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martywurst · 8 years ago

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My First and Worst Year: Producing A Show

I get caught up in the gossip. Shitting on comedians that I barely know. I'm trying to stop that. Early on, I was one those guys that would say something negative because I was trying to start a dialogue and reinforce any negative feelings I had about someone. Usually based in nothing; maybe one lousy first impression or through the grapevine on Facebook. Unfortunately, talking shit is a major way to bond with other inexperienced comics. A lot of miserable, sarcastic, unmotivated, boring comics. Or 10+ year comics that bitch about how unfair everything is. They can't talk to you for 30 seconds without shitting on something.

Now I know that's not me. I never feel good about it and it never helps.

The comics I look up to are modest, rarely say anything bad about anyone because they're just focused. They don't feed the fire. I'd rant about something and they wouldn't have anything to add to it. Maybe something along the lines of,

"Yeah, that can happen," kind of response.

I'd see the look on their face. I'm the problem.

I was the same way in Junior High. Picking on the popular kids and being obnoxious because I was so desperate to be a part of their circle. Afraid to be myself. Afraid to put in that kind of work.

I'll be obsessed with some idiot for hours on a Facebook thread, so tempted to participate in the attack, but where is it going to get me? Fuck, I could've written something. I should be writing jokes now, but I think I know something about blogging and comedy! I feel like I'm just regurgitating boring opinions that have been voiced on hundreds of podcasts already, I'll try to pepper this section up! Check out this sweet ass pimp kitty vest!

I always want to prove myself to other comics. An audience of strangers is always amazing, but I do feel the pressure of an all-comic mic. It's way too important to me. I don't want to be written off, I know I can be funny. Maybe not the last 20 times you saw me, but I'll get there, don't write me off!

When I had a decent set in front of someone I respected, I felt like I could check that off. Okay, that person doesn't think I'm a piece of shit anymore. I proved myself. Getting closer to being an actual comic! Every good set is a stepping stone. My bad sets would just temporarily render me useless. Instead of doing my homework and adjusting, I would just write something new or beat a bad joke into the ground. Maybe it'll work the 27th time.

"The people that go to Burning Man only need these two words to communicate: Burning...man!"

*crickets slashing wrists*

I bombed in front of Sean Conroy and took it kind of hard. Intimidating dude, (like the Ron Perlman of improvisation) he was sitting in the front row at Echoes Under Sunset with his arms crossed, waiting for his set and just watching me hang myself. He'd probably seen a thousand variations of the heckler character I was doing. I picked on him in character, but he wouldn't roll with it. Why would he? It was more fun to watch me squirm.

Every time I asked him a question he would answer,

"Sure."

Which is sort of the "fuck you" version of "yes and," It's an improv thing.

I was berating the audience for being a bunch of hipsters. Yelling out,

"Well I got something for ALL OF YOU!"

Then I started handing out free coffee coupons from a local coffee shop. Sean politely declined.

I had my bombing routine where I would call up Claire afterwards and tell her I just ate shit. Or who I ate shit in front of. She would convince me that it was okay, everybody bombs, and remind me that I'd had good sets before. She would tell me that she loved me and make me feel better about what had happened. Oh, there is life after tomorrow, I forgot! Thanks, baby!

Claire understands the grind. She's a fan of a lot of the people I look up to and we listen to a lot of the same podcasts now. She got into Jen Kirkman and The Longshot Podcast early on and now she subscribes to more comedians than I do. We went to Power Violence and a number of shows at The Improv. Pete Holmes, Todd Glass, Ron Lynch, Eddie Pepitone, Maron, Sebastian, Ian Edwards, and Tig- we love Tig. She pushed me to go on the road. She encouraged me to stop using the train and take her car instead. She makes this all possible. It's unbelievable. She even made cookies when I produced my own show.

I'd done a couple of shows at The Lexington with Tony Bartolone where I did some character stuff. I played a wrestler, a heckler that takes on Mr. Goodnight and a squarish Steve Allen type talk show host. Anyway, the owner liked me enough and said if I ever wanted to use the space, hit him up.

Tony was nice enough to help me too, he ran sound for me. Uggh, I didn't even give him a fucking spot and he ran sound for me- that's how great a guy he is and how SELFISH I can be.

I think the best thing in comedy after doing standup is booking your own show. Reaching for the stars, pulling in friends, what a great position to be in! Compiling a fantasy list of mostly male comics and shooting them a message on Facebook.

So if you're a new comic wondering, how the hell do I get booked on a show?

Well, a moron like me could accidentally see you at an open mic and then end up liking you! And I'm the guy who did a shitty set before you, remember? You never know who could be running shows.

Most people got back to me pretty quick. Comedians love a full calendar.

I adored The Walsh Brothers. So original and twisted. They blew my mind at TigerLily and I finally met the guys through a mutual friend.

Brian Scolaro was someone I had talked to outside of The Comedy Store. He's one of the first comics to give me any kind of advice,

"Don't move To Long Beach."

I was a fanboy of Dean Delray. I heard Matty Goldberg on Danny Lobell's podcast and dug his book about his friendship with Angelo Bowers. Ron Babcock was one of the friendly guys on the scene, loved his standup. I'd worked on a webseries with Paul Danke. Just met a lot of the other comics at open mics. I worked with Jeanne Whitney at Arclight Hollywood and we started standup around the same time. I watched Timika Hall do her first set at Echoes Under Sunset and she was great! Ester Steinberg cracked me up at The Palace and then I wanted to book her after I saw this sketch. She just happened to be hanging out with Neel Nanda when I was booking him, so I got both of them right then and there.

Robert Vertrees was brand new like me, but I just dug his story.

I knew I'd never have to worry about Ken Garr.

Just read his awesome blog entry "One Year Later and Why I Should Quit"

I should've taken note and made my blog shorter! That dude is a complete professional and will never hesitate to give you his tour dates at the MGM in Las Vegas.

Jak Knight was edgy and exciting. Jon Durnell was the best thing about a bringer show I did at the Formosa. I didn't even know Lisa Landry, but Brian asked if she could be on. Same thing with Kevin James Moore, a buddy of Matty's.

Maagic Collins is one of the kindest souls I've ever met. I love his standup. He would show up to my afternoon Tribal mic on Saturdays. Very supportive guy.

I think I saw Rick Wood at Power Violence and he just blew me away.

Anyway, you get the fucking point, this was just an excuse to drop everyone's links. Jesus Christ.

