#Rakesh Mishra new song

[nityanewsnation]

VIDEO: राकेश मिश्रा का नया गाना 'Pistal Pe Lahanga' रिलीज, ट्रोल हुए भोजपुरी स्टार; जानिए वजह

VIDEO: राकेश मिश्रा का नया गाना ‘Pistal Pe Lahanga’ रिलीज, ट्रोल हुए भोजपुरी स्टार; जानिए वजह

VIDEO | पिस्टल पे लहँगा – #RakeshMishra , Priyanka Singh | Pistal Pe Lahanga |: भोजपुरी का सबसे सक्सेसफुल गाना ‘राजा तनी जाई बहरिया’ फेम सिंगर एक्टर राकेश मिश्रा (Rakesh Mishra New Song) एक बार फिर से सुर्खियों में है. इसकी वजह है उनका नया रिलीज गाना ‘पिस्टल पे लहंगा’ (Bhojpuri New Song Pistal Pe Lahanga) जो रिलीज होने के बाद टाइटल की वजह से ट्रोल होने लगा है. गाना बेहद मनोरंजक है लेकिन टाइटल में…

[journalistcafe]

पॉपुलर Bhojpuri Actress का MMS वायरल, मचा बवाल...

पॉपुलर Bhojpuri Actress का MMS वायरल, मचा बवाल…

भोजपुरी सिनेमा बोल्ड एक्ट्रेस में शुमार त्रिशाकर मधु का वीडियो सोशल मीडिया पर तेजी से वायरल हो रहा है। मिली जानकारी के अनुसार उनका एक एमएमएस लीक हो गया है जिसे लेकर वो लगातार चर्चा में हैं। त्रिशाकर मधु का जो एमएमएस वायरल हो रहा है, उसमें वो किसी लड़के के साथ दिखाई दे रही हैं। जब वीडियो सामने आया तो एक्ट्रेस लोगों के सवालों के घेरे में आ गईं। लोग उनसे सवाल कर रहे हैं कि उनके साथ वीडियो में कौन…

[tprolyrics]

Lela Rang Ek Pudiya Lyrics - Rakesh Mishra, Neha Raj 2022

Lela Rang Ek Pudiya Lyrics – Rakesh Mishra, Neha Raj 2022

लेल रंग एक पुड़िया Lela Rang Ek Pudiya lyrics song is sung by Rakesh Mishra, Neha Raj is latest Punjabi song lyrics are written ✍🏻 by Rajnish Chaubey and director of photography by Ravi Pandit. This 4k video full song is featured by Rakesh Mishra, Neha Raj. The music of this new song is given by Chhotu Rawat and the video is directed by Ravi Pandit 🎥. This most popular Punjabi song is Produced…

[divyabhashkar]

Rakesh Mishra song Kacha Badam Lela most viewed in the last 5 days of 2021 trending during new year eve Bhojpuri South mogi

Rakesh Mishra song Kacha Badam Lela most viewed in the last 5 days of 2021 trending during new year eve Bhojpuri South mogi

#3 ON TRENDING FOR MUSIC #Funny Video – काचा बदाम लेला | #Rakesh Mishra Viral Song | Kacha Badam Lela | Bhojpuri Song 2022: भोजपुरी के सुपर स्‍टार सिंगर और एक्‍टर राकेश मिश्रा (Bhojpuri Actor Rakesh Mishra) साल 2021 के अंत में एक बार फिर से धमाल मचा रहे हैं. वजह है उनका नया रिलीज गाना ‘काचा बदाम लेला’ (Kachcha Badal Lela), जो न सिर्फ वायरल हो रहा है, बल्कि यूट्यूब पर नंबर 3 पर ट्रेंड भी कर रहा…

[globalexpressnews]

Days after Trisha Kar Madhu's private MMS video leak, actress drops new song 'Viral Bhailu Facebook Pa'

Days after Trisha Kar Madhu's private MMS video leak, actress drops new song 'Viral Bhailu Facebook Pa'

