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deadcactuswalking · 3 years

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REVIEWING THE CHARTS: 09/01/2021 (Justin Bieber, SZA, Jason Derulo)

Happy New Year, everyone, and welcome to 2021 on REVIEIWNG THE CHARTS – or I guess you could call it “Season 4”. I’m going into this year with cautious optimism – that goes for pop music, mind you, and not actual world events which I suspect will just get even direr as the years go on. For 2021 on the charts, I’m hopeful and I hope that’ll show in this next year as I’m in a better place than ever, partly thanks to my decision to renew this series in the Autumn, and we’ve got a busy week – or year – ahead of us. I can keep up with new releases every Friday like I used to and generally kick myself back into a routine with all these musical hobbies. I stay cautious in my optimism for 2021’s pop music because frankly, looking at this top 20, I can’t say I like a lot of this at all. I mean, I guess I’m fond of some of these tracks but I suspect a fair few of these songs to have their last shred of success this Winter and not turn out as year-long hits. I can’t say that for our #1, which is “Sweet Melody” by newly-collapsed girl group Little Mix, the fifth credited #1 for the group and their first since 2016’s “Shout Out to My Ex”. Admittedly, I feel like Little Mix ends here, hopefully with a bang as this was one of the few bonafide smash hits that lasted through Christmas, and I see it lasting a couple more weeks at #1 as a good send-off because I don’t predict the band getting back together without Jesy anytime soon... not that I care about pop-group politics, of course. On that note, let’s divert to our rundown. Welcome back to REVIEWING THE CHARTS.

Rundown

There is a single song in the UK Top 75 – which is what I cover – that has not gained, returned or entered for its first week, and that’s “Love is a Compass” by Griff from Disney’s Christmas advert down to #50 – it’ll be gone next week, but I honestly don’t really understand why it lasted an extra week. Maybe Soul and Disney+ had something to do with it, because I cannot see this getting consistent streams. Otherwise, look: I’m not mentioning every single drop-out because I would just be repeating every single drop-out because I would just be repeating all of the Christmas songs that I’ve already listed every single week since late November. I will say this: “Last Christmas” by Wham!, last week’s #1, is gone from the top 75, alongside “All I Want for Christmas is You” by Mariah Carey, “This Christmas” by Jess Glynne, “Rockin’ Around the Christmas Tree” by Justin Bieber, “Fairytale of New York” by the Pogues featuring the late Kirsty MacColl, “Merry Christmas Everyone” by Shakin’ Stevens, “Step into Christmas” by Elton John, “Do They Know it’s Christmas?” by Band Aid and “It’s Beginning to Look a Lot Like Christmas” by Michael Bublé are all gone despite staying in the top 10 in last week’s awkward grouping of holiday trite and regular pop. Everything else I’ve said over the last few weeks in the returning entries and gains sections, Christmas-wise, is gone, and I don’t want to list any other drop-outs, including even all of last week’s new arrivals. The only other notable song dropping off from the chart that’s not explicitly Christmas-related is Liam Gallagher’s charity single “All You’re Dreaming Of”, and that’s not exactly a surprise to anyone. Okay, so for our returning entries and gains, I’ll list them in some kind of janky order. Starting with returning entries, the category that fits most of these songs is: “year-long hits that have had one final and brief second wind after the holiday season that will later be replaced as Spring comes”. This includes “Giants” by Dermot Kennedy at #75, “Breaking Me” by Topic and A75 at #74, “Roses” by SAINt JHN and remixed by Imanbek at #71, “Rain on Me” by Lady Gaga and Ariana Grande at #70, “ROCKSTAR” by DaBaby featuring Roddy Ricch at #68, “Don’t Start Now” by Dua Lipa at #67, “Lighter” by Nathan Dawe and KSI at #61, “Ain’t it Different” by Headie One featuring AJ Tracey and Stormzy at #60, “Savage Love (Laxed – Siren Beat)” by Jawsh 685 and Jason Derulo and remixed by BTS at #58, “Before You Go” by Lewis Capaldi at #56, “WAP” by Cardi B and Megan Thee Stallion at #47, “Take You Dancing” by Jason Derulo at #46, “Watermelon Sugar” by Harry Styles at #41 and “Looking for Me” by Paul Woolford and Diplo featuring Kareen Lomax at #39. Our next category is: “really old – and massive - songs riding off the coattails of a weak chart for a cheap additional week to add to their repertoire”. This includes “Shallow” by Lady Gaga and Bradley Cooper at #73, “Baby Shark” by Pinkfong at #72, “Perfect” by Ed Sheeran at #66, “Dreams” by Fleetwood Mac at #64, “Someone You Loved” by Lewis Capaldi at #45, “Dance Monkey” by Tones and I at #38, and I guess even “Train Wreck” by James Arthur returning big at #18. Our third category consists of: “mostly more recent and decently-sized hits coming back because they’re still popular but won’t be re-peaking any time soon”. These include “Gnat” by Eminem at #69 (although you’d be stretching to call that a hit exactly – would have been without Christmas), “Show Out” by Kid Cudi, the late Pop Smoke and Skepta at #62, “Lasting Lover” by Sigala and James Arthur at #57, “Princess Cuts” by Headie One featuring Young T & Bugsey at #55, “no body, no crime” by Taylor Swift featuring HAIM at #54, “pov” by Ariana Grande at #52, “Tick Tock” by Clean Bandit and Mabel featuring 24kGoldn at #51, “Diamonds” by Sam Smith at #49, “Body” by Megan Thee Stallion at #44, “Plugged In Freestyle” by A92 and Fumez the Engineer at #43, “champagne problems” by Taylor Swift at #42, “What You Know Bout Love” by the late Pop Smoke at #36, “i miss u” by Jax Jones and Au/Ra at #34, “See Nobody” by Wes Nelson and Hardy Caprio at #33 and “Lonely” by Justin Bieber and benny blanco at #32. Our last category consists of songs that returned and peaked this week, including many in the top 40. These include “You’re Mines Still” by Yung Bleu and remixed by Drake at #59, “All Girls are the Same” by the late Juice WRLD at #53 (still very strange to see that song from 2017 peak nearly four years later), “Heat Waves” by Glass Animals at #48, “SO DONE” by The Kid LAROI at #40 (more on him later), “The Business” by Tiesto at #31 and “Golden” by Harry Styles at #26. These are the most important returns because they signify what could be coming down the line for our genuine Winter hit parade, or at least the post-Christmas half of it. What might better show this are our gains, however, as these songs were sticking through the holiday season and took advantage of it this week to poke through even higher in the top 40 and often top 10. We have “Forever Young” by Becky Hill at #35, “Midnight Sky” by Miley Cyrus at #29, “Lemonade” by Internet Money and Gunna featuring Don Toliver and NAV at #27 (as soon as I can stop saying that full song name the better), “Monster” by Shawn Mendes and Justin Bieber at #25, “No Time for Tears” by Nathan Dawe and Little Mix at #24, “HOLIDAY” by Lil Nas X ironically up to #23, “positions” by Ariana Grande at #22, “Holy” by Justin Bieber featuring Chance the Rapper at #21, “Loading” by Central Cee (still growing on me) at #20, “Head & Heart” by Joel Corry and MNEK at #19, “Dynamite” by BTS at #17, “Mood” by 24kGoldn and iann dior at #16, “Therefore I Am” by Billie Eilish at #15, “Really Love” by KSI featuring Craig David and the Digital Farm Animals at #14, “Blinding Lights” by the Weeknd still here at #13, “willow” by Taylor Swift at #12, “Prisoner” by Miley Cyrus featuring Dua Lipa at #11, “Paradise” by MEDUZA and Dermot Kennedy at #10, “you broke me first” by Tate McRae at #9, “34+35” by Ariana Grande at #8 and “WITHOUT YOU” by The Kid LAROI at #7. I can reassure you I’m overjoyed about that last one – not because the song is good, quite the opposite, I just like having easy targets ready for the end of the year when I actually end up doing a worst list. Oh, and that’s not the end of it: “Get Out My Head” by Shane Codd is at #6, “Levitating” by Dua Lipa and remixed by DaBaby is at #5, “Whoopty” by CJ is somehow at #3 and finally, “Afterglow” by Ed Sheeran is at #2. We already mentioned “Sweet Melody”, so now finally, it’s on to our new arrivals. What did you gain from reading me list sixty-odd songs in rapid succession with minimal commentary? Nothing. What did I gain from it? Whatever’s just above nothing, but as is the UK Singles Chart in early January.

