needing to find new ways to get by.

For Bethany Kramer, a potter based in Melbourne, Kentucky, the consequences have been immediate. “All work has been halted,” she says. “I have several boxes [for now closed restaurants] sitting here ready to ship and orders in progress.” Before the outbreak, making bowls with contrasting rims, wide speckled plates, and ramekins for restaurants like the Baker’s Table in Newport, Kentucky; Nada in Cincinnati and Indianapolis; and the Beach House in Pompano Beach, Florida were Kramer’s primary sources of business. “I offered to hold onto everything until things get back to normal,” she says. “We’re all in a super tight spot and I’m trying to be as understanding as possible. I know that plateware is the last thing on their minds right now.”

Courtesy Cuarto Suspiro

Claro tacos on a Cuarto Suspiro plate

As restaurants reopen, Kramer worries they won’t be in the financial position to invest in handmade pottery, which is both more breakable and more expensive than mass produced dishes sold at restaurant supply stores. “There is definitely a concern if everyone can reopen or bounce back after this,” she says. If the restaurants can’t use the work, Kramer will try to sell the pieces she made for them individually. She spent the week of March 16th building out her online shop, which will be her main source for sales until she can attend art shows in the summer and fall. “It may take a long time but it may be the only option I have,” she says. “I’m not going to put more of a financial burden on anyone if they can’t take the work. Nothing is so custom that I wouldn’t be able to sell it elsewhere.”

New York based ceramicist Jono Pandolfi makes custom stoneware for restaurants like Eleven Madison Park and the Nomad. In the past several weeks, his business has shifted dramatically. “Two weeks ago we were operating at full capacity, working on about 30 new restaurant orders, and 72 hours later most of those orders needed to be put on hold or canceled altogether. It was shocking how quickly we went from full steam ahead to a screeching halt.”

For Pandolfi, who works out of a studio in Union City, New Jersey, the restaurant closures were only half the disruption; he needed to minimize risk in his production space as well. “It became clear that it wasn’t safe for our entire team of 17 people to be working in the studio so we’ve had to scale things back considerably and are currently focused on packing and fulfilling orders with existing inventory,” he says. “Even if we had the demand, we couldn’t have a studio full of people making the orders.”

Pandolfi had to lay off most of his team, and he isn’t alone. Seventy-year-old Heath Ceramics in the Bay Area was forced to lay off staff to adjust production to the state’s shelter-in-place order. As owners Catherine Bailey and Robin Petravic shared in a letter to customers, “Pausing the business suddenly for two to three months was never part of our plan. We have insurance for fires and earthquakes, given our California location. But nothing covers this type of unexpected hit.”

Pandolfi is hopeful the layoffs are only temporary. “Our landlord has been very accommodating and hopefully the new stimulus package will allow us to hire our employees back quickly. I’ve been spending a lot of time calling other small business owners and reading about the CARES act this week.” However, Pandolfi notes that his business is so interconnected with restaurants, that its future depends on them reopening. “It is imperative that restaurants get the support they need so everyone else involved —chefs, servers, dishwashers, food purveyors, etc. — can get back to business,” he says. “As long as restaurants can make it back after this, we should be in fine shape.”

Pandolfi is still working on dishes for restaurants scheduled to open this fall, but to make ends meet and support his staff, he and his brother, general manager Nick Pandolfi, are focusing on making sales through the Jono Pandolfi e-commerce site and through a partnership with Food52. Pandolfi is also finding ways to give back to the restaurant industry: starting April 10, Jono Pandolfi is directing 20 percent of the sales of a fermentation crock (produced in collaboration with Bon Appetit video host Brad Leone) to the Restaurant Workers Community Foundation COVID-19 emergency relief fund. “We’re fortunate to still have some orders coming in right now, so we want to do what we can to support the restaurant industry that has enabled us to grow for the past 10 years,” Pandolfi says.

The ripple effects from closed dining rooms in America are felt as far as the pottery studios in Oaxaca, where Steele once shopped for Claro. Steele was Cuarto Suspiro’s first international customer when he ordered a turkey-shaped pitcher in 2017 before Claro’s opening, and since then, Bolaños explains, the studio’s business has grown to include a number of international customers, both restaurants and individuals. “We’ve had different clients in the States, some of whom come through social media.”

But since the coronavirus outbreak, tourism in Oaxaca has dried up, and it’s affected the studio’s sales. Art fairs, where the team meets new clients and does much of its business, have been canceled and the duo is seeing a huge decrease in orders. Through March, the studio had been able to continue production — the workshop is spacious and each employee has their own work station and commuted by bike or foot. “We’re staying optimistic and working on back orders and outstanding ideas,” Bolaños said at the time. However, on March 30 following a lockdown order, Cuarto Suspiro closed. Bolaños and Corres, who live next door, are able to continue to work some, but production has effectively been suspended.

Ceramicists desperately want restaurants to reopen. In the meantime, they’re hoping individual customers will purchase their products. And replacing those chipped Ikea plates with artisan dishes is one way for those with the means to support industries affected by COVID-19. By buying new dishes, consumers can support the small producers who make them and in some cases, they can help out restaurants directly too: Jean-Georges is selling its porcelain and donating 50 percent of sales to its employee relief fund.

