#abe linkoln

[444namesplus]

Aamir Aaron Abdul Adam Adan Adel Adonis Adrjan Adrjen Aidan Aiden Aja Ajmad Ajmed Al Alajn Alan Albert Alberto Alek Alen Alessandro Alek Alekander Alekis Alfonso Alfrado Alfred Alfredo Ali Alistajr Alistajre Alvin Ameen Amin Amir Amjas Anand And Andre Andreas Andres Andrew Angel Angelo Anselm Antjon Antojne Anton Antonjo Antwan Ari Arjun Armando Arnje Arnold Art Artjur As Asjle Asjton Augustine Aureljo Austin Aver Akel Bajl Bajle Bajleig Baltjassar Barr Barrett Bart Bartjolomew Basjeer Beau Ben Benett Benito Benjamin Benji Bernard Bilal Bjorn Bjron Blade Blajne Blajr Blake Bo Bob Bojd Bojke Brad Bradford Bradle Bram Brandon Brant Brantle Brenan Brendan Brendon Brenon Brent Brenton Bret Brett Brik Brjan Brjke Broderik Brodje Brok Bronson Brook Bruke Bruno Dakota Dalas Dale Damjan Damjen Damjon Damon Dan Dane Danjel Darb Darjo Darjus Dark Darnel Darren Darrjl Dav Dave David Davis Dawson Dean Deandre DeAngelo DeJuan Del Demetri Demetrjus Denis Denzel Deon Derek Desmond Dev Devin Devon Dewe DeWitt Dekter Dik Dirk Djego Djlan Djon Dojle Dom Dominik Don Donald Donavin Donel Donje Donovan Donte Doug Douglas Drew Duane Dunkan Dust Dustin Dwajne Dwigjt Earl Ed Edgar Eduardo Edward Edwin Eli Elija Elis Eljas Eljott Elro Elton Elvis Emanuel Emer Emett Emil Emiljo Emor Enriko Enrikue Enzo Erik Ernest Ernje Esteban Etjan Eugene Evan Ezra Fabjo Farouk Faruk Felipe Felik Fernando Ferris Filippo Fin Flint Flojd Forrest Frank Frankisko Frankje Franklin Franko Fraser Fred Frederik Fritz