NEW ARRIVALS

#65 – “Your New Boyfriend” – Wilbur Soot

Produced by Wilbur Soot

Before I put two and two together, I was incredibly confused to who this guy was and why he was charting – he’s doing particularly well on Spotify for this indie singer-songwriter, right? I did one quick Google search – literally typing in “Who is Wilbur Soot” – and soon found out that I actually already know the guy from “SootHouse”, a YouTube channel I think I might even be subscribed to. Huh, I guess that shows how faceless social media platforms can be – his name is in the videos and I should have assumed from “Soot” but that missed me until now. Right now he’s part of that whole worryingly popular group of content creators that tread the very thin line separating Minecraft let’s-players from commentary YouTubers and Twitch streamers from paedophiles. I’m too old to understand any of this garbage but from what I see trending on Twitter all the time, it seems toxic and frankly I don’t want in any part of that. I don’t want to have my grandparents’ graduation photos leaked to the Internet alongside my address, thank you very much, so I think I’ll distance myself from the whole “Internet celebrity” and just talk about the music. This is the last in a trilogy of E-boy indie-pop songs, because of Goddamn course that exists. Song number-one, “I’m in Love with an E-Girl” is a dreary acoustic duet that forgets that comedy songs are supposed to be fun or witty, relying on obscure inside jokes and references to recently-outed paedophiles. I do like some of the jabs later on about romanticisation of mental illness and Chevy’s voice is really nice, whoever that is, but it’s too little too late to be a worthwhile track. Now for song #2, “Internet Ruined Me”, which is a slightly livelier rendition of what is pretty much the same song, with lyrical gems like, “My Twitter feed’s like my brain ‘cause I have it on dark mode.” At least it feels like a more honest attempt at a song, but song #3, “Your New Boyfriend”, the one that’s charting, is obviously the most realised out of these acoustic demo skits, with some pretty sweet piano melodies and Wilbur getting into his comically struggling high register to depict his naivety as a teenager when attempting to get into both a long-term relationship and career as an entertainer. Sure, the song’s janky and awkward, but the chorus has a genuine punk groove, even if it wants to stop to interject ad-libs for no reason and kind of ruin whatever momentum is there in the first place. By the second verse, the punchlines devolve to “No homo, though” and though I do like how those horns sound, they are somewhat clouded in a messy mix that does not help Wilbur out vocally at all. Chevy’s background vocals do help here and add a lot to the floaty atmosphere of the song, and, okay, I’ll admit: the song’s good, if a bit ridiculous and almost Weezer-like in lyrical content... but hey, I like Pinkerton, and there’s certainly enough pointless noise in this song to fit the criteria, so... Goddamn it, I have to recommend this one. Let’s just date this episode – and song – even further by requesting Carson and Pyrocynical hop on a nonce-rock remix, perhaps. Bring Dream along too.