One time I made the amateur mistake of messaging too many people at once and then having to tell one comic I'd put them on the next show. I got a lot of grief for that and I was pulling my hair out. I was getting a guilt trip from the disappointed comic and now I didn't want to book him at all. It was totally my fault, but I was just getting through the learning curve. Book carefully, and wait for your damn responses.

Another recurring thing that kept coming up is a comic wanting to bring a friend for a guest spot. It's a good rule of thumb to keep a spot open for a possible drop-in. Or just book less comics Marty. Aren't you glad you paid $200 for this helpful comedy workshop tip?

I was also planning on doing all these wacky sketches and transitions that had nothing to do with the stand-up comedy. I wanted to make it an event. I asked Chris Walsh if we could have an extended dialogue where the Walsh Brothers get in an argument with me and then pretend to shoot me from the audience...so now I'm suddenly on the level of The Walsh Brothers! Proposing bits. Chris was really nice about it and declined in the best way possible. He made me realize that I should only work on the hosting- not all this extra dressing. I'd be stressed out enough. Plus, The Walsh Brothers have their own thing going on and it's hilarious.

Claire helped me with some basic PR stuff; shooting out emails to various websites with LA calendars of events. Lot of people check online for free entertainment. I hit up LA Weekly early enough to get this delightful blip:

Did I pay anyone? I paid Dean Delray. I paid Brian Scolaro. It seems a little unfair now, I had The Walsh Brothers, Ron Babcock, Paul Danke, and Matty Goldberg, who all have a shitload of experience.

I got this dumb idea that I should write thank you notes to everyone else. Looking back, I gave comedians false hope of money in those envelopes, only to find a badly scrawled "thank you" with some shitty stick figure doodles. At least there were cookies at the gig.

Brian mentioned the 50 bucks onstage and I was really embarrassed. It exposed the inner-workings of my inexperience and that I was holding out on everyone else. I think I would do it differently now, but it was a free show.

Tony watched me have a mini-meltdown. I was stressing out because there was a band that was booked on a show immediately after and it was clear that I was going to run over their time. I thought if I gave up my own set and kept bringing the next comic up, we'd finish on time without cutting anyone's sets down.

Tony explained to me that I shouldn't of worried about that, that it was worse to bring the comics up cold. It's better to keep the audience warmed up, but I was hopping back on stage saying,

"Give it up for Ron Babcock, and now let's keep it moving- Matty Goldberg!"

I didn't get it. I thought running over my time would fuck things up and I'd never get to do a show again. I shouldn't of booked so many comics anyway- Paul Danke was going on dead last, and he'd been waiting around so long, I felt horrible. I should buy his album.

So don't sacrifice your time for the sake of the next show- be a good host, Wurst.

But that first show had a great turnout, especially for The Lexington. The comics were kind of impressed. That extra leg work paid off.

I remember I wanted to bring Dean Delray up to a Led Zeppelin song and I kept bothering Tony about it when the order changed. Then when the music came up, Dean was clearly stoked and that little moment meant a lot to me.

On his way out he yelled,

"Congratulations on your 1st year of stand up!"

Speaking of which, I asked Melina Paez if I could be in her "DropTheSoapTV" series, where comics do stand-up in her shower. It was a fun way to cap off my first year.

Okay, that was rather manic. Just a couple steps away from Denis Leary- uggh. Anyway, I STOPPED doing that. Here's a message to myself as I time-travel back to the shower,

Horrible jokes, asshole! Your taint is hilarious by the way.

I just want to thank the people that encouraged me or gave me useful information when I started bumbling my way through open mics that first year (July 2013-2014)

Brett Gilbert, Ric Rosario, Matty Goldberg, Tony Bartolone, Jason Van Glass, Ron Babcock, Dean Delray, Chris Walsh, Matt Walsh, Danny Lobell, Mollie Gross, Melina Paez, Brian Scolaro, Jamie Flam, Jeremiah Watkins, Mike Celestino, Justin Alexio, Neel Nanda, Mikey de Lara, Paul Danke, Ari Mannis, Lydia Robinson, Ryan Doolittle, Maagic Collins, Don Barris, Elissa Rosenthal, Rob Antus, K-von, Jarrett and Emily Galante, Christiane Georgi, Hiro Matsunaga, Greg James, Carly Craig, Matthew Hilton, Sally Mullins, Matt Sauter, Matt Gamarra, Donald McKinney, Ryan Kain, Jeremy Fultz, Del Weston, Derick Armijo, Alisha Morine, Nicole Malina, Devon Schwartz, Andy Salamone, Barbara Gray, Sean Conroy, Myles Weber, Ricky Winston, Frankie Ma, Rishi Arya, Brandon Birckz, Sean K., Mike Menendez, Jamar Neighbors, Mr. Goodnight, Erica Rhodes, Matt Champagne, David Gerhardt, The Martin Duprass, John Silver, Ryan Pfeiffer, Kevin Anderson, Whitney Melton, Kym Kral, Jared Levin, Kenneth Lion, Alex Croll, Adam Carr, Trevor James, Deon Williams, Amber Brashear, Pat Regan, Brad Silnutzer, Rob Weissman, Marty, Graham Curan, Eddie Pepitone, Quincy Johnson, Blythe Metz, Willie Dynamite, Freddy Morales, Marcela Perdomo, Nick Kaufman, Atelston Fitgerald Holder The 1st, Bruce Boiman, Tom Allen, Melissa Villasenor, Maria Bamford, Todd Glass, Lou Perez, Allison Anders, Jeremy Bassett, Tony Alfieri, Laura Niles, Tamoy Sherman, Chaliss Robinson, Eddie Whitehead Jr, Brent Weinbach, Jill Maragos, Jodi Miller, Luz Pazos, Brianna Murphy, Sasha Kapustina, Alain Villenueve, Brad James, Lauren Kiang, Yoav, Ken Garr, David Gregorian, Jordan Leer, Stefano Della Pietra, Down Under Comedy Club, Mike Garrison, Brad and Sara Harris, Thomas Hussey, Harold, Chino, Tiffany Gomes, Simon Gibson, Joe Wagner, Scott Luhrs, Jay Weingarten, Joe Kardon, Pedro Salinas, Willie Dynamite, Robert Vertrees, Amber Kenny, Karah Britton, Alison Tafel, David Hill, Andy Kosec, Micah Lile, Chris Putro, Kris Rubio, Jade Thom, Brodie Reed, Ryan Talmo, Kevin Lee, Kellie Ann, Jeanne Whitney, Jake Kroeger, Nikki Riordan, Tim Mars, Christian Chavez, Jake Adams, Louise Hung, Michael Donato, my Geffen peeps, all my Arclight friends, Stella friends, childhood friends and family that came out to support.

