Tumgik
#White Nation: Fantasies of White Supremacy in a Multicultural Society
quotesfromall · 1 year
Text
A national fantasy is the very way nationalists inhabit, experience and conceive of their nation and themselves as nationalists. The nationalist in this construct is always a nation-builder, a person whose national life has meaning derived from the task of having to build his or her ideal homely nation, a national domesticator. This is why the most vocal nationalists are often people who feel unfulfilled in other fields of social life. Nationalist becomes the means of giving one's life a purpose
Ghassan Hage, White Nation
0 notes
sharpened--edges · 4 months
Text
Neo-fascist ethno-nationalism often feeds on self-fulfilling prophecies. Many neo-fascist groupings in multicultural societies have began their careers arguing that multicultural societies do not work because they lead to civil war. It is also an historical fact, however, that most civil wars in multicultural societies have been started by those very neo-fascist groupings arguing that it was multiculturalism that would lead to civil war, and who, unrealistically and with destructive effects, pushed for mono-culturalism.
Ghassan Hage, White Nation: Fantasies of White Supremacy in a Multicultural Society (Routledge, 2000), p. 26.
12 notes · View notes
africanization101 · 4 years
Note
Why do you think that is? White being out of fashion and unsexy. I agree with you, I would just like to hear you expand because you are answer and execute points very eloquently.
For future reference, this goes back to my previous post where I made the claim that “whiteness just seems out of fashion and unsexy and I’ve never read anything that would suggest otherwise.”
So many things to mention. First of all, it’s hard to overstate just how much Black people dominate the cultural scene in Western countries. The way you dance, the music you like, the cool vernacular you adopt, the causes you want to get behind, it all goes back to them. And this has been going on for a lot longer than people realize. Everyone knows Elvis Presley, the supposed King of Rock ’n’ Roll, but the truth is that Elvis shamelessly plagiarized the work of Black performers and got away with it because he was white and it was 1955. The vast majority of cultural trends since World War 2 were either started by or stolen from Black people. You already live in Blacked society; you’re just starting to realize it now.
Conversely, white people claimed the cultural high ground by fetishizing a past that is increasingly irrelevant with each passing year. Do the works of famous white authors from the 19th century really still speak to us today? Nicki Minaj may not be as verbose as Jane Austen, but we can at least relate to her lyrics. White culture seems stale, inflexible and unattractive. We’d rather get our takes from people of color.
Tumblr media
Then there’s the fact that white supremacy has become kind of a low-class attitude. This wasn’t always the case; there was a time when white elites were proudly white supremacist. But today, only those with nothing else going on in their lives cling to their white identity, which makes the whole thing look dumb and unsexy. If you want to be someone, you want to be part of the race-mixing, multicultural global citizenry. The future is post-national, woke and Brown. Those who disagree will play no significant role in that future.
Lastly, there’s the physical attraction. There’s just no denying that Black bodies, both male or female, are supremely attractive. If you let white people mingle with Black people, the result will be race mixing. That’s why physical separation was such an integral part of white supremacy in the past: remove the natural attraction. Without that safety barrier, whiteness will simply dissolve in a sea of pleasure, which is what we’re seeing today.
Much more could be said on the topic, but my whole blog is dedicated to that theme, so any of my posts will provide further detail and commentary. Africanization isn’t a punishment or fantasy, it’s simply the reality of interracial interaction. And we all love to see it.
Tumblr media
139 notes · View notes
Text
American unreality
In breaking the link between politics and objective truth, the United States seeks to fashion a new world – but it is one built on shifting sands.
By John Gray, New Statesmen, October, 2020
The unmasking of the bourgeois belief in objective reality has been so fully accomplished in America that any meaningful struggle against reality has become absurd.” Anyone reading this might think it a criticism of America. The lack of a sense of reality is a dangerous weakness in any country. Before the revolutions of 1917, Tsarist Russia was ruled by a class oblivious to existential threats within its own society. An atmosphere of unreality surrounded the rise of Nazism in Germany – a deadly threat that Britain and other countries failed to perceive until it was almost too late.
