#Vibing and Internet Wive-ing

[randomfoggytiger]

Alpha In-Depth (Part I): Vibing and Internet Wive-ing

This was an anon request; and the idea intrigued me so much I immediately sat down and started hammering it out. So, here you go!

**Note**: I will ghost edit this later; but I'm working on Part II as I type so I'm in a bit of a hurry.

Surprisingly there is a lot of little details you can weave into an overall narrative in this episode. Alpha follows Arcadia and is followed up by Trevor, all three blending together to create the storm that is Milagro and the revelation that is The Unnatural. And, aside from that, there is still residual Diana-Fowley-under-every-rock suspicion and protection from Scully's side and some self-doubt (in denial) from Mulder's side. Both are half-right and half-wrong.

The Lead Up

I have a different read on S6 than most other meta; namely, that it was a ball compared to their previous seasons. What could have been in S4 (what was hinted in Home) was halted by Scully's cancer; and what couldn't be in S5 was aided by Mulder's "atheism" and Scully's loss and self-doubt (see here.)

But S6 is on the heels of FTF; and, while there was a huge setback in The Beginning with the files being taken from them and Mulder accidentally brushing aside Scully's big hallway confirmation, it's recovered in the name of grim survival: two agents, shoulder to shoulder, mucking through their toilet brush duties together, unbreakable. The shift in Drive is important, establishing Scully's skill at handling all the big mytharc pieces while Mulder is forced into a metal box hurtling down the highway; and Triangle affirms it by having Mulder stumble into another universe while both versions of Scully work overtime to save "Dorothy" and bring him home. By the end of Triangle all is normal: Scully is reaffirmed in her ability to add meaningfully to Mulder, not just his quest; and Mulder acknowledges this more openly, having to rediscover his FTF fears again on the Queen Anne (afraid of never seeing Scully again-- hence the kiss.)

The rest of the season is (mostly) a blast until the drama of Two Fathers/One Son-- which is important (and I wrote about it here) as a one-shot and 1 and 2 as a Typing Personality combo), because it establishes the central flaw of Mulder and Scully's ability to rip him out of it. By the next episode (Agua Mala) Scully is miffed, yes, but more at the storm than at Mulder-- because who would fly down to investigate a sea monster in a hurricane-- but whatever feelings that still lingered about One Son are demolished by the end when Dales forces Mulder to pause and acknowledge Scully's effect on the case. Not that he didn't want to; it's just that Mulder hadn't-- something a future Dales brother points out to him in The Unnatural. By Monday they're teasing and even beaming at each other, etc.

Suffice to say, there is normality restored with the X-Files back. On the heels of Monday there is Arcadia-- and while my posts on Arcadia were a bit dialed up to explore the psychological effects, the result is the same: Mulder and Scully enjoyed their time for different reasons. He enjoyed bullying the neighbors passive-aggressively and she enjoyed the domesticity of it all... but both of them were ready to leave by the end, Mulder having drawn firmer boundaries because of his discomfort with domesticity and Scully having retreated a little due to being teased to death (and almost literally dying.) This leads directly into the episode we're breaking down today:

Alpha

Ah-- Alpha, my Alpha... if only you weren't so badly written or were vastly more interesting.

The first shot of Mulder is him adding photo evidence to his corkboard, intently focusing on the crime. Scully appears in the hallway, having doubled back at some point from leaving the building, checking back in with him-- "Aren't you going home?", a question she may not have asked since Paper Hearts (correct me if I'm wrong.) It establishes that she and Mulder are on completely comfortable terms; and she's curious about his movements and well-being outside of the office, which is opposite to the prevailing meta that they were tense or on bad terms at this time.

"I AM home," Mulder cheerfully responds, still intensely focused, "just feathering the nest."

A fitting follow-up to Arcadia, which was an emphasis on a "normal", suburban home life. Mulder is still firmly rooted in his basement, not yet ready to step out on a Saturday night with his girl and baseball.

"Watcha got?" Scully slings out, interest piqued.

Mulder spells out the case, with Scully zipping out her own "Mind if I ask the cause of death?" in a scene not dissimilar to their quippy exchange in Fight Club (if more low-key and not as RST-y.) He's delighted she's involving herself this eagerly, hiding little smirks and smiles between his rapid-fire sentences and throwing out a quirky inflection to his "multiple bite wounds" detail, adding some pizazz to his delivery.

Scully's skepticism peaks when Mulder mentions the suspect is a dog; and she walks (read: leans on one leg then the other, seesawing into the room reminiscent of a teasing little girl on a playground) into the room to see the evidence herself and disprove it.

Mulder brandishes the X-Files enticingly ("That alone is not what drew me to this case") just out of her reach while he trots out the juiciest part ("The two men were found inside the container.") Scully plays along, taking the casefile when he dramatically relinquishes it--

until Mulder tells a joke so bad (repeating "doggone" thrice with various inflections, each more emphasized than the last, so that Scully will know he told a joke and smirk at his genius) that it spoils the mood and kicks her into full-on skepticism mode. Her "Yeah, I got it" is hilarious and deadpan; but it's a gentle "yeah, you stink" rather than her full-powered sarcasm-- and she bites off a smile of her own for "getting" him by a quick question about the investigation.

