#This would be all I write if publishing would buy something that wasn't a contemporary romance

[aribaran]

Hey, I was curious about the world building of your hockey series and why you decided to have women in the NHL and keep the enforcer role as something a lot more common than today's NHL?

the short answer is those are the stories i wanted to tell and the awesome thing about writing your own book is you can basically write whatever you want as long as a publisher is willing to buy it, haha.

the longer answer, at least for bee, is that i do think that there are women who are incredibly talented and that it could be a possibility one day and i enjoy thinking about what that would look like. when you look at players like marie philip-poulin or even nela lopušanová, both of whom are such smart and ridiculously talented women, you wonder how it would go for them in a men's league. relatively tiny guys have long careers all of the time, why not imagine a woman playing in the pro leagues? there aren't actually rules prohibiting them from playing.

i originally started writing the series with bee as the heroine of the first book, because i thought it was a really interesting story, like how would she deal with being one of the most talented people in a room at any given time, but still have to constantly bite her tongue because she was aware how precarious her position was and how the dream could be yanked away at any moment. a large part of her internal drama in her book was not wanting to be a distraction in the locker room/feeling like she couldn't have a relationship with sakari because it could jeopardize her spot on the team/etc but ultimately deciding she could have hockey AND someone who loved her too.

for various reasons, i wasn't able to finish that book (not the least of which an author friend of mine convinced me that as a debut author it would be easier to sell a series that wasn't mixed het and queer relationships and she was right :\) but i liked bee as a character too much to cut her out or rewrite her as a man. from what i can see with the reviews, she is somewhat polarizing. people seem to either really like her or completely hate her. 🤷🏻 i don't regret leaving her in though. i think she's a very fun character to write and i love her friendship with mike so much.

for bee's arc, too, the way she integrates into the team and is a huge reason for their success was also really satisfying for me to write. i like to envision a league that may still have its issues with racism and sexism and homophobia, but ultimately, has the possibility of being more inclusive and accepting. and that's something i'm ideally going to be able to explore in later books but idk how many i'll get, so!

as for the enforcers, i don't think danny or mike are really old school enforcers in the sense that they're completely useless on the ice for anything except fighting. they have contemporary analogues: for example, i see danny as more of a ryan reaves or a nicolas deslauriers type of guy. he may not have the TOI of a top four d-man (yes i know the other two are forwards but it's the general principle), but he's not a total liability when he's out there. there's more fighting in the book than there is in real life, again for drama's sake, but i'll put it this way, des had 136 PIM last season, and a good amount of those were fights. it's not as uncommon as you'd really like to think (or maybe just me being forced to watch the flyers so much...it wasn't as uncommon, rip). and let's not kid ourselves about why guys like reaves and des are both constantly in demand, even if they may not be the most talented players.

if you're interested i have a longer post on my substack about both danny and mike's character arcs and why i wrote them the way i did, including the sources i used. basically my books are romances, but i am someone who is deeply interested in hockey culture and history, so the books are love stories, but they are also avenues for me to interrogate the kind of fucked up aspects of hockey culture. for danny and mike, that was the culture of fighting, playing through pain and ignoring your mental health, the intense and crushing toxic masculinity these men are subjected to from the time they are little kids to the time they are forced to retire. i am doing this too in delay of game, but the focus is on anxiety disorders and body dysmorphia (and the kind of fucked up way that hockey people have of talking about hockey players' bodies).

hopefully that helped answer your question!

[annetteblog]

I got a very long ask and wrote even longer reply, and now Tumblr for some reason doesn't want to publish it through asks. So I'm making a separate post, because what else can I do? 😀 I hope Anon wouldn't mind

Hi!

Thank you for such a long ask! I really enjoy replying those, although it may take some time to actually write whatever I have on my mind 🙂 However, I feel like for every question that you posed, it's possible to write its own big reply or even an essay, so this piece of mine probably won’t give them justice (but I’ll try my best.)

As usual, one big IMO.

1) Ethics, “gueer coding” and discussions

I believe I’ve already partly touched this subject here. Shortly, I think that everything the boys did (and still do) had its own purpose. They decided to put these "undertones" (or whatever one may call them) in their art. They made some statements with a very small room for interpretation. And it didn't happen once or twice. More like, it's been a consistent behaviour throughout years.

