#Oracle Apex Direct Print
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orapex · 4 months ago
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In this tutorial titled "Oracle Apex- Direct Printing Features" discover how to leverage the Direct Print capabilities in Oracle APEX to enhance your application’s efficiency. You can find a complete guidance from here- https://youtu.be/ah_79k9pZUY
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housebeleren · 6 years ago
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War of the Spark Reprints & New Art
I can’t believe we’re already on the brink of Core Set 2020 previews! Before we go there, I”ll wrap up my thoughts on War of the Spark. Today, some reprints & the new art that accompanies them. This is always one of my favorite things, to see how staple cards are reinterpreted in new contexts.
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Starting with a bang, so to speak, is this redo of limited staple Gateway Plaza. To me, this was an ingenious design on the part of the creative team. By giving us identical art two sets in a row in Guilds of Ravnica and Ravnica Allegiance, they created a sense of constancy, of permanence on this world. Blowing it up was the most evocative way to start this war, and to make clear the sudden and violent change the plane is to experience. In a set that was somewhat hit or miss on the “war” tone, this was one story moment that was perfectly executed.
Sung Choi has a fairly small pool of Magic art so far, but all of it is excellent. His work first caught my eye with the fantastic Molten Rain reprint in Modern Masters 2017, and recently blew it out of the water with the Ultimate Masters Life from the Loam. This Gateway Plaza does a phenomenal job of conveying this powerful story moment, and is a highlight of the set.
All Versions:
War of the Spark
Guilds of Ravnica/Ravnica Allegiance
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Ajani’s Pridemate has been a staple since it was first printed in Magic 2011, and it’s great to see it back here as Ajani’s signature spell, errata and all. The existing version by Svetlin Velinov has been the only version til now, so it’s exciting to see a change.
Sidharth Chaturvedi got 4 cards in War of the Spark, and for good reason. The set has a very animated, comic book style about it, and Sidharth’s style is a perfect fit. He tends towards this illustration-esque feel, with stark but narrow color palettes (basically just blue & yellow here), and a sense of visible brushstrokes. It fits in beautifully with the feel of the set. My only wish is that the setting were a little more visible, putting this in the context of Ravnica, as he did on Pouncing Lynx. 
War of the Spark
Magic 2011
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Augur is another staple from core sets of yore, and a fantastic reprint for Standard, though I wish we had more context for this character. Who is this merfolk defecting to Bolas, and why? But that’s neither here nor there.
What I love about this depiction is it really conveys the sense of this creature being an oracle or seer of sorts, where the existing artwork is more generic. The water in particular is done amazingly here, conveying the motion surrounding the character while still giving us a perfectly clear view. The colors are beautiful, and the details are precise but not overwhelming. Alex Konstad is excellent, and I love the piece. I’d check out his Coral Commando & promo of Deeproot Champion as examples why it made perfect sense for him to get this commission.
War of the Spark
Magic 2013
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Another signature spell that made perfect sense to bring back. As much as I love the original version of this, charging at the viewer, this one is simply phenomenal, and I’m so happy they had Aleksi Briclot do it. He’s done a huge number of Magic cards, going back to the Kamigawa days, and often gets major commissions, including all five of the original Lorwyn Planeswalkers. He does Chandra and fire so phenomenally well. Just look at Stigma Lasher and Ravaging Blaze for a sense of what he can do with fire. And, of course, the original Chandra Nalaar is beyond iconic.
This piece, a Common whose art will often go unnoticed by drafters, shows just how incredible the quality of Magic art is.
War of the Spark
Kaladesh
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This is one of those spells I always feel like has been around since... I dunno... Tempest or something. But it’s actually only the second time it’s been printed since its debut in Khans of Tarkir. Obviously, the dream is to draft it in the same deck as Feather, the Redeemed, but I’m not sure how often that is actually going to happen. Either way, it’s a fun cantrip & utility trick for Limited.
Gabor Szikszai is great at these action shots, frequently illustrating for the Boros or other combat-oriented individuals. His pieces are full of energy, and always feel like the very apex of the moment, like the shots you’d see on a storyboard or in a comic. This style is a perfect fit for War of the Spark, and this piece does a great job.
