#Wheel of time On Prime

[asha-mage]

The costuming of each of Rand's ancestors is ALSO insane, each iteration of the cadin'sor a step forward towards the one we recognize on Janduin and the modern Aiel, and each reflecting the moment that ancestor lived in:

Charn has simple but well made work clothes that reflect his upbringing as someone form a culture that still practices agrarian farming in a sci fi utopia. It's simple brown that looks more rough and rustic standing in contrast to Miren's sleek white lab outfit, but still contains the hints of modern amenity: his over the shoulder cape, the buttons on his coat and shirt. This is someone who lives in a society where he could be wearing something more clearly modern, but deliberately choose something humble and simple.

Then you have Rhodric in a much sleeker and darker version: the rustic agrarian element has been traded for a straight lines. Everything is imminently practical, from the thick soled work boots, to the leather vest with it's own clip and zippers, to the trousers that allow for range of motion. Rhodric was living through a time of war and now apocalypse. Even his people, sworn to peace, have been altered by the realities of the world they live in, and what their role as servants to Aes Sedai, leaders in that war, demanded.

Centuries later, the cadin'sor has been entirely lost, and Jonai is in what we can recognize now as Tuatha'an style clothing, which makes sense since this is where the two cultures split. Gone are the sleek uniform lines Rhodric was wearing but the deliberate rustic vibe Charn had has not returned. Instead everything is clearly (and messily) hand made. Threads are hanging off a poncho that is clearly hard used. Everything is ill fitting- on Jonai and every one else in this scene. Adan's shirt hangs askew because it's to large while Sulwin's skirt drags in the skirt because it's to long. Their are all these efforts at bright colors and patterning- but their irregular and imperfect. The breaking is taking it's hold and exacting it's price.

Two generations later, Jonai's great grandson, Lewin and his fellows have something that that is first step towards modern Aiel cadin'sor. Everyone has adopted browns and grey, brighter color has been dramatically scaled back, and while stuff still isn't fitting great, it's fitting better. Practicality is back as the main focus, and we see sharp lines return as well. Lewin is the ancestor that most resembles Rhodric, because like with Rhodric he has had to make concessions in himself for the realities of a violent world. The veil appears for the first time, and the colors are now locked in: brown and grey, to match their desert environment.

Jumping forward centuries again to the pre-Clan Aiel, we get Mandein, a sept chief from right before the Aiel cultural identity starts to codify. He is wearing a leather cuirass over a simple linen shirt- the colors are consistent now. and everything is well fitted. The biggest difference is how his rank as a chief is conveyed: he is slathered status symbols, from his cloak, to his sea shell necklace, to his spear with special inlay- all things that demonstrate his singular importance in a society grappling with scarcity. Their is also no uniformity when we see the other sept chiefs during the meeting- everyone is styled differently, draped in different kinds of status symbols. The modern Aiel as a culture now exists, but a common cultural identity is still in the process of forming and getting locked in.

And then finally Janduin- post that cultural identity being codified for two thousand years. He and all the other Aiel warriors are uniform with a clear vision- and being influenced by aesthetic sensibilities that incorporate every step backwards through time. A curiass that seems heavily based on the vest of Rhodric and the others during the war period but with the clear underpinning of being real armor like what Mandein wore, a metal buckler strapped to his back right where the Aiel work hats used to hang during Charn's day, and of course, Lewin's veil but also his same basic silhouette and linens. The only one not represented here is Jonai- which makes sense since that is the lowest point in the Aiel's history, reduced to refugees being preyed upon without anything but their oath and each other to sustain them. Most strikingly to me is the complete absence of any status symbol- Janduin leads many many more people then Mandein but his spears are the same as his soldiers, and nothing marks him out as their leader even in the thick of combat...because such symbols are unnecessary. His right to lead, we know, is carved into his arm.

[hikarielizabethbloom]

[pien-art]

softly, softly…

i can’t wait to see moggy and lanfear fuck shit up next season !!!!!

( prints available here ! )

[nat111love]

What does the prophecy of Rhuidean say? "Born of the blood." My father was Janduin, of the Iron Mountain sept, clan chief of the Taardad.But raised by those not of the blood. Where did your Wise Ones send you to look for the Car'a'carn? To the wetlands where I was raised. They sent you to find me!

[casualavocados]

You’re not going to take two of us with a stick. Two marks says I could. Each. ...You afraid? Done then. Let us put an end to this farce after all. Dovie’andi se tovya sagain.