Image Source : YOUTUBE/PRA FILMS Days after Trisha Kar Madhu’s private MMS video leak, Bhojpuri actress drops new song Bhojpuri actress Trisha Kar Madhu has recently been in making headlines after her private MMS video with boyfriend Rakesh Mishra got leaked online. The popular actress and dancer later requested fans to not pay heed to it. However, she did not clarify who shot the video, or how…

[doonitedin]

Days after Trisha Kar Madhu's private MMS video leak, actress drops new song 'Viral Bhailu Facebook Pa'

Days after Trisha Kar Madhu’s private MMS video leak, actress drops new song ‘Viral Bhailu Facebook Pa’

Image Source : YOUTUBE/PRA FILMS Days after Trisha Kar Madhu’s private MMS video leak, Bhojpuri actress drops new song Bhojpuri actress Trisha Kar Madhu has recently been in making headlines after her private MMS video with boyfriend Rakesh Mishra got leaked online. The popular actress and dancer later requested fans to not pay heed to it. However, she did not clarify who shot the video, or how…

[djfloops]

#Video | #Rakesh Mishra | लिपस्टिक चाटत देखनी | Lipstick Chatat Dekhni |New Bhojpuri Video Song 2020

[chutneymusic]

#VIDEO | #Rakesh Mishra | माजा मारता सबुनिया | Maja Marata Sabuniya | Bhojpuri New Song 2020

[gokul2181]

Out on YouTube now: An Indo-German rendition of cult song ‘Wind of change’

New Post has been published on https://jordarnews.in/out-on-youtube-now-an-indo-german-rendition-of-cult-song-wind-of-change/

Out on YouTube now: An Indo-German rendition of cult song ‘Wind of change’

Exactly 30 years ago, on October 3, 1990, after the wall between the East and West had been brought down by the people of the land in November the previous year, Germany became one nation. At Brandenburg Gate, in Berlin, a symbol of both division and then unification, The Scorpions, a rock band from Hanover, sang ‘Wind of Change’ against a backdrop of fireworks and people reunited. The event was telecast live across Germany.

A peace anthem

Walter J Lindner, then a diplomat at the start of his career, watched it from his home in Bonn, wishing he had been in Berlin, but enthralled because, “We thought in Germany this [the Cold War] would never end. Many people gave up hope after 40 years of separation,” he says. So the bringing down of the wall “was something of a miracle”, especially because “it came peacefully — it was very Gandhian”, even though the East Germans were “risking quite something”, he says, talking of Death Strip, a zone so heavily guarded and barricaded it was almost impossible to escape without being killed.

To commemorate the event during the pandemic, when the “diplomatic toolbox” of informal meetings and parties were suddenly rendered useless, he did not want to do another webinar, though the team knew it would have to be digital.

Lindner turned to music. This is not a surprise, because in his one-and-a-half years in India, he often hosts musical evenings at his residence, and collaborates with Indian musicians on both informal jam sessions and live performances. “That’s one of the first things I do in a country – I contact the musicians,” he says, of his tenures in South Africa, Venezuela, Turkey.

Thinking back to 1989-90, he felt ‘Wind of Change’ was the song that represented the era. In fact, Rolling Stone magazine once called it “a soundtrack of sorts to a political and cultural revolution”.

Reinventing a song

After speaking to Klaus Meine, the composer and lead singer, he got the rights to perform the song, and asked four Indian musicians he had played with before, if they would like to be a part of the project. “I wanted to have Indian ingredients like Indian spices to a German rock song, and to take the message to Germany also,” he says, acknowledging that fusion can be tricky.

Rakesh Chaurasia on the bansuri, Pandit Vikash Maharaj on the sarod, Prabhash Maharaj on tabla, and Abhishek Maharaj on the sitar, all consented. The 15th-generation musician, Prabhash says it is special for their Varanasi-based family because his father, Pandit Vikash, who has been going to Germany to play every year since 1978, except this year, witnessed history with the wall coming down. Prabhash knew the song, but did not know of its history.

