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productsreviewings · 1 year

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Quick wide-angle primes can are available in helpful for all kinds of issues, from sweeping landscapes to architectural interiors and environmental portraits, in addition to for road pictures. Introduced in August, Sigma’s new 20mm f/1.4 DG DN | Artwork and 24mm f/1.4 DG DN | Artwork lenses match the invoice completely, out there in each Sony E and Leica L mount choices. Nevertheless, Sigma’s announcement positioned each lenses as being among the many finest in the marketplace for astrophotography, because of their large discipline of view, quick aperture, excellent sharpness throughout the entire body and efficient management of sagittal coma flare.The Sigma 20mm f/1.4 DG DN | Artwork and 24mm f/1.4 DG DN | Artwork launched with claims of well-controlled sagittal coma flare, serving to to retain the pure form of stars and different celestial our bodies, throughout the entire picture body. (Picture credit score: Sigma)August additionally noticed the launch of the brand new Tamron 50-400mm F/4.5-6.3 Di III VC VXD zoom for Sony mirrorless cameras, initially introduced and coated in our information the earlier month.Samyang (additionally badged Rokinon) launched the XEEN CF 135mm T2.2 cine lens in a variety of fashionable mount choices for filmmakers, together with PL, Canon EF and Sony E.See different installments in our 12 lenses of Christmas sequence (opens in new tab)Samyang launched the XEEN CF 135mm T2.2 as a lens for movie-lovers, or no less than those that get pleasure from making them. (Picture credit score: Samyang)In the meantime, Pentax was nonetheless persevering with lenses for DSLRs and launched an up to date lens roadmap. Forthcoming points of interest would come with an up to date 100mm f/2.8 D-FA WR Macro lens and two new lenses, one a telephoto and the opposite a wide-angle.Different information noticed the polar reverse of a lens launch, in that Viltrox adopted the likes of Samyang in pulling Canon RF mount lenses from the market. The favored rumor for the disappearance of those lenses was that Canon had not ‘opened up permission’ for the manufacturing of RF lenses by unbiased corporations.Following July’s bumper crop of lens evaluations, August noticed comparatively slim pickings, though we did run the Leica 24mm Summilux-M f/1.4 ASPH by out labs. The ensuing assessment praised the ultra-sharp picture high quality, glorious construct high quality and 0 distortion, though we had been much less admiring of the exorbitant promoting value.The Leica 24mm Summilux-M f/1.4 ASPH is a factor of magnificence, with spectacular craftsmanship and all-round efficiency, however you’ll want deep pockets to purchase one. (Picture credit score: Sebastian Oakley / Digital Digicam World)Again to fundamentals• What are the finest digital camera lenses to purchase (opens in new tab)?Lenses for pictures genres• Greatest lenses for astrophotography (opens in new tab)• Greatest lenses for hen pictures (opens in new tab)• Greatest lenses for panorama (opens in new tab)Lenses on your digital camera• Greatest Canon lenses• Greatest Fujifilm lenses• Greatest Nikon lenses• Greatest Olympus lenses• Greatest Panasonic lenses• Greatest Pentax lenses• Greatest Sony lenses #lenses #Christmas #August #starred #pair #Sigma #Astrophotography #optics

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jkrump · 1 year

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#Leica #Vario #Elmar #Digital Camera Lens #Mirrorless Camera Lens #Lens #Photography News #Photography #Portland #Oregon #PDX #Portland Photogrpaher #News #Updates

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digital-cameras-singapore · 2 years

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Sigma 20mm and 24mm f/1.4 DG DN Review: Top Lenses for Sony E-Mount

Sigma’s two newly introduced wide-angle lenses are going to impress a lot of people with their large apertures and reasonable prices. Sigma is making these two lenses available in either Sony E-mount or Leica L-mount varieties. For this review, I used the Sony E-mount versions on a Sony Alpha 7R III. Build Quality Weighing one pound, 6.2 ounces (630 grams) and measuring 4.5 inches long by 3.5…

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blueiskewl · 3 years

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Flea Market Leica Lens Sells for $50,000

A rare, collapsible version of the Meyer Primoplan 5cm f/1.9 LTM Leica M39 mm RF — valued at $50,000 — was listed for less than a day before the seller received a private offer to purchase it. Just a few months before, it was scooped up at a flea market for just $10.

While the sale is pending, it shows just how hot the market is for rare, vintage Leica collectibles.

