Devil On Campus: The Larry Ray Story (2024 Lifetime)
Women and Children First! Billy Zane is in a Lifetime Movie?!?!
Devil On Campus: The Larry Ray Story (2024 Lifetime)
#DevilOnCampus #Lifetime #LifetimeMovie #BillyZane
Devil On Campus: The Larry Ray Story (2024 Lifetime)
📺. Stream/Watch the Movie (Ad): Subscribe to the Lifetime Movie Club
Cast: Billy Zane, Tedra Rogers,
Director: Elisabeth Röhm
Writer(s): Waneta Storms
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Who: Tedra Rogers as Amy
What: Victoria’s Secret Essential Halter Bikini Top in Green Stripes - Sold Out
Where: Cruel Summer 2x01 “Welcome to Chatham”
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https://www.instagram.com/tedrarogers/
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Devil on Campus Lifetime Movie Cast, Plot, Release Date
'Devil on Campus: The Larry Ray Story,' a chilling Lifetime movie starring Billy Zane and Tedra Rogers. Directed by Elisabeth Rohm, this film uncovers the dark world of manipulation and abuse within a college campus. #2024LifetimeMovies #thriller #DevilonCampus #truestory
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via YouTube https://www.youtube.com/watch?v=F-TfvEZVnrU
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COME TRUE (2021) ★★☆☆☆
COME TRUE (2021) ★★☆☆☆
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The 2021 Alberta Film and Television Awards Finalists
BEST SCRIPTED SERIES OR MINI-SERIES
Heartland Jordy Randall, Tom Cox & Dean Bennett, Producers SEVEN24 Films
Jann Jordy Randall, Tom Cox & Jann Arden, Producers SEVEN24 Films
The Order Michael Frislev, Chad Oakes & Jay D. Beechinor, Producers Nomadic Pictures
Tribal Ron E. Scott, Janet Hamley & Scott Lepp, Producers Prairie Dog Film + Television
Van Helsing Michael Frislev, Chad Oakes & Jay D. Beechinor, Producers Nomadic Pictures
Wynonna Earp Jordy Randall & Tom Cox, Producers SEVEN24 Films
BEST DIRECTOR (SCRIPTED OVER 30 MINUTES)
Dean Bennett Heartland – “Staying the Course” SEVEN24 Films
Ken Filewych Heartland – “The Last Goodbye” SEVEN24 Films
Kyle Thomas Range Roads North Country Cinema
Stafford Arima A Christmas Carol Theatre Calgary
Warren Sulatycky Jasmine Road Raging River Films
Wendy Hill-Tout Marlene Voice Pictures
BEST PERFORMANCE BY AN ALBERTA ACTOR
Greg Lawson Wynonna Earp – “Love’s All Over” SEVEN24 Films
Julian Black Antelope Secret History of The Wild West – “Secret History: Promo Trailer” Herd of 1 Media
Shaun Johnston Heartland – “Keep Me In Your Heart” SEVEN24 Films
Stafford Perry Tribal – “The Kid Had a Gun” Prairie Dog Film + Television
Stephen Hair A Christmas Carol Theatre Calgary
Thomas RomeroHere & After The Light Factory
BEST PERFORMANCE BY AN ALBERTA ACTRESS
Alana Hawley Purvis Range Roads North Country Cinema
Amber Marshall Heartland – “Keep Me In Your Heart” SEVEN24 Films
Jann Arden Jann – “What Did Jann Do?” SEVEN24 Films
Jann Arden Wynonna Earp – “Love’s All Over” SEVEN24 Films
Maddie Murphy-Northcott Once Upon a Pandemic Mediapop
Tedra Rogers Here & After The Light Factory
BEST CINEMATOGRAPHER (SCRIPTED OVER 30 MINUTES)
Charles Hamilton BloodthirstyVoice Pictures & 775 Media
Charles Hamilton Marlene Voice Pictures
Douglas Munro Don’t Say Its Name M51 Entertainment
Jarrett Craig Heartland – “Through the Smoke” SEVEN24 Films
Nick Thomas The Curse of Audrey Earnshaw Gate 67 Films
Wes Doyle, csc Abducted Horned Serpent Productions
BEST EDITOR (SCRIPTED OVER 30 MINUTES)
Bridget Durnford Don’t Say Its Name M51 Entertainment
Bridget Durnford Marlene Voice Picture
David Hiatt Bloodthirsty Voice Picture & 775 Media
Jerry Skibinsky Heartland – “Through the Smoke” SEVEN24 Films
Jerry Skibinsky Tribal – “The Kid Had a Gun” Prairie Dog Film + Television
Ken Filewych Heartland – “Staying the Course” SEVEN24 Films
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COME TRUE - Review
DISTRIBUTOR: IFC Midnight
SYNOPSIS: Sarah is a High school student who has hit her lowest point. When she runs away from home she finds herself with no one to rely on and struggling with recurring nightmares. She chances upon a university sleep study that offers the promise of nightly safety and money. The opportunity also brings her an unexpected friend and confidant in the overseeing scientist Jeremy. Being under observation seems to make Sarah’s disturbing dreams even worse. As nights pass Sarah senses something curious about proceedings. As the darkness of her nightmares begins to close in, it’s soon clear that Sarah has unknowingly become the conduit to a horrifying, new discovery.
REVIEW: COME TRUE is a real wow of a film. A mind-blowing visual experience that calls to mind Christopher Nolan’s “Inception,” but is a more intimate and personal film with an honesty and character driven film like his earlier work “Momento.”
