#T.C. Matherne

[badmovieihave]

Bad movie I have Renfield 2023

[popentertainment-moviereviews]

RENFIELD (2023)

Starring Nicholas Hoult, Awkwafina, Nicolas Cage, Ben Schwartz, Adrian Martinez, Shohreh Aghdashloo, Brandon Scott Jones, Jenna Kanell, Bess Rous, James Moses Black, Caroline Williams, Miles Doleac, Danya LaBelle, Rhonda Johnson Dents, Christopher Matthew Cook, Michael P. Sullivan, Rosha Washington, James Moses Black and T.C. Matherne.

Screenplay by  Ryan Ridley.

Directed by Benjamin Millepied.

Distributed by Universal Pictures. 93 minutes. Rated R.

In general I have never liked comedies that used horror and violence to gain laughs.

So color me surprised that I have actually kind of liked three insanely violent but wonderfully goofy comedies in the past six months. Violent Night, Cocaine Bear and now Renfield are actually pretty decent comedies. And while still I could have lived without much of the bloody mayhem, it almost worked in context of the films.

The violence in Renfield is silly and cartoonish, almost like an old Looney Tunes cartoon, if Looney Tunes trafficked in frequent dismemberments and buckets of blood.

Renfield is another one of those films that look at a classic tale from the point of view of a supporting character. This style was big like 10-15 years ago (Maleficent, Mirror Mirror) and do tend to open new insights into very well-known, staid literary classics.

The hero – well sort of hero – here is Renfield (Nicholas Hoult), the familiar who serves the legendary vampire Count Dracula (Nicolas Cage).

The high concept of the film is that it must be a bummer to work for such a mean, heartless, vindictive and violent boss as Dracula. Add to that you don’t particularly enjoy the work (collecting victims), the contract is binding and eternal and the pay kind of sucks. It seems like the ultimate HR disaster.

On the plus side, you do get days off.

To make things even a little more off-the-wall, Renfield takes place in modern-day New Orleans, adding organized crime, corrupt cops and self-help groups into the gumbo.

Therefore, Renfield joins a support group for people who can’t stand up for themselves to bullies. Of course, there is an ulterior motive to this move – not only does Renfield want to come to terms with his indentured servitude to his cruel boss, but also, he figures that some of the victimizers that are terrorizing his groupmates would also make for good meals for Dracula. It seemed like a win-win.

Of course, nothing ever works as planned.

Dracula uses his ward’s crisis to further hurt the guy and kill off most of the people that Renfield has come to care for. Thus the befuddled familiar must come up with an extreme way of giving notice of resignation.

Cage has an unhinged hoot as the master of darkness, a role which he has flirted with occasionally for decades. (See also: Vampire’s Kiss.) It’s a perfect role for him, and honestly when he is on screen, he sucks all of the energy out of everyone and everything else going on around him.

Hoult has fun making Renfield incredibly solicitous, except for when he becomes a one-man wrecking crew. However, even when he is killing, he does it oddly politely. Awkwafina is fine as a parking cop who wants to bring down the crime family that killed her decorated cop dad, and when she can’t do it legally, she joins Renfield in mowing the bad guys down. She is funny, but honestly, it’s nothing she hasn’t done before, and done better.

Renfield is not a great film, but as a short (93 minutes) and flashy distraction, it’s actually surprisingly funny much of the time. And while I still find the blood and guts excessive, it’s still worth the watch, as long as you have a relatively strong stomach.

Jay S. Jacobs

Copyright ©2023 PopEntertainment.com. All rights reserved. Posted: April 14, 2023.

[renfield-en-vf-gratuit]

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Renfield 2023 Trailer Music | Renfield,org

Genre: Horreur, Comédie, Fantastique,

Sortie: 2023-04-07

Etoiles: Nicholas Hoult, Nicolas Cage, Awkwafina, Ben Schwartz, Shohreh Aghdashloo, Brandon Scott Jones, Adrian Martinez, Camille Chen, Bess Rous, Jenna Kanell, Danya LaBelle, Rhonda Johnson Dents, Christopher Matthew Cook, Michael P. Sullivan, Rosha Washington, James Moses Black, T.C. Matherne, Caroline Williams, Joshua Mikel, Derek Russo, Dave Davis, Marcus Lewis, William Ragsdale, Miles Doleac, Camden McKinnon, Krystal Tomlin,

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étiquette :

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[loveboatinsanity]

[doomonfilm]

Thoughts : Antebellum (2020)

I’ve been intrigued about Antebellum since trailers for it began to pop up prior to COVID-19′s decimation of the theater industry.  My father used to pitch an idea to me of a slave and a modern day man who somehow find themselves switching places, so it made me excited to see that this concept may be getting its chance to find life.  After waiting patiently, the film recently popped up on Hulu, giving me the opportunity to finally see it, and I certainly wasn’t ready for the wild ride I signed up for.