Jean-Louis Beek who runs the vintage camera shop Cameratique says that the lens was purchased about three months ago in South Africa at a flea market, where it was picked up for a “what is equivalent to $10.”

“The new lucky owner then advertised it on a local online auction webpage where a photographer recognized what it was and purchased it for a substantial amount more. He then on-sold to me,” Beek explains. “I then brought it to the international market where it will probably end up in the hands of a high-end collector.”

He says that he expects that after it is sold, it could be up to another generation before it appears for sale again.

“And so the life cycle of such a rarity will continue,” he says.

Beek tells PetaPixel that the interest in the lens even exceeded his expectations.

“It’s a small world of capable buyers at this level,” he says. “And word can spread fast amongst them.”

The lens is a screw-mount type produced by Meyer Primoplan and while exceedingly rare, the specific history of this lens was not known to Beek as it –and lenses like it — is particularly difficult to categorize and value, as its history is are not well documented.

“The problem with these items is that they are so limited, there is little or no reference to them anywhere,” Beek says. “No online images to work with, no previous recorded sales history that factor in the fast increase in value these items are experiencing, mixed with the ability to use these lenses on modern cameras easily today and produce outstanding results,” he says.

The image below was captured using the lens and shows that it still maintains its optical quality to this day.

“Factory archives are limited if available at all, and access I certainly do not have to these records of the wartime-surviving company Meyer Optic that also went bankrupt a few times during its lifespan.”

An added wrinkle to valuation is how rarely the lenses actually show on the public market.

“These rare optical artifacts are also difficult to estimate the values of, as a lot of the trades taking place are happening behind closed doors. Not all are online and visible to the public,” Beek says.

While the value of this particular lens seems high, it’s not out of the ordinary. Vintage Leica lenses and cameras regularly sell for enormous sums at auction. In December of 2020, a rare Leica lens was sold at auction for $290,000, while earlier that year a prototype L-mount Nikon rangefinder sold for $468,850. Most recently, a Jony-Ive-designed Leica prototype is expected to sell for at least $200,000.

By Jaron Schneider.

#Flea Market Leica Lens Sells for $50000 #luxury #luxury goods #leica #photography #photography equipment #flea market finds

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nikon-rumors · 3 years

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After announcing 4 new lenses today, #VenusOptics now has 12 different Laowa lenses for #Leica L-mount - see latest blog post or IG story https://www.instagram.com/p/CLHvy0GH1mE/?igshid=yxq7uo31vzq5

#venusoptics #leica

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jeanvaljean24601 · 4 years

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Full-Frame Showdown: Canon R5, Panasonic S1H, and Sony a7 IIICanon, Panasonic, and Sony.