Or if you're just generally nice to me thanks. You gave me the strength to go out and bomb one more time.

Shout out to Mike Celestino's great documentary "That's Not Funny".

and finally To Claire:

For every time I called you up to moan out my discontent, only to be dissuaded from my stubborn misery because of your constant light, love, and gentle reasoning.

For those open mics you'll never be able to unsee.

I love you more than open mic comedians love pussy jokes.

And as you know, that's a hell of a lot.

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micaramel · 5 years ago

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Artist: Gabe Rubin, Felix Bernstein

Venue: Westbau, Zürich

Exhibition Title: The Total Vomitorium

Date: June 9 – September 6, 2020

Organised By: Fredi Fischli, Niels Olsen

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Video:

Gabe Rubin, Felix Bernstein, Vomitorium, 4 in 1 excerpts, 20:05

Images courtesy of the artists and David Lewis, New York.

Press Release:

THE TOTAL VOMITORIUM

A tragicomic reenactment of the history of meta-theater from religious ritual to live-streaming, Zoom, and Twitch. The artists transition between multiple genres, genders, ages, tropes, eras, and personae, with Felix Bernstein playing Onkos, the Greek mask of tragedy, and Gabe Rubin playing multiple versions of Eros. They play-through arcane and new modes of performance documentation from Classical diagrams to Victorian photo journals, as well as the parallel domestication of Eros into Cupid. The vomitorium is traced from its origin as a passageway in amphitheaters to the current socially reflexive architecture built for Instagram selfie-stories—comparing the way audiences watch each other watching each other binging and purging media. The impossible wish for a 360-degree perspective is shown to mark both panoptic social media and counter-surveillance tactics; normative and queer gazes. Played on four unconnected screens, Vomitorium is inlaid by Baroque frames—juxtaposing maximalist convolution with the fashionable metaphysics of presence and transparency. Virtually real versions of Vomitorium will be simultaneously made available on the new media app Ortvi.

WORKS

Betwitched (1-channel video; 1 hr.) A stopwatch tracing the stages of grieving attention spans from immersion to alienation to fake depth to deepfakes to Twitching and Zooming—charting the relative degrees of distance and closeness that each platform incentivizes as a method of providing control and relief.

Vomitorium 360° (4-channel video; 3-hr. and 360-video; 1 hr.) Virtual documentation and instant replay of Vomitorium as presented at The Kitchen’s Queenslab space in Ridgewood, NY, in March 2020.

Vomitorium 720° (4-channel video; 7 hrs.) A re-doubly-bound version of Vomitorium, offers a totalizing backstory for Eros and re-members the trajectory of branded artifact distribution from the scarcity of the Disney Vault to the surplus of Disney Streaming. Premieres on Ortvi and at Luma on July 10.

CHARACTERS

Onkos (ὄγκος): Named after the tumorous masks of Greek tragedy, Onkos narrates and annotates performance documentation in a degenerative vicious circle that constantly re-views and revues until preview precedes essence.

Eros (ἔρος) & Anteros (ἀντέρως): Rival cherubic mimes in the Stade du Miroir engage in a mimetic rivalry between vice and virtue; cruelty and tenderness.

Eris (Ἔρις,) & Harmonia (Ἁρμονία): Commentating influencers/muses, who guide Onkos in a debate between theater-y immersion and theatrical alienation.

Anti-Eros (ᾰ̓ντ’-ἔρος): Dark angel who replaces reflexive counter-gazing as the locus of subjectivity with Ejectivity—a vacant, automated watching towards death.

SUMMARY

Eris and Harmonia lead Onkos through a memory palace made up of broken automated tropes from the history of metatheatre, as he attempts to cease looping through the stages of grief.

Eris and Harmonia teasingly reveal stage sets and show off their stagecraft to Onkos in an adaptation of Gian Lorenzo Bernini’s The Impresario.

Onkos leads Eris and Harmonia in a symposium on the splitting and unifying of Eros—from the ancient mythology of brothers Eros and Anteros to Giovanni Baglione’s moralistic splitting of Profane and Sacred Eros as a rebuke to Caravaggio’s Amor Vincit Omnia. Harmonia and Eris then debate various ways of representing queerness and attaining Metaxy (the in-betweenness of Eros). Finally, they trace the shift from hoarding to streaming art, and how this process has always already administered, totalized, and automated by the church and state via the Baroque economy of emblems, collections, and indulgences. And after that, they review the reviews of movie version of the musical Cats.

Eros and Anteros stage impromptu interludes from Theocritus and Ben Jonson to Edna St. Vincent Millay and Heiner Müller.

Anti-Eros delivers Onkos to an ejection of all forms of gazing and reflecting but Onkos re-lapses by binging (and purging) on the sight of yet another Caravaggisti angel.

PRODUCTION CREDITS

Costumes: Martha Tuttle and Sophie Kay; Director of Photographer: Bayley Sweitzer; Production Design: Marie de Testa; Choreographer: Greg Zuccolo; Gaffers: Jay Warrior and Ryan McCluney; Grip: Diego Llaca Ojinaga; Production Assistant: Carola Pellegrino; Art Design: George DuPont; Scenic Design: Emma de Kooning-Villeneuve; Makeup Design: Paige Fallon; Musicians: Michael Foster and Joe Moffett; Sound Mix: Andrew Barker and Liam Fox O’Brien; Sound Engineer: Leila Bordreuil; Animators: Courtney Dreher, Dara Hamidi, Kiara Doerr, Greyson Horst; Editors: Emanuele Michetti and Michael P. Conroy; Virtual Reality: Thomas Martinez.

ARTISTS

Felix Bernstein and Gabe Rubin are Brooklyn-based artists. Their work together has been presented at MOCA Los Angeles, Issue Project Room, Anthology Film Archives, the Drawing Center, Reena Spaulings Fine Arts, Pilar Corrias Gallery, Artists Space, David Lewis Gallery, the Kitchen and the Whitney Museum of American Art. At the Whitney, they staged and performed Bernstein’s libretto Bieber Bathos Elegy in 2016 and Mayo Thompson’s Victorine (with Art & Language) for the 2012 Whitney Biennial. Rubin performed in Jill Kroesen’s Collecting Injustices at the Whitney in 2017. Bernstein’s writing has been featured in Art in America, Artforum, Poetry Magazine, Spike Arts Magazine, Bomb, Mousse, May Revue, Bookforum, and Texte Zur Kunst. Rubin and Bernstein presented an earlier version of Vomitorium in March 2020, for The Kitchen’s Queensland space in Ridgewood, NY, which was curated by Tim Griffin and Matthew Lyons.