Like any good science fiction story it starts from a piece of scientific fact. So, apparently researchers at MIT have come up with a new wearable device they call Dormio and a method called Targeted Dream Incubation (TDI) to help them study and record dreams. It’s new technology we discussed on the radio show I co-host over the summer. Filmmaker Anthony Scott Burns has taken that concept to the next level to craft a fantastical story of a character's quest to find herself.
There are times when I will discuss what a problem it can present when a filmmaker wears the hat of more than one job/discipline on a film. That is far from the case with Anthony Scott Burns and COME TRUE. This is such an incredibly stylized film, such a clear purpose of vision, that it only works with him at the helm of these key elements. I know people talk about various art installations that can be a “multimedia experience” and that is how I feel about this film. There is the hypnotic lighting design, the Bosch meets Giger design to the nightmares, the gritty technology designs contrasted by the sleek sleep study suits, the ying & yang relationship between the characters, and the haunting and brilliant musical score that seduces the viewer into the dream like quality of the film. These aspects of the film are reminiscent of Douglas Trumbull’s “Brainstorm,” Adrian Lyne’s “Jacob’s Ladder, and the breathtaking visions in Tarsem Singh’s “The Cell.” Still there is something innocent and raw that one could compare to the early films of David Cronenberg or Ridley Scott. For all those comparisons, COME TRUE is a distinct visual narrative that engages the senses that encounter it.
Burns starts with a simple tale of a girl's journey for self discovery and weaves in other components in the tapestry of his plot to create a striking visual narrative. Like a true master of illusions he lets us only see and know what he wants us to as he hypnotically draws the viewer into the tale. We empathise for Sarah, never questioning what we are and are not seeing, until he delivers the crescendo of the climax, achieving a similar blow as the build up and reveal that award-winning screenwriter Christopher McQuarrie did with “Usual Suspect.”
Actress Julia Sarah Stone’s performance is a tour de force. She is able to resonate a strength, while still allowing us to empathize. She presents an air of mystery and innocence that rounds out the character to allow the viewer to identify with her plight and experience the emotional roller-coaster of her journey. While she is able to emote the complex emotional spectrum of the character, there is something about her face that the director exploits through composition and lighting that reflects the dream-like quality of the film.
There is so much that could be discussed when it comes to the score. It is elegant, adding subtle tones that create an impressive resonance to both the live action and nightmare sequences. At times it skillfully reflects Sarah’s state of mind enhancing her performance. What he achieves should be used as a masterclass in how to use sound and music to enhance the visual elements and manipulate the viewer.
I’ve been a big fan of the films of Vincenzo Natali. From his feature debut “Cube,” to his contribution to “Paris, je t'aime” and beyond, to his work on series like “Hannibal” and “The Starin.” He is a talented visual artist that never fails to captivate and it is no surprise that he should be the executive producer on COME TRUE. It was author Sir Arthur Conan Doyle who said, “Mediocrity knows nothing higher than itself, but talent instantly recognizes genius.” Natali has given us the chance to experience cinematic genius. COME TRUE is an exceptional cinematic experience.
If you have not seen Anthony Scott Burns first feature, “Our House,” I recommend it.
CAST: Julia Sarah Stone, Landon Liboiron, Carlee Ryski, Tedra Rogers, Christopher Heatherington.
CREW: Director/Screenplay/Cinematographer/Score/VFX - Anthony Scott Burns; Producers - Steven Hoban & Mark Smith; Score - Pilotpriest & Electric Youth;
OFFICIAL: www.ifcfilms.com/films/come-true
FACEBOOK: N.A.
TWITTER: N.A.
TRAILER: https://youtu.be/PHcIQYPgE_w
RELEASE DATE: In Select Theaters, Digital & Cable VOD Friday, March 12th, 2021
**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)
Reviewed by Joseph B Mauceri
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CALIFICACIÓN PERSONAL: 6.5 / 10
Título Original: Come True
Año: 2020
Duración: 105 min
País: Canadá
Director: Anthony Scott Burns
Guion: Anthony Scott Burns, Daniel Weissenberger
Música: Anthony Scott Burns, Pilotpriest, Electric Youth
Fotografía: Anthony Scott Burns
Reparto: Julia Sarah Stone, Landon Liboiron, Skylar Radzion, Tiffany Helm, Tedra Rogers, Chantal Perron, Michelle Rios, Marla Renae, Carlee Ryski, Caroline Buzanko, Elena Porter, Kaya Coleman, Orin McCusker, Pamela Parker, Steve Tsang
Productora: Copperheart Entertainment
Género: Horror, Sc-Fi
https://www.imdb.com/title/tt7026488/
TRAILER:
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BITS 2020: Come True (2020) Come True (2020) Director (and screenplay): Anthony Scott Burns Cast: Julia Sarah Stone, Landon Liboiron, Tedra Rogers, Chantal Perron, Carlee Ryski, Christopher Heatherington A teenage runaway takes part in a sleep study that becomes a nightmarish descent into the depths of her mind and a frightening examination of the power of dreams. – IMDB Dreams, […] BITS 2020: Come True (2020)
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04-06 NEW YORK, NY - APRIL 05: Matt Bittner, Sandra Shipley, Peter Francis James, Tedra Millan, Kate Burton, Kevin Kline, Kristine Nielsen, Cobie Smulders, Bhavesh Patel and Reg Rogers during ... http://dlvr.it/Nq1bW2
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Producer Jordan Roth announced today the complete casting and creative team for the Broadway revival of Noel Coward's Present Laughter.
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