Plus, as Pandolfi points out, there’s a more personal reason to upgrade: “I think all that time cooking at home has made some of our customers want to invest in nicer plates.”

Cuarto Suspiro accepts orders via Instagram or Facebook, but here’s how to shop these other restaurant suppliers:

Vox Media has affiliate partnerships. These do not influence editorial content, though Vox Media may earn commissions for products purchased via affiliate links. For more information, see our ethics policy.

from Eater - All https://ift.tt/2xV0Qsx via Blogger https://ift.tt/39TNRVd

[dickfuckk]

A list of season 2 cast and crew members, confirmed and speculated

I will try and keep this updated

Not counting the obvious ones

Please note that this is a list of both cast and crew members, so PAs and such are also included and not just actors

sorry in advance that 90% of my sources come from instagram

A

Aaron Morton (Camera) - he’s listed on the very last picture as the camera-man

Adam Stein (Writer)

Alan F. (English solider)

Alexandria S.

Alistair Gregory - from this tweet so uncertain, but followed me back on my bts instagram account so seems to have some interest in ofmd

Amy Tunnicliffe

Amanda M. (Wedding guest)

Andrew DeYoung (Director) - I don't remember if there was any other reason than the fact that he was in Aotearoa during filming

Andy Rydzewksi (Cinematographer)

B

Brian Badie (Hairstylist)

Bronson Pinchot ("Torturer")

Bryn Seager - I don't remember why but I follow him

Bryony Matthew (Food stylist)

C

Cora Montalban (Makeup and/or hairstylist) - I believe she was tagged in an instagram story once, and she's followed by a ton of cast and crew members

D

Daniel Fernandez (Spanish priest)

David G. (Stand in)

Dennis Bailey (Hairstylist) - Leslie revealed that he's there.

Don A. (Swampy Town folk)

E

Eliza Cossio (Writer)

Erroll Shand (Prince Ricky)

F

Fernando Frias (Director)

G

Grant Lobban

Gypsy Taylor (Costume designer)

H

Haroun Barazanchi - I'm gonna be honest, I have no memory of why I suspect this guy will be working on season 2, but I follow him hgjfdks

I-J

Jaden McLeod

Jason Samoa, possibly spotted on location

Jemaine Clement, pretty sure this is only based on his friendship with Rhys and Taika tbh

Jes Tom (Writer)

Jessica Lee Hunt (Makeup artist) - followed by a ton of crew and cast members and I believe she's been tagged in instagram stories and such

John Mahone (Writer)

Jono Capel-Baker (Groom)

Jonno Roberts didn't get the role from his audition, but could still have gotten a different role - hung out with Ruibo

K

Karl L. (Action extra)

Kate Fu

Kathleen Zyka Smith ("Red Flag")

Kosuke Iijima (Fabricator/Sculptor?) - due to interaction on this post

Kris Gillan (Fabricator/Sculptor)

Kura Forrester - followed by quite a few cast and crew members, but I don't remember if there was anything else to it

L

Laura Stables (SFX makeup artist)

Leanne - followed by cast and crew

Lee Tuson

Leslie Jones (Spanish Jackie) - she's spoiled this so many times, but gjfhdks

Leyla - followed by a lot of cast and crew members, don't remember if there was more to it than that

Luke V. (Stand in)

M

Ma Christina C. ("Red Flag")

Madeleine Sami (Archie)

Maddie Roche (PA) - read the tags idk lmao

Maddy Powell - this double rainbow photo is for sure from the first day of filming and nathan commented on her post

Maggie Philips (Music supervisor)

Mark Black (Henchman)

Mark Mitchinson (Hornigold)

Martin D. (Wedding guest)

Megan Vertelle (Set decorator)

Mike Berlucchi (Cinematographer)

N

Nareemun S. (Stand in)

Nat Van Halle - Has been hanging out on set with crew and cast

Natalie Torres (Writer)

Nathan Foad (Lucius)

Nathaniel Goodman - listed as camera-man

Nicola Dove (Photographer) - I'm guessing she'll be the season 2 version of Aaron Epstein

O-P

Paul Murphy (Director)

Q-R

Ra Vincent (Production designer) - He's the one in a white t-shirt and sunglasses or smth on his head

Rachel Forman - followed by a lot of cast and crew (including taika, nathan, madeleine, alex etc.) and Fernando made a post saying goodbye to Aoteroa, and she commented and he said he would miss her

Rachel House - Suspected due to her hanging out with cast and crew, but could be nothing

Richard B. ("Republic of Pirates")

Ringo R. ("Republic of Pirates")

Rory Davis - followed by cast and crew

Ruibo Qian

S

Sha M. ("Republic of Pirates")

Simone Nathan (Writer)

T

Tammy Davis - pretty sure it's just based off of this post which could be nothing

Tara Lauren (Makeup artist)

Tenesse Murfitt (Hairstylist) - followed by a ton of cast and crew members, and I believe she's been tagged in instagram stories

