#Partly a rehash of prev post BUT WITH PICS!!!!!!!
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Miniature dog and khait effigies for a Wardi funeral. These are clay figurines that have been painted and decorated with great care by a skilled artist. Both include real hairs from the individual animals they have been modeled after. The dog is collared, showing that it is a loyal pet rather than a lowly feral scrounger. The khait is fully bridled and ready to carry the deceased in their journey.
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It is believed that the souls of the deceased, once freed of their bodies, undergo a month-long journey to reach rebirth in the lunar lands. This journey is full of perils. It begins in the realm of the earth where the soul is naked and vulnerable and traveling through complete darkness. Evil spirits dwell within this realm and may try to capture the soul or lead them astray, and the way is twisting and obscured in shadows. Even after escaping this darkness, the soul still must travel an arduous and winding path through the realm of the sky in order to reach their destination.
A khait and a dog are traditionally offered as funerary goods (in addition to food, water, wine, clothing, weapons, and other needs) to assist the soul in their travels- the khait will ease their passage in their long journey and carry them swiftly, and the dog will navigate through earthly darkness and dense cloud by scent, and protect the soul from harm.
Ideally, one of the deceased's own living khait and hunting/guard dogs will be killed at the funeral (typically the most beloved of their animals, as who would be better company than that?) so that they can have familiar and loyal helpers in their lonely journey. However, there are tremendous class barriers to ownership and disposability of a khait, and well-bred working dogs (while significantly more accessible) aren't ubiquitously available, and many people do not consider captured feral dogs to be a worthy replacement. As such, funerals with full animal offerings tend to be limited to higher status individuals.
Everyday people still need protection on their journeys, and animal effigies can be appropriate replacements for the real thing. These effigies are usually designed with great specificity to represent known individual animals that have already died (often including the animal's actual hair, as seen here). The soul of the represented animal will recognize the effigy as its body, and can be called into the icon so that it may accompany the deceased. These effigies (along with any other necessary grave goods) will be placed onto the pyre and burned along with the body so that the traveling soul will be sent off with everything they need.
Some folk traditions have semi-legendary local animal spirits who will be represented instead of a personally familiar animal. This often develops around a small community 'sharing' one historically extant animal for their funeral effigies as a matter of practicality, developing a sense of attachment to this animal as an aspect of shared identity, and adding layers of legend to the animal's story with the passage of time.
For example, a very popular legendary guide in the northeastern rural parts of Ephennos is Chisnops-Inreña (which very closely translates to 'Orange Son Of A Bitch'), a legendary livestock guardian dog. The animal was said to have been the biggest, meanest, ugliest motherfucker around, but was an unshakably loyal and fierce guardian, as noble as a dog (not the noblest of animals by any means) can possibly be. He is said to have fought off everything from jackals to lions to cattle thieves in his day, and died protecting his herdsman master from an infamous man-eating king hyena, only succumbing to his own wounds when the great beast lay dead. His spirit was later used as a guide in his master's funeral, and local legend states that the same spirit has been seen following herdsmen and their cattle ever since, as not even death could keep him from his duties. Such a dog would make an excellent guide and protector in the journey to the afterlife, and effigies of him are favored in the funerals of northeastern Ephenni pastoralists.
A lovingly crafted Orange Son Of A Bitch
#Partly a rehash of prev post BUT WITH PICS!!!!!!!#chisnops more literally means 'bitch-born'. The word 'bitch' doesn't have the same breadth of connotations as in english#and pretty directly means 'female dog' but calling someone 'chisnops' is functionally Very close to 'son of a bitch'#Inrenna is a color word for orange. Most of the western Wardi dialects pronounce double N syllables like ñ (in- /rey/ - nya)#while others will enunciate like 'in- /reyn/- nah'. Spelled it inreña here to indicate Ephenni dialect
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