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abrahamvanhelsings · 4 months
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CURRY. hi, it's me again just realized i should also have asked for metternich/rossini (i am 100% serious)
going to give you a 100% serious answer. do i think they fucked? not historically but do i think in another world they might have? by god. yes. i am not exaggerating when i say that metternich was genuinely one of rossini's biggest fans, and that's saying something bc rossini had half of europe eating from the palm of his hand at the height of his popularity. i haven't read much on their interactions, and i think there's nothing on their... situationship specifically. they're briefly mentioned in various literature, and im not sure where the primary sources concerning their relationship (like letters) can be found. it's kind of hard to get a good grip on what they were to each other, bc one author will simply say that rossini was metternich's favourite composer and then another will say they were friends. however i read an article on metternich's use of music in diplomatic settings recently, Damien Mahiet, 'The Musical Diplomacy of Metternich', Diplomatica 3:2 (2018), and that really got me thinking abt how they could've been something. in my mind. for real. going to add some screenshots here:
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It's clear from this article at least that they interacted on a level that, to me, goes beyond 'guy who hired another guy', but that they really talked about music together. also, not unimportant to mention that metternich played the violin as an amateur himself, so he really did know what he was about! this is what i mean when i say they interacted on a more casual level:
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extremely funny to me that rossini would complain abt this to metternich, like the gossip... these two were hitting it off. what's also really important to me is how metternich wrote abt rossini to dorothea lieven (the wife of the russian ambassador in london who he had a situationship with, also btw a very interesting woman bc politically she was arguably a more influential figure than her husband the ambassador):
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"a very nice chap"
"he consistently touches a sensitive string in my heart" :')
metternich going 'fuck beethoven his vibes are miserable and his music repetitive. rossini is everything to me btw' has me on the floor lmfao?
"a lifelong passion for the work of rossini in particular"
rossini saying that metternich really understood music >> they were talking deep into the night i know it
in a wild turn of events metternich hated court life and the public, societal nature associated with politics and diplomacy. he really much preferred to be at home with his wife and children (and to have long conversations through letters with his mistresses, which is a whole other interesting aspect of his life, but before anyone starts making assumptions, i must state he was also happily married to his wives - id have to make a whole post abt early 19th century upper class relationship conventions and metternich's specific ideas on love to dive into this). but ?? to say abt listening to music, and apparently rossini's music in particular in such public settings, "i live in a moment when the rays of the sun enter the darkness of my jail" ?????
also there's these other bits that show metternich was SUCH a fan like he really did everything to get rossini to perform at places. and partly this was bc of his diplomatic efforts through music, of course, but that he chose rossini in particular is bc he thought he was the god of harmony and thee best person for the job. and i like to imagine he also wanted to talk to his bestie in person:
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and ROSSINI STILL WROTE TO METTERNICH IN 1858 talking abt "the brilliant days" and their friendship from almost 40 years ago. brother.
so there's this for the historical aspect of their relationship. now it's of course also very interesting to me that metternich was considered to be very attractive by standards of the time, plus he was abt 20 years rossini's senior which :) i love me an age gap (and so did metternich's third wife as ive shown you lol). lot of ways to do something very interesting with this whole dynamic. plus i think there's plenty of room for angst if we consider metternich's conservative policies against rossini's politics which are always kind of... ambiguous, but there's a lot to say abt the opera's he created and what did and did not shine through in those. also the fact that despite whatever political differences they had it clearly did not prevent them from being friends bc of the power of music <3
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