Tino L. (Stand in)

Toa Paranihi - I honestly don't remember why this was speculated or possibly confirmed, but I follow him on instagram and so do a couple of the cast and crew members

Ty Evander

U-V

Vanessa Vandy (Cinematopgrapher) - don't remember why i suspect her, but i follow her

W

Will Giles (Set designer)

X-Z

Zach Douglas

Zackery Alexander Stephans (Writer)

Zak Enayat - he has just been very openly working on the show, and is followed by cast and crew members

Zayre Ferrer (Writer)

[nofomoartworld]

Hyperallergic: Art Movements

Michelangelo Buonarroti, “Study of a Mourning Woman” (ca 1500–05), pen and brown ink, heightened with white lead opaque watercolor, 26 × 16.5 cm (courtesy J. Paul Getty Museum)

Art Movements is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.

Suzanne Malyon, the head of the “Stop Anish Kapoor stealing our light and colour!” campaign, accused the artist of being “mean-spirited” following the approval of his studio extension by Southwark Council. Local residents fought against Kapoor’s proposed design, arguing that the architectural extension would block natural light to their properties. “He’s part of the moneyed, connected establishment and we feel like we’re not listened to as we’re less able to afford lawyers,” Malyon told Dezeen.

Phillips withdrew a painting attributed to Mark Grotjahn from auction after the artist suggested in a comment on Instagram that the work wasn’t his. “Yo Phillips. (. Dm. Me. ),” Grotjahn wrote, “I’m not sure I made this. Either way it sucks.”

The Getty Museum will display Michelangelo’s “Study of a Mourning Woman” (ca 1500–05) for a limited time through October 29.

Photographer Çağdaş Erdoğan was arrested in Istanbul after allegedly photographing the MİT building, the headquarters of Turkey’s National Intelligence Centre.

The Smithsonian’s National Museum of Natural History returned the remains of Igiugig ancestors excavated 87 years ago.

Dozens of neo-Nazi flyers and stickers, bearing slogans such as “Beware the International Jew” and “Imagine a Muslim-Free America,” were displayed at the University of Houston.

The German government launched a new website providing detailed information on the recently enacted Cultural Property Protection Law. Opposed by a number of dealers, the legislation requires an export license from the country of origin for any antiquity offered for sale in the country.

Arturo Di Modica’s “Charging Bull” (1989) sculpture near Wall Street was vandalized with blue paint as part of a climate change campaign dubbed “Draw The Blue Line.”

Gillian Wearing unveiled the design for her Parliament Square monument to suffragist Millicent Fawcett.

New York City’s Landmarks Preservation Commission decided to consider the former home and studio of Willem de Kooning for designated status.

Sony Pictures released the trailer for Ridley Scott’s All the Money in the World, a dramatization of the kidnapping of Paul Getty (aka John Paul Getty III) in 1973.

Maurizio Cattelan unveiled his own Instagram account dubbed “The Single Post Instagram.”

Apple announced Animoji, an animated set of emoji available in iOS 11.

Transactions

Banksy, “Civilian Drone Strike” (2017) (courtesy the artist)

Banksy’s “Civilian Drone Strike” (2017) was sold at the Art the Arms Fair for $277,000. The proceeds will be donated to Campaign Against Arms Trade and Reprieve.

Consultancy Samuel Beilin and Partners sold five Liverpool murals created by Banksy to an anonymous Qatari buyer for £3.2 million (~$4.3 million).

The New York Foundation for the Arts will expand its Immigrant Artist Mentoring Program to Detroit, Newark, Oakland, and San Antonio following a two-year grant provided by the Ford Foundation [via email announcement].

H. Keith Melton donated his collection of spy artifacts to the International Spy Museum in Washington, DC. The gift includes a “victory” flag carried by CIA-backed Cuban exiles during the Bay of Pigs invasion and a 13-foot World War II submarine known as the “Sleeping Beauty.”

The Museum of Fine Arts, Boston announced a 10-year partnership with UNIQLO USA.

The Virginia Museum of Fine Arts received $331,054 from the Institute of Museum and Library Services. The grant will be used to support the museum’s “Connect to Conservation” program.

A George Daniel’s “Space Travelers” (1982) timepiece sold at Sotheby’s for £3,196,250 ($4,324,526), cementing its record as the world’s most expensive English watch. The timepiece charts both mean-solar and sidereal time.

A stash of vintage cinema posters used as carpet underlay was sold at auction for £72,000 (~$98,000). The posters were recovered by two builders during the renovation of a house in Wales in 1985.

Carl Schünemann donated 35 paintings to the Kunsthalle Bremen, including works by Adam van Breen, Hyronimus Sweerts, Hubert van Ravesteyn, and Jacob Ochtervelt.

Hubert van Ravesteyn, “Tabakstilleben” (1670), oil on wood, 67 x 52.5 cm (courtesy Kunsthalle Bremen)

Transitions

The Broad added four new members to its board of directors: Thomas Campbell, Sherry Lansing, Joanne Heyeler, and Deborah Kanter.