Japanese camera makers that have played a huge part in major advances in video production over the last 20 years. While they have lost some ground at the top end to innovators like RED, and to market leaders like ARRI, they are massively dominant in the budget range most of us can afford. And for the first time in a long, long time they have relatively comparable cameras in their lineup. The reason why it's the first time in a long time goes back to the beginning of the DSLR/mirrorless revolution. Each company really targeted different markets. Sony was ahead of the game in moving towards full-frame mirrorless back in 2014 with its Alpha line. At the same time, Canon was still pushing hard on DSLR cameras with an internal mirror system that could adapt to PL mount, and Panasonic was out with the very popular, but smaller sensor GH line of cameras. Not only was Sony out early with full-frame mirrorless, they then came out with the a7S II which was a huge hit among filmmakers for its high resolution and great low light performance. For nearly a decade, the three giants were competing in different spaces. Panasonic was up against Olympus and Fujifilm for the MFT market, Canon was up against Nikon for the DSLR market, and Sony had full-frame all to itself. That almost changed two years ago with the release of the RF line from Canon, a series of full-frame mirrorless cameras built around a brand new lens mount. But the resolution wasn't exciting. It was a 4K crop, and it just didn't sing to filmmakers. In 2019, Panasonic generated a ton of buzz with the LUMIX DC-S1H, a very filmmaker-focused full-frame mirrorless offering that shot 6K video, could do RAW over HDMI, 4K up to 60fps, and created very pleasing images. Combined with the same color science and log format as the very popular VariCam line of cameras made this an especially appealing choice for filmmakers who frequently rented or even owned that larger cinema platform. If you were on a VariCam show, you could feel comfortable using the S1H as a C camera or for crash setups. Now Canon is catching up with the EOS R5, which is targeted towards filmmakers with a completely new sensor that is able to shoot 8K internal RAW footage. Now all the big players have options that are broadly in competition with each other. The Canon R5 does 8K RAW internally. You can shoot 6K on the S1H, but to get RAW you need an external recorder. For Sony, the current "filmmaker" camera is the a7 III, which tops out at 4K. In truth, though, we don't care about the resolution number as an end in itself. The key is not the resolution of the file that is created, but the actual measurable perceivable resolution of the final image. If when projected on a movie screen you can't see any resolution difference between the 6K and 8K, then does it really matter? Canon currently is ahead based on the 8K number, but we're going to wait for real-world side-by-side testing with the cameras to see what actually passes the most information along. 8K also requires lenses to actually resolve 8K, which might not even matter if you are shooting with a vintage cinema lens. If you are picking this camera and hoping to shoot with a set of old Super Speed primes or the even older and softer Cooke Speed Panchros, you may not see any difference in resolution at the camera level. Canon has Dual Pixel Autofocus II on the EOS R5 that uses "deep learning" to identifying subjects. Autofocus development is likely going to be one of the key battlegrounds between the cameras. This is vital since Sony has gotten a major lead going in autofocus with some truly impressive results. Autofocus that actually feels like a tool filmmakers might really appreciate makes the a7 III very appealing. Panasonic has a whole host of lenses custom-built for the S1H but hasn't pushed its autofocus hard. While this shouldn't be the main reason a filmmaker chooses a camera, it can be a lifesaver in an interview setup with a subject who keeps leaning forward and back, for instance. If autofocus is a key decider for you, you should focus your attention on who's really ahead of the pack: Canon and Sony. Panasonic S1H As a reminder, in the end, you can make most cameras look like anything. As Steve Yedlin points out, there is so much power in post-processing that a lot of what we talk about when we discuss camera color science is just "wine language." However, color science does matter somewhat on smaller jobs when you won't have much time in post. If you are shooting something where you won't be invited to post, or where it will be online the next day, or even later that night, you want pleasing color straight out of the camera. This category, to me, leans towards Panasonic and Canon. Sony has traditionally had the strangest color science choices, with greens looking a bit off and skin tones a bit shifted towards the orange as well. It's improved over the years, but footage from the FX9 still looks a bit too saturated in the greens for me, and the a7 III fits in that space as well. The first Sony camera to really look good in this area was VENICE. Compare that to Panasonic, who has done an amazing job rolling down the VariCam look into an affordable package. For that alone, Panasonic wins the color competition. While Canon looks quite nice out of the gate, its look is the "look of YouTube," and while it's pleasing, it's very associated with vlogging and the DIY space. Based on footage seen so far, the S1H is the winner here to me. It was also the first Netflix approved mirrorless camera, despite Sony having had 4K cameras available for several years prior. Panasonic felt like a real contender with its 4K 60fps, but the Canon R5 stomps it with a 4K 120fps shooting mode. If you are doing sports, action, or even a certain kind of narrative filmmaking, that 120fps is going to be killer. Sony is carrying the rear here with only 30fps in 4K mode from the a7 III. But that will most likely change with the up-coming a7S III. Canon uses the proprietary RF mount. Sony uses the proprietary E mount. Panasonic uses the open format L mount, part of the L-mount alliance with Leica and Sigma. While that isn't the biggest industry group, I tend to prefer open formats to closed formats, and that has some appeal. However, the E mount has a more robust lens offering at the moment than either RF or L. If you need to shoot today, and you need a lot of lens choices, E mount is the way to go. But then again, most lenses can be adapted. h96 max x3The only reasonable conclusion I can make is that it's a good time to be a filmmaker looking for a camera around $4,000. There are three very strong choices that are going to give you amazing images no matter what. If you already shoot a lot of VariCam, the S1H is the obvious choice. But the R5 deserves a lot of attention and testing for its new autofocus, IBIS, and 8K RAW, which is a real game-changer at this price point. Sony isn't out of the game by any means with its arsenal of lens choices and famous low light quality. It will come down to what your personal expectations and preferences are in a camera. h96 max tv boxSo which one makes the most sense for you?

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thephoblographer · 2 years

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The Best Leica Lenses to Adapt to Your Camera

Give your old Leica lenses some new life!