#63 – “Reminds Me of You” – The Kid LAROI and Juice WRLD

Produced by Aaron Joseph, Theron Thomas, Sam Sumser, Sean Small and Dr. Luke

Oh, and speaking of sex crimes by men in places of power, welcome back, Loctor Duke, Tyson Trax, or as I prefer, (alleged) rapist. I don’t like to get too moralistic on this show because it is about the music but I cannot think of any person who would in their right mind know of “Praying” by Kesha and still want to collaborate with this waste of space who uses his monopoly on pop songwriting to continue raking in cash from vulnerable young singers, to the point where I’m not sure if I can truly blame artists for ending up with Dr. Luke production or writing credits... oh, wait, yes, I can! I don’t let Saweetie, Doja Cat or even Kim Petras off the hook for actively collaborating with Luke seemingly in defiance of, you know, moral decency, so I definitely won’t give The Kid LAROI a pass, especially if he and the label are going to use this as another opportunity to milk the passing of a genuinely talented man in Jarad Higgins, or the late Juice WRLD, for the sake of a chart hit for this bumbling Australian wannabe and a sexual predator. This is not the first time, either, but I’ll admit the story gets fuzzy, as Kim Petras did reveal that this performance from Juice was in the studio as she was recording a song, supposedly, that is – I have no hesitation to say I think stories could be made up by record labels to make whoever’s involved look a tiny bit less of an ass. Oh, and by the way, this isn’t even originally a Kid LAROI and Juice WRLD track. Let’s talk about “Reminds Me”, a pretty mediocre Kim Petras song where she blatantly imitates Juice on a trap-pop instrumental that’s just pitiful, as is her vocal delivery that makes lyrics Juice clearly wrote unconvincing. Kim Petras isn’t doing a homicide, I mean, I hope she isn’t. So now we’ve got a “reimagination”, “revamp”, “remake” – or to put it realistically, remix – of an already worthless, disposable song made by a sexual predator and its enablers, spat on by The Kid LAROI’s unforgivably gross delivery where he essentially covers the Kim Petras song and does even a worse job of it, mixed bizarrely – especially in the vocal department – and topped off with a tacked-on Juice WRLD demo verse, so lazily put together that they just repeat his verse to awkwardly lead into an anti-climactic chorus where Juice is nowhere to be found. Everyone involved in the making of this song lost whatever shred of respect I had for them in the first place for putting this out – and that doesn’t include Juice, who’s clearly being mismanaged post-mortem. If The Kid LAROI sticks around, don’t forget this and don’t forget everything he’s done – intentionally or unintentionally – to heartlessly pinch pennies out of Juice’s legacy.

#37 – “Goosebumps” – Hvme

Produced by HVME

I’d make the easy, cliché joke that this isn’t living up to “goosebumps” by Travis Scott featuring Kendrick Lamar, but... this IS “goosebumps” by Travis Scott featuring Kendrick Lamar. HVME is this boring faceless nobody—I mean, “mysterious” Spanish DJ who made a garbage deep house remix of a pretty decent Travis Scott song, but not using the original vocals and stems, which would have probably made this listenable, but instead covering the song himself, stripping of it of Travis’ original energy that carried the eerie trap instrumental and pretty pathetically attempting to replicate the “Straight up!” ad-lib. The mix is fine but puts way too much emphasis on all the swooshing and nothingness synths that do little to get in the way of the typical pumping bass-line you hear in this type of house, and, yeah, this is pitiful once again and reeks of no-effort dance music made in a bedroom you wouldn’t even hear bumped in clubs. He doesn’t even try and re-sing Kendrick’s verse – good – and his attempts at picking up Travis’ masterful flow from the original is comical at best, to the point where I genuinely laughed out loud as his measly “brr-brr-brr” sound effects. I don’t understand why this is so high, yet it has 112 million Spotify streams as his only release on the platform, and I can only assume this is thanks to Ministry of Sound and some Lithuanian record label (don’t ask; I don’t know either). I don’t see this surviving January, thankfully, so you can say goodbye to this guy and his awful, awful cover for good... hopefully.

#30 – “Love Not War (The Tampa Beat)” – Jason Derulo and Nuka

Produced by Nuka

I don’t think there’s any “Tampa Beat” to speak of so Jason Derulo, are you just putting “(Blank) Beat” at the end of all of your songs now? What do you even gain from that? Except there is a “Tampa Beat” – unlike Jawsh 685’s original track, however, it wasn’t called that. Nuka is a New Caledonian producer and she made a song called “4 Bryleans (WayzRmx2018)”. Alright, well now it’s the “Tampa” beat, because I’m sure Florida is close enough to a French territory in Oceania, right? Maybe he’s talking about the ghost town in Australia, or the... small Transylvanian mountain. Okay, I’ll stop kidding myself: this title is complete nonsense. At least he asked for the sample before using it this time, and if Derulo makes careers out of this, then I’ll be glad for these underground Oceanian producers. The difference is here it just feels lazy and co-opting a style he’s clearly not in tune with for the sake of hits for himself. It would make more sense for him to keep on working with Jawsh if he really had good intentions for producers out there in the Pacific. Anyway, much like the title, this song, produced by someone who claims to make the best cheesecake in the Pacific (which I wouldn’t think is that hard of an award to claim), is nonsensical. It’s stuck in 2014 with gross synth leads, clipping percussion and finger-snaps straight out of DJ Mustard’s older stuff, along with what I guess is the sound of the Pacific: Jason Derulo doing fake accents over incessant horns and over-produced garbage that seems like its sole purpose is to annoy... and I liked “Savage Love”! I think my favourite part of this production is when he pitches the horn line down for the verse and then it comes back mid-way through as annoying as ever, even if this mix is crowded enough for you to just barely ignore it. Derulo isn’t doing much here either other than straining his voice for a belt no-one asked for and having a complete dissonance between verse and chorus in terms of lyrical content. Oh, and there’s a copious amount of remixes that are all garbage. The instrumental’s on Spotify too under “Waterfall”, so I guess that adds another name to the list of names this song has for no reason. At least with “Savage Love” I got to hear BTS drop F-bombs, this is just worthless.