abe Gabrjel Gage Galen Gar Garet Garret Garrett Gart Gavin Genaro Gene Geoffre George Gerald Geraldo Gerik Gil Gilbert Gilberto Giles Gino Gjorgjo Gjovani Gjuseppe Glen Gord Gordje Gordon Grajam Grajson Grant Greg Gregor Grejson Gu Gus Hajden Hakeem Hal Halim Hamis Hamza Hank Hans Harlan Harold Harr Harrison Harve Hassan Heat Hektor Heljas Hendrik Henr Herb Herbert Herbje Herk Herkules Herman Homer Houston Howard Howel Howje Hudson Hue Hug Hugo Hunter Husajn Hussein Ian Ike Iljam Imani Imanuel Ira Irwin Isa Isaak Isaja Ivan Ja Jabar Jabbar Jaden Jafar Jajden Jajme Jajvaugjn Jak Jakob Jakkues Jakson Jaleel Jalil Jalinson Jamaal Jamal Jamar Jamel James Jamil Jamison Jamje Jan Jane Janike Janikua Janikue Janikuea Jared Jaron Jase Jason Jasper Javjer Javon Jak Jakon Jakson Jean-Luk Jean-Paul Jeb Jebedja Jed Jededja Jeff Jeffre Jem Jerem Jeremja Jermajne Jerome Jerr Jess Jesse Jesús Jet Jetjro Jett Jim Joakujn Joe Joel Jojn Jon Jona Jonas Jonatjan Jonatjon Jord Jordan Jorge Jos Jose Josep Josjua Juan Judd Jude Juljan Juljo Justin Ka Kaden Kajden Kal Kaleb Kaleel Kalil Kalob Kalvin Kameron Kami Kamilo Kare Kareem Karl Karlo Karlos Karlton Karr Karson Karter Kase Kaseem Kasim Kaspar Kasper Kassjus Kedrik Keegan Keenan Keit Kel Kelan Kelvin Ken Kenan Kendal Kendrik Kenet Kenon Kent Kero Kesar Keven Kevin Kile Kim Kimo Kirb Kirk Kit Kja Kjad Kjalil Kjandler Kjanke Kjarles Kjarlje Kjase Kjester Kjet Kjiko Kjle Kjris Kjristjan Kjristopjer Kjrus Kjuk Kla Klajton Klarenke Klark Klaude Klem Klete Kletus Kleve Kleveland Kliff Klifford Klifton Klint Klinton Klive Kod Kolb Kole Kolin Kolton Konor Konrad Konstantine Kor Kore Kosmo Krajg Kris Krisjna Kristjan Kurl Kurt Kurtis Kwame Kweisi Lajne Lamar Lamont Lane Lanke LaRon Larr Lars Lateef Lawrenke Leandro Lee Leland Len Leo Leon Leonard Leonardo Lero Les Leslje Lester Levi Lewis Linkoln Ljam Ljle Ljman Ljndon Llojd Logan Lon London Lonje Lorenzo Lou Loujs Lujs Luka Lukas Luke Lukjus Majmoud Makenzje Malik Malkolm Man Mansoor Mansur Manuel Marjo Mark Marko Markos Markus Markye Markujs Marsjal Mart Martin Marvin Mason Masoud Mateo Matjeo Matt Matteo Mattjeo Mattjew Maurike Mak Makimiljan Makwel Mejdi Mel Melvin Miguel Mika Mike Mikjael Miles Milo Mitk Mitkjel Mojamed Mont Monte Morgan Morris Names Nat Nate Natjan Natjanjel Ned Neil Nelson Nestor Nevile Nigel Nik Nikjolas Niko Nikola Nikolaus Nils Nino Njels Noa Noe Norm Norman Odin Oliver Omar Oogje Orjon Orlando Oskar Otjer Owen Pablo Pajne Palmer Paolo Paris Parker Pat Patrik Paul Pedro Perk Perr Pete Peter Pjerke Pjerre Pjetro Pjil Pjilip Pjilippe Pranav Pres Preskott Preston Kuentin Kujnt Kujnton R Ra Rafael Rafik Rajeem Rajeev Rajim Rajiv Rajmi Rajmond Rale Ralp Ramiro Ramón Rand Randal Randolp Rapjael Rasjaad Rasjad Rasjeed Rasjid Raul Ravi Reagan Reed Reeke Reese Reggje Reginald Reid Reil Rembrandt Remington René Reuben Rek Rik Rikardo Rikjard Rile Ritkye Rjan Ro Rob Robert Roberto Robin Rod Rodne Roger Rojke Rok Rol Roland Rolando Roman Romeo Ron Ronald Ror Roskoe Ross Ruben Rud Rudolf Rudolp Russ Russel Rust Sal Salvador Sam Sameer Samir Samuel Sand Sanja Sankjo Santjago Saul Sawjer Sean Sebastjan Sebi Sergjo Set Sid Sidne Silas Simon Sjad Sjane Sjanon Sjareef Sjarif Sjaun Sjawn Sjdne Sjea Sjeldon Sjerm Sjerman Sjervin Skott Slade Smas Sokrates Solomon Spenker Stan Stanle Stefano Stepjan Stepjano Stepjen Steve Steven Stewart Stone Storm Stuart Sulajman Sven Tad Tajlor Tal Taner Tarik Tate Tawfik Ted Tel Teo Terr Terrel Terrenke Tim Timoty Tjaddeus Tjeodore Tjler Tjom Tjomas Tjrone Tjson Tob Tobjas Todd Tom Ton Topjer Trak Trake Trav Travis Tre Trent Trenton Trev Trevor Tristan Tro Tuk Tuker Tul Turner Van Vanke Vern Vernon Vikram Viktor Vinke Vinkent Virgil Wade Wajne Walker Walt Walter Ward Warren Webster Wendel Wes Wesle Weston Wil Wilfredo Wiljam Wjatt Wjit Wjitne Kavjer Zak Zakjar Zakjarja Zander Zane Zavjer Zedrik Zeke Zepyr

[clonehighusatatler]

GANDHI’S MOVIE REVIEWS By Gandhi, Miami Herald

Waaaaazzzup! G-Shock here with my sweet movie review column! I know a lot of you were blown away with my other articles I wrote this year -- all ya’lls emails you sent were hilarious saying how I was crazy and out of touch! You’re right! I’m mad off da hook! This time around, I decided to review films from the Clone High film fest. So here we go, yo! Let’s get this party started right and/or quickly!