I don't buy this excuse some fans write - "oh, he just didn't know about this/didn't understand how it looked like/didn't..." So apparently, JK wasn't able to figure out shit about Troye, didn't give a damn about his GCF, didn't think how his tattoo looked like; JM didn't realize to what conclusions could lead his quite bold words about 4am or waking up and seeing JK; both of them didn't have second thoughts about the Black Swan dance; Bang PD is just a CEO who pays zero attention to BTS in general and KM actions in particular (which sometimes actually backlash, e.g. that stop gay fanservice thing after the Seoul concerts), because he clearly just doesn't care AT ALL; whatever PR service they have in BH is just asleep all the time... Etc etc etc, you got the idea

Well, if one wants to perceive JM, JK and BigHit as a group of complete morons with no brains, this "oh, they just didn't know" explanation may work. But if all of them were idiots, how would BTS become the biggest group on a planet? They are smart enough, deal with this.

And YET. KM still do what they do. It's their choice, so apparently they have their motives. You wrote it yourself too - "Jikook and BH put out all that stuff for a reason."

Keeping this in mind, I truly think it's fair to discuss queer undertones or KM's bond. It's meant to be discussed and speculated. They made it public, and they continue to make it public (and quite obvious, to be honest). Why? Well, I guess they want us to speculate.

From here comes the second point

2) Art and its interpretations

In general, I believe that any good art should allow various interpretations. That's what a good piece of art is supposed to do - provoke a thought. As well as it's quite customary to analyze and (sometimes) overanalyze art. Thousands of universities worldwide have programs which are focused on fine art, literature, theater, music, film, etc.

And why is it okay to write about Avengers or Madonna or whatever weird art you're able to find in the closest Contemporary museum (like a banana taped to a wall), but not okay to interpret BTS' songs and/or performances? Again, I strongly believe that art is meant to be discussed. Especially as cool as theirs 🙂

Actually, some popular fandom theories turned out to be true here. Since Spring Day release on Feb 2017, fans speculated about its connection to the Sewol ferry tragedy based on the song's lyrics, MV and choreo. We got this confirmation like when, December 2020? But before it was also just an interpretation.

Coming back to KM. Combining these with the idea that JM/JK/BH clearly know what they're doing and how it may look like, I don't see a problem in having various interpretation of their art. Including queer ones.

3) Escapism

Isn't all art targeted to escaping in a sense? We want to take a break from reality and/or mundane life or just gain some new experience. In this sense what's the radical difference between staring at pictures or sculptures in a museum, watching a movie, reading a book or scrolling through Tumblr reading BTS/KM centric posts? All of these are means to escape and entertain ourselves.

As for this "if they are a queer couple, is it okay to derive pleasure and 'what a beautiful love story' feelings from two members of systematically oppressed minority?" - and you would prefer doing what - ignoring them? pretending that they don't exist? 🙃 In case if they are a queer couple, I guess showing support and benevolence is even more important. Exactly because, as you mentioned, they are a part of the oppressed minority. And the hatred is/would be definitely in place.

4) Fanfiction

Oh my, what a controversial theme these days.

Firstly, some forget it was not invented in the 21st century. Even slash fanfiction (cough Star cough Trek). As for incorporating real people, it's been a part of literature for like what.. always? There are millions of different writings about emperors, nobles, military figures, lives of saints, etc. And it's not like personal opinion of people in question bothered those, who write or wrote about them. I clearly remember a scene in Leo Tolstoy's War and Peace, where Alexander I [Russian emperor 1801-25] after losing a battle against Napoleon, hits a birch tree with his sword while crying hard and just being kinda hysterical. Would real Alexander be satisfied with such image if he read the book? Idk 😄

About having "the right to comment on such [different from your own] experience". I suppose, if authors wrote only about what they had experienced, our literature would be 95% poorer than it is. How can one write books in historic settings if they didn't live there? How do books about future and space travel exist, if we live in 2021? Is it needed to be a part of mafia to write about mafia? What about other cultures? Should an American author write only about American people and American lifestyle or it's fine to have characters from other countries?

Writing is not about experiencing something and then making a fanfic or a book, it's more about research and compassion. If you have reliable info on your theme and are able to look at the world using different lenses, why not?

I don't perceive fanfiction as a worldwide evil. Sure, there are creepy examples as well as authors, who write fetishizing weird shit. But it doesn't mean that all fanfiction=bad and all slash fanfiction=objectification of male homosexuality. Fanfiction is just one form of fiction, it can be good or bad based on how it's written. But the label itself doesn't define anything, as well as reading it should not be a reason to accusations.