"Did anybody, um, examine the victim, Mulder?"

Scully's little quip amuses herself and Mulder, who gives a little head tilt in a 'well, y'know...' kind of way. Her amusement continues despite her charmed exasperation.

Mulder has witnesses, experts, and an outside source; but Scully doesn't budge. "Mulder, I don't have to tell you how absolutely and completely wrong that seems." He gives her a two confirmational head bobs and a few "yeah"s and "mhm"s, unphased by the nonsensical nature of the case.

Their vibe is very S7: lots of "yeahs", Scully sauntering around confidently and familiarly butting into Mulder's business after hours... it's domestic, really. Arcadia was the new wedding and honeymoon, settling in and sifting their lives together; Alpha is an exploration of "the couple"'s first cross-purposes disagreement (in this case, over the woman Karin); and Trevor will explore the complicated familial dynamics of two messed up people having a child. After those three episodes back-to-back, and no change in Mulder, the desperation of Milagro makes clearer sense.

Mulder KNOWS how ridiculous this case is.

Scully: "You're not going to tell me that a dog did this?"

Mulder: *a pause to consider*: "Bad dog."

Scully: "...Yeah."

At the first crime scene, Mulder leads the charge while Scully scuffles off to do some footwork of her own.

When Mulder questions the man in charge of the crime scene team, we learn a bit of backstory--

Man: "Did you ever own a dog, sir?"

Mulder: "Yeah."--

confirming a lot of meta speculation about Mulder's childhood (well, that and there might be a picture of a dog in Tena's house somewhere... if I recall the lore correctly.)

Mulder does a goofy little "gotcha" and hand clap over the man's not-so-subtle dog poop answer to his questions; and Scully, though not particularly fond of poop jokes, does almost crack a smile of her own... if only because Mulder stepped into that one (heh heh, puns.)

Scully takes over the interrogation while Mulder retraces her steps and stares into the same emptied box. ...Until he hears that there's a cryptozoologist involved in this case and scurries over, eager to get into the more outlandish aspects of mythological animals.

Scully's facial reaction-- "oh no"-- is perfect as he winds up and starts to rattle off his myths and monsters spiel; but he's put on pause when she ruthlessly cutting his speech down in the prime of its life with a smirk on her face.

As the case rattles on-- a dog attack in BELLFLOWER??? really?-- and Mulder scopes out the oddities about the newest crime scene (while avoiding dog feces and making a "Watch your step" joke to Scully. She heeds his warnings because she is, after all, practical),

In their exchange of theories, Mulder congratulates Scully on figuring out where he's going with his newest leap: "You get a biscuit, Scully." Scully stores her comeback for later, content (for now) to simply laugh at his idea of a dog with human intelligence.

A sidenote: Scully always, always holds the umbrella (Irresistible, Small Potatoes, etc., and here. Nice continuity.)

This leads them to Berquist Kennels, where Scully springs out her comeback pun, having lain in wait for the first golden opportunity: when Mulder responds "Actually, it's more of a behavior problem" to a contractor's questions, Scully smirks, realizing this is her moment (even the stars aligned so that she is accidentally holding her hands in front of her, clutched, like a devious little mastermind), and cuts in with the speed of light: "Yeah, he doesn't listen and he chews on the furniture."

Mulder, as shown above, is tickled-- but he's more caught out than overjoyed, huffing out a "heh" noise before digging for his badge.

An Odd Moment That Portents More

An odd moment happens: Mulder is completely at ease in Karin's office until Scully makes a sarcastic remark ("You sure this woman's not an authority on bats?"), his mood shifting a little.

He jovially makes a "tsk" sound, and reaches out in a "c'mon, none of that" gesture that almost fully envelops an unsuspecting Scully in a hug. He gets as far as grasping both shoulders before his partner turtles up, tucking her chin in and going straight and stiff as a board.

Scully's expressions shift swiftly from shock to realization that Mulder never gets this grabby without a motive (having just gone through an entire touchy-feely case where Mulder sort of used her as a cuddly prop to forward his sneaky motives.) Cynicism creeps in, and she begins to suspect that he has something to hide, searching through the room in earnest and starting to nail him down about "this expert."

Mulder, meanwhile, is not reading the room-- ironic, yes-- coasting through life unbothered while keeping crucial information back form Scully to determine her either way (which ends up shooting himself in the foot, because Scully's first impression of Karin is not a positive one.)

When Scully finds out he knew more about Karin than he initially let on, she is even more suspicious and not at all pleased... and Mulder knows he's in the doghouse (heheheh.)

THIS explains his weird arm grab earlier: Mulder knows Scully is viciously jealous, personally and professionally; and had tried to detour Scully from getting snippy about his new friend-- wanting his partner to trust and get along with her, a social outcast and someone he is already protective of. We saw how his last "friendship" shook out with Diana Fowley (not to mention his former collaborations with very helpful women in the field, i.e. Detective White in Syzygy and Bambi Berenbaum in War of the Coprophages); and this seems to be a redemption attempt on his part. A "see? I can make good friends-- I'm a good judge of character" mea culpa.