The great thing about the Leica L mount is its adaptability. Leica M-mount lenses adapt well to pretty much any camera system. Picking the right one can be an ordeal, but that’s why we’re here. We’ve reviewed pretty much every one that’s available and sorted them into a guide. We also dug into our Reviews Index to find some of the best Leica lenses to adapt to L mount cameras. Trust us, you’ll…

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#adapting #leica #leica 28mm #leica 28mm f1.4 #leica 35mm #leica 35mm f2 #leica 50mm #leica 50mm f2 #leica lenses #leica lenses to adapt

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newcanoninfo · 5 years

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Sigma Bringing 11 Art-Series Lenses to L mount, Will Release EF-to-L Mount Converter MC-21 –

In 2018, Leica, Sigma, and Panasonic formed an alliance that would allow the latter two companies to develop products utilizing Leica's L-mount standard. Today, Sigma has announced plans to bring 11 of their popular Art lenses to L mount, as well as sell a new Canon EF-to-L and Sigma SA-to-L mount converter.

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(Read More...) ≠ promoted by #NewCanonInfo

#canon #photography #dslr #blog #photographers #news #6D #5D Mark III #7D #5D Mark II #T3i #fstop

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productsreviewings · 1 year

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naturebythelake · 6 years

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Hey, I love your photos! Do you have any preference on what camera or lens beginner photographers should have?

Thank you very much for the compliment! Ironically, the photos here that you like are shot with various cameras from different manufacturers, ranging from smartphones to megapixel monsters. Only a few will be able to verify that while looking at it. So it's all about the mastery of the technology that is currently in your hands in interaction with the subject and the post-processing.The short answer: Even the cheaper cameras, no matter what brand, including smartphone cameras, are pretty good these days. As a beginner, you can not go wrong with buying almost anything, or you probably already have something useful in your pocket. Just use it.The long answer for advanced beginners:It makes sense to buy a camera with an exchangeable lens, because you have in the long term by changing the lens significantly more creative possibilities. Lenses can then continue to be used if a new, better camera body is going to be purchased later. The purchase of a camera is therefore also the decision for a whole system of a brand. If you opt for a mirrorless camera, you can even adapt many foreign lenses outside the own camera brand.Which system exactly?Here are the spirits warring! It depends heavily on the intended use. My current, very personal view on getting started in camera technology:Sony (E-Mount) offers a high level of flexibility, since you are not limited to one sensor size. By now you can even buy quite cheap an A7 (first generation) with a full-frame sensor, but then have to calculate more expensive and usually larger and heavier lenses. Unfortunately I think Sonys current camera operation menu is terrible. The feel and usability of the camera body is also not that good. The technical sensor performance is particularly good. The video quality is very high across all models.Fuji (X-Mount) offers, especially with the newer versions of their cameras, quite good quality at a good price. The lenses are very good. Fuji makes out of the box great colors. Presumably, the usability (menu and camera feel) is a very good choice, maybe especially for beginners. However, it is limited in the long run to a (smaller) sensor size.If money does not matter: then I would advise to a Leica CL (L-mount). The Leica L-Mount offers flexibility in the longer term like Sony's E-Mount for different sensor sizes. I think its operability (menu and camera-body usability) is the best. The picture quality and the colors are especially good. The image sensors are naturally designed for the adaptation of foreign lenses. The L-mount provides native access to the world's most powerful lenses (and most expensive ones).Lenses: I would advise to get started with two lenses. A kit zoom lens about 24 - 70 mm and a second depending on the main interest: So one about 20 mm for landscape photography or a lens about 50 mm for portraits / people. This second lens should have a luminous intensity as bright as possible / as you can afford it. (For an APS-C camera, the equivalent of the focal length applies)The technology is progressing very fast. Soon, other recommendations could emerge. I hope I could help anyway!

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digital-cameras-singapore · 2 years

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Sigma Announces 20mm f/1.4 DG DN Art and 24mm f/1.4 DG DN Art Lenses

Today, Sigma has announced two new additions to the highly popular and respected Art Series, the 20mm f/1.4 DG DN Art and 24mm f/1.4 DG DN Art. Sigma 20mm f/1.4 DG DN Art The new 20mm f/1.4 DG DN Art continues the tradition of its predecessor as the widest full frame lens with an f/1.4 aperture. Mounts: Sony E, Leica L 17 elements in 15 groups Two SLD elements Three aspherical elements,…

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lightandmatter · 3 years

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Sigma 150-600mm f/5-6.3 OS Sport for Mirrorless Announced