Lindner, who has a studio at this Delhi home, played the guitar, keyboard, synthesizer, bass, percussion, and strings, and coordinated with Peter Retzlaff, a drummer he had worked with before in New York.

Four background voices — Vrnda Dhar, Renie Mathew, Akash Gadamsetty, Shambhavi Mishra — recorded their parts one at a time in a studio, and the musicians recorded theirs at home, all within 10 days between July and August.

He sent the musicians the master indicating where their parts came in, and integrated these into the master. Mumbai-based Chaurasia, who first met Lindner in South Africa at a concert, says while chord changes can be challenging for musicians schooled in classical music here, he found it easy to make the transition, because of his own experience playing with musicians who play different instruments. What appealed to him was that “the song has a soul” though he had not heard it before.

Then there was a singer to choose: “I needed someone who was soft but not too soft, still rocky.” He asked Gurugram-based singer-songwriter Chetan Dominic Awasthi (Chezin). Chetan, who was supposed to perform the song last year with The Revisit Project, at an event to celebrate German Unity Day, says it could not happen because it got washed out by the rain. “Mr Lindner was supposed to come up on stage and jam with us.”

The message today

The song itself, with words like, “The world is closing in/Did you ever think/That we could be so close/Like brothers?” was inspired by the 1989 Moscow Music Peace, where The Scorpions and several other metal acts performed. It was the first time that bands from beyond the Iron Curtain performed in then USSR, where terms like perestroika (restructuring) and glasnost (openness) were being explored.

Meanwhile in America this year, a podcast that describes the song as the “Anthem of progress, and freedom, and hope” at the time, claims that it was planted by the CIA. Linder dismisses it as a conspiracy theory: “Without (Mikhail) Gorbachev (the last president of the Soviet Union) this wouldn’t have been possible,” he says adding that there was no shooting order from Moscow. “It made this uprising a success. It was an uprising of people who said, ‘Enough is enough; we want freedom’. It was civil disobedience.”

Today, with the world not quite “closing in”, Lindner, whose bright red Ambassador waits for him in the drive, says what we need are charismatic politicians, a common consciousness around the globe that things have to change, more peace movements and a realisation that we don’t need conflicts.

For about six minutes though, there’s the song. The main message, says Prabhash, is to live “with love, peace, and music”.

Wind of change: Day of German Unity 2020 has been released today on YouTube with an introductory address by Klaus Meine

Source link

[liveindiatimes]

Roshan Abbas on how podcasts help beat screen fatigue - brunch feature

https://liveindiatimes.com/roshan-abbas-on-how-podcasts-help-beat-screen-fatigue-brunch-feature/

Do you remember the first time you heard about something that changed your life? I remember the first time I heard about podcasting.

A streaming music platform had hosted an event to launch a slew of new programming. As a former radio jockey, I was on the panel. Everybody was talking about the new wave of content for a new generation. Everyone in the room was on an audio high.

One of the shows launching at this time was on the Aarushi murder case, and this is when I heard a reference: “This is trying to be India’s version of Serial.”

The audio revolution

If you haven’t heard Serial, get the headphones on now. Sarah Koenig’s breakthrough podcast with over 350 million downloads to date is a blockbuster and an earworm. The podcast tells the story of a Pakistani jock, Adnan, who was sent to jail in America for allegedly murdering his Korean girlfriend. Serial set a new bar both in podcasting and investigative journalism. The rich research, the subject experts triangulating GPS data (revolutionary for its time), and the raw phone conversations of interviews with friends, officers, and more, made compelling storytelling.

Serial was the gateway drug to my podcast addiction. I then heard Life/After, which was a fascinating fiction show about a person living on through AI after their death. When I was listening to it, I was on holiday in Lapland with my friend Madhu Mantena, the film producer. What started as a courtesy listen on his part ended up inspiring him to make an entire film, though he did not end up making one. Audio plays in the theatre of the mind. Except without any limit to the screen size.

As listeners, we are spoilt for choice. There’s a world of ideas and voices just a listen away.