Gen. J.R. “Jack” Dailey, the director of the Smithsonian’s National Air and Space Museum, will retire in January 2018

Leslie Griesbach Schultz will step down as the president of BRIC in June 2018.

Henry Tang Ying-yen was appointed the chair of Hong Kong’s West Kowloon Cultural District Authority (WKCDA).

John Abodeely was appointed CEO of the Houston Arts Alliance.

Sofía Hernández Chong Cuy was appointed director of the Witte de With Center for Contemporary Art.

Graham C. Boettcher was appointed director of the Birmingham Museum of Art.

Klaudio Rodriguez was appointed deputy director of the Bronx Museum of the Arts.

Ellen Harrington was appointed director of the Deutsches Filminstitut and Filmmuseum.

Corey Piper was appointed curator of American art at the Chrysler Museum of Art.

Bradley Bailey was appointed curator of Asian art at the Museum of Fine Arts, Houston.

Crawford Alexander Mann III was appointed curator of prints and drawings at the Smithsonian American Art Museum.

Jens Hoffmann was appointed artistic director of the Honolulu Biennial. Nina Tonga and Scott Lawrimore were appointed as the Biennial’s curators.

Florence Derieux was appointed director of exhibitions at Hauser & Wirth, New York.

The Urban Nation museum, the first major institution dedicated to street art and graffiti, opened in Berlin.

The Mining Art Gallery, a museum dedicated to art works created by Durham miners, will open in Bishops Auckland in England next month.

Istanbul’s Yapi Kredi Culture and Art Center reopened following an extensive renovation.

The Sara Kay Gallery, a gallery dedicated to woman artists, will open on the Lower East Side on September 28.

Berlin’s König Galerie plans to open a new space in London named König Archiv & Souvenir.

The Zeitz Museum of Contemporary Art Africa opened in Cape Town.

Exterior of the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), Cape Town, South Africa (via Facebook/@ZeitzMOCAA)

Accolades

Inuit Tapiriit Kanatami, Canada’s national Inuit group, presented the 2017 Cultural Repatriation Award to Chicago’s Field Museum and the Nunatsiavut government in Labrador. The award follows the return of 22 Inuit bodies that were exhumed in 1927 and 1928 by William Strong, an assistant curator at the museum.

Theaster Gates was awarded the 2018 Nasher Prize.

Meredith Monk was awarded the 2017 Dorothy and Lillian Gish Prize.

Jono Vaughan was awarded the 2017 Betty Bowen Award.

Tezuka Architects received the 2017 Moriyama RAIC International Prize.

Obituaries

Axel Kasseböhmer, “Stoff I” (1981), oil on canvas, 206 x 232 cm (framed) (© Axel Kasseböhmer; courtesy Sprüth Magers)

Pat Albeck (1930–2017), designer.

Axel Kasseböhmer (1952–2017), painter.

Brenda Lewis (1921–2017), soprano.

Joyce Matz (1925–2017), publicist. Represented civic groups seeking to preserve New York City landmarks.

Stanislav Petrov (1939–2017), former Soviet officer. Known as “the man who saved the world” for his role in averting nuclear war on September 26, 1983.

Jerry Pournelle (1933–2017), science fiction novelist and computer guide.

Harry Dean Stanton (1926–2017), actor, musician, and singer.

Hal Tulchin (1926–2017), documented the 1969 Harlem Cultural Festival (aka “the Black Woodstock”).

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[bestketodiet]

McSurf ‘N Turf Deluxe Meal for Jack Black’s Birthday

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Jack Black is a legend and easily one of our favorite comedians in the world. And when we was featured on MTV Diaries when we were growing up, he ate the McSurf ‘N Turf Deluxe, consisting of ALL the major food groups.

In honor of his 48th birthday today, we made this video for Jack. Tweet it, FB it, Instagram it to him if you agree he’s THE MAN.

Donate to our show. We’re completely self-funded for our food, travel and overall production: http://www.patreon.com/numbersixwithcheese

Background music credit for this episode goes to:

https://www.youtube.com/user/tenaciousDVEVO

Watch the MTV Diaries episode clip here:

People ask if they can buy us a beer. Of course, and seriously that’s insanely nice of you. If you’re feeling generous: Sean’s Venmo: https://venmo.com/SeanEly Corey’s Venmo: https://venmo.com/corey-wagner-5

Send us beer! And video requests!

Sean Ely and Corey Wagner 3023 N. Clark St. Unit #847 Chicago, IL 60657

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Nacho Cheese Fountain members: *Michael Goodrich *David Black *Derek Bowe *Arthur Brown *Zachary Willing *Eric Marzec *William Powell *Chris Voss *David Cooper *Corey Silver *MiVidMaker *Chris McKay *Tiffany Griffin *Becky Kelly *Clark Frailey *Molly *Dan Hunt *Lee Lawson *Michael Latham *Demetri Kouvalis *Jono Crute *Patrick Gwozdziowski *David Jackson *Peter R *Greg Enos *Nathaniel Mendoza *Darryl Mazur

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Just Let It Brie member: *Morgan Brinton *Amanda Evans *April Haley *Tim Leichty *Uday Gupta *Duane Mancini *Cindy Brown *Sam Gorton

THE GOD OF CHEESE SOLO MEMBER!!!! *David Cowen

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Welcome to “Number Six With Cheese”, a web series created by and starring Sean Ely and Corey Wagner. The comedy duo is based in Chicago’s Northside. They love food and making unique videos to capture their experiences enjoying it together.