For the Portuguese former diplomat Bruno Maçães, however, the decoupling of American culture from the objective world is a portent of great things to come. Finally shedding its European inheritance, America is creating a truly new world, “a new, indigenous American society, separate from modern Western civilisation, rooted in new feelings and thoughts”. The result, Maçães suggests, is that American politics has become a reality show. The country of Roosevelt and Eisenhower was one in which, however lofty the aspiration, there was always a sense that reality could prove refractory. The new America is built on the premise that the world can be transformed by reimagining it. Liberals and wokeists, conservatives and Trumpists are at one in treating media confabulations as more real than any facts that may lie beyond them.
Maçães welcomes this situation, since it shows that American history has finally begun. As he puts it at the end of this refreshingly bold and deeply thought-stirring book, “For America the age of nation-building is over. The age of world-building has begun.”
The truth is America cannot help thinking of itself as a world apart. At an academic meeting in the US years ago, I smiled when a speaker declared that the cause of America’s declining power and influence was its deplorable system of campaign financing. As heads nodded sagely around the table, no one seemed to have considered the possibility that, say, the rise of China might have something to do with events originating in China.
Many influential American thinkers are similarly introverted. Samuel Huntington’s The Clash of Civilisations and the Remaking of World Order (1996) became celebrated for its assertion that in the future global conflict would be between civilisations not ideologies. Yet the book was only superficially concerned with world order. The civilisations between which conflict would occur were never clearly enumerated, and on closer inspection turned out to be indistinguishable from American minorities. For example, Huntington referred to “African civilisation”. But surely the indigenous peoples of that continent created many civilisations. Plainly, Huntington was not talking about civilisations at all. His real subject was American multiculturalism.
Not discussed by Maçães, Francis Fukuyama’s claim that history ends with “democratic capitalism” was a flattering résumé of American society as it appeared to the country’s elites at the end of the Eighties. There was no reason, even then, to suppose that Soviet communism would be replaced by liberal democracy. Given Russia’s almost unbroken history of authoritarian and totalitarian rule, any such development was inherently unlikely. It was not Russian history that informed Fukuyama’s storyline, but a highly idealised reading of American history projected throughout the world.
[see also: Claudia Rankine and the construction of whiteness]
American thought has always tended to a certain solipsism, a trait that has become more prominent in recent times. If Fukuyama and his neoconservative allies believed the world was yearning to be remade on an imaginary American model, the woke movement believes “whiteness” accounts for all the evils of modern societies. America’s record of slavery and racism is all too real. Even so, passing over in silence the repression and enslavement of peoples outside the West – Tibetans, Uighurs and now Mongols in China, for example – because they cannot be condemned as crimes of white supremacy reveals a wilfully parochial and self-absorbed outlook.
Wokery is the successor ideology of neo-conservatism, a singularly American world-view. That may be why it has become a powerful force only in countries (such as Britain) heavily exposed to American culture wars. In much of the world – Asian and Islamic societies and large parts of Europe, for example – the woke movement is marginal, and its American prototype viewed with bemused indifference or contempt.
While Maçães welcomes the morphing of American politics into a never-ending reality show, he is fully aware of the perils that come with basing foreign policy on virtual worlds. He cites Karl Rove, the White House deputy chief of staff in the George W Bush administration, as telling a journalist in the summer of 2002: “We are an empire now and when we act, we create our own reality.” Maçães comments:
Many of us will shudder thinking how the most powerful country on Earth could have been organised around the deliberate denial of objective reality and acted accordingly in its foreign relations, where every issue raises powerful passions and deadly risks, where prudence and moderation have a particular urgency.
As he goes on to point out, the invasion of Iraq provided some hard lessons on the limits of American world-building. He writes:
The point of the enterprise was to act decisively against an old foe and bring him down. What might happen after that was never considered. The connections linking the invasion to the surrounding context, the parallel plot lines, the vast network of unpredictable consequences the war would inevitably bring about, or the new possibilities it would open up – all these elements were ritually ignored.