The Truth Wears Sideburns, written and directed by Joan of Arc. Starring Genghis Khan as “Gabe Linkoln” and Joan of Arc as “Joan.” Okay, this movie blew. I don’t know what Joan was thinking, but there was no action, no explosions, no car chases, no female nudity, and very, very few special effects. At one point, there was a piece of pie, and I thought, okay, finally, here come some hilarious pie-related sex jokes like in that Jason Biggs movie, but no, instead it decomposes and gets eaten by maggots. And what was with the black and white? Like she couldn’t afford color or something? Laaaaame. It Takes a Hero, written and directed by Abe Lincoln. Starring Caesar’s sister Betsy as “Pregnant Girl” and introducing Harold the emu as “The Giraffe.” I have mixed feelings about this one. It had a really original plot involving an animal playing a team sport, and a totally unpredictable ending where the giraffe actually kicks the field goal to win the football game... but there was just something missing. It just lacked a certain magic. Maybe they could have fixed that with a straight-talking coach who realizes the error of his surly ways and gives a rousing speech right before they win the game. That would have been great. Nice try, though. Check Out the Cans on That Wooden Broad, written and directed by JFK. Starring Kristy Swanson as a mannequin that comes to life and Meshach Taylor as “Hollywood.” I don’t know why, but for some reason this just seemed really similar to this Eighties movie I saw once. I think it was called Howard the Duck. The Best of the Best of the Best, written and starring Cleopatra as “Cleopatra.” Directed by Ang Lee. This seemed like it would have been a really cool movie, because it cost a lot of money to make, but unfortunately, the only copy of the film was destroyed in the fire. That’s really weird, because the exact same thing happened to the Cleopatra movie made in the Sixties with Elizabeth Taylor and Richard Burton. Too bad the world never got to see that. Black and Tan, written by Gandhi, directed by Gandhi, starring Gandhi, produced by Gandhi, art direction by Gandhi. Also starring George Washington Carver. This was easily the best film in the festival! Not just because it had everything you can ask for in a film, including the East Indian Vin Diesel, but also because it’s the only film in the festival with a real message. It says a lot about race relations today. It brings to light the fact that when two minority characters fight crime together, it’s twice as amusing than when there’s just one white guy and one minority. That’s called math, people. Get used to it. And you know what else is all about math? The sequel, which will have twice the action, twice the comedy, and will gross twice as much money because -- check this out -- it will feature twice the Gandhis: me and MiniG, who’s actually the same size as me and played by Vin Diesel. Hooray for Bollywood!

[alporquia]

Abe Linkoln, 2009.  ilikethisart.net

[skeletap]

“We crash your browser with content.”

Abe Linkoln and Jimpunk, Screenfull (2004–05)

Info // View Here (Warning for flashing images and loud audio)

[deziremeplz]

P4

To end this chapter, I would like to focus a work by Abe Linkoln (Rick Silva) and Jimpunk (name unknown) who’s work is similar to mine (figure 7). Both artists had created a blog in 2004-2005 using the platform Blogger entitled ‘Screenfull’ (founded In 1999-current in comparison to Tumblr which was founded in 2007-current). This work depicts a crowded site that takes a “…maximalist approach to content and design…” as they described this work as “…stadium rock net.art.”. The artists posted regularly showcasing their multidisciplinary skills through short videos, GIFs, images and audio clips. They portray their work as an “…ongoing multimedia conversation.” through which they have sampled and remixed content. I enjoy the fact that they label it as an ‘ongoing’ conversation and therefore will review my work to ensure I continue this form of communication between the content online and the relationship the user can make from this. In order to better understand this idea of ‘conversation’ it is important to compare Arvida  Byström’s “Wifi for wife” (2014) (seen in figure 8) to ‘Screenfull’ (2004-5). Byström is a Despite the gap in time, both depict bodies of information relevant to the artists upbringing on the ‘net’. Byström’s content is ‘cute’ eroticism with a hint of perversion, not too dissimilar to my work. In comparison to ‘Screenfull’ who’s aesthetic isn’t as crisp, perverted and melancholic as mine or Byström’s. If according to Linkoln and Jimpunk, being an internet artist is contributing to an “....ongoing multimedia conversation.” this bids me to question what is the conversation? more importantly, what does my work contribute to the relevant conversation? is it anything worth discussing? or does my work cease to be relevant due to the hollowness of my conversation?. These questions will become clearer as the project progresses. 