It was then that I realised that this was the dawn of a new era of content: democratisation of produced audio, where people listened to what they wanted, when and where they wanted, unhindered by the threat of being seen. Motivation, sexuality, history, comedy, food, reviews, psychology, voyeurism, economics, all find their space. And the nerdier or kinkier, the better. Sample these: My Dad Wrote a Porno, Song Exploder (especially the episode on the Game of Thrones theme music), Reply All (the case of the missing hit will have you jumping by the end of the episode), Invisibilia (my favourite episode is called The Last Song), and Startup (by Alex Blumberg, the founder of Gimlet Media).

Spoilt for choice

In India, IVM has led the podcast wave, making legendary shows like Cyrus Says by Cyrus Broacha and Advertising is Dead by Varun Duggirala, content head of Glitch. Having started shows such as The Seen and The Unseen by journalist Amit Verma and Maed in India, they have even seen some shows branch out into their own. Small boutique production houses now make their own shows. And audio platform giants are also investing, with hosts like Zakir Khan, Sunny Leone, Ranveer Singh, Gaurav Kapur, Neelesh Mishra and even Amitabh Bachchan.

Bollywood stars have also dived in. What Koffee with Karan is to Bollywood gossip-starved TV viewers, NoFilterNeha is to podcasting. “There is a lowering of the guard when there is no camera in your face,” Kalki, the host of My Indian Life with Kalki, told me. While she is the talent for the show, she has a team of researchers and a production team.

But many podcasters believe in DIY. Anshu Mor’s Stupid No Mor deliciously combines humour with seriousness. His podcast was distributed on Anchor, an app owned by Spotify, which allows end-to-end production of your podcast. Saavn has launched Yourcast, which is similar.

From chat shows like NoFilterNeha and DIY Stupid No Mor to simple interviews by Ranveer Allahbadia, podcasts offers a plethora of options

Podcast treatment is also varied, from heavily-produced audio sensory dramas like Rakesh Tiwari’s Qissa Sheheron Ka (a lyrical delight), to the simpler interview podcasts by Ranveer Allahbadia, Joe Rogan and more.

As listeners, we are spoilt for choice. There’s a world of ideas and voices just a listen away. My bets are on the left-of-field ideas. The raw and the vulnerable voices. If there has ever been a conflict somewhere, internal or external, a podcast has spoken about it.

What can we learn about ourselves and the world around us if we quiet down and listen? Tune in to the new content revolution, which is a silent earful.

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[bigyack-com]