5) Jikook, shipping and politics

I'm among those, who perceive pretty much everything as a part of politics. We all exist within some political conventions and have certain political laws over our heads. And yes, it includes art. Even if an artist says something like "oh, I decided to stay away from politics, my work is beyond it". The decision to stay away from politics is also political, because apparently there was something within the political structure what made this artist say that and forced them to make this distinction between them and some institutional conventions.

And that makes me believe that shipping/supporting KM is also political. But I don't think it's necessarily bad? Basically, you decided to support potentially queer people from a country, which doesn't really approve LGBTQ+. It puts you in the opposition towards a particular government. You made a choice. You could google some SK stuff, read all that you mentioned in the beginning of your ask, and say something like "oh, that's not okay there? well, fair enough, I guess their government knows better"🤠 and forget that this KM thing even exists. But apparently you didn't

Imo, is it politics? Yes

Is it bad that it's politics? Well, no? 🙃

|

P.S. I hope I was clear enough with my ideas. Thank you again for the thought provoking ask, and I hope I'll hear from you again 🙂

And honestly, I don't think that you're problematic in any way :)

[p---leia]

Ancient Writer of dreams and nightmares: I am 71 (-one month), and have been writing (making up tales) since I was three. I can still remember my Pawpaw whittling a pencil for me, and Mawmaw tearing a piece of brown grocery bag for me to write on. They weren't 'poor', but writing paper wasn't to be wasted on a 'kid' just for fun. I carefully scripted my first short story.

Of course my 'letters' looked more like ancient Hanguel, so I had to read it to my "captured" audience. I really don't remember the story, but as my grandparents had a yard full of chickens and my dog, Mutt, liked to chase them (because of this we 'both' got into trouble -- because I always joined the chase) I most probably wrote about that.

My Pawpaw was a story-teller. For several years I thought there really was a baby found in the wilds of the African jungle and raised by the great apes. I thought he was the luckiest babe, EVER!

Then I found Pawpaw's books about three years after he died. I was eleven when he died, and felt that my best friend had abandoned me. But when I found those books I realized just where Tarzan actually came from and went to. I read everyone of those books and got the complete picture. THEN..

Well, Pawpaw also told stories of Daniel Boone and Davey Crocket...before I saw them on Disney. Then, of course, I went to school and learned what I already knew. Pawpaw was an excellent story-teller and never mixed up his facts, time-lines, or characters.

Growing up under his influence had a lot to do with how I developed as a story-teller. At family gatherings when I meet cousins I haven't seen in decades, they STILL remember me and the stories that I used to tell them. My children and grandchildren have grown up with me re-telling Pawpaw's old stories, and sharing many that I made up on the spot.

But I think what I read in my early years developed my writing style.

I was just turned eight when I read my first Shakespeare, MIDSUMMER NIGHT'S DREAM. He was my first favorite author. Then I was forced to read Romeo and Juliet. I was disgusted by the fact that TRAGEDY was made famous as a ROMANCE! Even at the innocent (then) age of fourteen, I was disgusted with the idea that it was considered romantic for 'anyone', let alone 'teenagers' to commit suicide over unrequited love.

My sister (now 68) and I recently discussed this play. Because she had a 'forbidden' teenage love, she said that she related to the story (even though she had never read it). GASP! It was required reading in ninth grade!

I remember our dad breaking up my sister and her boyfriend, who was really cool. He was a hard working farm boy who had saved his money to buy a motorcycle. AND his own car. But he wasn't good enough for my sister. smh

I always thought her story would make a great LifeTime movie. But I'm not touching it. She would 'skin me' for sharing with the world her broken heart. And if I added the stuff that sells today, she'd scalp me for lying. Not a win situation at all. So, I will write notes in my "Random Jottings Journal" for future decendants who might grow into writers or story-tellers.

By the way, the title "RANDOM JOTTINGS" came from a sci-fi book that I read as a kid in the fifties. I don't remember the author, although I'm pretty sure it 'might' be from a Heinlein juvenile book. But I've never found a reference to any sci-fi books using that term. SO!!! If anyone recognizes "RANDOM JOTTINGS", which was a note book that a professor/scientist/genius used to keep his 'thoughts', PLEASE share the author's name and the title of the book!!! Thank You.