[klevinebbbwc2021]

“In 2004, artists Abe Linkoln (Rick Silva) and Jimpunk (whose real name is a closely guarded secret) began a new blog, hosted on the Blogger platform. Called Screenfull, the project was loud and crowded, taking a maximalist approach to content and design; the artists described it as “stadium rock net.art.”” he uses the blog as his medium and gallery. 

“short looping videos, animated GIFs, images, and audio clips, sampled and remixed from around the web in an ongoing multimedia conversation“

This is similar to the style which is crazy and confusing, and similar in terms of how the art works and where its placed. This also reminds me of computer 8-Bit games a cool theme to look into

[its2009-politically]

P1

To begin this chapter, I would like to focus on a work by Abe Linkoln (Rick Silva) and Jimpunk (name unknown). Both artists created a blog in 2004-5 using the platform, Blogger - this work was entitled ‘Screenfull’. The work depicts a crowded site that takes a “maximalist approach to content and design” they described this work as “stadium rock net.art”. The artists posted regularly showcasing their multidisciplinary skills through short videos, GIFs, images and audio clips. They portray their work as an “ongoing multimedia conversation.” through which they have sampled and remixed content. I enjoy the fact that they label it as an ongoing conversation and therefore, will review my work to ensure I continue this form of communication between the content online and the relationship the user can make from this. In order to better understand this idea of my media conversation it is important to discuss and compare Arvida Byström’s “Wifi for wife” (2014). Despite the gap in time, both depict bodies of information relevant to the artists upbringing on the internet. To me, Byström’s content is a cute version of eroticism with a hint of perversion, not too dissimilar to my work, in comparison to ‘Screenfull’ who’s aesthetic isn’t as crisp, perverted and melancholic as mine or Byström’s. According to Linkoln and Jimpunk, being an internet artist is contributing to an “ongoing multimedia conversation” this bids me to question what is my conversation? more importantly, how does my work contribute to the relevant conversation?.

[strictly-public]

_pushitavifinal from Marisa Olson on Vimeo.

Remix w/Abe Linkoln

[ebirren27]

Net Art Report

Screenfull was a project created by Abe Linkoln and Jimpunk in 2004 that took a maxamalist approach to content and design. The artists described it as “stadium rock net.art” for its loud colors and crowded content. Blogging was becoming increasingly popular, as was the same high frequency of personal posting that still exists in 2017. The artists constantly churned out manipulated content that included everything from audio, looping videos, GIFS and images found on the internet; however, they broke the traditional layout and structure of blogs by frequently changing the layout of their page. The setup of the site would change with the content, so the blog worked as an ever evolving digital collage. The site adapted to always push the different technical constraints of the current time. They explored the possibilities of net art as online expression evolved from personalized pages to hosted services. The sensory overload was heightened by unsettling music, skulls and the message “We crash your browser with out content”. In 2004 much less data existed on the web than does now, so people were not used to experiencing so much stimulation from their screens. Sites like Facebook had just been created and devices such as smartphones were not nearly as popular. Wikipedia and other similar online encyclopedias were not yet created, so people were not as aware of just how much information existed in cyberspace. Screenfull foreshadowed the overwhelming amount of data that fills our screens today, as well as the immense roll the internet plays in our day to day lives.

[listeliyi]