On a Louisiana plantation, Eli (Tongayi Chirisa) watches as his wife attempts to run away, but she is captured and killed in front of him.  Overseer Jasper (Jack Huston) not only punishes Eli in front of the other slaves, but he later punishes Eden (Janelle Monáe) in private for her part in the act by beating her, whipping her and branding her.  Six weeks later, a new group of slaves arrives, including a pregnant woman named Julia (Kiersey Clemons).  Due to her pregnancy, Julia requests Eden’s assistance in an escape attempt, but after Eden turns her down with a warning to bide her time and keep her head down, Julia attempts to confide in a young Confederate Soldier named Daniel (Robert Aramayo) who requests to bed her, but Julia is swiftly punished and beaten.  After Eli is later forced to clean the crematorium where his wife was burned, a sudden shift in perspective brings Eden into the modern world as Veronica Henley, a young woman married to Nick Henley (Marque Richardson) with a young daughter named Kennedi (London Bryce).  Veronica travels for a speaking engagement at a fancy conference, but after a night on the town with friends and colleagues Dawn (Gabourey Sidibe) and Sarah (Lily Cowles), an earlier strange encounter with a mysterious woman named Elizabeth (Jena Malone) leads Veronica down a disjointing and perplexing path.

The severity of the plantation context is not only an immediate mood-setter, but it contextualizes Eden/Veronica as a victim of systematic oppression, which we later learn flies directly in the face of her intellectual background and personal drive.  With her main stated desire being a deconstruction and reformation of the patriarchy, then the most logical nightmare to insert her into would be that of a slave who faces assaults of a physical and sexual nature.  While the difference of perceived danger is made clearly evident by paralleling the two existences, the very real danger and repercussions of plantation life are not used to minimalize the struggles of being a woman with agency in the modern day, but rather they are used as a way to show the proportional scale these existences share in terms of the removal of a woman’s agency.  Even if the additional subtext of the William Faulkner and Assata Shakur quotes were not present in the film, the displays of Elizabeth and Sarah’s privilege as white women, or the way that Veronica is held on a pedestal rather than as an equal to her peers, serve to show that women have often been the ones left out of sweeping and revolutionary change.

That being said, it’s not very hard to see why this film was such a divisive one amongst audiences and critics.  For those unfamiliar with or unwilling to accept America’s violent and tragic history with Black men and women, the plantation setting would be confusing in regards to a horror vehicle, and directors Gerard Bush and Christopher Renz spend little to no time providing viewers with a shorthand or background in regards to how things operate in that world.  The lines are further blurred when it is made deeply unclear when and where we are in terms of a larger timeline and location, as the fear that would normally be associated with the captivity and bleak existentialism of slavery is turned on its head in order to apply to the context it is used in the film (which I hope I have not spoiled in my attempts to remain vague).

The writing on the film is strong, as it finds a way to bridge a dark and complicated part of the American past with the generational trauma it is responsible for without having to rely on narrative tropes or movie magic.  As a location, the plantation stands as a momentous star of the film, making its presence felt through its sheer size and bleakness of potential outcomes.  The scoring used for the plantation sequences has a high theatricality to it, helping to ratchet up the fever-pitch inducing tension.  While a mostly general color pallet is used throughout, it is drenched in a world of eventual darkness where only the reds and oranges are allowed to stand out.  The big budget cinematography helps add to the larger than life nature the film builds up and maintains.

Top to bottom, this film is filled with strong performances, but first and foremost Janelle Monáe must be recognized for her dignity, quiet strength and fierce drive she exhibits as the protagonist of the film.  Jena Malone matches her energy as antagonist, though I would have liked to see a bit more of her in the film.  Jack Huston, Eric Lange and Robert Aramayo balance the savageness of superiority with hints that things may not be quite what they seem in the world presented.  Tongayi Chirisa displays the pain of loss and the unchecked aggression that comes with wanting to free yourself from captivity to a strong degree, while by comparison, Kiersey Clemons exhibits the desperation and eventual fear that comes with defeat in the face of hopelessness.  Nick Henley provides a loving foundation along with the innocence of London Bryce, while Gabourey Sidibe and Lily Cowles stand strong as Monáe’s support system.  Arabella Landrum, Achok Majak, T.C. Matherne and a number of others step if for supporting roles.