In the meantime, I referenced Shakespeare. James Oliver Curwood wrote about Kazan, the Wolf Dog, and later Baree, Son of Kazan. From those two books, read when I was eleven, I searched for and found other books about Canada. Later there was Walter Farley, author of the Black Stallion, and the Island Stallion series. I think I met my FIRST friendly alien in the Island Stallion Races.

Of course, Edgar Rice Burroughs taught me much false history about the jungles of Africa, as well as the Moon and Mars. But I loved every 'read-under-the-covers-with a-flashlight' minute! I believe he was a contemporary of Zane Grey, because he wrote a few non-jungle and non-space stories, too. Which led me to Zane Grey.

Having read both of their biographies at a young age, I learned about the hardships of being a writer. I should say 'the hardships of a struggling writer'. I have never had a problem writing. Since I write for 'fun' and not 'profit', the few short stories I've had published were by local press, and a State magazine.

No, my struggles have centered around graduating high school, and completing college, stuggling to satisfy my husband, a 'Mr. Spock in the Flesh' personality, and later raising two children without benefit of parental support or child support. But we survived in the middle of laughter and many tears. And my made up stories about children lost in the woods who were rescued by a great friendly bear, or wolf. Or dog. And sometimes by a great Black Panther - a by product of one of my Pawpaw's 'local historical tales'.

I understand that publishers detest stories that begin with "It was a dark and stormy night.." But let me tell you, some of the BEST bedtime stories occur on stormy nights when the power has gone out, and it's too hot for candles or lanterns. That shadow that stands darkest in the corner and seems to be moving towards the bed is actually grandma come to check on the kids, and stands quiet so not to disturb the kids if they're already asleep. But since they are awake, and they see her 'shadow', she becomes the old crone who lives in the castle dungeon, and has slipped her chains to visit with the 'wee folk'. But there are no fairies out on such a blustery night, so the old crone comes to visit with the 'wee bairn', who fall all over themselves to get out of bed and sit around her to hear her stories of 'long ago' and other 'dark and stormy nights'. Again -- unpublished, because publishers don't like ... LOL

Of course there's always On-Line publishing. But that involves more work than actual writing.

Back to the writrs who influenced my writing:

While I enjoy a good Western, an adventurous space trek, or time travel, I also enjoy the occasional Historical Romance. Georgette Heyer was my first! I still re-read her amazing books. Of course there's Jane Austen.

There are a myriad of modern writers that I have read over the last five decades. Heinlen, Asimov, Norton, Bradley, McCaffrey, Moon, Stirling, Krentz/Castle/Quick, and Moening, just to name a few of the ones whose books I have in my personal library.

Those older authors did affect my writing style to develope as I read their stories. The later authors helped me to move into the late 20th century. But I'm not so sure that I like the 21st century so much. It's all about being politically 'correct'. If you aren't ashamed of your gender, your race, your country, your religion, your culture, your family, your history, then you are prejudiced. That's just too much guilt to have to live with.

I'm still dealing with my mom's death from ten years ago. I was her care-giver for five years. Her doctor had given her nine months. I still worry if I did enough for her in those last years.

And though my children are grown with their own families, I worry that I wasn't a good enough parent. And I worthy as a grandmother? How was I as an older sister? I was responsible as a moral guide when our parents were at work. Was I a good neighbor? A good support in our Church? And Hollywood wants me to feel guilt about something I can't change?!!

I'm an old woman who still likes being a woman and enjoys liking men. I'm not just white. I'm also mixed with a bit of Native American, and even a drop of -- OMG!!! --- Black. snicker.

That's a serious joke, because as a kid I had a recuring nightmare that I was a black man being judged by a group of people in white hoods I was hanged amidst their fiery torches. I always thought those white hoods represented the Catholic Church, because at that young age I didn't know about the Ku Klux Klan. Even though I grew up in the South, my family was not involved with that group of out-lawrey. Thank God!

Still, I'm supposed to feel shame? For something not even my family supported.

I've always believed there's a hint of Fae in my DNA. Because I love dancing in the light of the full moon, and flying with the owls who perch outside my bedroom window and call to invite me to follow the moon's shadow. If I am part Fae, I know it came from my mother's people. They were Irish mixed with Alabama Indians who believed in the Nunnehi aka Immortal, and the Yunwi Tsunsdi, aka Little People.