Link: Gabe Rubin, Felix Bernstein at Westbau

from Contemporary Art Daily https://bit.ly/319Ns0g

#micaramel

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thereviewsarein · 6 years ago

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On a Sunday afternoon in downtown Toronto, the spirit and love of the Canadian country music community were as strong as its ever been. A sold-out crowd gathered at Rock ‘N’ Horse Saloon for the Country Kicks Cancers Ass fundraiser in support of Cadence Grace, and together we all witnessed an afternoon of talent, love, support, and emotion.

Off the top, we want to acknowledge everyone that helped make the day possible. The bar, the band, the artists, the prize donators, the friends and family, Ann and Stacey of Runaway Angel, every person included in the video that was shown in the room, and every single person that showed up – you are all superstars.

The doors to the event opened at 2 pm, and people were there right away. And by the time the music started just after 3 pm, the room was already full, there were bids on silent auction items, and there was a buzz in the room. It felt more like an evening show on a Friday night, than a Sunday afternoon.

TO LEARN MORE ABOUT BLOOD AND STEM CELL DONATION, PLEASE VISIT: WWW.BLOOD.CA

There were differences though. Throughout the room, eyes were looking for Cadence, hoping to get in a hug and hello. She was the reason the room was full. She was the guest of honour. And while there were also hugs for the show’s performers as they walked the room, it was the rare instance of the performers coming in second.

Let’s pause again for a second to talk about Cadence. This woman is talented, kind, loving, open, honest, passionate, hard-working, and has shown over and over again that she will go out of her way to make someone else’s day better. We’ve heard stories from James Barker Band and Kris Barclay, both talking about Cadence being the first to make them feel welcome at CMAO events, and introduce them to other industry members. We’ve seen the smiles and moments she shares with fans. And we have never heard anyone say anything less than good things about her. Ever.

CLICK HERE TO DONATE & SUPPORT CADENCE AS SHE KICKS CANCER’S ASS!

During our afternoon at Rock ‘N’ Horse we were treated to short sets from 9 Canadian country acts (with special bonuses at the end) in an Opry Style jam.

The show started with Ben Hudson, who was accompanied by his lovely wife Brooke. With the backing of the band, the duo played a cover of Josh Turner’s Why Don’t We Just Dance, followed by originals, Johnny And June, and Wear And Tear. The performance was a great start to the day, the crowd was engaged early, and we got to see Ben and Brooke do what they do best.

Julia Haggarty came to the stage next for her three-song set and reminded us why we enjoyed her so much at the Dakota Tavern during Indie Week 2017. Original tracks Paradise and Stories acted as bookends around her cover of Dolly Parton’s classic, Jolene. Keep an eye out for more from Julia soon.

Windsor’s Kelsi Mayne was third to the stage, and the 2019 SiriusXM Top of the Country semi-finalist put her stamp on the stage in her short time. She also went original-cover-original, with Woman Waiting, Lady Gaga’s Edge Of Glory, and her new single, Takin’ U Home. This is going to be a busy run for Kelsi. Be ready for her!

TO LEARN MORE ABOUT BLOOD AND STEM CELL DONATION, PLEASE VISIT: WWW.BLOOD.CA

2018 Boots & Hearts Emerging Artist Showcase winner, Kris Barclay was next on stage, and the former hockey playing strummer showed once again that he’s making a strong transition into a full-time life of music. Barclay’s cover of Nial Horan’s Slow Hands was a BIG hit with the Rock ‘N’ Horse crowd, and his original (and perhaps future single) Should Have Loved You Like That gave us a little look at what’s coming from the Ajax native.

Leah Daniels was next to the stage, and first with a medley, that she squeezed in between her first Top 20 single, Go Back and a track from her most recent album, To Get Her. The medley in the middle was a banger with three hits mashed up including, Third Eye Blind’s Semi-Charmed Life, Sugar Ray’s Fly, and Donna Lewis’s I Love You Always Forever. We know that Leah is a strong singer and a talented entertainer. And Sunday she shared that with the packed Toronto room.

London, ON’s Genevieve Fisher came to the stage to wrap the first half of the show, and she made her time count. The CMAO Female Artist Nominee started with her own, You Me We, tossed in a cover of Keith Urban’s Somebody Like You in the middle, and finished up with her Top 20 single, Take It On Home. If we were going to guess at something, we’d guess that performances like this will lead to more nominations in the future.

CLICK HERE TO DONATE & SUPPORT CADENCE AS SHE KICKS CANCER’S ASS!

After a short break, which included a very sweet and touching video of love and support and well wishes from artists including Jess Moskaluke, Tim Hicks, The Washboard Union, Aaron Goodvin, Patricia Conroy, and many more, plus other industry members, the music continued.

Eric Ethridge took the stage first after the break. Going solo with his guitar, the Sarnia turned Nashville singer belted out his single Calfornia, followed it up with a duet version of Dan + Shay’s Tequila (with Leah Daniels), and then brought it home with If You Met Me First and Liquor’s Callin’ The Shots from his self-titled debut EP. It feels like there’s more to come from Ethridge before long. Stay tuned.

Small Town Pistols followed, bringing a combination of the duo’s music, classics from The Wilkinson’s catalogue, and a surprise cover. Amanda and Tyler still sound amazing. They connect with the crowd in an honest, genuine way, and when they sang I Only Smoke When I Drink, 26 Cents, Jimmy’s Got A Girlfriend, and Weezer’s Say It Ain’t So, the room was locked in on them. We hope we get to do that again soon.

CLICK HERE TO DONATE & SUPPORT CADENCE AS SHE KICKS CANCER’S ASS!

The scheduled programming wrapped when Jessica Mitchell came to the stage. The acclaimed singer-songwriter played a set of originals, sharing four songs from her debut album, Heart Of Glass. Her performances of That Record Saved My Life, Tear It Down, Bulletproof, and Workin’ On Whiskey were accompanied by some very heartfelt words and moments that helped to drive home the message of why we were there, and why we love Cadence.

TO LEARN MORE ABOUT BLOOD AND STEM CELL DONATION, PLEASE VISIT: WWW.BLOOD.CA

After Jessica finished on stage, Cadence took a moment to speak to the crowd. It was amazing to see her standing there, with strength and grace and honesty as she shared herself with us. She also took a moment to talk about the importance of blood and stem cell donation and the opportunities it gives to save lives like hers when needed. The reminder of her fight and efforts to educate and advocate for others was powerful and we hope that you will visit blood.ca to learn more.