Sigma’s newest lens is a 150-600mm f/5-6.3 DG DN OS ‘Sports’ model for mirrorless cameras, namely those that use a Sony E-mount or Leica L. The lens boasts 4-stops worth of optical image stabilization, “uncompromising” optical performance, and the fast autofocus performance and weather sealed body that define the “Sports” line of Sigma lenses. E anThe new Sigma 150-600mm f/5-6.3 OS “Sports” lens…

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#announcement #sigma #sony

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loadingfiles489 · 3 years

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Minolta Cameras

Mousecomputer laptops & desktops driver. VicTsing Wireless Mouse for Laptop, 2.4G Portable USB Mouse Computer Mouse, Fit Hand Nicely, 5 Adjustable DPI, Page Down/Up Buttons, 20 Months Battery Life, Designed for PC, Desktop, Laptop(Black) 4.6 out of 5 stars 19,973. VicTsing Wireless Mouse for Laptop, 2.4G Portable USB Mouse Computer Mouse, Fit Hand Nicely, 5 Adjustable DPI, Page Down/Up Buttons, 20 Months Battery Life, Designed for PC, Desktop, Laptop(Black) 4.6 out of 5 stars 19,923.

List of products manufactured by electronics company Minolta.

Cameras(edit)

Minolta (ミノルタ, minoruta) was a Japanese company that, under one name or another, manufactured cameras from 1929 to 2003. It produced cameras for many film formats, from 16mm film to medium format. Minolta 9000 - This camera features center-weighted focusing and spot light-metering and was capable of +-4 exposure value in 0.5 exposure steps. Minolta 5000 - This fully automatic Minolta film camera offers +1 exposure value and shutter speeds of 1/2000 to four seconds. Minolta 7000i - This Minolta camera is the first to offer autofocus, and you can find it when you shop for new or used Minoltas for sale on eBay with a card expansion system allowing you to automatically preset shooting modes.

16 mm film cameras(edit)

The first camera manufactured by this company was the 'Nifcalette' (NIFCA being an acronym for Nippon Foto Cameras). The company name changed several times: in 1931 it became Molta; in 1937 it became Chiyoda; and in 1962 it was changed again to Minolta.

Minolta Alpha 7XI (Japanese Maxxum 7XI) 35mm Camera Body. Add to Wish List Add to Compare. Minolta SR-1 Chrome 35mm Camera Body.

Minolta 16 series

110 film cameras(edit)

Minolta Weathermatic A (bright yellow waterproof case)

126 film cameras(edit)

Minolta Autopak 400X

Minolta Autopak 500

Minolta Autopak 550

Minolta Autopak 600X

Minolta Autopak 700

Minolta Autopak 800

35 mm rangefinder and viewfinder cameras(edit)

Minolta Hi-Matic series

Minoltina (S and P)

Minolta repo (Half frame 35mm)

Minolta 24 Rapid (Square format 35mm)

Leica CL (Also sold as the Leitz Minolta CL)

35 mm SLRs(edit)

Minolta Cameras

Manual focus (SR, SR-T and X series):

Minolta SR-2 (1958-1960)(1)

Minolta SR-1 (variants 1959, 1960, 1961, 1962, 1963, 1965) (1959-1971)

Minolta SR-3 (variants 1960, 1961) (1960-1962)

Minolta SR-7 (variants 1962, 1963, 1965) (1962-1966) / Minolta SR 777 (prototype 1965)

Minolta SR-1s (1967-?)

Minolta SRM (1970-1975) (Integral motor 3.5 fps with battery handle)

Minolta SR-T 101 (variants 1966, 1969, 1971) (1966-1975)

Minolta SR-T 100 (variants 1970, 1971) (1970-1975)(2)

Minolta SR-T 102 / SR-T 303 / SR-T Super (1973-1975)

Minolta SR-T SC (1973-1975) (exclusively sold by Sears)

Minolta SR-T MC (1973-1975) (exclusively sold by J.C. Penney)

Minolta SR-T 201 / SR-T 101b / SR 101 / SR 101s (1975-1977)

Minolta SR-T 202 / SR-T 303b / SR 505 (1975-1977)

Minolta SR-T 200 (variants 1975, 1977, 1978, 1979) (1975-1981) / SR-T 100b (1975-1977), SR-T 100x (1977–81)

Minolta SR-T 202 / SR-T 303b / SR 505s (1977)

Minolta SR-T 101b / SR-T 201 / SR 101s (1977, 1978, 1979)