War of the Spark
Khans of Tarkir
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Demolish, on the other hand, has been around for a long time, going back to Odyssey, and it still shows up as a perpetual inclusion. It’s always not good enough for standard, and most of the time it’s not really playable in Limited either. That said, it’s the kind of effect that needs to be around, just to serve as a baseline. Probably its best inclusion, from a Mel perspective, was in Kaladesh, where artifact removal was maindeckable, yet the rate made this far from overpowered.
As for the art, this may be my favorite iteration ever, since it’s possibly the only version ever to actually depict destroying both an artifact and a land, whereas most versions are more typical artifact destruction designs. This also goes deeper, as the building being destroyed is the Interplanar Beacon, first hinted at on Steam Vents in Guilds of Ravnica. The fact that they went to so much effort to seed these important story moments for War of the Spark is above and beyond awesome, and I’d love to see more of this in the future. 
Adam Paquette needs no introduction–he’s Magic art royalty at this point. But I would like to point out that he did a huge number of lands for this year on Ravnica, including the aforementioned Interplanar Beacon, another of my favorite pieces from the set, and several of the evocative basic lands. It’s amazing to get to see so many different angles of the same buildings & locations, and was one of the highlights of this incredible year in Magic.
War of the Spark
Ixalan
Kaladesh
Theros
Avacyn Restored
Zendikar
Odyssey
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Awwww look at the goodest boy! Mowu is here serving good boy realness, and I’m all about it. I love that they were able to print this spell and use it effectively as a signature spell to demonstrate Jiang Yanggu’s magic. I’m always a little surprised to see this spell reprinting, since it feels like Wizards is perpetually unsure if this is too powerful or not, toying with making this effect cost 2 mana or making it slightly less of a buff for 1. Either way, I’m happy to see it back. Obviously, this card goes back to the genesis of the game, and is one of the only iconic spells from that era that would still be printable these days.
I didn’t immediately recognize Dmitry Burmak’s name on this card, but one cursory glance at his card history and I immediately recognized a number of his pieces. His first Magic pieces were from Unstable, including two of my favorites: Lobe Lobber & Willing Test Subject. On Ravnica, he’s done a bunch of pieces for the Rakdos & Izzet, including Captive Audience, Electrodominance, and Light up the Stage. His pieces have tremendous energy and more than a dash of whimsy, and I am here for it. I’d love to see more of this energy in Magic art going forward.
War of the Spark
Return to Ravnica
Tenth Edition
Ninth Edition
Seventh Edition
Fifth Edition
Ice Age
Alpha
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From the very old to the much more recent, New Horizons is one of the increasing number of land ramp enchantments Wizards has been pushing in recent years as an alternative to land fetching. To be clear, these effects have been around for a while, but they’re much more frequent than they used to be, and land fetching doesn’t show up quite as often. It’s a cool effect, and I do like it. I just hope they keep land fetching as well, since both effects are useful in different ways.
Eytan Zana is a name that may not be super familiar, but you’ve definitely seen a ton of his works, and that’s because the vast majority of his Magic artworks are lands. One of my favorite Forests of all time is his, the idyllic deer & stream Forest from Avacyn Restored. It’s his mastery of landscapes that makes this New Horizons art so good. For all intents and purposes, it is a land art, just themed on a spell. I love the subtle ruins of the city in the foreground, and the majesty of the great trees growing out of the main structure are absolutely breathtaking. Well done.
War of the Spark
Ixalan
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Ahhh, Primordial Wurm. Herein lies the proof of just how pushed creatures are these days. Back in Alpha, this casting cost got you a 6/4 Craw Wurm. Now it either gets you a 7/6 Primordial Wurm, and it’s still basically unplayable. I look forward to ten years from now, when we get a 10/10 Wurm for this exact casting cost at Common, and it still doesn’t see play.
Anyhoo, this is a fun piece. Svetlin Velinov is another piece of Magic art royalty, who needs absolutely no introduction. What I love about him is the vast array of types of cards he does. Sometimes it’s a high-profile Mythic Legend like Roalesk, Apex Hybrid. Sometimes it’s a goofy limited trick like Maximize Velocity (with goofy Viashino to match). And sometimes it’s an absolutely gorgeous land. But no matter what, his style shows through and makes something totally memorable. I’ll remember this Wurm chasing down bite-sized eternals, even if I forget if it’s a 7/6 or a 6/6 or a 6/4 or whatever the hell size Wurms are these days.