Cadence was then joined by Stacey and Ann and the members of the band to sing for us. The trio played Serena Ryder’s What I Wouldn’t Do, taking a step back to their time in the CCMA Discovery Program in 2016. We’ve seen Runaway Angel play before, but this may have been the most special it’s ever been. The connection between Cadence, Stacey, and Ann was clear. The emotion they showed was amazing and overflowing. The response from the crowd was memorable. And we can not wait until we get to see them on stage singing together again.

The show ended with Al Rowe leading the band and assorted members of the day’s lineup in a cover of New Radicals’ You Get What You Give. There was great energy on the stage to wrap the day and applause and love from the Rock ‘N’ Horse crowd.

Again, we thank everyone who was there on Sunday to support Cadence. We thank everyone who worked to put on the show. We thank the band and artists, the prize donators, the staff, every single person. Thank you to Whitney South for the photos in this post and for capturing the day. Thank you all.

We love you Cadence.

Country Kicks Cancers Ass – Community Rallies For Cadence Grace On a Sunday afternoon in downtown Toronto, the spirit and love of the Canadian country music community were as strong as its ever been.

#Ben Hudson #Cadence Grace #country music #Eric Ethridge #Genevieve Fisher #Jessica Mitchell #Julia Haggarty #Kelsi Mayne #Kris Barclay #Leah Daniels #Runaway Angel #Small Town Pistols

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angelicbab-stash · 7 years ago

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Scarlett canony: najobľúbenejšie veci

activity:

Herectvo, roztlieskavanie, tanec, čítanie, písanie, sledovanie filmov, kreslenie, mágia, tenis, hra na husle. (Viac zmienené na tomto odkaze) ____________________________________________________________________________

animal:

Momentálne žiadne, no neskôr to budú mačky. Scarlett je jednoznačne cat person. Má však rada i hady, jaguáre, vtáčiky, líšky či levy. ____________________________________________________________________________

art style:

Impresionizmus, romantizmus.

____________________________________________________________________________

book:

Miluje čítanie a najradšej má básne (najmä tie francúzske), no aj prózu, avšak preferuje skôr tie staršie veci. Páčia sa jej hororové a hlavne psychologické veci, také, ktoré sú temnejšieho charakteru a obsahujú nejakým spôsobom tabu, provokatívne témy, no aj romancu a jemnejšiu erotiku. Má rada pátos, veľmi kvetnatý prejav a množstvo tróp a figúr (obzvlášť metafory). Zbožňuje biografie a autobiografie.

Ide napríklad o: Flowers of Evil (Ch. Baudelaire), The Bell Jar (S. Plath), Dollanganger série (V.C. Andrews), Lolita (V. Nabokov), Virgin Suicides (J. Eugenides), Carrie (S. King), The Shining (S. King), Girl Interrupted (S. Kaysen), Prozac Nation (E. Wurtzel), American Psycho (B.E. Ellis), Portrait of Dorian Gray (O. Wilde), Leaves of Grass (Walt Whitman) a pod. ____________________________________________________________________________

celebrity:

Alexandra Breckenridge, Amy Winehouse, Angelina Jolie, Beyoncé, Edith Piaf, Frances Conroy, Future, Hayley Kiyoko, Jessica Lange, Jessica Origliasso, Kali Uchis, Katherine Moennig, Lady Gaga, Lana del Rey, Lena Katina, Lorde, Marcia Cross, Marina Diamandis, Mia Kirshner, Megan Fox, Rihanna, Ruby Rose, Sarah Paulson, Selena Gomez, Whitney Houston.

Nemá veľmi obľúbené mužské známe osobnosti, vlastne ju zaujíma asi len Jim Morrison. ____________________________________________________________________________

class

Francúzština, angličtina, história, geografia a umenie. ____________________________________________________________________________

color:

Červená (akýkoľvek odtieň), tmavé odtiene fialovej, baklažánová, čierna, biela, tmavo modrá (kráľovsky modrá), tmavo zelená (smaragdová), hnedá, béžová, piesková, zlatá, tmavé odtiene oranžovej. ____________________________________________________________________________

cologne or perfume:

Pour femme — Dolce & Gabbana

Chanel n.5 — Chanel

____________________________________________________________________________

family member:

Otec s babkou z maminej strany — až neskôr Scarlett zistí, čo jej otec urobil, bude to iba babka Meryl. ____________________________________________________________________________

food:

Miluje sladké (jedlá a dezerty), jedlá ktoré vyvažujú sladké so štiplavým (nemá rada príliš štiplavé veci), morské plody, no aj horké (predovšetkým poriadne horkú tmavú čokoládu). Zbožňuje karamel, vanilku, rozmarín, parmezán a kolu (najmä čerešňovú a višňovú).

Palacinky, makrónky, belgické vafle, ratatouille, francúzsky toast, croissant, hovädzie na burgundský spôsob, lasagne, boloňské špagety, ustrice a bouillabaisse, caponata, torrone, caponata, cassata, pane cunzato, špagety aglio olio, cannoli a rizoto.

Scarlett nie je veľmi prieberčivá čo sa týka konkrétnej zeleniny, ovocia, mäsa a pod. Zje vlastne všetko a asi nie je nič čo vyslovene nemá rada, záleží jej iba od kvality daného jedla, na čo si potrpí. Preto sú jej nechutné fastfoody. Chce vedieť, čo si dáva do úst.

Miluje horkú čiernu kávu, ale nie raz si tam dá aj cukor, či ešte skôr smotanu. Z alkoholu má rada ružové víno (no aj červené a biele), šampanské, čerešňový schnapps, bacardi... Preferuje sladký alkohol, neznáša chuť tvrdého a bylinkový alkohol. ____________________________________________________________________________

flower:

Páči sa jej vlčí mak, ruže, narcisy, levandule a magnólie. ____________________________________________________________________________

element:

Oheň. Rada spaľuje veci vo svojej ceste a obzvlášť minulosti. ____________________________________________________________________________

gem:

Citrín, karneol a akvamarín. ____________________________________________________________________________

holiday:

Jednoznačne Halloween kvôli kostýmom, párty a pretože je to v jej najobľúbenejší mesiac v roku. ____________________________________________________________________________

movie:

Platí čo aj pre knihy, no u filmov má rada aj filmy z teen prostredia. Občas si rada pozrie aj komédiu, ale na to musí mať správnu náladu. Páčia sa jej čiernobiele filmy.