Minolta SR-T SC-II (1977-1980) (exclusively sold by Sears)

Minolta SR-T MC-II (1977-1980) (exclusively sold by J.C. Penny and K-Mart in the U.S., and K-Mart only in Europe)

Minolta Ritz SR-T 201 (1978)

Minolta XK / XM / X-1 (variants 1972, 1976) (1972-1981), Minolta Ritz XK (1978)

Minolta XE / XE-1 / XE-7 (1974)

Minolta XE-5 / XEb (1975)

Minolta XK Motor / XM Motor / X-1 Motor (1976)

Minolta XG 7 / XG 2 / XG-E (variants 1977, 1978)

Minolta XD 5 (variants 1977, 1979)

Minolta XD 7 / XD 11 / XD (variants 1977, 1978, 1979, 1980, 1981) (1977-1984), XD 11 Medical (variants 1980, 1981)

Minolta XG-SE (1978)

Minolta XG 1 (1978-1981)

Minolta XG 9 / XG-S (1979)

Minolta XD-s (variants 1980, 1981), XD-s Medical (variants 1980, 1981)

Minolta X-7 (1980 - 1982)

Minolta XG-A (1981)

Minolta XG-M / X-70 (1981)

Minolta X-700 (1981)

Minolta XG-1(n) (variants 1981, 1982)

Minolta X-570 / X-500 (1983)

Minolta X-600 (1983)

Minolta X-300 / X-370 (1984), Minolta X-7A(3) (1985), Minolta X-370s (1995), Minolta X-300x

Minolta X-300s (1990), X-370n (1990), X-9 (1990)

Autofocus (α/Dynax/Maxxum series)(edit)

Autofocus (α/Dynax/Maxxum series):

MinoltaDynax/Maxxumfilm SLR timeline

Class1985198619871988198919901991199219931994199519961997199819992000200120022003200420052006Higher flagship9000 AF9xi9/9Ti77 LimitedLower flagship800siEnthusiast7000 AF7000i8000i7xi700siHigher entry-Level50005000i5xi400si500si505si5600si classic505si super70/60Lower entry-Level3000i3xi2xi300si404si43 Limited50/40

See also:Minolta A-mount system

Drivers minolta cameras wireless. Downloadable Software for Minolta Camera Products. VLC (Video Lan) Media Player. Playback software for all video media file types. Windows OS Download Link.

Maxxum United StatesDynax European Unionα (Alpha) JapanRelease YearMinolta Maxxum 9000Minolta 9000 AFMinolta α-90001985-09Minolta Maxxum 7000 (with and without 'crossed XX')Minolta 7000 AF, 7000 AF 'Das Zwei-Millionen-Ding', 7000 AF 'transparent'Minolta α-70001985-02Minolta Maxxum 5000Minolta 5000 AFMinolta α-500019867000i7700i19883000i3700i19885000i5700i19898000i, 8000i Prestige8700i, 8700i Prestige19907xi7xi, 7xi Panorama19913xi3xi, 3xi Panorama1991SPxi1991/1992?9xi19925xi5xi, 5xi Panorama19922xi1992700si707si, 707si Japan1993400si, 450si Panorama Date, RZ430si500si303si1994600si Classic, 650si Panorama Date600si Classic507si1995500si, 500si Super, 550si Panorama Date, RZ530si500si Super303si Super1995300si, 350si Panorama Date, Panorama Elite, RZ330si300si101si1995800si807si199791998XTsi505si SuperSweet1998HTsi, HTsi Plus505si19989Ti9Ti, 9Ti II9Ti1999STsi404siSweet S1999QTsi303si360si1999720007 Limited7 Limited, 7 Limited II, 7 CNM20015, 5 QDSweet II200143, 43, Sweet II L20023, GT3L200370607020045030, 405020047D7 Digital20045D5 Digital, Sweet Digital2005Maxxum United StatesDynax European Unionα (Alpha) JapanRelease Year

Digital SLRs(edit)

Minolta RD-175 (also sold as Agfa ActionCam) (1996) with Minolta A-mount

Minolta Dimâge RD 3000 with Minolta V-mount

APS film and digital cameras - Vectis series(edit)

Minolta Dimâge RD 3000 with Minolta V-mount

Digital viewfinder cameras(edit)

Minolta Dimâge EX Wide 1500 / Minolta Dimâge EX Zoom 1500 / Minolta MetaFlash 3D 1500