ALSO, while there's no DNA proof of ancestry, I've always been a 'closet Chinese'.

In the Fifties, when WW2 was still fresh, and we were involved with the 'Korean Conflict', and at odds with China, I would sneak around the radio, turn down the volume, and tune into 'that wierd channel' that sometimes played Opera, or Chinese music. Ahhh. I would close my eyes and wander through the few visuals I'd found in books, or the occasional movie. (before color tv)

A year or two ago I was totally depressed and disgusted with American TV. Hollywood has become so political, so wierd. Their programming is no longer for entertainment, but to 'educate, enlighten, or to inform'. zzzzz

Then I found KDrama!!!!! Korean TV. Japanese Tv. squeal!!! Chinese TV.

The rom/coms are sweet and 'pure'. Okay. I'm realistic. This is not a reflection of real life on any planet. But the innocence of the early 1950s programs is there. Similar to Disney's 'Summer Magic'. I'm happy with those dramas that remind me of thati nnocence. I have found a few dramas that shared more than I cared for, and I do enjoy an occasional 'romp'. But I've always preferred the Lady and Gentleman characters.

And watching these programs have reminded me of those fairy tales and legends from my childhood that had been sprinkled with the Occasional Oriental myth, legend, and children's tale.

Then I remembered my FIRST historical legend. "The White Stag" by Kate Seredy, is the tale of Atilla the Hun!

I recently found a copy of that book and am waiting for a quiet time, when the power is out and there's nothing to do. Then I will use one of the many flashlights I bought for a huge hurricane, and relax on the sofa beneath an open window and read this legend once again. I live in Florida. The odds of this happening increases as the summer progresses. I can't wait to learn if my memory of this tale of Atilla the Hun remained true, or has been distorted in the last half of a century.

Most of the tales that I write involve space adventures, the occasioanl ghost, and encounters with fairies, the evil ones, not the romantic ideal fairy. smh

I've never been very good with romance or comedy. But thanks to the recent influence of the Asian productions, I have re-formatted one of my dark adventures and turned it into a rom/com.

I love a good joke, but very seldom get the point or see the humor. And I can NEVER remember the punch line if I try to share a joke. My family have said they will write on my tombstone --

"I don't remember the punchline ... but it was funny."

But as I write humorous lines or events I find myself laughing. Or crying at sad events. And I am all 'giggly' when I write what is supposed to be innocent romance between a young and shy couple. But I have never felt that my own reactions were a true guide to how the story might come across to a 'reader'.

As it happens, I have two sisters younger than I am. My middle sister is bored easily and immediately redirects our conversation to something about 'her'. Okay. I understand. She is lonely, needy, and maybe a bit selfish? Not judging. She's the 'middle child' and that's her excuse. ROFL..

But the youngest sister is my greatest fan who declares that I am an awesome writer. "I love you, sister, dear."

So she visited me last week and patiently listened as I read the first chapter. She listened quietly, and I wondered if I had 'read her to sleep'. sigh. Boring books are often the best sleeping pill. Then I heard her laugh.

Squeals/Dancing/hooting/flying around the room in ecstasy!!

Okay! At least one person has laughed. And she's not that easily 'tickled'.

So, I will always carry on and write. But now I feel that at least I might be following a path strewn with "Black-Eyed-Susans, honeybees, butterflies, and bunnies".

I don't know if anyone will read this, or will enjoy it. I hope so. While sharing bits of my youth, my worries, and my concern about certain ones of my 'stories', I actually had ideas for developing 'new' stories.

I am always amazed when writers say they are 'blocked'. I have only to open my eyes to see a world around me that no one else can envision. I listen to a song, and I'm in a different world, time, planet. A gift from Pawpaw, and Mother's DNA.

It is my oldest granddaughter's birthday this month, and I don't know what to give her for her birthday. But when she was younger, she always asked me to tell her a story. I think that I will pull out one of my OLD/ANCIENT tales that I wrote when her dad was her age and make it into a book for her.

p---leia aka Mamma KayeLee

7/19/2020

[thesecretbookstore]

This Week’s Expert Picks

While it is not a regular (if there is such a thing) book of poetics, Dana Gioia's Can Poetry Matter? is a profound and important book for those who appreciate poetry and those looking to appreciate more. In 1991, Dana Gioia's provocative essay "Can Poetry Matter?" was published in the Atlantic Monthly, and received more public response than any other piece in the magazine's history. In his book, Gioia more fully addressed the question: Is there a place for poetry to be part of modern American mainstream culture? Ten years later, the debate is as lively and heated as ever. Adam Kirsch of The New York Sun praised the book as “Undoubtedly one of the most important American books of poetry criticism of the last 50 years.” And I can't agree more. Any person, poet or otherwise, should buy and read this book immediately. RB

Ryan Buynak is a rock & roll poet and the author of a number of poetry collections.

