#Look if Ao3 had an audience for ACTUAL ACADEMIC ANALYSIS PAPERS that I don't have to do footnotes and academic english for

[creativityobsessed]

Be Brave Adachi, or the musical shaping of episodes 1-4

Part 1: Episode 1

Ok folks, buckle up. @ohmypreciousgirl asked me for more music meta and I need exactly ZERO arm twisting for that to happen, so I immediately put on my listening ears and musicologist hat and started my eleventy first rewatch. Since I’m currently only through episode 4 on this rewatch, and I have a page and a half of notes, I’m gonna put in a Read More so that I don’t take up the next 5 miles of the tags. You might be interested if:

You like music

You’re interested in detailed analysis of character development

You’re wondering why the heck those scenes where Adachi is having all the anxiety are so dang effective.

The answer, of course, is that the music helps to shape the exact moments that Adachi makes steps towards character growth. Under the cut, you’ll find out exactly how it’s doing that.

This will be a 4-part series, running over the next 4 days because I got halfway through episode 3 and realized that yall did NOT want a 10 page paper in a single tumblr post. Plus then I can extend the series to include the rest of the episodes later.

So. Without further ado.

Episode 1  (If you’d like to watch/listen along, cue up 19:45 in episode 1* now.) 

At the beginning of the show, we’re introduced to Adachi, the shy, introverted, anxious klutz. He tells us lots of things about himself, most of which include some reference to either his lack of bravery or his self-esteem which is currently so low that it seems to be floating somewhere in the Marianas Trench. Aside from the opening scene with the bike (which many of us, myself included, have hypothesized comes from some kind of future) the music is mostly laid-back, a little jazzy, and repetitive. Adachi’s office scenes come with a walking bass/guitar line that never really finds a melody, and reminds me of nothing more than generic 90s/early 2000s slice-of-life “this is every day” music. His Adachi-at-home music is gently strummed guitar, slow and kind of lethargic, mirroring the way Adachi just floats through life. The main exception is Adachi’s monologue on Kurosawa, which is fast paced, march-like, and jaunty - a reflection of how Adachi sees Kurosawa before the events of the show.

And then, at the end of the episode, that changes, and we get something new for the first time. Adachi is processing the new revelation that Kurosawa actually does like him, and he has just finished telling himself that Kurosawa must have gone crazy to like someone like him. There has been no musical accompaniment since they were in the office together. Kurosawa wraps the scarf around Adachi’s neck and Adachi hears Kurosawa’s inner monologue, cataloging the things he likes about Adachi.

This speech is obviously a turning point for Adachi, but we can be more specific than that. For Kurosawa’s first couple of points, we’re still in silence, and Adachi is looking down. We can imagine that he’s doing his own mental list that starts something like “yeah but…” But after the line “He’s actually an extremely kind and nice guy,” Adachi looks up at Kurosawa, and finally, after two whole minutes of silence in the soundtrack, a new kind of cue comes in.

This new cue is the antithesis of the rest of the soundtrack. It’s fully acoustic (with a little bit of reverb) and played on the piano, an instrument that the composer has not yet used. What’s more, the fragment that the piano repeats is completely unstable. We have no idea what key we’re in (yet. Spoiler, it’ll be A-major, eventually). [warning: technical stuff starts here, if you don’t care about specifics, jump to the /endTechnical tag] It starts with a first inversion D-major chord (in later iterations, IV^6) that attempts to resolve to G-D-A which is NOT a chord, or rather, it could be any number of chords but without a 3rd somewhere in there we don’t know which it is.

Ok, ok, so, resolution failed. Let’s try again! D-major^6 and then instead of going down to D, the A goes up a M3 to C-sharp, making G-E-C-sharp - WHOOPS that’s a tritone, less resolution than the first time. To be fair, the tritone is pretty far apart, and there’s an E floating around in the middle, so it doesn’t feel as teeth grinding-ly gross as your average Danse Macabre, but it SURE AS HELL doesn’t feel resolved either. [/endTechnical]

And we go back and forth between these two VERY unresolved phrases. It’s like we’re (read: Adachi is) stuck asking new questions that he doesn’t have any answers for. It’s unsettling and we spend almost 30 seconds just sitting there feeling unresolved, trying again and again in different octaves, with slightly different notes in the (almost inaudible) string parts-- nothing works. Adachi is not ready to move beyond the questions themselves, so the music doesn’t either, ending on a high unresolved note with Kurosawa’s “Wait.”^

And that’s IT. No resolution. The next musical cue is after enough dead space that our metaphorical ear palate has been cleansed (which is good, cause we jump from quasi-A major to a sequential figure with at least FOUR FLATS - about as distant a key as you can get). To get resolution for the Questioning cue, we’re going to have to wait.

And wait and wait, because that’s it for tonight yall! Episode 2 coming tomorrow!

Continue to part 2

[Although, real quick, before we move on to Episode 2, I just wanna mention that I love that Adachi’s fears about Kurosawa’s crush are scored with a very speedy bebop style cue while Kurosawa’s actual fantasies might as well be a Bach Oratorio COMPLETE WITH METRONOME, because if you needed to shorthand “antithesis” musically I’m not sure I could think of a better way of doing it, short of using screamo metal and Hildegard von Bingen lol.]

*All video timings and quotes are from Irozuku Subs videos. If you’re watching somewhere else, your mileage may vary slightly.

^As an English speaker I love the parallelism in how American English speakers use a rising tone to indicate questions, but I don’t know enough about Japanese to know if that transfers.