Farrukhabad captor was boycotted socially, planned crime for weeks - india news

When 37-year-old Subhash Batham walked out of jail early December after spending a month behind bars for an alleged jewellery theft, he had only one goal in mind: building a new house.Over the next few weeks, neighbours saw Batham and his wife, Ruby, toiling round-the-clock to construct a brick house consisting of a 8x10-feet bedroom without any windows, a slightly larger store room, and a mud backyard covered by an asbestos sheet. No mason or labourer was hired. What no one knew was that the couple also constructed an underground bunker with an iron trapdoor, accessible only by a makeshift ladder, and no staircase. The neighbours also didn’t note Batham meticulously laying an elaborate mesh of wires through slits in the brick structure connecting the bunker, the bedroom, and the entrance. A social boycott enforced in the village because Ruby was from a “lower caste” and the couple married without community sanction, ensured Batham’s actions went unnoticed.This would prove deadly on January 30, when Batham locked 25 local children in the bunker after luring them home on the pretext of a birthday party, triggering an 11-hour hostage crisis that culminated in the death of the couple – Batham shot dead by the police and Ruby lynched by the villagers.Despite the house stacked with 150 crude bombs, and Batham wielding a rifle and a pistol, all 25 children escaped unscathed, thanks largely to the presence of mind of two teenagers who managed to stall Batham, snap the bomb-connecting wires, and lock the hostage-taker out of the bunker.THE PARTY INVITEIt was afternoon last Thursday when loud Punjabi songs blared from speakers at Batham’s house in Karthia village in Farrukhabad, about 200km from Lucknow. Soon, Batham was out on the mud road outside to invite the village children for the “birthday” celebration of his daughter, who turned one six months earlier. Over the next hour, 25 children between eight months and 15 years trooped into his house, dancing to the music either in his cramped bedroom or outside the house. “When I told Subhash his daughter’s birthday was celebrated just months ago, he laughed and said that it was actually his house-warming ceremony,” said 13-year-old Vineet Kateria. Batham then hurried the children downstairs, asked them to blow balloons and decorate the bunker. The older children were asked to hold the toddlers in their arms as they awkwardly descended into the dark lair using a rickety bamboo ladder. “The moment all of us climbed down, he bolted the lid from above and stopped the music. He screamed to say that he wanted revenge for being framed in the theft,” said Akash Kateria, also 13.Along with the children were Ruby and her daughter. Till nearly the end of the drama, either Ruby or Batham stayed with the children, ensuring no one could climb out of the bunker.As the children cried, Batham threatened to kill them all. “He said he would spare us if we kept the wailing children silent. He then opened the bunker lid to show us a rifle hanging from his shoulder and a pistol in his hand,” said Akash.Any chance of escape seemed impossible, not only because of the closed lid, but also because explosives had been placed in all four corners of the bunker. “The explosives were connected by wires that were controlled by Subhash in the bedroom,” said Akash.Around 2.30pm, Babli Devi walked to the house to call her three kids home. “I found the red iron door locked from inside and Subhash screaming. He asked me to gather all the villagers and call the police. He said the children would be blown up if I didn’t listen to him,” said Babli.To make his intent clear, Batham allegedly fired a round through a tiny shaft under the main door but didn’t hit anyone.Shiv Bahadur Singh, a local head constable who was among the first to the spot around 3pm, said when he initially offered to solve Batham’s problems, the man fired a round and said he wouldn’t talk to lower-rung officers. “I felt helpless and said that he was sinning. Subhash’s wife abused me in response,” said the head constable. Anil Mishra, superintendent of police (Farrukhabad), said the first call to the police control room was made at 4.20pm, upon which a group of policemen surrounded the house and took positions atop surrounding buildings. “The problem was that no one knew the layout of the house. We