I dove into another classic this week and not just because it has a dog in it.

Just kidding! That was 100% why I chose this book, hello? Have you ever seen an Alaskan sled dog? Cute AF!

Anyway, basically, Buck, this adorable fucking, fluffy, sled-Husky, well, he is just chilling in the Yukon, and everyone everyone starts freaking out about gold.

Gold! Gold! Gold!

Well, how are they gonna get this gold? Right? Like you’d think they’d plan ahead a little but they just kinda showed up. Well, it turns out that they need this one specific kinda sled dog to pull their little sled carts or whatever because it’s the 1890’s and cars aren’t a thing yet and horses are useless at those temperatures.

So, naturally, Buck, being that specific kinda dog, is in high demand.

So someone just steals him and makes him fight the other dogs in the wild to be the top dog or something.

Like, um, kinda like on the chef shows when Gordon Ramsey emotionally abuses the people without GED’s until they make the one kinda macaroni and cheese with the crumbles that makes it gourmet?

You know what I mean.

Okay, what was I saying?

Oh yeah! This has a dog in it so obviously 100/100. An absolutely great read. You gotta get this one next. LAW

Lauren is more of a writer than a reader and many, many, many people aren’t sure which is more concerning.

I know some people will never touch nonfiction or books that look like they're 900 pages (it's only 344) but I have to recommend this book to all (US) Americans.

Battle For The Marble Palace is a masterpiece of US socio-political history. Michael Bobelian impressed me and endeared himself to me with his first book Children Of Armenia and in this grander endeavor he employs the same narrative structure that makes the book read almost like a novel. Bobelian has an uncanny ability in both of his books to give the reader hope for a different ending, despite reading (meticulously researched) history.

The chapters are arranged in such a way that the narrative builds intrigue and tension with references to contemporary events that are not only helpful (to me, a reader who wasn't alive for the Eisenhower, Johnson, or Nixon administrations) but also enrich the narrative and the general thesis of the book: these events came to dictate how our judicial, legislative, and executive branches of government not just interact with each other, but how they function in their own rights.

Bobelian is nimble with his prose, uses humor and parallels to construct a three dimensional environment that allows the reader to fully understand how and why each signifying event in the Supreme Court's history (between Eisenhower and Nixon) came to happen. He builds suspense and moves the story in real time.

This is one of the most difficult books I've read in a long time time but I feel enriched as a person for it. I want to engage more with US history and follow Bobelian's journalism more closely.

The sole flaw I can find in the piece is that the margins are tiny.

Bonus: 130+ pages of references, notes, bibliography, etc. SE

Sarah Elgatian is a writer living in Iowa. She currently spends her days in isolation wondering how long her hair will get before quarantine ends.

This is the first Ottessa Moshfegh (such a cool name) I’ve read, despite having a number of her works on my to be read list. Homesick for Another World is a collection of fourteen short stories, covering self-deception across a spectrum of individuals representing the human condition.

Moshfegh’s writing could be described as a literary grotesque. She depicts these reprehensible characters with such merit and blam. It's why I love Bukowski, he highlights the lowlights of people, the squalor type of existence. Showcasing people in the periphery of society, ignoring societal normalcy for a unique existence that people often don’t get to see. Her characters in these short stories all strive to connect to others or another world in which they are excluded.

As I mentioned, I love her writing but I think I would prefer it in a novel format as opposed to this collection of stories (obviously a personal preference). Her novel Eileen which won the PEN/Hemingway Award and was a short-lister for the 2016 Man Booker has been on my read list for a while. I look forward to checking out more of her work, and I recall David Sedaris mentioning liking her writing, and who doesn’t love David? Ottessa infuses the outrageous with compassion and I can’t wait to read more of her work. CJH

Callahan J. Herrig is a writer from Iowa. He is here to tell you more about nothing and less about everything. He owns CallahanCreative.