****
Reflected in varying degrees throughout the west, America’s immersion in self-invented worlds contrasts starkly with Russian practice. Like the US, Russia conceals awkward facts behind a media-created veil. Unlike those in the US, Russia’s ruling elites know this virtual world is deceptive. The point is not to create a new reality but to obscure what is actually happening. When Vladimir Putin asserted that Russian forces had not entered Ukraine, no one apart from a handful of anti-western ultra-leftists believed him. When the Kremlin denies Russian pilots are targeting schools and hospitals in Syria, there is well-founded disbelief. When officials deny that the Russian state had any hand in the 2018 Novichok attack in Salisbury and the poisoning of opposition leader Alexei Navalny, hardly anyone believes this is true. Nonetheless, the continuous repetition of these falsehoods has succeeded in clouding perception of the behaviour of Putin’s regime.
There can be no doubt that Maçães is on to something important when he claims American politics has decoupled from objective reality. The proposition that human beings create fictional worlds is not new. The German philosopher Hans Vaihinger – deploying some of Nietzsche’s ideas on the conscious cultivation of illusions – argued in The Philosophy of “As If”: a system of the theoretical, religious and practical fictions of mankind (1911) that ideas known to be defective or false are indispensable in human life. Before Vaihinger, a theory of the social role of fictions had been developed in the early 19th century by Jeremy Bentham (1748-1832), the English founder of utilitarianism. The idea of fictional worlds has been around for much longer than the technologies that now daily create them.
What these early theories could not foresee is the role of mass media. This was the theme of Marshall McLuhan’s Understanding Media: The Extensions of Man (1964), in which he coined the expression “the medium is the message”. In The Society of the Spectacle (1967), the neo-Marxian Guy Debord argued that capitalism had come to depend on an all-pervading image of society that erases the past and any alternative future. The cultural theorist Jean Baudrillard (cited critically by Maçães) suggested in The Gulf War Did Not Take Place (1991) that reality had been overtaken and replaced by what he called “hyper-reality”.
One of the problems of Maçães’s account is that it does not clearly distinguish between different ways in which human consciousness can be detached from the real world. For those who construct it, a fiction is not an illusion but a tool for shaping the perceptions of others. A virtual world is not a fantasy, which may be personal and private, but an alternate reality that is necessarily collective. Lying behind these conceptual slippages are deeper ambiguities. Are virtual worlds deliberately manufactured, or do they emerge – like myths in past times – from the depths of a common form of life? Might not a society produce radically antagonistic virtual worlds? American society is polarised between a view in which the country is a flawed but basically benign experiment and a vision in which it has been irredeemably racist from its foundation. Will one of these virtual worlds triumph in the up-coming presidential election? Or will the division in America persist regardless of who wins?
Under what conditions do virtual worlds disintegrate? Some – such as the one Karl Rove inhabited – are self-destroying and essentially ephemeral. Others – such as the Trumpian view that the virulence of coronavirus has been nefariously exaggerated – may suffer a shock from reality, only to subsequently grow stronger in the minds of tens of millions of conspiracy theorists.
Above all, is there a realm of discoverable fact behind these virtual realities, or are we left with divergent world-views that cannot be rationally assessed? Maçães wavers on all these questions. Throughout the book, he oscillates between a buoyant relativism and a peculiarly European scepticism – detached, ironic, and darkly playful – about America’s future.
****
Maçães recognises that the US is not the only country reinventing itself. Much of the world no longer aims to emulate any liberal model of society or government. Like many, however, he conflates a rejection of liberalism with rejection of the West. Russia has repudiated both, and for that reason is most feared by western liberals. For the Bolsheviks Soviet communism was an avowedly westernising project, a combination of French Jacobinism with American Taylorism – the ideology of “scientific labour management” which Lenin admired and Trotsky tried to implement. Nothing could be further from the future Western liberals imagined for post-communist Russia than Putin’s blend of autocracy, anarchy and Orthodoxy. Despite being much more repressive and vastly more costly in human lives, the former Soviet Union is far less alien.
[see also: Would Biden or Trump end America’s forever wars?]