War of the Spark
Dominaria
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One only need look at the original version of this art by Karl Kopinski to get a sense of the art direction for this set. What was once a somber, pensive piece is now action, in full comic book mode. And I’m totally here for it. I do love how the Nicol Bolas statue was used as a prop in this set.
Obviously Daarken is a legend. Suffice it to say, he’s done everything, but definitely has a talent for darker, more sinister pieces (and occasionally, the exact opposite). This piece is great, though I will say I don’t quite understand the Nahiri quote on here. I would really have rather seen a Sorin quote here and had them use this one on Nahiri’s Stoneblades. But what do I know?
War of the Spark
Magic 2012
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Last but not least, it’s Totally Lost, everyone’s favorite card they wish cost 1 mana less, but couldn’t really without being a little too powerful. Honestly, I love that they brought back Fblthp for this, though if they do it a third time, then they’ll never be able to do a version of this card without him ever. Think about that carefully, Wizards. Probably my favorite thing about this card isn’t even Fblthp on top of the Bolas statue, but actually the flavor text reference to his Easter Egg in Captive Audience from the last set. They really went deep this time around.
Aaron Miller does a huge variety of cards, from high profile works like Ajani, Mentor of Heroes, to cards you probably already forgot existed, like Honed Khopesh. He seems to really enjoy these interesting perspectives, looking up or down at his characters from unique vantage points, and creating stylized pieces that have character, but still fit into the Magic universe. I enjoy that this card made it into the set, and I think this depiction of one of the game’s favorite memes, high over the spires of the city, is a perfect place to close out this post.
War of the Spark
Gatecrash
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aztravelling · 5 years ago
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Why Study Marketing?
Items don’t, as opposed to prevalent thinking, sell themselves. By and large, the “manufacture it and they will come” theory doesn’t work. Great showcasing teaches clients with the goal that they can discover the items they need, settle on better decisions about those items, and concentrate the most incentive from them. Along these lines, showcasing encourages trades among purchasers and merchants for the common advantage of the two gatherings. In like manner, great social promoting furnishes individuals with data and encourages them settle on more advantageous choices for themselves and for other people.
Obviously, all business understudies ought to see every single practical region of the firm, including promoting. There is something else entirely to advertising, in any case, than just understanding its job in the business. Showcasing has colossal effect on society.
Advertising Delivers Value
In addition to the fact that marketing delivers an incentive to clients, yet additionally that worth converts into the estimation of the firm as it builds up a dependable client base and expands its deals and gainfulness. So when we state that advertising conveys esteem, promoting conveys an incentive to both the client and the organization. Franklin D. Roosevelt, the U.S. president with maybe the best effect on our monetary framework, once stated, “In the event that I were beginning life once more, I am slanted to believe that I would go into the publicizing industry in inclination to practically some other. The general increasing of the expectations of present day human progress among all gatherings of individuals during the past 50 years would have been unimaginable without the spreading of the information on better expectations by methods for advertising1.” Roosevelt alluded to publicizing, however promoting alone is inadequate for conveying esteem. Advertising completes the activity by guaranteeing that what is conveyed is important.
Promoting Benefits Society
Promoting benefits society when all is said in done by improving individuals’ lives in two different ways. To start with, as we referenced, it encourages exchange. As you have learned, or will learn, in financial aspects, having the option to exchange improves individuals’ lives. In any case individuals wouldn’t do it. (Envision what a horrendous life you would lead on the off chance that you needed to live a Robinson Crusoe–like presence as did Tom Hanks’ character in the film Castaway.) moreover, on the grounds that better advertising implies progressively fruitful organizations, employments are made. This produces riches for individuals, who are then ready to make buys, which, thusly, makes more occupations.
The second manner by which advertising improves the personal satisfaction depends on the worth conveyance capacity of showcasing, yet from a more extensive perspective. At the point when you include all the advertisers together who are attempting to convey contributions of more prominent incentive to shoppers and are viably imparting that esteem, purchasers can settle on increasingly educated choices about a more extensive cluster regarding decisions. From a monetary point of view, more decisions and more brilliant purchasers are characteristic of a higher caliber of life.