THE WHEEL OF TIME 3.03 | Seeds of Shadow

[kaiartx]

verin my beloved <3 who else remembers she had a little owl?

i have commissions open btw <3

[mediaviewer]

big day for inextricable fate enjoyers

[storiesconsumemysoul]

Look I'm still processing my own feelings around the Siuan Sanche decision and execution but I gotta get this out of my system real quick. Firstly, some of y'all are way too comfortable swatting down, mocking, and condescending to fans (BIPOC fans in particular) who are upset. I'd recommend reigning that shit in. You can disagree and push back without resorting to all of that. Many such examples abound already within this discussion itself. Maybe try to emulate that approach instead of just bulldozing through an emotionally and politically charged discourse for minority fans.

Secondly, try engaging with this backlash with the larger context of the show in mind. Or even just S3. Look at how many characters (with speaking roles) died this season and how many of them were black. Think about the unnecessary death of Child Valda (Eamon Valda) this early in the series. The actor, Abdul Salis, devoured his introduction scene (and every scene since) so goddamn thoroughly that he instantly made the White Cloaks a terrifying presence that has resonated throughout the rest of the show. This brilliance gets rewarded with an anticlimactic quick death, with no buildup, by the hands of characters we haven't had the time to get to know properly, and who didn't even share a single scene with him prior. Right when Perrin, who does have a real established connection with him, is set up to spend a whole lot of time with the White Cloaks. Why not keep him for longer, doing what he does best, so that when the girls kill him down the line we'd have spent enough time building up to their confrontation to make for a proper earned send off worthy of such a towering talent?

And Ryma, played magnificently by Nyokabi Gethaiga, who absolutely electrifies from the get-go and through (2x6) in particular (along with her warder Basan played by Bentley Kalu). Ryma whose scream and anguished face as she is being collared by the Seanchan has haunted us for the last two years. Who left such an impression of her kindness, her strength, her faith in her sisters, her bottomless love for her warder, and with so little on-screen time. Gets one singular scene this season. With no acknowledgment, explanation, or addressing of any part of her role last season. How was she freed? When? Why was she not part of the effort to uncover Black Ajah in the tower when we saw her so deeply pained and shaken even by just the realization that one of her sisters could betray their sisterhood? She was written into such an afterthought background character this season that so many audience members seem to have straight up not even recognized her as the same character from S2, as Ryma, at all.

And Ihvon, originally played by Emmanuel Imani and recast this season to be played by Anthony Kaye, who dies in ep.(1) and, to the show's credit, haunts Alanna and Maksim's storyline so strongly that we feel his presence throughout the season. But we see none of that reflected in the tower. With Stepin (Peter Franzén) in S1, we get such a beautiful display of the warder's brotherhood, cultural ties to each other, and most importantly, how deeply loved Stepin was by his fellow warders. S1 makes us feel the loss of him reverberate through them all so devastatingly. Where is that grief for Ihvon? Where is his community? We spend so much time in the tower immediately in the aftermath of his death, and yet there is no one to mourn or honor him in the absence of Alanna and Maksim? We couldn't have had some of our characters pass by or even just hear about the other warders holding a funeral for him? Or just remembering him in some way?

I could go on for a good while still honestly. And sure, we could make legitimate arguments and have readings that justify these choices individually. But regardless, what this shows in aggregate, is a pattern of clumsiness in handling dark-skinned black characters/actors in particular. While at the same time, playing around with extremely politically, historically, and emotionally charged images of black bodies. Be it Ryma being collared and never addressing it again, Child Valda's whole thing, etc. etc. ... and now Siuan Sanche bruised black and blue, bloody, stripped to her shifts, bodily dragged across the hall, and decapitated. These are incredibly powerful and visceral images.

And no, before someone tries to make this point, I am not saying you can't graphically kill, write off, or deprioritize black characters/actors for perfectly legitimate artistic or practical reasons under any circumstances. I am saying that those choices don't exist in a vacuum. The context of the text at large and the real world are inevitably going to be part of how those decisions are received. It's not enough to have good faith diverse casting. And it is not unreasonable to expect a continued treatment of care and thoughtfulness past the casting stage and into every other facet of their presence and exit from the story.

[fishalthor]

Madeleine Madden as Egwene al'Vere in The Wheel of Time s3 ep. 1-4 requested by @hush-pup-py

[highfantasy-soul]

Watching Josha's interview with the Dusty Wheel and OH MY GOOOODD - give the show more time!!!

He's talking about the scene with Alsera and two complaints I had with it (minor, because the scene was truly amazing, but things that took me out of it a little), were that there was only the main cast there - no other Aiel came running at the huge explosions? And that Alsera (I'm so sorry) didn't become a full puppet of the power.