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Want to work with Sean and Corey? They brainstorm collaborations, sponsorship opportunities and more via email. Send all inquiries to numbersixwithcheese@gmail.com

From the bottom of our hearts, thanks for believing in the brand we’re building. So many fun things to come soon. -Sean and Corey

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1/Project : Color Study.

Photographed by JONO Photography.

Modelled by Darnel Williams, Aaron Bailey and Jonathan Mark Weber.

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[easyfoodnetwork]

Pottery from Cuarto Suspiro, which supplies many of the dishes for Brooklyn restaurant Claro. | Courtesy Cuarto Suspiro With restaurant orders canceled, the artisans that supply restaurants with handmade pottery need to find new ways to get through the coronavirus crisis Since Brooklyn Oaxacan restaurant Claro switched to takeout and delivery only in response to the coronavirus pandemic, chef and owner TJ Steele has been working around the clock. He let most of his staff go and is serving moles and soups alongside two sous chefs. Moles take days to prepare and he’s constantly somewhere in the process, cleaning chiles, grilling outside, or packing finished dishes into plastic and foil containers for delivery drivers to take to their final destinations, where they’ll likely be eaten directly from the container or perhaps on chipped Ikea plates. It’s a different experience entirely from dining at the restaurant, not least because at Claro, Steele plated dishes like duck mole and broccoli quesadillas on ceramics, handmade by artisans in Oaxaca. Estudio Cuarto Suspiro, a studio founded by Brian Corres and Natalia Bolaños, is responsible for many of the restaurant’s signature items, like Mezcal glasses adorned with ocean life and colorful plates for mole and appetizers. But now the plates, bowls, cups and other vessels that were once the complement to chefs’ creativity are no longer needed at restaurants across the country, and the people who make them are feeling the effects of a devastated restaurant industry. Restaurants are often these artists’ biggest clients, and this is yet another example of an unseen industry that, without restaurants, is needing to find new ways to get by. For Bethany Kramer, a potter based in Melbourne, Kentucky, the consequences have been immediate. “All work has been halted,” she says. “I have several boxes [for now closed restaurants] sitting here ready to ship and orders in progress.” Before the outbreak, making bowls with contrasting rims, wide speckled plates, and ramekins for restaurants like the Baker’s Table in Newport, Kentucky; Nada in Cincinnati and Indianapolis; and the Beach House in Pompano Beach, Florida were Kramer’s primary sources of business. “I offered to hold onto everything until things get back to normal,” she says. “We’re all in a super tight spot and I’m trying to be as understanding as possible. I know that plateware is the last thing on their minds right now.” Courtesy Cuarto Suspiro Claro tacos on a Cuarto Suspiro plate As restaurants reopen, Kramer worries they won’t be in the financial position to invest in handmade pottery, which is both more breakable and more expensive than mass produced dishes sold at restaurant supply stores. “There is definitely a concern if everyone can reopen or bounce back after this,” she says. If the restaurants can’t use the work, Kramer will try to sell the pieces she made for them individually. She spent the week of March 16th building out her online shop, which will be her main source for sales until she can attend art shows in the summer and fall. “It may take a long time but it may be the only option I have,” she says. “I’m not going to put more of a financial burden on anyone if they can’t take the work. Nothing is so custom that I wouldn’t be able to sell it elsewhere.” New York based ceramicist Jono Pandolfi makes custom stoneware for restaurants like Eleven Madison Park and the Nomad. In the past several weeks, his business has shifted dramatically. “Two weeks ago we were operating at full capacity, working on about 30 new restaurant orders, and 72 hours later most of those orders needed to be put on hold or canceled altogether. It was shocking how quickly we went from full steam ahead to a screeching halt.” For Pandolfi, who works out of a studio in Union City, New Jersey, the restaurant closures were only half the disruption; he needed to minimize risk in his production space as well. “It became clear that it wasn’t safe for our entire team of 17 people to be working in the studio so we’ve had to scale things back considerably and are currently focused on packing and fulfilling orders with existing inventory,” he says. “Even if we had the demand, we couldn’t have a studio full of people making the orders.” Pandolfi had to lay off most of his team, and he isn’t alone. Seventy-year-old Heath Ceramics in the Bay Area was forced to lay off staff to adjust production to the state’s shelter-in-place order. As owners Catherine Bailey and Robin Petravic shared in a letter to customers, “Pausing the business suddenly for two to three months was never part of our plan. We have insurance for fires and earthquakes, given our California location. But nothing covers this type of unexpected hit.” Pandolfi is hopeful the layoffs are only temporary. “Our landlord has been very accommodating and hopefully the new stimulus package will allow us to hire our employees back quickly. I’ve been spending a lot of time calling other small business owners and reading about the CARES act this week.” However, Pandolfi notes that his business is so interconnected with restaurants, that its future depends on them reopening. “It is imperative that restaurants get the support they need so everyone else involved —chefs, servers, dishwashers, food purveyors, etc. — can get back to business,” he says. “As long as restaurants can make it back after this, we should be in fine shape.” Pandolfi is still working on dishes for restaurants scheduled to open this fall, but to make ends meet and support his staff, he and his brother, general manager Nick Pandolfi, are focusing on making sales through the Jono Pandolfi e-commerce site and through a partnership with Food52. Pandolfi is also finding ways to give back to the restaurant industry: starting April 10, Jono Pandolfi is directing 20 percent of the sales of a fermentation crock (produced in collaboration with Bon Appetit video host Brad Leone) to the Restaurant Workers Community Foundation COVID-19 emergency relief fund. “We’re fortunate to still have some orders coming in right now, so we want to do what we can to support the restaurant industry that has enabled us to grow for the past 10 years,” Pandolfi says. The ripple effects from closed dining rooms in America are felt as far as the pottery studios in Oaxaca, where Steele once shopped for Claro. Steele was Cuarto Suspiro’s first international customer when he ordered a turkey-shaped pitcher in 2017 before Claro’s opening, and since then, Bolaños explains, the studio’s business has grown to include a number of international customers, both restaurants and individuals. “We’ve had different clients in the States, some of whom come through social media.” But since the coronavirus outbreak, tourism in Oaxaca has dried up, and it’s affected the studio’s sales. Art fairs, where the team meets new clients and does much of its business, have been canceled and the duo is seeing a huge decrease in orders. Through March, the studio had been able to continue production — the workshop is spacious and each employee has their own work station and commuted by bike or foot. “We’re staying optimistic and working on back orders and outstanding ideas,” Bolaños said at the time. However, on March 30 following a lockdown order, Cuarto Suspiro closed. Bolaños and Corres, who live next door, are able to continue to work some, but production has effectively been suspended. Ceramicists desperately want restaurants to reopen. In the meantime, they’re hoping individual customers will purchase their products. And replacing those chipped Ikea plates with artisan dishes is one way for those with the means to support industries affected by COVID-19. By buying new dishes, consumers can support the small producers who make them and in some cases, they can help out restaurants directly too: Jean-Georges is selling its porcelain and donating 50 percent of sales to its employee relief fund. Plus, as Pandolfi points out, there’s a more personal reason to upgrade: “I think all that time cooking at home has made some of our customers want to invest in nicer plates.” Cuarto Suspiro accepts orders via Instagram or Facebook, but here’s how to shop these other restaurant suppliers: Vox Media has affiliate partnerships. These do not influence editorial content, though Vox Media may earn commissions for products purchased via affiliate links. For more information, see our ethics policy. from Eater - All https://ift.tt/2xV0Qsx