Carrie (1976), Heathers, Sedmikrásky, Valerie a týden divů, The Love Witch, Girl Interrupted, Virgin Suicides, Lolita (obe verzie), The Shining, Prozac Nation, Thelma and Louise, American Beauty, American Psycho, Jennifer’s body, Devil in the flesh, Mean Girls, Pretty Woman, Jeune & Jolie, Mädchen in Uniform, Clueless, Jawbreaker, Mad Love, Cruel Intentions, Léon: the Professional.

Síce jej falošná krv vo filmoch vyslovene nevadí a obľubuje horory, nemá však rada obyčajné vyvražďovačky s obrovským množstvom krvi a násilností. ____________________________________________________________________________

musician:

Lana del Rey, Marina and the Diamonds, Amy Winehouse, Whitney Houston, Edith Piaf, Doja Cat, Jim Morrison, Whitney Houston, Qveen Herby, Sia, Kali Uchis, Lady Gaga, Future, Hayley Kiyoko, Rihanna, Florence + Machine, Nicki Minaj, Beyoncé, Cardi B, Lorde, Emilie Autumn, The Veronicas, Garbage, Tatu, Kendrick Lamar, Asap Rocky. ____________________________________________________________________________

scenery:

More, jazero, lúky plné kvetov, ulice historických miest. ____________________________________________________________________________

scent:

Čerešne, višne, jazmín, maliny, biely čaj, vanilka, karamel, broskyne, vôňa kávy a vína, vôňa starších kníh a mokrých ciest po daždi.

Volí výrazné, silnejšie vône. ____________________________________________________________________________

season and month

Jeseň. Jej najobľúbenejšie mesiace v roku sú september a október.

____________________________________________________________________________

song:

Teen Idle — Marina and the Diamonds

Primadonna Girl — Marina and the Diamonds

Ultraviolence — Lana del Rey

Pretty when you cry — Lana del Rey

LA Woman — The Doors

Non, je ne regrette rien — Edith Piaf

I have nothing — Whitney Houston

Valerie — Amy Winehouse

All the things she said — Tatu

Girls like girls — Hayley Kiyoko

Opheliac — Emilie Autumn

Big God — Florence + the machine

Royals — Lorde

Chandelier — Sia

Pour it up — Rihanna

Jenny — Studio Killers

Judas — Lady Gaga

Trauma — Doja Cat

Loner — Kali Uchis

Everything I’m not — The Veronicas

Heavily broken — The Veronicas

All these hoes — Qveen Herby

Supervixen — Garbage

____________________________________________________________________________

television show:

Desperate housewives, Sex in the city, Friends, Pretty Little Liars, Gossip Girl, The L word, Dexter, The Sopranos, Buffy the Vampire Slayer, House, OC California, Orange is the new black, House of Cards, American Horror Story, Channel Zero, True Blood, Black Mirror. ____________________________________________________________________________

weather:

Slnečno ale nie horko, daždivo, zamračene, hmlisto. ____________________________________________________________________________

vacation destination:

Francúzsko, Korzika, Sicília, Malta, Cyprus, Benelux, Taliansko, Španielsko, Portugalsko, Británia vo všeobecnosti. Najradšej má Európu.

Preferuje však miesta, kde môže chodiť po pamiatkach, skúšať nové jedlá, zájsť do galérie... Kde je množstvo umenia a módy. Chodí práve za kultúrou — nie je typ na túry a čo sa týka pláži, po tých sa rada prejde, sleduje more, nadýcha sa vzduchu a slní sa, no nechce plávať pre svoju hydrofóbiu (a to, že nevie plávať).

#scarlett: can #scarlett: faves

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writerkingdom · 7 years ago

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m-y-c01 · 7 years ago

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Palm Beach real estate: What were the season’s biggest sales?

The home of the late Discount Tire billionaire Bruce T. Halle and his wife, Diane, sold in March for a recorded $39.4 million at 1473 N. Ocean Blvd. in Palm Beach. Photo by Lifestyle Production Group, courtesy Sotheby’s International Realty

The season that just ended saw Palm Beach homebuyers and sellers inking contracts at a dizzying pace, a sea change from the same eight-month period last year.

And real estate watchers whose eyes were trained on the top of the market likely found their heads swimming as they tried to keep track of all the digits in the sales prices recorded with the deeds.

Here’s a look at the single family properties that sold between Oct. 1 and May 1 at recorded prices above $17 million. There were a dozen of those deals this season, compared to just seven for the same period 12 months ago.

And proving that waterfront land never goes out of style, the list includes several vacant lots as well as houses slated for demolition.

The listing also includes the top six condominium sales, each sold at a price topping $6 million.

Unless otherwise noted, quoted are the ones recorded by the Palm Beach County Clerk’s office.

SINGLE FAMILY PROPERTIES AND LAND

$39 million— 1473 N. Ocean Blvd.: The biggest single-family sale involved the North End oceanfront vacation estate of Diane Halle and her late husband, Discount Tire billionaire Bruce Halle, who died Jan. 4. The buyers in the March sale were investment entrepreneurs William C. Powers and Marianne Elaine Elmasri. With a total of 17,804 square feet, the house, built in 1960, and guesthouse, added in 1972, have four bedrooms each. They stand on a lot of nearly 2 acres with 156 feet of ocean frontage. Listing agents Cristina Condon and Todd F. Peter of Sotheby’s International Realty negotiated opposite broker Christian Angle of Christian Angle Real Estate, who acted for the buyers.

+ The home of the late Discount Tire billionaire Bruce T. Halle and his wife, Diane, sold in March for a recorded

$37.375 million — 1800 S. Ocean Blvd.: On Billionaires Row, the ocean-to-lake estate socialite Mary Montgomery shared with her late husband, attorney Robert M. Montgomery Jr., sold in April to a buyer whose identity remains cloaked behind a Florida limited liability company named after the property’s address. The town already has green-lighted the demolition of the Mediterranean-style mansion and outbuildings, which have 26,351 total square feet. The 2½-acre property has 300 feet of beachfront and nearly the same amount of frontage on the Intracoastal Waterway. The estate was technically listed with broker Bill Yahn of the Corcoran Group because agent Jim McCann, who closed the deal, had the listing there before he left for Premier Estate Properties. Brown Harris Stevens agents A. Whitney McGurk and Liza Pulitzer represented the buyer in the sale.