#28 – “Good Days” – SZA

Produced by Los Hendrix, Nascent and Carter Lang

I came into this episode all optimistic and ended up just moaning about sex crimes and Jason Derulo but I think if there’s going to be any shred of true quality from our new arrivals, it’s the new SZA track that’s shaping up to be genuinely big organically on radio and streaming, “Good Days”, from that new album, whenever Top decides he’s going to let her release it. I’m not the biggest fan of SZA; you probably don’t remember that she ended up on one of my worst lists a couple years back, although that’s mostly at the fault of Travis Scott more than her. This doesn’t mean I’m not excited to hear from her, though I did like some of the stuff off of CTRL, particularly “Prom” and “20 Something”... and, yeah, in terms of what I want from contemporary R&B, I’m not mad at “Good Days” at all, though it’s going to take a lot of growing on me because I immediately hate this mix and production, which relies on slick, lo-fi guitars being drowned out by overweight percussion that sounds organic but pretty unfitting and awkward amongst the reverb-drenched vocals and unrecognisable mix that doesn’t compliment SZA’s at times awkward delivery. That’s a shame to say because I think she harmonises well with co-writer Jacob Collier, especially on the chorus, where she wishes for good days ahead, which is lyrical content I can get behind: coming out of a bad place and knowing you have no authority over your future but wishing for good days regardless. When the synths come in after the third verse at about three minutes and SZA’s voice disappears from the mix, becoming less overbearing than it is, I can appreciate the song more and especially when that final chorus comes in... except there isn’t a final chorus to leave this song off with much of an impact, rather just a tacked-on instrumental section that felt like Jacob Collier was tasked with just extending a snippet, which given how the song was teased in “Hit Different”, might actually be the case. I like the lyrics a lot, and do think it picks up after the song practically ends, but I’m not sure about this right now, and could see it growing on me as good days either become more imminent or drift even further away.

#4 – “Anyone” – Justin Bieber

Produced by watt, The Monsters & Strangerz and Jon Bellion

I’ve done a lot of writing and reviewing this week so I’m glad I can sum this up in a few sentences. Justin Bieber is an overexposed hack who I cannot feel any emotional connection towards at all, so him continuing to make any art is moot. This song has a loading screen of a synth melody, and that’s before that really ugly chorus that Bieber really can’t save with his Auto-Tuned whine of a voice, alongside acoustic guitars that clearly do not blend well. Jon Bellion’s production at the end of this just barely saves it by doing some kind of 180 shift into slow synth-pop, clearly coasting off of the Weeknd’s success in the same style without realising what made his record worthwhile. Camila Cabello recorded a demo that I’m glad isn’t the official version because her squealing would not sound good here either; really, I think Bellion could have kept this to himself but he knows he would put a lot more effort and character into his own lyrics than this – he would also write an actual bridge for his own album, I’d hope. It isn’t catchy, it isn’t intriguing and it is gutless, like Bieber has been for the past two album cycles and I guess it’s not changing this time.

Conclusion

What a downer for my optimism about pop music going forward this was! Even the best songs here I feel mostly ambivalent on, to the point where I can give Wilbur Soot of all people Best of the Week for “Your New Boyfriend”, which shocks me since I thought SZA would run with it, although “Good Days” does grab the Honourable Mention. Worst of the Week should be a toss-up if it weren’t for the fact that The Kid LAROI exists so he can get that for “Reminds Me of You” featuring the mangled remnants of whatever’s left of the late Juice WRLD’s Google Drive folders full of demos and leaks. I suppose Dishonourable Mention can go to HVNE for “Goosebumps”, but I’d understand it for anything else here. Here’s this week’s top 10:

Follow me on Twitter @cactusinthebank for more rambling – I swear I’m not usually this angry – and I can’t really predict anything going forward either, other than unfortunately more Dr. Luke, but we’ll see what the charts decide to bring us next Saturday when it comes. I’ll see you next week.

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edenalieth · 7 years

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Kpop tag game

Well @duckhoney tagged me in a biiiiiiig post lol so here my answers

10 groups/artists you like besides Kpop/liked before Kpop ? Coldrain / One Ok Rock / Coldplay / U2 / Three Days Grace / Wolfie / Eminem / Claude Debussy / London Grammar / Michael Jackson (many other but lets say its my actual fav hehe)

10 favorite non-kpop songs ? *currently*

Sunday Bloody Sunday (U2) / Thinking of You (Mabel) / Love never felt so good (Michael Jackson) / In Bloom ( Nirvana) / Rêverie (C.Debussy) / Glory Box (Portishead) / Starless Night (Trapnest) / Yuki ni saku hana (Hanazawa Kana) / Edge of the Earth (30 seconds to Mars) / Me and Mrs.Jones (Michael Bublé)

10 favorite movies ?