Only to find out that during filming, they HAD shot the scene with tons of Aiel around and Alsera on a rig to be puppeted around, but they ran out of time and the next time slot they had to film the scene, only the main cast was available and there was so little time, they had to stay still during the channeling into Alsera part.

Every time I listen to an interview/hear behind the scenes stuff, it's so frustrating because the writers/filmmakers/actors truly understand what needs to be shown, but forces out of their control make it so so much more difficult for them.

So my plea to Amazon is that they GIVE THEM MORE MONEY AND TIME - BOTH IN PRODUCTION AND EPISODES!!!!!

[alphacentaurinebula]

(Link)

I too am a big fan of women doing magical crimes.

One of many reasons I will be obsessively watching Wheel of Time s3 come March.

[asha-mage]

Something I've been thinking about a lot since Goldeneyes is Perrin's line "Not a solider among us and yet you are the only one afraid to die" to Padan Fain and how it really captures the Two Rivers broader place as a Vietnam allegory, something that easily could have been lost in the show.

In the books Jordan writes the Two Rivers' struggle with serious parallels to the Vietnam war. A pair of outside forces- the Whitecloaks and the Trollocs- march into a foreign largely rural area both intending to occupy it for their own aims. And while the Trollocs are their out of simple fear and the promise of violence, the Whitecloaks are, in theory, there on the justification of a broader idealistic struggle.

And yet the Whitecloaks face a constant crisis of morale, as the murky politics and unsound tactics of the occupation create doubt, and the increasing violence carried out in the name of vaguely defined goals and uncertain outcomes erodes their sense of moral authority. This is worsened by 'allies' such as Padan Fain, who commit gleeful war crimes of such excessive cruelty they unsettle even the pretty flexible sensibilities of the of the Whitecloaks....while also carrying the official sanction of the Whitecloak leader, and operating nominally towards the same goals. While the Whitecloaks do help against the Trollocs to a limited degree, it is clearly not their intended priority- as Perrin notes their help seems almost accidental, and in a way it is. On the surface their there to fight Shadow, but in reality they are not here for anything of the sort. Both groups are here to try and lure Rand out, for the Shadow so that they can psychologically torment him in the hopes of breaking his spirit, and for the Whitecloaks so that he be used as a pawn in Niall's efforts to unite the Westlands under his rule- which means for the most part terrorizing innocent people and focusing on inconsequential battles like book banning and hunting Aes Sedai, instead of doing anything meaningful to actually help anyone. Dain ultimately realizes this (or at least enough of it) which is root of his crisis of faith, which he resolves mostly by drinking and tormenting himself, because this runs so counter to what he has been raised by his father to believe about the Children of the Light and their purpose.

It's also this combination of factors that lead to the Two Rivers uniting under Perrin- who carries out what amounts to a guerilla war against the Trollocs and the Whitecloaks both. Using superior knowledge of the terrain and a quickly constructed network of support from farmers and other locals, Perrin launches a series of highly successful ambushes and raids meant, not to win any open battles, but to inspire fear and make the task of actually holding the Two Rivers impossible for either group.

And this works because ultimately the Whitecloaks aren't committed to the conflict. It's one thing to use the threat of force to bully small groups into compliance- it's another to take and hold miles of farmland and in the face of popular opposition- common men and women who want nothing more then to be in left in peace and live their lives. It's a bloody, draining mire that saps the morale of the Whitecloaks, even despite their deeply ingrained indoctrination, and in Dain's case even begins to erode his faith in the ideals the Children stand for. Their not their to bring the Light to the Two Rivers, their there because of a calculation made in a room none of them have set foot in- a piece on a chess board carelessly tossed out without regarding for their humanity, to do bloody work judged necessary by a politician with an agenda utterly divorced from the lived reality of the people he is presiding over.

The Two Rivers folk have everything to loose and as a result nothing to fear. They will never stop struggling, and ultimately the Whitecloaks and the Trollocs can not outlast their determination- they fear dying more then they want whatever their is to gain out of scouring the Two Rivers.

[aflawedfashion]

Moiraine & Lan | The Wheel of Time

[pien-art]

Little Moiraine and baby Anvaere 💫

(click image for optimal quality)

prints available here !

[nat111love]

Life is a dream from which we all must wake. No.

[casualavocados]

Rand al’Thor. In the glass columns you will walk the footsteps of your blood ancestors. Each step forward, a step backward through time. Sometimes dozens of years, sometimes hundreds. To lead is to know where you came from, to understand the blood in your veins.

THE WHEEL OF TIME 3.04 | The Road to the Spear