Minolta DiMAGE 7 / Minolta DiMAGE 7UG

Konica Minolta DiMAGE A200

(Konica) Minolta DiMAGE Z1

Konica Minolta DiMAGE Z2

Konica Minolta DiMAGE Z3

Konica Minolta DiMAGE Z5

Konica Minolta DiMAGE Z6

Konica Minolta DiMAGE Z10

Konica Minolta DiMAGE Z20

Minolta DiMAGE X

Minolta DiMAGE Xi

Minolta DiMAGE Xt / Xt BIZ

Konica Minolta DiMAGE Xg

Konica Minolta DiMAGE X20

Konica Minolta DiMAGE X21

Konica Minolta DiMAGE X31

Konica Minolta DiMAGE X50

Konica Minolta DiMAGE X60

Konica Minolta DiMAGE X1

Minolta DiMAGE S304

Minolta DiMAGE S404

Minolta DiMAGE S414

Minolta DiMAGE G400

Minolta DiMAGE G500

Konica Minolta DiMAGE G530

Konica Minolta DiMAGE G600

Minolta DiMAGE F100

Minolta DiMAGE F200

Minolta DiMAGE F300

Minolta DiMAGE E201

Minolta DiMAGE E203

Minolta DiMAGE E223

Minolta DiMAGE E323

Konica Minolta DiMAGE E40

Konica Minolta DiMAGE E50

Konica Minolta DiMAGE E500

Minolta Dimâge 2300

Minolta Dimâge 2330

Minolta Dimâge V

Minolta Dimâge-Pic

Exposure meters(edit)

Autometer IIIF, IVF, VF

Flashmeter III, IV, V, VI

Spotmeter M, F

Film scanners(edit)

Minolta QuickScan 35 (2880) / Minolta QuickScan 35 Plus QS-2800 / QS-35

Minolta Dimage Scan Dual F-2400 (2882)

Minolta Dimage Scan Dual II AF-2820U (2886)

Minolta Dimage Scan Dual III AF-2840 (2889)

Konica Minolta Dimage Scan Dual IV AF-3200 (2891)

Minolta Dimage Scan Speed F-2800 (2884)

Minolta Dimage Scan Multi F-3000 (2883-102)

Minolta Dimage Scan Multi II F-3100 (2883-121)

Minolta Dimage Scan Multi Pro AF-5000 (2887)

Minolta Dimage Scan Elite F-2900 (2885)

Minolta Dimage Scan Elite II AF-2920 (2888)

Minolta Dimage Scan Elite 5400 (2890)

Konica Minolta Dimage Scan Elite 5400 II (2892)

Flatbed scanners(edit)

Binoculars(edit)

ACTIVA D WP XL 8x42, 10x42 (Roof, BaK-4)

ACTIVA D WP XL POCKET 8x25, 10x25 (Roof, BaK-4)

ACTIVA D WP SPORT 8x42, 10x42 (Roof, BaK-4)

ACTIVA WP 8x25, 10x25, 12x25 (Porro, BaK-4)

ACTIVA COMPACT FM 8-22x27, 10-30x27 (Porro, BaK-4)

ACTIVA WP FP 7x35, 7x50, 8x40, 10x50, 12x50 (Porro, BaK-4)

ACTIVA STANDARD ZOOM 7-15x35, 8-20x50 (Porro, BaK-4)

ULTRA COMPACT UC III 6x16, 8x18 (Roof)

COMPACT II SUPER 8x25, 10x25L (Porro, BaK-4)

CLASSIC III WR 7x35, 7x50, 8x40 (Porro, BaK-4)

CLASSIC WP SPORT for USA/Canada 8x42, 10x50, 12x50 (Porro, BK-7)

CLASSIC WP SPORT for Europe 8x42, 10x50, 12x50 (Porro, BaK-4)

CLASSIC II ZOOM 7-15x35, 8-20x50 (Porro, BK-7)

SPORT MINI WP 8x25, 10x25 (Roof, BK-7)

STANDARD EZ 10x50 Wide Angle 6.5' (Porro, BK-7)

STANDARD XL 10x50 Wide Angle 6.5' (Porro, BaK-4)

STANDARD ZOOM EZ 7-15x35, 8-20x50 (Porro, BK-7)

STANDARD ZOOM XL 7-15x35, 8-20x50 (Porro, BaK-4)

STANDARD 7x35EW, 7x50, 8x40EW, 10x50EW (Porro, BaK-4)