didn’t even know what the bunker looked like until a local man who had once cast a glimpse inside gave us a rough idea,” said Mishra.MOTIVE UNCLEARBatham’s motives remain unclear. Vineet said he heard Batham name five villagers — including a local policeman – and asked them to be brought before him. “He said that these men had framed him in the recent theft case and that the policeman had beaten him up,” said Vineet.Rajani Kashyap, another woman whose three children were held hostage, said she stood next to a wall and spoke to Batham for almost an hour before the police took over. “He said he held no grudge against my children. All he wanted was to punish those who had allegedly framed him. He asked for the local MLA to be called to the spot,” said Rajani, indicating that Batham may have some grudge with him.It was unclear what Batham wanted from the local Bhojpur MLA -- Bharatiya Janata Party’s Nagendra Singh - who told HT that he did not know the family.Local residents and police confirmed that Batham sent a list of demands on a piece of paper. That paper was never made public.Mishra and Farrukhabad district magistrate Manvendra Singh said that, in it, Batham asked that the theft charges be dropped, assistance for housing and a toilet and Rs 1 crore each for the release of the children. “He also handed over some documents in which he had applied for housing and toilet assistance, but he didn’t qualify for the scheme,” Manvendra Singh told reporters. Both Mishra and Manvendra Singh, however, declined to show a copy of the note.TROUBLED PAST AND SOCIAL BOYCOTTBatham was born in a potter caste family and had four siblings – including a half-brother. His first brush with crime was in 1998 when he was booked under the Scheduled Caste and Scheduled Tribe (Prevention of Atrocities) Act. The next year, he was named in a second caste-based atrocity case. “Two years later, he was arrested for burglary and jailed,” said Mishra.Soon after he was released from jail in that theft case, Subhash stabbed his distant uncle in 2001.“He held some Thakur villagers responsible for framing him, but blamed his uncle the most,” said a local police officer on condition of anonymity. Subhash was arrested for murder, awarded a life sentence, and stayed in jail until 2011, when the high court lessened the sentence to 10 years. His mother Surja Devi, too, was arrested for the conspiracy, but was let off earlier.When Batham returned home, he withdrew from the village’s social life, occasionally picking fights with locals. For other residents of Karthia village, Batham was an unemployed man who committed petty theft. “For a brief while, he built a tiny underground bunker in his agricultural field and stayed there all alone,” said Harveer Singh, a local resident. Batham’s half-brother, Rakesh, said he used to fly into a rage at the mention of sharing the family property or land, and threatened to shoot him on two occasions.Relations further deteriorated four years ago, when his relations with Ruby became public and the couple married without community sanction. In response, the villagers began boycotting him. “Ruby belonged to a different caste. That marriage was unacceptable in our village. We totally stopped visiting their house since then,” said Sudha Srivastav, a local resident. Surja Devi, who suffers from poor sight and can barely walk, moved in with her sister in another village after Batham hit her. But she repeated the charge that Thakur men had framed her son in the theft case. NO BLANK THREATSBy 5pm last Thursday, when villagers and policemen surrounded the home, among Batham’s first demands was to summon legislator Nagendra Singh. The MLA was at the spot in no time, but was cautious not to approach the door. “I stood next to the wall and asked Anupam Dubey to speak to Subhash,” said the MLA.Dubey was among those few people who interacted with Batham as a friend. “Dubey seemed unafraid, marched to the door, and scolded Subhash for keeping children as hostages. Moments later, a bullet came flying out and hit Dubey in his right leg,” said Rajababu Omer, a policeman. Batham would go on to fire at least 11 rounds in all, added Mishra. Minutes later, Batham used a crude bomb to trigger an explosion outside the house. The bomb was triggered by a wire connected to a battery placed in the bedroom, Mishra said. It was hidden under a pile of bricks, which flew in the air and hit people