A similar attitude can be discerned towards Xi Jinping’s China. Regime-friendly Chinese intellectuals are fond of telling western visitors that China is not a nation state but a “civilisation state”, and there has been a shift towards touting the merits of Confucian governance. Yet in many ways Xi’s regime is copying the homogenising national states constructed in Europe after the French Revolution. Like them, it aims to impose a monoculture where different ways of life existed before. In Revolutionary France, which under the ancien régime contained many languages and peoples, this was achieved through military conscription and a national education system. Another, more violent process of nation-building by ethnic cleansing occurred in central and eastern Europe after the collapse of the Hapsburg empire.
Following these precedents, Xi is using the state machine to fabricate an immemorial Chinese nation and obliterate minority cultures. As in its pursuit of maximal economic growth, China is building a future imported from the Western past.
This may be why one can detect a sneaking admiration for Xi’s tyranny among Western progressives. Rightly, they perceive that he is promoting an Enlightenment project; although not the liberal project of John Locke or John Stuart Mill, or the communist utopia of Marx, to be sure. Xi’s dictatorship is more like the enlightened despotism of the early Bentham, who aimed to reconstruct society on the model of a Panopticon – an ideal prison designed to enable total surveillance of the inmates. How curious if, as the 21st century staggers on, a hyper- authoritarian China emerges as the only major state still governed by an Enlightenment faith in progress.
Much of the last quarter of the book concerns geopolitics. Yet Maçães says little of how this connects with his overall argument. How does the EU’s hallucinatory self-image as a developing super-state square with the fact that Germany – its leading power – has a growing dependency on Russia for a crucial part of its energy supply? More importantly, Maçães devotes little space to the impact on politics of the increasingly unstable biosphere. At a time of rapidly accelerating climate change and pandemic, it is a telling omission. Most of his analysis focuses on shifts in human consciousness, but it is changes in the material world that will be decisive in shaping the next stage in history.
It may be true that America is drifting away from what used to be called Western civilisation. That does not mean it can fashion a new world disconnected from the past. In America as in other countries, history does not begin, any more than it ever ends.
History Has Begun: The Birth of a New America
Bruno Maçães
Hurst, 208pp, £16.99
0 notes
nothingman · 8 years
Link
Racism comes in many forms. Some strains mask themselves in institutional legitimacy and free speech. Others advance claims of victimhood, loss of religious freedom, or champion assertions that they are defenders of local custom and tradition. Regardless of its shape, however, racism is always the product of two forces: ignorance and malevolence. Racism is perpetually ignorant because it relies on ahistorical constructions of difference to advance universal assertions of racial, cultural, social, or national superiority. In this manner, racism is also always malevolent because it seeks to impose hierarchical configurations of ‘race’ in an otherwise multicultural, multiethnic world.
Where racism exists, violence follows. Whether in the form of physical altercation, civic dispute, subtle euphemism, public harassment, or state-sponsored campaigns of political disenfranchisement, violence is an inherent outcome of racial prejudice. Racists seek to defame, intimidate, or physically attack those they deem inferior both as a means to avow their own superiority and to defend the biological, cultural, and national ‘purities’ that make them a preeminent people. The problem for racists, however, is that a ‘race’ does not exist and never has—at least in a primordial sense. Indeed, a ‘race’ is nothing more than a construction, a product of cultural practices that is built on linguistic commonalities, shared historical teleologies, and national myths. “The fact of the matter is that nationalism thinks in terms of historical destinies,” writes the international studies scholar, Benedict Anderson, “while racism dreams of eternal contaminations, transmitted from the origins of time through an endless sequence of loathsome copulations.” In this manner, racists can justify domestic repression and domination within national boundaries more easily than across them because ‘the Other’ is already here.
The history of race and the origins of racism is long and violent, which brings me to Nathan Damigo and the association formally known as “Identity Evropa.” This group is a neo-Nazi white-supremacist student organization crafted in the same mold as Richard Spencer’s National Policy Institute. Identity Evropa’s website claims that they speak for “a generation of awakened Europeans who have discovered that [they] are part of the great peoples, history, and civilization that flowed from the European continent.” The group rejects “the idea that our identities are mere abstractions to be deconstructed.” In essence, Identity Evropa is a movement characterized by racism, but whose message relies on a veneer of legitimacy in the shape of a provocative mission statement, sleek website, and “hipster haircuts.” The group recently began a nation-wide campaign to spread its racial prejudice on university campuses known as “Project Siege.” Last week, Identity Evropa made its presence known at my home institution of Black Hills State University as part of this national effort.