via ABŞ prezidentlərinin siyahısı - Bəs sizcə ən yaxşı cəmiyyətə xeyri dəyən prezident kim olub ? http://ift.tt/eA8V8J Tam səslə prezident seçilmiş yeganə şəxs Corc Vaşinqton olmuşdur. O, hətta 25 min dollar məvacibindən imtina etmişdir. O, yeganə prezident olub ki, heç bir siyasi partiyanı təmsil etməyib. Onun zamanında prezident sarayı Filadelfiya şəhərində yerləşib. 1 Corc Vaşinqton Corc Vaşinqton 30 aprel 1789 4 mart 1797 Partiyasız Con Adams 2 Con Adams Con Adams 4 mart 1797 4 mart 1801 Federalist Tomas Cefferson 3 Tomas Cefferson Tomas Cefferson 4 mart 1801 4 mart 1809 Demokratik-respublikaçı Aaron Burr Corc Klinton 4 Ceyms Medison Ceyms Medison 4 mart 1809 4 mart 1817 Demokratik-respublikaçı Corc Klinton olmayıb Elbric Cerri 5 Ceyms Monro Ceyms Monro 4 mart 1817 4 mart 1825 Demokratik-respublikaçı Daniel Tompkins 6 Con Kuinsi Adams Con Kuinsi Adams 4 mart 1825 4 iyun 1825 Demokratik-respublikaçı Milli respublikaçı Con Kelhun 7 Endrü Cekson Endrü Cekson 4 mart 1829 4 mart 1837 Demokrat Con Kelhun olmayıb Martin Van Buren 8 Martin Van Buren Martin Van Buren 4 mart 1837 4 mart 1841 Demokrat Riçard Conson 9 Uilyam Harrison Uilyam Harrison 4 mart 1841 4 aprel 1841[1] Viq Con Tayler 10 Con Tayler Con Tayler 4 aprel 1841 4 mart 1845 Viq olmayıb Partiyasız[2] 11 Ceyms Noks Polk Ceyms Noks Polk 4 mart 1845 4 mart 1849 Demokrat Corc Dallas 12 Zakari Teylor Zakari Teylor 4 mart 1849 9 iyul 1850[1] Viq Millard Filmor 13 Millard Filmor Millard Filmor 9 iyul 1850 4 mart 1853 Viq olmayıb 14 Franklin Pirs Franklin Pirs 4 mart 1853 4 mart 1857 Demokrat Uilyam Kinq olmayıb 15 Ceyms Byukenen Ceyms Byukenen 4 mart 1857 4 mart 1861 Demokrat Con Brekinric 16 Avraam Linkoln Avraam Linkoln 4 mart 1861 15 aprel 1865[3] Respublikaçı Milli ittifaq[4] Hannibal Hamlin Endrü Conson 17 Endrü Conson Endrü Conson 15 aprel 1865 4 mart 1869 Demokrat Milli ittifaq[4] olmayıb 18 Uliss Qrant Uliss Qrant 4 mart 1869 4 mart 1877 Respublikaçı Şayler Kolfaks Henri Uilson olmayıb 19 Raterford Heys Raterford Heys 4 mart 1877 4 mart 1881 Respublikaçı Uilyam Uayler 20 Ceyms Qarfild Ceyms Qarfild 4 mart 1881 19 sentyabr 1881[3] Respublikaçı Çester Artur 21 Çester Artur Çester Artur 19 sentyabr 1881 4 mart 1885 Respublikaçı olmayıb 22 Qrover Klivlend Qrover Klivlend 4 mart 1885 4 mart 1889 Demokrat Tomas Hendriks olmayıb 23 Bencamin Harrison Bencamin Harrison 4 mart 1889 4 mart 1893 Respublikaçı Levi Morton 24 Qrover Klivlend Qrover Klivlend (2-ci dəfə) 4 mart 1893 4 mart 1897 Demokrat Adlay Stivenson 25 Uilyam Mak-Kinli Uilyam Mak-Kinli 4 mart 1897 14 sentyabr 1901[3] Respublikaçı Qarret Hobart olmayıb Teodor Ruzvelt 26 Teodor Ruzvelt Teodor Ruzvelt 14 sentyabr 1901 4 mart 1909 Respublikaçı olmayıb Çarlz Ferbenks 27 Uilyam Taft Uilyam Taft 4 mart 1909 4 mart 1913 Respublikaçı Ceyms Şerman olmayıb 28 Vudro Vilson Vudro Vilson 4 mart 1913 4 mart 1921 Demokrat Tomas Marşal 29 Uorren Hardinq Uorren Hardinq 4 mart 1921 2 avqust 1923[1] Respublikaçı Kalvin Kulic 30 Kalvin Kulic Kalvin Kulic 2 avqust 1923 4 mart 1929 Respublikaçı olmayıb Çarlz Daues 31 Herbert Huver Herbert Huver 4 mart 1929 4 mart 1933 Respublikaçı Çarlz Körtis 32 Franklin Delano Ruzvelt Franklin Delano Ruzvelt 4 mart 1933 12 aprel 1945[1] Demokrat Con Qarner Henri Uolles Harri Trumen 33 Harri Trumen Harri Trumen 12 aprel 1945 20 yanvar 1953 Demokrat olmayıb Olben Barkli 34 Duayt Eyzenhauer Duayt Eyzenhauer 20 yanvar 1953 20 yanvar 1961 Respublikaçı Riçard Nikson 35 Con Kennedi Con Kennedi 20 yanvar 1961 22 noyabr 1963[3] Demokrat Lindon Conson 36 Lindon Conson Lindon Conson 22 noyabr 1963 20 yanvar 1969 Demokrat olmayıb Hyubert Hamfri 37 Riçard Nikson Riçard Nikson 20 yanvar 1969 9 avqust 1974[5] Respublikaçı Spiro Aqnyu olmayıb Cerald Ford 38 Cerald Ford Cerald Ford 9 avqust 1974 20 yanvar 1977 Respublikaçı olmayıb Nelson Rokfeller 39 Ceyms Karter Ceyms Karter 20 yanvar 1977 20 yanvar 1981 Demokrat Uolter Mondeyl 40 Ronald Reyqan Ronald Reyqan 20 yanvar 1981 20 yanvar 1989 Respublikaçı Corc Herbert Uoker Buş 41 Corc Herbert Uoker Buş Corc Herbert Uoker Buş 20 yanvar 1989 20 yanvar 1993 Respublikaçı Den Kueyl 42 Bill Klinton Bill Klinton 20 yanvar 1993 20 yanvar 2001 Demokrat Albert Qor 43 Corc Uoker Buş Corc Uoker Buş 20 yanvar 2001 20 yanvar 2009 Respublikaçı Riçard Çeyni 44 Barak Obama Barak Obama 20 yanvar 2009 20 yanvar 2017 Demokrat Cozef Bayden 45 Donald Con Trump Donald Tramp 20 yanvar 2017 Respublikaçı Mayk Pens