in vicinity. Three policemen and a villager were hurt in the explosion, forcing the police to call the National Security Guard (NSG), who were eventually not required.HORROR AND RELIEF IN THE BUNKEREach gunshot outside triggered loud cries from the children inside. “It was a congested bunker and the gunshots would make us collapse on each other,” said Anjali Kashyap, a 15-year-old girl later hailed for her bravery. Vineet said that when the blast happened, he was sitting with his back rested against the wall. “My body shivered for an hour after that.” Moments later, Batham opened the bunker’s lid and shouted “swaha” (a reference to throwing offerings into a fire during a ritual havan ceremony). Whenever the cries disturbed Batham, he would allegedly lift the lid, point the rifle inside, and threaten to shoot them all. “I would shout that if he killed any of us, him and his daughter would die too,” said Anjali.Earlier in the afternoon, Ruby had handed over a packet of toffees to the children. “Initially, we threw away the packet. But when hunger set in, we began eating them,” said Anjali.A darkness set in, and the little ones began dozing off, Anjali requested for bedsheets. “He gave us plastic sheets that we spread on the floor and put the children to sleep. When we told him we were hungry, he arranged about 25 packets of biscuits and also some glasses of water,” said Anjali. When the biscuits were exhausted, the children got chapatis. “Ruby made chapatis and gave us pickle,” said Vineet.A RAY OF HOPEAs the night dragged on, the authorities kept Batham engaged. “If one topic got over, we would initiate another. Our aim was to tire him out,” said Singh. At one point, Batham allegedly fired two rounds inside and announced he had killed two children. The police had no way of knowing the truth, said the collector. The first ray of hope came around midnight when the youngest of the captives – an eight-month-old girl – began wailing. “She wanted her mother’s milk. I urged them to release the little one. When he refused, I asked him to kill us all, but let the toddler go,” said Anjali.Batham agreed and said he would free the toddler. “Initially he tried to pass the child through a narrow shaft through the front door. When the child wouldn’t fit, he called Ruby and asked her to briefly open the rear door to let the child out,” said Shiv Bahadur.As Ruby opened the rear door, Subhash threw the toddler on a chair in the backyard. A policeman scaled the wall and took away the child.But in that brief moment, Anjali saw an opportunity. “As soon as I felt that the child was rescued, I closed the bunker’s lid and bolted it from inside,” she said. An incensed Batham threatened to blow up a 15kg LPG cylinder, but the children wouldn’t open the lid. The threat drove a wedge between the husband and wife, said the children. “Ruby begged Subhash not to trigger a blast as it would kill their daughter as well. She cried and pleaded with him,” said Anjali.With the husband and wife busy, Vineet thought he would try to remove the wires placed in the bunker. “I wasn’t sure, but I remembered that some wires in the bedroom earlier weren’t connected to anything. So, I pulled out all wires from the bunker and hoped that no blast would occur,” said Vineet. Vineet’s hunch was right. There was no blast.Over the next 90 minutes, one police team kept the couple engrossed while another team planned to break open the rear door. “Around 1.30am, when the couple was tired and hopeless, we brought down the rear door. The couple tried to escape from the front door, but we captured Ruby. Subhash then hurled bombs and began firing at us while running back into the bedroom,” said Mishra.One of the policemen shot Batham in response, killing him on the spot. As Ruby was being escorted out by the police, the villagers moved to attack her. “The police told us that she was strapped with explosives, but the people wouldn’t listen. They beat her with stones and bricks. The police joined in the lynching,” said Rajani Kashyap.Mishra denied the charge. It remained unclear, however, how the police was unable to stop her being beaten to death. As police bundled an injured Ruby into an ambulance – she would die on the way – another team walked into the room, and sounded assurances to the children locked underground. Minutes later, the children were climbing into the room. It was 1.30am. Read the full article