Nathan Damigo (very far left) and Identity Evropa
As someone who has dedicated his professional life to the study of humanity’s darkest chapters, specifically European colonialism in Africa and the Holocaust, I am not surprised that white supremacist groups continue to advocate messages of hate and ignorance in the world today. What does astonish me, however, is that Nathan Damigo and his supporters are so willing to admit—even celebrate—their lack of historical knowledge. In a recent interview with The Tab, an online news site launched by Cambridge University, Damigo expressed his indifference toward history in response to a question about Holocaust denial:
I’m just not really interested in history or any of this stuff. We’re focused on the here and now and the issues that we’re facing. Other than that, I believe in free speech, I believe in the First Amendment, I think people have a right to say whatever they want, question whatever they want. With things like [the Holocaust], I’m neither here nor there. I’m not a history buff. . . . We’re an identitarian [sic] organization. We’re not interested in historical revisionism or anything like that. We’re concerned with identity and race and how it affects us as people of European heritage.
Damigo expresses total apathy for the very history that he and his supporters seek to defend. Identity Evropa’s poster campaign attempts to inspire like-minded citizens to “Support Your People,” “Reclaim Our Future,” and “Make Europe Great Again,” but behind the façade of token generalizations and catch-all phrases, the group only offers sanctuary for chauvinism and racial bigotry.
Identity Evropa Poster
When I arrived on campus last week, I was dismayed to find a “Project Siege” poster on the walls of the History Department. Though troubled, I knew that the posters’ intended audience was not me, but students from minority backgrounds and of color, the LGBTQ community, Muslims, Jews, and non-Christian religions in general, and anyone else who Identity Evropa professes has no part in “white America.” Identity Evropa hides behind a guise of ‘whiteness’ only so it can publicly vindicate its true purpose: violence against communities who it deems adverse and foreign. When recently asked about how Jews “fit into America,” Damigo stated that “some aspects of that history get focused on so much that you miss the other aspects of it. One of the other aspects that’s been really missed is Jewish power, Jewish influence.” At first glance, people might assume that such an answer came from someone living in Weimar Germany in 1931, not the United States in 2017. But the fact remains that racism is not—and never has been—the exclusive property of the Nazi Party or Ku Klux Klan. Racism lies at the heart of every group that masks nativist fantasies with pejorative generalizations and blanket promises. History cautions us to be wary of such parties and organizations. “What comes next can be very frightening,” says Weimar historian, Eric Weitz, “even worse than imaginable.”
  Dr. Adam A. Blackler is an Assistant Professor of History at Black Hills State University in Spearfish, South Dakota. His current book project explores how Germans fashioned an imperial image of the Heimat ideal in response to colonial encounters in Southwest Africa. He is also completing chapters in two forthcoming edited volumes on the German colonial empire and a cultural history of genocide in the long nineteenth century.
via The Society Pages
0 notes
sharpened--edges · 4 months
Text
[I]t is often claimed in certain critical analyses of nationalism stressing the biased nature of national types or national ideals that they are exclusionary. For example, a common critique of the traditional dominant post-World War II Australian national character is that it is sexist and racist, and that it excludes women and non-Whites. In fact, such a critique conflates the exclusion from the ideal of the dominant with the exclusion from the dominant national idea. A national ideal does not only idealise the position of the dominant within the nation, but also a whole series of positions and the relations between them. It consists of a map of what for the dominant are idealised positions and idealised types occupying those positions. That is, the dominant in the national field do not only have an ideal of themselves in the field, but also an ideal of all the positions in it, that is, an ideal of the field itself which they struggle to impose. […] This is why aristocracies aim to naturalise the positions that define the structure of the field in which their dominance is grounded. Consequently, part of the struggle within the national field is to actualise the groups’ vision and division of the field. National subjects not only struggle to accumulate and position themselves in a dominant position within the field, but also to position others where they deem them to belong.
Ghassan Hage, White Nation: Fantasies of White Supremacy in a Multicultural Society (Routledge, 2000), pp. 65–6.
6 notes · View notes