STANDARD ZOOM 7-15x35, 7-21x50 (Porro, BaK-4)

WEATHERMATIC-YELLOW 7x42, 10x42 (Roof, BaK-4)

WEATHERMATIC-BLACK 7x42, 10x42 (Roof, BaK-4)

WEATHERMATIC COMPACT 8x23, 10x23 (Porro, BaK-4)

POCKET 7x21, 8x22WA, 9x24, 10x25WA (Roof, BK-7)

POCKET II (Roof, BK-7)

AUTOFOCUS 8x22, 10x25 (Roof)

AUTOFOCUS COMPACT 8x22, 10x25

Photo copiers(edit)

Di151

Di152

Di181

Di183

Di250/350

Di251/351

Di2510/3010/3510

Di450/550

Di470 * Di520/620

Di551

Di650

Di750

Di850

Di1610

Di1611

Di2011

Di5510

Di7210

CF1501

CF2001

CF2002

CF3102

CF5001

CF9001

bizhub 164

bizhub 195

bizhub 215

bizhub 25e

bizhub 227

bizhub 287

bizhub 308

bizhub 368

bizhub 308e

Bizhub 181

Bizhub 200

Bizhub 223

Bizhub 224e

Bizhub 227

Bizhub 25

Bizhub 25e

Bizhub 282

Bizhub 283

Bizhub 284e

Bizhub 287

Bizhub 308

Bizhub 3301

Bizhub 3320

Bizhub 350

Bizhub 36

Bizhub 360

Bizhub 361

Bizhub 362

Bizhub 363

Bizhub 364e

Bizhub 368

Bizhub 368e

Bizhub 4020

Bizhub 4050

Bizhub 42

Bizhub 420

Bizhub 421

Bizhub 423

Bizhub 454e

Bizhub 458

Bizhub 458e

Bizhub 4750

Bizhub 500

Bizhub 501

Bizhub 552

Bizhub 554e

Bizhub 558

Bizhub 558e

Bizhub 600

Bizhub 601

Bizhub 652

Bizhub 654

Bizhub 654e

Bizhub 658

Bizhub 658e

Bizhub 700

Bizhub 751

Bizhub 754

Bizhub 754e

Bizhub 808

Bizhub 958

Bizhub C203

Bizhub C220

Bizhub C224

Bizhub C224e

Bizhub C227

Bizhub C25

Bizhub C253

Bizhub C258

Bizhub C280

Bizhub C284

Bizhub C284e

Bizhub C287

Bizhub C308

Bizhub C3350

Bizhub C3351

Bizhub C35

Bizhub C350

Bizhub C351

Bizhub C353

Bizhub C360

Bizhub C364

Bizhub C364e

Bizhub C368

Bizhub C3850

Bizhub C3850FS

Bizhub C3851

Bizhub C3851FS

Bizhub C450

Bizhub C451

Bizhub C452

Bizhub C454

Bizhub C454e

Bizhub C458

Bizhub C550

Bizhub C552

Bizhub C552DS

Bizhub C554

Bizhub C554e

Bizhub C558

Bizhub C558e

Bizhub C650

Bizhub C652

Bizhub C652DS

Bizhub C654

Bizhub C654e

Bizhub C658

Bizhub C659

Bizhub C754

Bizhub C754e

Bizhub C759

Planetariums

MS-6 (for six meter domes)

MS-8 (for eight meter domes)

Mediaglobe, Super Mediaglobe, Super Mediaglobe II

Series II

Series IIb

Printers(edit)

bizhub 3300P

bizhub 4000P

bizhub 4700P

bizhub C3100P

magicolor 3730DN

magicolor 4750EN 4750DN

magicolor 7450 II

magicolor 7450 II grafx

magicolor 8650DN

pagepro 4650EN

Minolta PT-2

Chlorophyll meters(edit)

Minolta Cameras

SPAD-501

SPAD-502

Spectrometers for colour measurement(edit)

Word processors(edit)

PCW1(4)

References(edit)

^(1) Rokkor Files, The SR Series

^(2) Rokkor Files, The SR-T Series

^(3) Flickr discussion 'Minolta X-7A'

^Cooper Hewitt, Smithsonian Design Museum. 'Minolta PCW1 Word Processor Word Processor, 1983'. Smithsonian Institution. Retrieved 2017-12-12.

Retrieved from 'https://en.wikipedia.org/w/index.php?title=List_of_Minolta_products&oldid=980786156'

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