[globalexpressnews]

Days after Trisha Kar Madhu's private MMS video leak, actress drops new song 'Viral Bhailu Facebook Pa'

Days after Trisha Kar Madhu's private MMS video leak, actress drops new song 'Viral Bhailu Facebook Pa'

Image Source : YOUTUBE/PRA FILMS Days after Trisha Kar Madhu’s private MMS video leak, Bhojpuri actress drops new song Bhojpuri actress Trisha Kar Madhu has recently been in making headlines after her private MMS video with boyfriend Rakesh Mishra got leaked online. The popular actress and dancer later requested fans to not pay heed to it. However, she did not clarify who shot the video, or how…

[shankerjaikishen-the-unbeatables]

#INTERESTING INFORMATION ABOUT FEW SJ FILMS

  Films that were signed before Sep 1971 but were not released by then: 1. Seema (Simi,Kabir,Rakesh,Bharati) 2. Albela (Mehmood,Namrata) 3. Chori Chori (new) (Sanjay,Radha,Jeetendra) 4. Beimaan (Manoj,Raakhee) 5. Love in Bombay (Joy Mukherjee,Waheeda,Kishore. produced by Shubir Mukherjee) 6. Yaar Mera (Jeetendra,Raakhee) 7. Lal Patthar (Raaj Kumar,Hema Malini,Raakhee,Vinod Mehra) 8. Ankhon Ankhon Mein (Rakesh,Raakhee) 9. Daman Aur Aag (Sanjay,Saira) 10. Ankh Michouli (Rakesh,Bharati) 11. Mera Vachan Geeta Ki Qasam (Sanjay,Saira) 12. Nagina (Sanjay,Leena) 13. Dhoop Chhaon (Sanjeev,Hema. Yogita added much later due to problems between Sanjeev and Hema) 14. Bandagi (Vinod Mehra,Sandhya Roy) 15. The Gold Medal (started with Rajendra Kumar,Saira and later changed to Jeetendra,Raakhee) 16. Mehfil (Jeetendra,Sadhana , later replaced by Anil Dhawan) 17. Naina (Shashi,Rajashree. Moushumi added later) 18. Aan Baan (Rajendra,Raakhee) 19. Resham Ki Dori (Rajesh Khanna,Saira. Rajesh Khanna was later replaced by Dharmendra who was closed to Atmaram) 20. International Crook (Dharmendra,Saira) 21. Archana (Directed by Satpal, Bhappi Sonie's assistant.  21. Pyar Ka Rishta (Sameer,Mumtaz,Shatrughan,Vinod Khanna) 23. Rivaaj (First production of KC Bokadia. Sanjeev,Mala) 24. Dur Nahin Manzil (Started with Roshan who composed the titled song that was retained. Also, initially this one had Sanjeev,Nutan but Nutan was replaced by Reshma, Bindu's sister) 25. Insaniyat (Shashi,Madhu) 26. Dil daulat Duniya (Rajesh Khanna,Sadhana)  Films that never saw completion but were on hand in 1971: 1. Hero (launched by Sham Behl, of Gold Medal/Duniya with Sunil Dutt) 2. Kabhi Daman Kabhi Phool (Vinod Khanna,Anupama) 3. Kora Kagaz (Rajesh Khanna,Hema Malini; not the same one that was released later in 1973)  4. Sindoor (Produced by Sant Singh; directed by Kishore Sahu. Jeetendra,Saira) 5. Sadiyonse Hai Pyar (Produced by RK's cousin Vijay Kapoor. Shashi Kapoor, Saira Banu) 6. Tu Payal Main Geet (Directed by Kanak Mishra. Shashi Kapoor, Saira Banu) 7. Mahaan (Directed by Sultan Ahmad. Sanjeev Kumar,Mumtaz. Not the same as AB's Mahaan) 8. Aar Paar (Tanuja,Romesh Sharma) 9. Untitled film (Directed by T. Prakash Rao. Dilip Kumar,Saira with one song recorded by Jaikishan in Asha's voice) 10. Ganga Ki Kasam (Produced by Pachhi) 11. Karishma (Randhir Kapoor in the lead) 12. Nain Mile Chain Kahan 13. Paani 14. Sun re Balam ,,,,, Announced before Sep 1971 but vanished from the radar after sep 1971 1. Seeta Aur Geeta  2. Kailash/Prem Chopra's untitled (later named Nafrat) Announced after Jaikishan's demise but never released or completed: 1) Watan (Sunil Dutt, Sanjay Khan, Rekha, Premnath;(Director Kanak Misra) 2) Azmaaish (Sanjay Khan, Director: Kanak Misra) 3) Baby Hindustan (Director: Basu Chaterji) 4) Gunahgaar (RaajKumar. Producer/Director: Govind Saraiyya. Had a Lata,Manna Duet) 5) Mere Desh ki Dharti (Producer: Kewal P. Kashyap) 6) Talaaq (Parikshit Sahni) 7) Apmaan (Navin Nischal, Rakesh Roshan) 8) Jugal Jodi (Asrani,Deven Verma) 9) Pehla Pehla Pyar (Mumtaz International. Saira,Shashi Kapoor) 10) Airport 11) Gulzar Singh's untitled (Shashi Kapoor)

[tremendouskingdomwonderland]

Rakesh Mishra (2018) सुपरहिट होली गीत - Holi Me Kati Jawani Ke GST - Superhit Bhojpuri Holi Songs

Rakesh Mishra (2018) सुपरहिट होली गीत – Holi Me Kati Jawani Ke GST – Superhit Bhojpuri Holi Songs

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[djfloops]

कनिया लगावेली सबुनिया I #Rakesh Mishra का सबसे ब्लास्ट गाना I Bhojpuri New 2020 Song

[vilaspatelvlogs]

इंटरनेट पर धमाल मचा रहा ‘ए राजा जाई न बहरिया’ गाना, जल्द बनाएगा ये रिकॉर्ड

इंटरनेट पर धमाल मचा रहा ‘ए राजा जाई न बहरिया’ गाना, जल्द बनाएगा ये रिकॉर्ड

भोजपुरी सुपरस्‍टार राकेश मिश्रा (Rakesh Mishra) का गाना ‘ए राजा जाई न बहरिया’ 200 मिलियन के रिकॉर्ड आंकड़े को छूने वाला है. Source link