Mulder had even read Karin's books before even meeting her (an interesting parallel to reading Scully's thesis in the Pilot); but Scully is pleased when Mulder answers her "Better than human??" sniff over Karin's book with "She's not a real people person", giving her hope that this lady will be a very disinterested professional. She saunters away, playfulness restored (for now.)

Mulder is fidgety, holding something back; but the full jig is up when Scully finds Karin's 'I Want To Believe' poster.

"Well, she seems to have made a connection to you."

Karin now enters, not noticing Mulder's handwave at first. Then Mulder does something here he usually never does willingly:

"Karin? I'm Fox."

He's says it gently, establishing this is how they'd forged a connection between them; and Scully, savvy as she is, recognizes this and doesn't draw any attention to it. But still. (Not only did she have to content with Dr. Bambi and Fox, but now she has to contend with canid enthusiast Karin and Fox.)

Mulder is genuinely enthusiastic-- "Nice to finally meet you"-- sticking out his hand again with sparkling eyes (ala meeting his hero in Space.) Scully is... less enthusiastic.

When Karin realizes Mulder had come to consult her she asks, "Is there any other reason you came here?" It's sad when you consider her advanced illness and desperate wish for a loving-- or any-- human connection before her death; but this is Mulder pre-The Unnatural: everything is buried in work with no time for socializing.

Scully catches all of this, of course, without any of the context. She knows there is more going on, firmly pressing Mulder on the "friend" claim when Berquist leaves the room.

He admits that he and Karin met online; and Scully pauses, making sure her subtext meaning is clear: "Online."

Mulder catches it and closes his eyes, frustrated he'd fallen right into this pitfall. He firmly insists, "Two professionals exchanging information." Scully knows he's being honest... so that only leaves Karin's motive unexplored. And from what she's already seen of her (antisocial, not a people person) it's very unlikely that this woman's motives would extend only to professional interest.

Another murder, another crime scene.

Another Karin Berquist sighting, another opportunity for jealousy and suspicion.

Scully sees her coming and excuses herself-- "I don't think wolf woman is here to see me, so I'll..."-- not above giving the two "friends" some alone time (which reminds me of Mulder's "Don't say I didn't do nothing fer yeh", though it's a bit of a stretch.) She still tags along with Mulder back to the dog ranch where the three do some research, keeping her grouchy feelings in check until she sees proof positive that Karin is, indeed, amorous for her partner.

Scully then begins to grill Karin on her shift in opinions on the case (Mulder watching their pin-pong match with interest in both ideas), rolling her eyes at Berquist's assertion she's "just going by the facts."

When Karin explains the Chinese myth pertinent to the case, ending with the statement "...capable of opening doors, stealing wives, and disappearing into thin air. Maybe there is some basis in reality for this trickster myth", Scully snidely follows up with a pointed "Oh, I'm... fairly certain there is" while looking from Karin to Mulder, which earns her a measured look from Mulder. Scully turns from her waspish mood and this discussion, mocking the idea internally and recovering some of her former mood as she steps to the car.

Mulder follows her out, not irritated so much as confused; and his question-- "Everything okay, Scully?"-- sets her off.

"How well do you know this woman, Mulder?"

"How well do you know anybody you meet on the internet? She likes to talk."

Scully is appeased by his rationality, stepping back a little from her emphatic (read: aggravated) interrogation: "Well, I question her motives."

Mulder divines her interpretation, flattered but dismissive when he asks: "Are you suggesting that this case was the way to get me out here to meet me?" Off of Scully's confirming-but-not-admitting expression, he responds, "I'm flattered but, uh--" and does a little, flattered head shake.

He insists that Karin didn't kill a bunch of people to draw him to her; but Scully insists that "She's enamored of you, Mulder. Don't underestimate a woman. They can be tricksters, too."

Mulder's not buying it.

Two interesting things:

#1. A rather dark line of thinking for Scully, who would tie even extreme acts of violence to the lengths a woman would go to win Mulder's love or even his attention. This will ring more and more true in Milagro as it exposes Scully's desperation to be the center of his attention, too.

#2. Scully is alluding to this moment, yes; but more broadly, Diana Fowley lies right behind them with her treachery and cunning. Scully knows that her partner is easily manipulated, but it wasn't until the Fowley arc that she realized how much Mulder will believe on hopeful faith and blind loyalty. Since then, she's become his aggressive guardian. This will be immensely important in Part II.

Thanks for reading~

Enjoy!

[randomfoggytiger]

X-Files Alpha In-Depth: All Parts

Wherein Mulder tries to prove he can makes friends that aren't, well, Diana; and Scully goes above and beyond the call of duty to protect him from potential bad actors.

Alpha In-Depth (Part I): Vibing and Internet Wive-ing

Alpha In-Depth (Part II): An Inversion of Roles

Thank you for reading~

Enjoy!