The Devil wears Prada / Lilo & Stitch / Inception / Matrix / The Lord of the Rings / Sala Samobójców (Suicide Room) / Requiem for a dream / 13 going on 30 / American Nightmare / My best friend's wedding

10 favorite tv shows, including anime & cartoons

American Horror Story / Desperate Housewives / Skins / Ink Master / The Simpsons / Shinsekai Yori / Hell's kitchen / Game Of Thrones / Next (this show was so funny lmao) ( i didnt put so much anime bc the list is too big ;;)

10 favorite manga/comics

Tokyo Ghoul / Ao Haru Ride / Orange / Death Note / Deadman Wonderland / Nana (the author is better now TvT) / Sukitte ii na yo / Kujira no kora wa sajô ni utau / Pandora Hearts / Kasane

10 things you enjoyed before kpop/enjoy besides kpop, that won't fit in the lists above ?

dancing / writing / drawing / swimming / hanging out with friends / reading / taking pictures / surfing on the web / playing with dogs / singing

Another Tag Game

( @joonwings also tagged me for this so hehe)

Nickname: Cam, Cami, CamCam, neko-chi, chaton (=kitten)

Starsign: virgo

Height: 163cm

Time right now: 8:29pm

Last thing googled: Hwarang ep8 eng sub lol

Favorite music artists: BTS + above

Song stuck in your head: (kpop one) Limitless by NCT 127 (not kpop) 24K magic by Bruno Mars and Starboy by The Weeknd too

Last movie watched: Nocturnal Animals

Last TV show watched: N'oubliez pas les paroles (its a french one haha)

What are you wearing right now: black pikachu pj and a super soft white sweater and my piggy socks

When did you create your blog: 3years ago! It was its 3rd birthday on the 30th of December :') (on tae's birthday i wasnt even into kpop lol) but i started using it 1/2 years ago

What kind of stuff do you post: 95% BTS, 3% other kpop bands, 2% drawings/photo of landscape, ppl or puppies

Do you have any other blogs: yes but im not using them

Do you get asks regularly: ...;;;

Why did you choose your URL: I like to write and before I was more into fantastic thing so its the name I imagined for my main character haha

Gender: Female

Hogwarts house: Ravenclaw (I was gryffindor before!)

Pokemon team: Fire (on pokemon go im team blue haha)

Favourite colour: black, grey, burgundy

Average hours of sleep: 6-8 hours

Lucky number: 11

Favorite character(s): ok its just SOME of them lol, Nana, Kou Mabuchi, Ken Kaneki, Jace Herondale

How many blankets do you sleep with: 1-2

Dream job: author, book editor BTS noona

Following: ppl who are following me or ppl I follow ?

BTS Would You Rather

Would you rather:

Build a snowman with V OR have a snowball fight with jhope

Get coffee with suga OR get ice cream with suga

go to the cinema with jimin OR the amusement park with jungkook

do a dance cover with jhope OR sing a duet with jin

kiss rap monster OR cuddle suga

babysit with jimin OR dogsit with v (even if im sure it'd adorable to babysit with JM)

meet jhope's family OR have v meet your family

film a commercial with jhope OR film a sketch with V

hug jimin OR hold hands with jungkook (whyyyy ;;; i want both)

go to paris with jin OR go to London with suga

film a drama with jin OR do a photo shoot with rap monster

attend an award show with rap monster OR wear couple tshirt at the airport with jungkook

spend a lazy day with suga OR explore the city with jhope

fall asleep next to jimin OR wake up next to jungkook

make up a silly rap with v OR a silly choreography with jin

have jungkook serenade you OR v sing you to sleep (i want to hear tae's lullaby....)

have a dance party with jhope OR sing karaoke with suga (i take sope)

go camping with jimin and v OR go to the beach with rap monster and suga

cook with jin OR bake a cake with jimin

have a sleepover with the hyung line OR a birthday party with the maknae line

celebrate halloween with jungkook, suga, v and jhope OR Christmas rap monster, jimin and jhope (but i want halloween too ;; itd be so funny)

~NSFW Time~ *SOS*

Would you rather:

dom jhope OR sub jin (cody do you remember)

wear lingerie for rap monster OR put lingerie on jimin

tie up jungkook OR get tied up by v (it was really hard to choose)

pull suga's hair OR get your hair pulled by rap monster

have shower sex with jimin OR have sex pool with v

perform oral on jungkook OR have jhope go down on you (DONT ASK ME TO CHOOSE!)

have a romantic sex with jin OR rough sex with jimin

have angry sex with v OR make up sex with suga

suck hickeys onto jungkook's neck OR get hickeys from v

put a blindfold on jimin OR get blindfolded by rap monster

have phone sex with rap monster OR Skype sex with jhope

ride jimin's thigh OR ride jungkook's thigh (their thighs are perfect)

have jin call you "kitten" OR rap monster call you "babygirl"

wear a collar for jin OR put a collar on jimin

beg for suga OR make jungkook beg for you (hehehehehe)

have sex backstage with jhope OR in the kitchen with jin

get teased under the table at a dinner by rap monster OR tease jimin

play never have i ever with rap monster, suga and jungkook OR strip poker with jhope, jimin, v and jin

do body shots with rap monster, suga and jin OR get lap dances from jhope, jimin, jungkook and v (show me your magic mike!)

Pick A Member | BTS

Rules: Pick ONE of the members listed for each question and explain why! Be honest ad don't just pick your favourite for every answer. Do not choose a memeber who is not listed and try to answer every question.