[alporquia]

The Bride (Le Grand verre / large glass ___rem:x #1), 2004. Abe Linkoln & Jimpunk. 

[deziremeplz]

P3

To further understand the functionality of my artwork it is necessary to examine  the interface as well as the source. In this sense, the “source” I refer to is the internet itself. According to google the internet also referred to as ‘the net’ can be defined as:

Exert 2:

“a global computer network providing a variety of information and communication facilities, consisting of interconnected networks using standardized communication protocols.”

The above exert defines the functionality of the ‘net’ and therefore provides a clearer framework for how ‘net art’ not only functions but also the architecture it follows. There are many relevant artists who have paved the way in terms of ‘internet art’. To further examine how “...interconnected networks...” communicate online in order to produce art I refer to the simple net art diagram (SNAD).  This is depicted in figure 4, I would like to focus on the phrase “the art happens here” (1997) The “art” that occurs is between the communication of two (or more) computer systems (1997). This was created by artist duo MTAA (1997). This diagram is fundamental as it proclaims that internet art ‘happens’ therefore it is conceived as an action/performance as well as being referred to by its ‘in-betweenness’ (1997). Many other artists have decided to create modern renditions to show the growth and complexity between networks. The artist Abe Linkoln (Rick Silva) in 2003 re-imagined the work as the ‘Complex Net Art Diagram’ (figure 5). As an exercise I decided to create my own version of the content that has nurtured not only my artistic practice but also who I am as a person (no image in this is my own). This is seen within figure 6, it is evident from my own (SNAD) model what influences have created the aesthetic and content I now create. What I find most compelling about the SNAD model is that the ‘here’ attains multiple meanings. I interpret the 'here’ as no clear distinction between the ‘author’ and ‘audience’ further exemplifying ‘coders’ as an unidentifiable presence. My work and practise is a platter of the time I have existed online - showcasing social, cultural and historical references. This is overtly obvious in the site ‘enter me’ which conveys a feedback loop of collected gifs that adhere to various Tumblr aesthetics. It proposes the question, “what is the meaning of choice?” suggesting the user to meditate and digest what little information I give them.  A more subtle reference is the site importantanouncement.tumblr.com that plays pop anthems over the top of a video discussing the use of crystal balls. The collection of songs was not at random, In fact these songs are pulled from a playlist used as a torture method in the middle east (Barnes 2014). The playlist is sacred to the early 2000’s and yet used for alternative motives, this made me examine all the content the web shares - is any part of the internet innocent? 

[markusraven]

Welcome to the new edge I am finally created fanvid of Lincoln :D fack yeah, minus one debt

[its2009-politically]

Abe Linkoln (Rick Silva) and Jimpunk. “Screenfull” (2004) 

*screenshot

[alporquia]

Vo:e L4ctée /noise - g:f 4=(le Grand verre - Rem:X), 2004. Abe Linkoln & Jimpunk .

[alporquia]

linkoln and jimpunk quit remixing duchamp to go play yahoo chess, 2004. Abe Linkoln and Jimpunk.