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[footyplusau]

The full injury list: round one

Player

Injury

Estimated Return

Jonathon Beech Calf Test Brad Crouch Hamstring 1-3 weeks Ben Davis Foot TBC Tom Doedee Knee 3-4 weeks Cam Ellis-Yolmen * Knee Season Dean Gore Concussion Test Riley Knight Achilles Test Jake Lever Hamstring Test Paul Seedsman Groin 2-3 weeks Rory Sloane Fractured eye socket Test Scott Thompson Shoulder 1-3 weeks Taylor Walker Hamstring Test Updated: Friday, March 17

The track report

Walker and Sloane will be touch and go for round one. Lever missed all of the pre-season and would likely build match fitness through the SANFL before returning to the senior side. He could play alongside Crouch and Thompson in a trial against Woodville-West Torrens on Saturday, March 25. Seedsman may return for that game as well, but the winger is more likely for the following week. His recovery from a groin injury has been slightly slower than expected. – Lee Gaskin

Player

Injury

Estimated Return

Jarrod Berry Knee 1 week Allen Christensen Collarbone 6 weeks Jono Freeman Cheekbone 1-2 weeks Hugh McCluggage Ankle 1-2 weeks Marco Paparone Hamstring 2-3 weeks Josh Schache Knee 1-2 weeks Sam Skinner Knee TBC Updated: Friday, March 17

The track report

There are a few niggles, but aside from Christensen, the list is in good shape. Berry and Freeman are chances to play in a NEAFL practice match on March 25, while Schache and McCluggage resume training next week and should only be a week or two from entering selection calculations. – Michael Whiting

Player

Injury

Estimated Return

Dylan Buckley Hip Available Ciaran Byrne ACL TBC Daniel Gorringe Achilles Available Sam Petrevski-Seton Quad 2-3 weeks Andrew Phillips  Foot TBC Updated: Friday, March 17

The track report

Petrevski-Seton sustained the injury at training last month, causing him to miss the JLT Community Series, but he is back in full training and should be ready soon. Buckley and Gorringe, injured during the pre-season, are available for selection. Byrne is a long way off, while Phillips is making solid progress. – Howard Kotton