1. Amusement park date ? Jin/Taehyung/Jimin

• I think we like the same type of attractions and I want him to wear Mickey mouse ears hehe

2. Spend a lazy afternoon with ? Jin/Jungkook/Yoongi

• I would like to watch anime and play video games with him and just take a nap on each other arms

3.Play 1v1 sports with ? Jimin/Hoseok/Taehyung

• It'd be so funny with this idiot, like making crazy victory poses or useless moves lol

4.Make out session with ? Yoongi/Jungkook/Jimin

• I had to search what "make out" means lol but obviously I choose him :)

5.Cheek kisses ? Jin/Hoseok/Jimin

• I want to see him blushing (but also Hobi I think his reaction would be fun)

6.Do a YouTube boyfriend does your make up tag with ? Hoseok/Taehyung/Namjoon

• IT HAS TO BE HIM! bwahahaha I can't even imagine it! he'd choose a gothic style

7.Introduce to your parents ? Jimin/Jungkook/Taehyung

• Dad: so it's you, our daughter kept talking about you, she even called you a god / *me wanting to burry myself right now*

8.Go to a haunted house with ? Yoongi/Namjoon/Hoseok

• I need someone rational to comfort/distract me lol (I was hesitating with Namjoon but he's too clumsy he'd make too much nooises and I will jump every time)

9.Drunk nights with ? Hoseok/Jimin/Jin

• I think we would be the type to cry of laughter just by looking at each other faces XD (I laughed for nothing when Im drunk..)

10.Who would you want to see do aegyo for a whole day as a punishment ? Namjoon/Yoongi/Jungkook

• I was hesitating with Namjoon but I think he'd be cringy lol so the bear!

11.Who would help you pick out outfits ? Taehyung/Namjoon/Yoongi

• I like his style and love shirts so I guess Tae would be perfect for this

12.School dance date ? Jin/Namjoon/Hoseok

• I want to dance all night long and shine next to my sun

13.Sing a duet with ? Taehyung/Jimin/Jungkook

• I think our voices are matching :') I'd do the harmony haha

14.Would make you breakfast in bed ? Yoongi/Jin/Jungkook

• He's the kitchen's king ;)

15.Go on a late night adventure with ? Jungkook/Taehyung/Namjoon

• Us looking for a bowling at 3am lol

16. First time ? Taehyung/Jimin/Yoongi

• (*///*)... my moon and stars

17. Whose clothes you'd steal and wear ? Jin/Taehyung/Hoseok

• First I like his clothes (especially his sweat pants/hoodies), 2nd I just wanna smell his scent on it lol

18.Late deep night conversations with ? Namjoon/Yoongi/Jungkook

• He's the first my mind picked, I think we could "help" each other

19. Who'd you have a play water fight with ? Jimin/Hoseok/Taehyung

• I can't choose between them.. I can imagine me and Tae making a team against Hobi or them doing this with me ;v;

20.Who would you say you're most compatible with ? (Choose any of the 7 members but remember, favoristism and compatibility are two different things).

• Most of my friends say Hoseok but I think I'm more compatible with Jungkook or Namjoon :') sorry JiHope

Bias Tag

Rules: pick 10 biases and answer the questions. No specific order.

(I put them really randomly)

1.Jimin

2.Jongup

3.Hyungwon

4.Chanyeol

5. Sungjae

6.Hoseok

7.BamBam

8.Minhyuk

9.Johnny

10.Jackson

1. Between 3&6, whose most recent concept do you like more?

• I prefer the BS&T concept sorry :(

2. Between 2&10, who would you rather be stranded on an island with ?

• Jackson! XD he went on "Law of the Jungle" so he already has some skills, jungle is him ;)

3.Between 4&8, who would you trust to take care of you when you were drunk ?

• Aish... I don't really know lol maybe more Chanyeol ?

4.Between 1&2, who would you go in jail for ?

• Jimin

5.Between 5&9, who is a better visual to you ?

• Sungjae, his face is so unique idk

6.Between 7&8, who would you rather save from a sinking ship ?

•... ;---;... my babies... I put them both on something! Ill be their Jack!

7.Between 6&10, who would you rather have a movie marathon with ?

• Hoseok ~

8.Between 1&10, who do you think makes a better impression ?

• Maybe Jimin ?

9.Between 3&7, who would you prefer to kiss in the rain ?

• BamBam <3 *internal screaming*

10.Between 5&6, who would you rather have a summer fling with ?

• Hoseok. Of course.

11.Between 5&7, who would you rather do drugs with ?

• Idk at all XD

12.Between 3&8, who would you rather take home to your parents ?

• aaaah boy from the same band x')... Minhyuk ?

13.Between 9&10, whose wardrobe do you want more ?

• Jackson like I don't really know Johnny's style yet hehe

14.Between 4&10, who would you be more surprised to see cry ?

• Jackson

15.Between 1&4, who would you rather have kiss you on the forehead ?

• Jimin but it's only bc he's my everything bc I would be extremely happy to have one from Chanchan too ;v;

16.Between 2&3, who would you rather have hug from behind ?

• Hyungwon-ssi <3 (happy late birthday my baby)

17.Between 5&2, whose group do you stan more ?

• I stan them equally honestly :/

18.Between 4&9, who is higher up on your bias list ?

• Chanyeol, I know him more <3

19.Between 1&7, who would you open your door up to during the purge ?