Advertising Costs Money
Advertising can now and then be the biggest cost related with delivering an item. In the soda business, advertising costs represent around 33% of an item’s cost—about equivalent to the fixings used to make the soda pop itself. At the packaging and retailing level, the costs engaged with advertising a beverage to shoppers like you and me make up the biggest expense of the item.
A few people contend that society doesn’t profit by promoting when it speaks to such a colossal lump of an item’s last cost. At times, that contention is legitimized. However when advertising brings about increasingly educated buyers accepting a more noteworthy measure of significant worth, at that point the expense is legitimized.
Promoting Offers People Career Opportunities
Promoting is the interface among makers and customers. As such, it is the one capacity in the association where the whole business meets up. Being liable for both bringing in cash for your organization and conveying fulfillment to your clients makes showcasing an incredible vocation. What’s more, since promoting can be such a costly piece of a business and is so basic to its prosperity, organizations effectively look for good advertising individuals. Toward the start of every part in this book, we profile an individual in the showcasing calling and let that individual portray for you what the person in question does. As you will learn, there’s an extraordinary assortment of occupations accessible in the showcasing calling. These positions speak to just a couple of the open doors accessible in promoting.
Showcasing research. Faculty in promoting research are liable for examining markets and clients so as to comprehend what methodologies or strategies may work best for firms.
Promoting. In retailing, merchandisers are liable for creating procedures with respect to what items wholesalers should convey to offer to retailers, for example, Target and Walmart.
Deals. Sales reps meet with clients, decide their requirements, propose contributions, and ensure that the client is fulfilled. Deals divisions can likewise incorporate deals bolster groups who deal with making the contribution.
Publicizing. Regardless of whether it’s for a publicizing office or inside an organization, some showcasing faculty deal with promoting. TV advertisements and print promotions are just piece of the publicizing blend. Numerous individuals who work in publicizing invest all their energy making promoting for electronic media, for example, Web locales and their spring up advertisements, digital broadcasts, and such.
Item improvement. Individuals in item improvement are liable for distinguishing and making highlights that address the issues of a company’s clients. They regularly work with engineers or other specialized staff to guarantee that worth is made.
Direct promoting. Experts in direct advertising discuss straightforwardly with clients about an organization’s item contributions by means of stations, for example, email, visit lines, phone, or regular postal mail.
Computerized media. Advanced media experts join publicizing, direct advertising, and different territories of showcasing to discuss legitimately with clients through internet based life, the Web, and portable media (counting writings). They additionally work with analysts so as to figure out which purchasers get which message and with IT experts to make the correct look and feel of computerized media.
Occasion promoting. Some promoting faculty plan uncommon occasions, organizing vis-à-vis discussions with potential and current clients in an extraordinary setting.
Charitable promoting. Philanthropic advertisers frequently don’t get the chance to do everything recorded already as charities normally have littler spending plans. Yet, their work is in every case significant as they attempt to change practices without having an item to sell.
A vocation in advertising can start in various ways. Passage level situations for new school graduates are accessible in a significant number of the positions recently referenced. A developing number of CEOs are individuals with advertising foundations. Some incredible CEOs like Ross Perot and Mary Kay Ash got their beginning in advertising. All the more as of late, CEOs like Mark Hurd, CEO of Oracle, and Jeffrey Immelt at GE are indicating how showcasing professions can prompt the most elevated apexes of the association.
Reactions of Marketing
Promoting isn’t without its faultfinders. We previously referenced that one motivation to examine promoting is on the grounds that it is expensive, and business pioneers need to comprehend the cost/advantage proportion of advertising so as to make savvy ventures. However that cost is accurately why some reprimand promoting. On the off chance that that cash could be placed into innovative work of new items, maybe the buyers would be better fulfilled. Or on the other hand, a few pundits contend, costs could be brought down. Promoting officials, however, are consistently watching out for more affordable approaches to have a similar exhibition, and don’t purposefully squander cash on showcasing.
Another analysis is that promoting makes needs among purchasers for items and administrations that aren’t generally required. For instance, design showcasing makes interest for high-dollar pants when substantially less costly pants can satisfy a similar essential capacity. Taken to the extraordinary, customers may assume on huge praise card obligation to fulfill needs made by advertising, with genuine negative outcomes. At the point when advertisers focus on their messages cautiously so a crowd of people that can manage the cost of such items is the main gathering came to, such outrageous outcomes can be dodged.
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