Player

Injury

Estimated Return

Jordan De Goey Broken hand 2-3 weeks Jamie Elliott Ankle 1-2 weeks Levi Greenwood Hip 4-5weeks Ben Sinclair * Hamstring 8-12 weeks  Daniel Wells Calf 2-4 weeks Updated: Monday, March 20

The track report

Skipper Scott Pendlebury seems certain to take on the reigning premiers, the Western Bulldogs, barring another flare-up of the Achilles tightness that sidelined him as a precautionary measure in the final JLT Community Series game. Livewire forward Jamie Elliott will miss round one and is in doubt for round two after injuring his ankle in a training incident. De Goey is out for 2-3 weeks after breaking his hand when playing with his dog. The date for ex-Roo Wells’ long-awaited debut for the Pies continues to drift. – Ben Collins

Player

Injury

Estimated Return

Tom Bellchambers Knee Test Aaron Francis  Ankle Test Josh Green Foot Test Cale Hooker Hamstring Test Jayden Laverde Ankle 12 weeks Matthew Leuenberger Hamstring 3-4 weeks David Myers * Finger 4-6 weeks Jordan Ridley * Back 12 weeks Updated: Friday, March 17

The track report

The Bombers are hopeful Hooker will be fit to play in round one, with the key forward needing to get through a VFL practice match on Friday. Bellchambers and Green will also play in the game as they push their claims for an opening round berth. Losing promising youngster Laverde to a serious ankle injury was a big blow, while draftee Jordan Ridley has been placed on the long-term injury list after being diagnosed with a partial stress fracture in his back. – Ben Guthrie

Player

Injury

Estimated Return

Michael Apeness   Knee 5-7 weeks Hayden Ballantyne   Hamstring  8-10 weeks Harley Bennell  Calf  TBA Zac Clarke  Knee  TBA Josh Deluca Groin 4-6 weeks Ryan Nyhuis Shin 4-5 weeks Alex Pearce   Leg TBA Luke Ryan Ankle 1-2 weeks Matthew Uebergang Hamstring TBA Updated: Tuesday, March 21

The track report

Hayden Ballantyne and Michael Apeness going down two weeks out from round one was a blow, however both forwards at least had solid pre-seasons under their belts which should count for something when they return. Harley Bennell is on a timeline aiming towards a playing comeback around rounds 4-6, but after sitting out the entire 2016 campaign that would almost certainly be via the WAFL. Ditto for Clarke and Pearce after long lay-offs. – Travis King

Player

Injury

Estimated Return

Corey Gregson Foot TBC Jamaine Jones Hamstring 1-2 weeks Jake Kolodjashnij Groin Test Scott Selwood Toe Test Updated: Friday, March 17

The track report

Jake Kolodjashnij has had an interrupted pre-season and is in doubt for the opening round given he did not appear in the JLT Community Series. Cam Guthrie will tune-up in the VFL after hurting his calf in the opening pre-season game. Scott Selwood has had a frustrating build-up with a toe injury and again, would appear doubtful given his lack of match practice. Otherwise, with scans clearing Mitch Duncan and Tom Stewart of hamstring injuries after the weekend, the Cats are in good health and shape for the season-opener against Fremantle. – Peter Ryan

Player

Injury

Estimated Return

Sam Day Hip Season Michael Rischitelli Knee Indefinite Updated: Friday, March 17

The track report

This is the shortest list the Suns have seen in many years. Jarrod Harbrow (ankle), Trent McKenzie (calf) and Brandon Matera (eye) are expecting to play a NEAFL practice match on Saturday (March 18). Harbrow will need more match conditioning before being available for senior selection. – Michael Whiting

Player

Injury

Estimated Return

Stephen Coniglio Ankle 5 weeks Aidan Corr Hand TBC Matt de Boer Hamstring 2-3 weeks Brett Deledio Calf TBC Tom Downie * Illness Indefinite Updated: Tuesday, March 21

The track report

Coniglio’s loss is huge for the Giants but they’re hopeful he can make it back earlier than predicted, while Corr’s could be longer than the 1-2 weeks if his hand doesn’t respond in the splint he’s been given. Deledio isn’t likely to feature in the first month of the season and could be missing even longer given the club will take every precaution with the veteran. Midfielder de Boer could have helped fill the void left by Coniglio but he’ll need 1-2 games in the NEAFL before he’s ready to play seniors in round 2-3. Downie will take time away from the club to deal with an ongoing mental illness with no timeline on his return. – Adam Curley

Player

Injury

Estimated Return

Jonathan Ceglar ACL 12 weeks Jonathan O’Rourke Hamstring Indefinite Updated: Friday, March 17

The track report

The Hawks enter 2017 with almost a full list to choose from. In some ways, the early exit from last year’s finals was a bonus in that it allowed the playing group to freshen up after several gruelling campaigns. Ceglar is making strong progress and now appears certain to play before the end of the season, but O’Rourke has now injured both hamstrings this pre-season. The Hawks are considering following the same path they did with Cyril Rioli in 2014, holding him out of football for several months to allow him to rebuild and rehab without the pressure of returning to play. – Ashley Browne