• ;-; both ? No I guess Jimin, I prefer to die by his hand haha

20. Between 6&9, who would you rather go to a haunted house with ?

• Hoseok! Two crybabies together XD

I tag: @space--lover @gwangjuhope @angelblushe @ofpandaspilliws @min-nevermind @jungjeonkimin @lovablehoseok (do whatever you want or just ignore it haha and if you have some time and courage do everything ;v; im just very curious about you hehe)

#done!#im sorry for the time nia #before i was doing this quickly but now...#tag tag #bts tag

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fortlauderdalemodel · 6 years

Text

Hot R&B/Hip-Hop Songs

Not to be confused with R&B Songs.

The Hot R&B/Hip-Hop/Rap Songs is a record chart that ranks the most popular R&B and hip hop songs in the United States and is published weekly by Billboard. Rankings are based on a measure of radio airplay, sales data, and streaming activity.[1] The chart had 100 positions but was shortened to 50 positions in October 2012.[2][3]

The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time.[4]

Contents

1History

2Significant song achievements

2.1Most weeks at number one

2.2Songs with most weeks on the chart

2.3Longest climbs to number one

3Significant artist achievements

3.1Most number-one singles

3.2Artists with most weeks at number one on the chart

3.3Most top 10 singles

3.4Most top 40 singles

3.5Most chart entries

4Bubbling Under R&B/Hip-Hop Singles

5See also

6References

7External links

History[edit]

Between 1948 and 1955, there were separate charts published for Best Sellers and Juke Box plays, and in 1955 a third chart was added, the Jockeys chart based on radio airplay. These three charts were consolidated into a single R&B chart in October 1958.

From November 30, 1963, to January 23, 1965, there were no Billboard R&B singles charts. The chart was discontinued in late 1963 when Billboard determined it unnecessary due to so much crossover of titles between the R&B and pop charts in light of the rise of Motown.[5] The chart was reinstated with the issue dated January 30, 1965, as “Hot Rhythm and Blues Singles” when differences in musical tastes of the two audiences, caused in part by the British Invasion in 1964, were deemed sufficient to revive it.[citation needed]

Beginning August 23, 1969, the rhythm and blues was replaced in favor of “soul”, and the chart was renamed to “Best Selling Soul Singles”. The move was made by a Billboard editorial decision that the term “soul” more accurately accounted for the “broad range of song and instrumental material which derives from the musical genius of the black American”.[6] In late June 1982, the chart was renamed again, this time to “Black Singles” because the music that African-Americans were buying and listening to had a “greater stylistic variety than the soul sound” of the early 1970s. Black Singles was deemed an acceptable term to encompass pop, funk, and early rap music popular in urban communities.[7]

R&B returned to the name of the chart in 1990, and hip hop was introduced to the title in the issue dated December 11, 1999, when Billboard changed the name to “Hot R&B/Hip-Hop Singles & Tracks” to recognize the influence and relationship of hip hop to the genre. Shortly after that time, the crossover of R&B titles on pop charts was so significant that all Top Ten songs on the Billboard Hot 100 chart on October 11, 2003 were by black artists.[8] The lengthy title was shortened to “Hot R&B/Hip-Hop Songs” on April 30, 2005. The chart’s methodology was changed starting with the October 20, 2012 issue to match that of the Billboard Hot 100, incorporating digital downloads and streaming data (R&B/Hip-Hop Digital Songs) and combining it with airplay of R&B and hip-hop songs across all radio formats (Hot R&B/Hip-Hop Airplay) to determine song position, along with the chart also being shortened to 50 positions.

Date range Title October 1942 – February 1945 The Harlem Hit Parade February 1945 – June 1949 Race Records June 1949 – October 1958 Rhythm & Blues Records (two or three separate charts—see above) October 1958 – October 1962[9] Hot R&B Sides November 1962 – November 1963 Hot R&B Singles[10][11] November 1963 – January 1965 No chart published (see above) January 1965 – August 1969 Hot Rhythm & Blues Singles August 1969 – July 1973 Best Selling Soul Singles July 1973 – June 1982 Hot Soul Singles June 1982 – October 1990 Hot Black Singles October 1990 – January 1999 Hot R&B Singles January 1999 – December 1999 Hot R&B Singles & Tracks December 1999 – April 2005 Hot R&B/Hip-Hop Singles & Tracks April 2005 – present Hot R&B/Hip-Hop Songs

Significant song achievements[edit]

Most weeks at number one[edit]

18 weeks

”The Honeydripper (Parts 1 & 2)” (1945) – Joe Liggins and His Honeydrippers [4]

”Choo Choo Ch’Boogie” (1946) – Louis Jordan and His Tympany Five [4]

“One Dance” (2016) – Drake featuring Wizkid and Kyla[12]

17 weeks

“Ain’t Nobody Here but Us Chickens” (1947) – Louis Jordan and His Tympany Five [4]

16 weeks

“Hey! Ba-Ba-Re-Bop” (1946) – Lionel Hampton and His Orchestra [4]

“Blurred Lines” (2013) – Robin Thicke featuring T.I. and Pharrell Williams[13]

15 weeks

“Trouble Blues” (1949) – The Charles Brown Trio [4]

“Be Without You” (2006) – Mary J. Blige[13]

14 weeks

“Don’t Cry Baby” (1943) – Erskine Hawkins and His Orchestra [4]

“Boogie Woogie Blue Plate” (1947) – Louis Jordan and His Tympany Five [4]

“The Huckle-Buck” (1949) – Paul Williams and His Hucklebucklers [4]

“Black Night” (1951) – Charles Brown [4]

“Sixty Minute Man” (1951) – The Dominoes [4]

“The Things That I Used to Do” (1954) – Guitar Slim [4]