+ Mary Montgomery’s home at 1800 S. Ocean Blvd. sold in April for $37.375 million, the price recorded with the deed. The

$37 million — 535 N. County Road:The second of three lots subdivided from an oceanfront estate once owned by President Donald Trump changed hands in October for $37 million. The 2-acre vacant lot is the northernmost of the lots carved from the estate that Trump sold for a recorded $95 million in 2008 to a company linked to businessman Dmitry Rybolovlev. A Rybolovlev family trust controls the limited liability company that sold the property in this season’s deal to an entity affiliated with Boca Raton-based luxury homebuilder Mark Pulte of Mark Timothy Inc. In March, Pulte won the town’s approval to built a contemporary-style house on the lot. Broker Lawrence Moens of Lawrence A. Moens Associates handled both sides of the sale in October.

+ The Architectural Commission has granted approval for this contemporary house to be built at 535 N. County Road on land once

$29.14 million — 901 N. Ocean Blvd.:This 2.3-acre oceanfront estate immediately north of the Palm Beach Country Club sold as two separate lots for $14.57 million each in simultaneous transactions in December. Developer Pat Carney spearheaded both deals and bought the northernmost lot, since re-addressed as 905 N. Ocean Blvd., where he and his wife, Lillian, plan to build a home for their use. An entity affiliated with real estate developer Clark Beaty bought the other lot, where Beaty has struggled to win the Architectural Commission’s approval for a house he wants to build on speculation; a number of neighbors say the project should be scaled down. The land was sold by a trust in the name of the late Lorraine Friedman, who had lived there in a 1970s-era compound with her late husband, Jack. The buildings were demolished before the sale closed. Agent Jim McCann — then of the Corcoran Group but today with Premier Estate Properties — handled both sales.

+ In December, two oceanfront lots at 901 and 905 N. Ocean Boulevard sold for $14.57 million each in simultaneous transactions.

$23.8 million — 735 Island Drive: A Florida limited liability company in October paid a recorded $23.8 million for a house at 735 Island Drive. The Everglades Island property was sold by an entity affiliated with the estate of the late Stephen Ames, who built the house with his wife, Ann. The seven-bedroom, 11,775-square foot house was co-listed by agents Mary Boykin and Crissy Poorman of Sotheby’s International Realty. Linda Gary of Linda A. Gary Real Estate represented the buyer.

+ In October, a Florida limited liability company named Ocean Island One paid a recorded $23.8 million for this Georgian-style house at

$22.25 million— 726 Hi-Mount Road: Investments executive Jeffrey B. Lane and his wife, Nancy, in January sold their Colonial-style, four-bedroom house — with 150 feet of Intracoastal Waterway frontage — on the street with the highest elevation in town. The buyer of the 10,442-square-foot house was a Boca Raton-based limited liability company co-managed by Irina Liner and Marcel Van Poecke, an entrepreneur and asset manager in the energy industry. The town green-lighted the house’s demolition before the sale. Broker Lawrence Moens of Lawrence A. Moens Associates had the listing, while agent Crista Ryan of Tina Fanjul Associates represented the buyer.

+ Changing hands for $22.25 million in January, a house at 726 Hi-Mount Road stands on one of the highest points in

$21.355 million— 1460 N. Lake Way: Former Town Council President David Rosow and his wife, Jeanne, in April sold their North End custom home, which stands on three-quarters of an acre with 160 feet of lakefront. P.W. Starret paid a recorded $21.355 million for the property, the deed showed. Completed in 2005 with a later garage addition, the five-bedroom house has 15,613 square feet of living space, inside and out. Broker Christian J. Angle of Christian Angle Real Estate had the listing. Brown Harris Stevens agent Ashley Copeland represented the buyer.

+ Built by David and Jeanne Rosow and sold in April for $21.355 million, this five-bedroom house at 1460 N. Lake Way

$20.5 million— 460 Worth Ave.: Karl Heinz and Marianne Andresen of Germany in November sold their lakefront mansion at the west end of Worth Avenue to Immohome A.G., a public limited company administered by a Liechtenstein-based trust company. Property records show that its main residence and an outbuilding have a total of 10,847 square feet. The irregularly shaped lot measures about a little more than a third of an acre with about 155 feet of lakefront. Completed in 1991, the Mediterranean-style house was not listed for sale when it sold, and no real estate agents appear to have been involved in the transaction.

+ In mid-November, a Mediterranean-style house at 460 Worth Ave. changed hands for a recorded $20.5 million, one of the sales that

$19.5 million— 1045 S. Ocean Blvd.: Michele “Shelly” Borislow sold her contemporary-style oceanfront house near President Donald Trump’s Mar-a-Lago in February for a recorded $19.5 million. She is the widow of the late communications entrepreneur Dan Borislow, who spearheaded a major renovation at the 1970-era house. Merchant banker and investment manager Lionel Kerrin Vickar bought the four-bedroom house with nearly 10,000 total square feet. The lot measures nearly an acre, including a vacant parcel on the north side. Agent Traci DeGeorge of Waterfront Properties and Club Communities represented the seller, and agent Wally Turner of Sotheby’s International Realty handled the buyer’s side.

+ Sold for $19.5 million via a deed recorded in March, a contemporary-style house at 1045 S. Ocean Blvd. faces the ocean

$19.4 million— 910 and 916 S. Ocean Blvd.: In December, two side-by-side vacant lots facing the ocean in the Estate Section changed hands separately in simultaneous transactions totaling nearly $20 million. They were sold by an entity controlled by Michigan businessman Charles “Chuck” E. Becker. Agent Jim McCann, then of the Corcoran Group, was the listing agent, with agents Martin Conroy and Dean Stokes of The Fite Group handling the buyer’s end of both sales.

An entity affiliated with Lifton Green LLC (a company in Southampton, N.Y., run by contractors and developers Bruce Lifton and Jason Green) paid $7.4 million for the northern lot at 910 S. Ocean Blvd. — and then, a month later, sold the lot to another company for $17.59 million. The buyer in the second deal was a company linked to Thomas J. Campbell, founder of DC Capital Partners, a private-equity investment firm. Conroy and Stokes represented the sellers, while Corcoran agents Brad and Pam Miller acted on behalf of the buyer. The lot changed hands both times with plans for a Mediterranean-style house approved by the town in September.

Meanwhile, the buyers of the southern lot at 916 S. Ocean Blvd. in December also did a little contractual gymnastics. When the lot sold for $12 million, the initial buyer, Lifton Green LLC, “assigned” the contract to a new owner, a company managed by Brian Stock, CEO of Stock Development, which develops luxury homes in southwest Florida. In April, the Architectural Commission reviewed a house proposed for the lot but asked for revisions to be presented later this month.