The reviews and thoughts I heard on Antebellum could not have been more mixed, but in my opinion, the film definitely lives up to the hype it presented in its promotional material.  Films like these are not only taken in the best when expectations are set aside, but also when there is a lack of knowledge about the specific story as well, as these two steps will provide the most rewarding viewer experience.

[tellusepisode]

Antebellum (2020)

Coming Out at September 18, 2020 on VOD

Horror, Thriller

Antebellum is horror thriller film written and directed by Gerard Bush and Christopher Renz. The film stars Janelle Monáe, Eric Lange, Jena Malone, Jack Huston, Kiersey Clemons and Gabourey Sidibe. Antebellum is scheduled to be released in the United States through video on demand on September 18, 2020.

Successful author Veronica Henley finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it’s too late.

Directors: Gerard Bush, Christopher Renz

Writers: Gerard Bush, Christopher Renz

Stars: Janelle Monáe, Eric Lange, Jena Malone, Jack Huston, Kiersey Clemons, Gabourey Sidibe, Marque Richardson

►Cast

Arabella Landrum…Little Blonde GirlJena Malone…ElizabethEric Lange…Him / Senator DentonJanelle Monáe…Veronica / EdenTongayi Chirisa…Eli / ProfessorAchok Majak…Amara (Ghanaian Queen)Jack Huston…Captain JasperKiersey Clemons…JuliaT.C. Matherne…PurcellRobert Aramayo…DanielMarque Richardson…NickLondon Boyce…KennediBernard Hocke…Talking HeadDayna Schaaf…Yoga TeacherGabourey Sidibe…DawnTodd Voltz…Strange Man with FlowersLily Cowles…SarahCaroline Cole…Hotel ConciergeGeraldine Glenn…HousekeeperGrace Junot…CamilleVictoria Blade…Rebecca (Hostess)Choppy Guillotte…Sam (Waiter)Lyle Brocato…Tall Man (Dawn’s Admirer)Eric Stratemeier…Gus (Driver)Bill Martin Williams…Overseer #1Trula M. Marcus…Joy (Book Fan)Betsy Borrego…Laura (Daughter of Book Fan)Devyn A. Tyler…Melanie (Young Woman #2 at Conference)Kimani Bradley…Enslaved MaleWilliam Buster Benefield…FBI AgentHick Cheramie…Hero ConfederateMichael Dominey…Confederate SoldierChad Governale…FBI AgentChristopher Hart…Slave Broker / Confederate SergeantMiles Hendler…Villain ConfederateGregory Hobson…ReporterSuzette Lange…Audience attendeeKaleb Naquin…Confederate SoldierChristine VonRobarie…Restaurant Patron

The post Antebellum (2020) first appeared on TellUsEpisode.net.

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[love-midnight-sunshine]

Genre: Thriller

Language: English

IMDb Ratings: 6.0/10

Quality: HDTV

Movie Size: 720p (795MB)

Director: N/A

Movie Cast: Maddie Nichols, Leslie Hendrix, T.C. Matherne

Download Here -      (1080p Coming Soon)

Sypnosis: A couple whose one-year anniversary camping trip turns deadly for the husband, leaving the wife alone in the wilderness. When she accepts help from another camper, she ends up putting her life in his hands.

Note - Report Dead Or Broken Link With URL 'HERE' (Links Will ReUp Soon) Watch Trailer

Screenshot

[numetro]

‘Antebellum’ official trailer from Nu Metro on Vimeo.

If it chooses you, nothing can save you.

At Nu Metro Cinemas Friday 24th April, 2020: numet.ro/antebellum

Successful author Veronica finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it's too late.

Cast: Kiersey Clemons, Jena Malone, Janelle Monáe, Jack Huston, Eric Lange, Gabourey Sidibe, Robert Aramayo, Lily Cowles, Marque Richardson, Devyn A. Tyler, Choppy Guillotte, Tongayi Chirisa, Caroline Cole, Hick Cheramie, T.C. Matherne Director: Gerard Bush, Christopher Renz

#AntebellumMovie

[kinamba-blog]

Первые 1 сезон 1, 2, 3 (2018)

Дата выхода в РФ - 14 сентября 2018 Оригинальное название: The First Страна: США Дистрибьютор: Hulu Режиссер: Агнешка Холланд, Дениз Гамзе Эргювен Жанр: фантастика, драма В главных ролях: Шон Пенн, Рей Лукас, Брайан Франклин, T.C. Matherne, Лиза Г... Читать дальше »