“Nobody’s Supposed to Be Here” (1998–1999) – Deborah Cox[13]

“We Belong Together” (2005) – Mariah Carey[13][14]

“Blame It” (2009) – Jamie Foxx featuring T-Pain[13]

“Pretty Wings” (2009) – Maxwell[13]

“Diamonds” (2012–2013) – Rihanna[13]

“Thrift Shop” (2013) – Macklemore & Ryan Lewis featuring Wanz[13]

“See You Again” (2015) – Wiz Khalifa featuring Charlie Puth[15]

13 weeks

“Pink Champagne (1950) – Joe Liggins and His Honeydrippers [4]

“Honky Tonk (Parts 1 & 2) (1956) – Bill Doggett [4]

“Can’t Be Friends” (2010–2011) – Trey Songz[13]

“The Monster” (2013–2014) – Eminem featuring Rihanna[citation needed]

“Fancy” (2014) – Iggy Azalea featuring Charli XCX[citation needed]

12 weeks

“(Opportunity Knocks But Once) Snatch and Grab It (1947) – Julia Lee and Her Boy Friends [4]

“Saturday Night Fish Fry (1949) – Louis Jordan and His Tympany Five [4]

“Searchin’” (1957) – The Coasters [4]

“Bump n’ Grind” (1994) – R. Kelly[13]

“Single Ladies (Put a Ring on It)” (2008–2009) – Beyoncé[13]

“Un-Thinkable (I’m Ready)” (2010) – Alicia Keys[13]

“Happy” (2014) – Pharrell Williams[citation needed]

Songs with most weeks on the chart[edit]

75 weeks – “Be Without You” – Mary J. Blige (2005)[16]

74 weeks – “God In Me” – Mary Mary (2009)[17]

73 weeks – “On the Ocean” – K’Jon (2009)[18]

71 weeks –

“You Make Me Wanna…” – Usher[19] (1997)

“There Goes My Baby” – Usher (2010)

70 weeks – “Step in the Name of Love” – R. Kelly (2003)[20]

63 weeks – “In My Bed” – Dru Hill (1997)

60 weeks – “Too Close” – Next (1997)

59 weeks –

“Pretty Wings” – Maxwell[21] (2009)

“Un-Thinkable (I’m Ready)” – Alicia Keys[22] (2010)

“Sure Thing” – Miguel (2011)

58 weeks –

“When I See U” – Fantasia (2007)

“Teachme” – Musiq Soulchild (2007)

57 weeks – “Love on Top” – Beyoncé[23] (2011)

56 weeks –

“If I Ain’t Got You” – Alicia Keys (2004)

“Lost Without U” – Robin Thicke (2007)

“Until the End of Time” – Justin Timberlake & Beyoncé[24] (2008)

55 weeks –

“Heaven Sent” – Keyshia Cole[25] (2008)

“Spotlight” – Jennifer Hudson (2008)

“Drank in My Cup” – Kirko Bangz[26] (2011)

“Adorn” – Miguel (2012)

54 weeks –

“Stay” – Tyrese[27] (2011)

“Thrift Shop” – Macklemore & Ryan Lewis feat. Wanz (2012)

52 weeks –

“We Belong Together” – Mariah Carey[28] (2005)

“Up!” – LoveRance feat. Iamsu & Skipper or 50 Cent[26] (2011)

“Thinkin Bout You” – Frank Ocean[29] (2013)

“Can’t Hold Us” – Macklemore & Ryan Lewis feat. Ray Dalton (2013)

“All of Me” – John Legend (2014)

Longest climbs to number one[edit]

43rd week – “Step in the Name of Love” by R. Kelly

35th week – “All of Me” by John Legend

32nd week – “Needed Me” by Rihanna

Source:[30]

Significant artist achievements[edit]

Most number-one singles[edit]

The artists with the most No. 1 hits on the Hot R&B/Hip-Hop Songs chart since October 1958.

Number of singles Artist Source 20 Aretha Franklin [31] Stevie Wonder [31] 19 Drake [31] 17 James Brown [31] 15 Janet Jackson [31] The Temptations [32]

Artists with most weeks at number one on the chart[edit]

Weeks Artist Source 113† Louis Jordan [33] 84 Drake [citation needed] 67 Stevie Wonder [citation needed] 65 Aretha Franklin [citation needed] Usher [citation needed] 54 Alicia Keys [citation needed] 52 Rihanna [citation needed] 48 James Brown [citation needed] 40 R. Kelly [citation needed] 39 Beyoncé [citation needed]

† Pre-October 1958 charts.

Most top 10 singles[edit]

Number of Singles Artist Source 64 Drake [34] 57 James Brown [34]

Most top 40 singles[edit]

Number of Singles Artist Source 156 Drake [35] 97 Lil Wayne [35] 96 Jay-Z [35] 91 James Brown [35] 81 Kanye West [35]

Most chart entries[edit]

Most entries on chart since October 1958.

Entries Artist Source 182 Drake [36] 155 Lil Wayne [37] 144 Jay-Z [38] 110 James Brown [39] 109 Kanye West [40]

Bubbling Under R&B/Hip-Hop Singles[edit]

The Bubbling Under R&B/Hip-Hop Singles[41] is a chart composed of 25 positions that represent songs that are making progress to chart on the main R&B/hip-hop chart. Many times, singles halt their progress at this chart and never debut on the Hot R&B/Hip-Hop Songs chart. The Bubbling Under R&B/Hip-Hop Singles chart can also be seen as a 25 position quasi-addendum to the chart, since the chart represents the 25 songs below position number 50 that have not previously appeared on the main chart.