Player

Injury

Estimated Return

Sam Frost  Toe Test Colin Garland Knee TBC Jeff Garlett Hamstring Test Michael Hibberd Achilles 1-2 weeks Mitch King * Knee TBC Joel Smith Toe Test Dom Tyson  Knee Available Aaron vandenBerg Foot 4-6 weeks Updated: Monday, March 20

The track report

More will be known on the status of Hibberd, Garlett and Kent after they play in Sunday’s VFL practice match at Casey Fields. Rookie Joel Smith remains in contention for round one, but the Demons will be cautious with his return. Mitch King is on the long-term injury list but is nearing his return to the field after rupturing his ACL early last year. Given his lack of match practice, Frost will play in the VFL in the first round of the season. – Ben Guthrie

Player

Injury

Estimated Return

Paul Ahern * Knee Season Jed Anderson Shoulder Test Ben Jacobs Foot 4-6 weeks Oscar Junker Broken tibia 12-14 weeks Mason Wood Hamstring 4-6 weeks Updated: Friday, March 17

The track report

Expect the Roos to be extra cautious with Jacobs, as it is the second time he has fractured the fifth metatarsal in his right foot. The midfielder had surgery to minimise the risk of recurrence, but the club will be keen to avoid any further setbacks. Anderson and Garner are expected to be available for round one. The only other Roo to miss the season opener against West Coast is Ben Cunnington who will be serving a one-match ban. – Nat Edwards

Player

Injury

Estimated Return

Matthew Broadbent Hamstring Test Dougal Howard Knee 4-6 weeks Jasper Pittard Hamstring 3-4 weeks Updated: Friday, March 17

The track report

Defender Matthew Broadbent is expected to come straight back into the side for the round one clash with Sydney despite missing the JLT Community Series. Pittard should be back in round two or three. Second-year ruckman Dougal Howard is making good progress from a torn ACL. Forward Angus Monfries (shoulder) and defender Logan Austin (ankle) played a SANFL trial game last weekend. – Lee Gaskin

Player

Injury

Estimated Return

Shaun Hampson * Back Indefinite Steve Morris Knee 1 week Updated: Friday, March 17

The track report

Morris is aiming to return for the second round of VFL matches before pushing to be available for round four in the AFL. Draftee Jack Graham is available for selection after a four-week hamstring injury but will be eased in. Young forward Daniel Rioli is on light duties this week after suffering a corked thigh against Collingwood on March 11. – Nathan Schmook

Player

Injury

Estimated Return

Nick Coughlan Foot Indefinite Leigh Montagna Calf 1 week Bailey Rice Finger 3-4 weeks Hugh Goddard Achilles TBC Updated: Friday, March 17

The track report

Coughlan has a stress fracture in his right foot and will be out indefinitely, wearing a moonboot for at least the next two weeks. Montagna’s calf injury is becoming a concern, given he was originally slated to play in the JLT Community Series but has now been forced to push back his return to round two. Goddard is running as he rehabilitates a torn left Achilles tendon, but is not expected to contend for selection until mid-season. – Nathan Schmook

Player

Injury

Estimated Return

Darcy Cameron Finger 1 week Isaac Heeney Glandular fever TBC Kieren Jack Hip Test Alex Johnson * Knee Indefinite Jarrad McVeigh Calf 4 weeks Tom Papley * Knee 1 week Gary Rohan * Back 3 weeks Updated: Tuesday, March 21

The track report

Heeney’s illness is a big worry for the Swans. He could be back early in the season, but severe cases of glandular fever can last for months. McVeigh’s calf is also a concern but the former co-captain is extremely thorough with his rehab and won’t need much training before he’s ready to play. Rohan and Papley will need at least a month of NEAFL after very limited pre-season campaigns, and Johnson will be targeting the second half of the season for his comeback from a fifth knee reconstruction. – Adam Curley

Player

Injury

Estimated Return

Matthew Allen Hamstring 3-4 weeks Tom Cole Quad 1-2 weeks Scott Lycett * Shoulder 8-10 weeks Nic Naitanui * Knee Late 2017 season Willie Rioli Hamstring 5-6 weeks Simon Tunbridge Knee Mid-late 2017 season Jake Waterman Foot 8-10 weeks Updated: Tuesday, March 21

The track report

The Eagles can’t take a trick with their ruck stocks, although Scott Lycett’s shoulder injury and possible three-month spell will give him more time to gain confidence in his reconstructed PCL and jumping into ruck contests. Exciting forward Willie Rioli was on target for a possible round one debut and will now likely have to prove himself at East Perth upon his return. – Travis King

Player

Injury

Estimated Return

Tom Campbell Ankle Test Josh Prudden ACL TBC Jack Redpath ACL TBC Jordan Roughead Hamstring 3-4 weeks Roarke Smith ACL Season Mitch Wallis Broken leg TBC Updated: Friday, March 17

The track report

There’s word coming out of Whitten Oval that Campbell may be a chance to partner Tom Boyd in the opening round clash against Collingwood, with his ankle healing faster than expected. Fellow ruckman Jordan Roughead would be looking at a round four return at best. – Ryan Davidson

*Placed on the club’s long-term injury list

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