+ Two adjacent vacant lots at the intersection of South Ocean Boulevard and Clarendon Avenue sold in Decemeber for a combined $19.4

$18.25 million— 89 Middle Road: This landmarked seaside house designed in 1921 by noted society architect Addison Mizner sold in April to Mora Middle Investments Inc., which is headed by developer Larry Morassutti of the Morasutti Group, a Toronto real estate company. The four-bedroom house with 5,541 square feet of living space faces 150 feet of ocean frontage across South Ocean Boulevard. Christian Angle of Christian Angle Real Estate represented the buyer and the seller, British insurance magnate and Palm Beach developer Sir Peter Wood. Audita was once part of the estate owned by the late billionaire John W. Kluge, which Wood bought in 2016 and subdivided into five vacant lots immediately west of Audita.

+ Sir Peter Wood stands on the east lawn at Audita, 89 Middle Road, in a 2016 file photo. The landmarked house

$17.68 million — 330 Island Road: In March, an entity affiliated with real estate investors Arthur F. Minerof and Lawrence Genco sold the landmarked house they completely rebuilt on Island Road, the street that connects South County Road to Everglades Island. A trust bought the six-bedroom house, with 9,795 total square feet, facing 126 feet of lakefront. Corcoran Group agents Paulette Koch and Dana Koch had the listing. Sotheby’s International Realty agents Christine Gibbons and Lisa Cregan represented the buyer. Built in 1939, the red-brick house was the longtime home of the late Standard Oil scion and conservationist Frances Archbold Hufty and her late husband, Mann Randolph Page Hufty.

+ Viewed from the Lake Worth Lagoon, a restored landmarked house at 330 Island Drive changed hands in March for a recorded

CONDOS AND CO-OPS

Two members of the family that founded the Hasbro toy empire were responsible for the two highest-dollar condominium sales this season. They were among six sales in multi-family buildings that recorded at more than $6 million.

$13.25 million— No. N-PH2, 2 N. Breakers Row: In December, former Hasbro CEO Alan G. Hassenfeld sold his oceanfront penthouse to his sister, Ellen Hassenfeld Block, in an off-market deal. The sales price worked out to $3,895 per square foot for the three-bedroom condo, which has 3,401 total square feet. The price was the fifth-highest ever fetched by a condo in Palm Beach — and the third-highest for a unit on the ocean. The apartment is on the northeast corner of the northern building in the two-building development, where some of the most expensive condos in town change hands. The buildings stand on beachfront property owned by The Breakers. It’s unclear whether any real estate agents were involved in the sale.

$11.5 million— No. S-24, 2 N. Breakers Row:Ellen Hassenfeld Block in April sold her longtime condo in the south building of the complex where she had bought her brother’s penthouse in December. She sold her three-bedroom unit — with 3,322 total square feet —and a pool cabana to a buyer who is likely retired investment banker Richard L. Menschel. The buyer paid $3,461 per square foot, based on sales price. Broker Cristina Condon of Sotheby’s International Realty handled both sides of the deal, which marked the fifth-most-expensive unit ever to sell at 2 N. Breakers Row.

$6.75 million— No. S-41, 2 N. Breakers Row: A company linked to textile investor Martin Trust in December bought the three-bedroom condo and a cabana in the south building from Clarke Avenue Investments Inc., a Delaware entity for which Etienne Ramos-Esteban Jr. served as president. With some ocean views, the condo has 3,243 square feet of living space, inside and on its balcony. The purchase price worked out to $2,081 per square foot. Corcoran Group agents Suzanne Frisbie, Dana Koch and Paulette Koch shared the listing. Broker Lawrence Moens of Lawrence A. Moens acted for the buyer. Martin Trust and his wife, Diane, own another unit at 2 N. Breakers, which they bought five years ago when they sold their Palm Beach home to shock-jock Howard Stern and his wife, Beth Ostrosky.

+ Two N. Breakers Row had three large sales this season.

$7.9 million— PH C, 425 Worth Ave.: The estate of the late Ulf L. Albert sold this four-bedroom, lakeview penthouse at The Villas to corporate-insurance specialist Peter Van Ingen in March. The co-operative unit has 6,466 square feet of living space, inside and on its wraparound terrace. Based on the total space, the buyer paid $1,223 per square foot. Broker Linda Olsson of Linda R. Olsson Inc. had the listing opposite agent Patricia Mahaney of Sotheby’s International Realty.

$7 million— Unit 614/616, 100 Worth Ave.: At the Winthrop House, this two-bedroom condo was sold in March by Linda J. and Thomas Grudovich, who had combined side-by-side apartments on the sixth floor to total 3,993 square feet. A trust paid $1,753 per square foot based on the total square footage. Broker Christine Franks of Wilshire International Realty had the listing, and agent Crista Ryan of Tina Fanjul Associates negotiated for the buyer.

+ The living room on the sixth floor at 100 Worth Ave. “Our living spaces are nice and gracious,” Tom Grudovich says

$6.7 million— 7 PHS, 3000 S. Ocean Blvd.: Toronto hedge-fund manager Anne L. Spork sold her three-bedroom penthouse and its poolside cabana at Bellaria via a deed recorded May 2. Financial executive Dexter D. Earle and his wife, Carol A. Zipkin, bought the condo, which has 7,191 total square feet of living space inside and on its balconies. In the south building of the two-building complex, the condo sold for $932 per square foot. The sale price — which didn’t include the furnishings that changed hands in the deal — set a building record. The apartment faces the ocean and also offers views of the Intracoastal Waterway. Agents John M. Campbell and Colleen Jackson Hanson, both of the Corcoran Group, had the listing. Brown Harris Stevens agents A. Whitney McGurk and Liza Pulitzer acted on behalf of the buyers.

+ With 7,191 total square feet, Penthouse 7 in the south building at Bellaria, 3000 S. Ocean Blvd., changed hands in April

$6.4 million— No. 4C, 120 Sunset Ave.: At the Leverett House — just north of The Breakers — this fourth-floor apartment sold at $1,730 per square foot, figured on the unit’s overall size of 3,700 total square feet, according to a listing updated April 30 in the Palm Beach Board of Realtors Multiple Listing Service. The sellers were Ronald G. and Cindy L. McMackin, who own a pipe manufacturing business. As of press time, the buyer’ identity was unknown, because a deed for the sale had not been recorded. Broker Lawrence A. Moens handled both sides of the deal.

+ Penthouse 4-C in Leverett House’s west building at 120 Sunset Ave. just sold for a recorded $6.25 million to a couple

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