#adore the phrase 'ask someone out' used for their situation. him?? Out??? motherfucker you are a Stationary Brick there is no ''''Out''''

[spotsupstuff]

So how exactly did Caper manage to ask Sparrows out? Did he just like...google cheesy pick up lines and somehow it worked?

dammit dude, serious lore question, i can't funny along with you on this- nah, this man scared her shitless

even though Euros was always interested in the concept of romance, he didn't really.. know how to do it. he only knew that it was a form of dedication, closeness and love between individuals and the place He got those things from the most was worship. so he defaulted to Those questions

Sparrows was open to the concept a little (strangely not all that surprised by it, they first grew very close as friends before all of this), but first she demanded that if they are to be closer than friends and work partners, they Have to treat each other as equals. she was already pretty nonchalant while interacting with him beforehand so she had that checked off already, but he still had some things to figure out. of course, she helped him learn when he needed it

[miss-m-calling]

Chocolate Box 2021 letter

Dear writer,

Hello and thank you for writing for me!

I’m Miss_M on AO3. For all requests, I am asking for fic.

My requests this year are: American Gods (TV), The Marvelous Mrs. Maisel (TV), Starred Up (2013 movie), Witchblade (TV), and Бeсa ǀ Besa (TV)

General likes:

-pre-canon, canon, post-canon, canon-divergent, and missing-scene stories

-character-driven as well as plot-driven stories

-fics which mix humor and angst/serious business (when this fits the canon)

-characters at work and play

-group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too

-irony, snark, humor, angst -- all arising from the characters rather than the plot crowbaring it in

-linear, non-linear, and 5+1 stories

-hopeful endings, happy endings, bittersweet endings, “everything is awful but you’re here and maybe I don’t entirely hate that” endings

-worldbuilding

-spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, tough characters with (maybe not so well) hidden vulnerabilities, characters who are their own worst enemies, characters who manage to get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other, characters who may not be exactly friends and may well irritate one another but manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise/reluctance/discomfort), characters who just cannot get along with each other or find common ground

-workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters get to be competent

Shippy and smutty likes:

-(where it fits the characters) banter

-competitiveness or antagonism shading into attraction (this tension need not be resolved)

-”oh god why did it have to be you what did I do to deserve this“

-”come here and say it to my face/do that again/kiss me, you motherfucker”

-bickering yet loving couples

-characters who are serious about their romantic interests

-characters who think they are much better at flirtation than they actually are

-characters forced to work together only to prove much more compatible than they initially assumed

-fics which mix an exploration of characters’ professional and everyday lives with shipping

-characters who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, or there has been betrayal!!!), and while they love and/or want each other, they’re not willing to change sides or abandon/compromise their identity/beliefs for the other’s benefit

-I don’t know how better to phrase this than: smut which fits the characters; how does their canon dynamics spill over into hubba hubba stuff?

-sexual scenarios that subvert expectations a little and surprise the characters themselves

-sexual scenarios that contain an element of competition or antagonism

-"this is a bad idea but we’re going for it hammer and tongs”

-not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not

-characters getting way more into the sex or being more affected by it than they thought they would

-quick and intense sex, slow and intense sex, rough yet willing sex (when it fits the characters), unexpectedly emotional and/or tender sex

-masturbation while thinking of the other half of the ship (or not wanting to think about them only oops there they are in the fantasy!)

-first time sex

-established relationship, we-know-each-other-so-well sex

-”we’ve both wanted this and now we both know it so here we go diving in headfirst” sex

-for het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) -- all is good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.

Ship/smut DNWs:

MPREG, A/B/O, knotting D/s, formalized BDSM, painful sex, hard kinks (holding someone down playfully, hair pulling and such like, the odd spank are a-OK) scat, watersports knife/gun/blood play incest deaging/infantilization, mommy/daddy kink under-16yos in sexual situations humiliation body distortion/horror (feeding/weight kink, come inflation, vore, etc.) unrequested ships/pairings soulmates and soul marks pregnancy and children (can be mentioned if canon, just don’t make the whole fic about them) wedding setting/theme secondary characters shipping the main pair like it’s their job xeno, tentacles, bestiality noncon/dubcon

Other DNWs:

torture and abuse (this and noncon/dubcon can be mentioned, but please don’t dwell on it in loving detail or subject any of my requested characters to it) descriptions of vomit, shit, and piss (”He pissed up against a tree” and the like is fine), toilet humor lots of gore/blood (mention it, yes; lovingly describe it, no), cannibalism, serious illness or injury character bashing genderswap/genderbent characters, characters as kids/young teens issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons death of requested characters hopeless, unrelenting gloom/angst/horror RL holiday setting/theme, RL religions as a major theme (invented fictional holidays and rituals are fine) reference to RL current events 1st and 2nd person POV unrequested crossovers or fusions AUs which have nothing to do with canon fic written in lapslock

FANDOMS:

American Gods (TV)

Laura Moon/Mad Sweeney

I ship it. Yes I do. They had me at “gimme-my-coin-dead-wife”-flicks-him-into-wall. The snarky road trip was the best thing I never knew I wanted until it happened, and I adored every second of it, not to mention the upped shippiness in S2. They’re both such assholes and so fascinating, even if they start to mellow toward each other a bit, and all the gods/magic/resurrection stuff swirling around them begs to be explored further. Also I love love love how their dynamic is about equal parts spikiness, pathos, and humor (they’re funny! and the canon doesn’t shy away from putting them in ludicrous situations), and it weaves seamlessly between those three. Plus she’s half his size yet can and does beat him up with literally one finger, and then there’s the angst of he having killed her, feeling really guilty about it, and then bringing her back. And the way that their New Orleans adventure makes clear they have feelings for each other but neither wants to admit it. And and and… yeah, I just love them.

Even if some of my prompts are about stuff that’s addressed or hinted at in canon, feel free to diverge – canon divergences and canon-adjacent stories are my jam, as are missing scenes and post-canon stories! Also, I’ve read the book, so feel free to riff on that if you want.

Canon-specific DNWs: Laura as Essie or Sweeney's wife's reincarnation/descendant or lots of comparing her to them, Sweeney staying dead, any S3 spoilers.

Exception to blanket DNW about blood/gore/bodily fluids: describing the physical decay of the living undead (undead? there but for the grace of magic coins dead?) is fine!

Prompts:

-Laura discovers (how? you decide!) that Sweeney gave her back the coin after their accident – whatever happens next, some punching may be involved.

-Wednesday’s big war finally comes, and “don’t you dare die on me [again], you asshole” is a line either Sweeney or Laura (or both) might say to each other.

-Laura asked “What does Wednesday have to lose?” and the answer is…? (Yes, give me that sweet poetic justice. One possibility, though not remotely the only one, but as of S2E3 Laura is technically a god-killer...) Or later when she straight-up says she’s going to kill Wednesday, but is warned to bring power with her when she does, how does that work? How else might she damage Wednesday or ruin his plans, just in case she can’t actually kill him?

-At the end of S2, Laura hoists Sweeney’s dead body over her shoulders and strides off, seemingly leaving Cairo, Shadow, and all of it behind. Tell me what happens then – does she use Baron Samedi’s potion to bring him back, and whose is the blood filled with love she uses (does she still bleed? You could get creative here, worldbuilding is also my jam)? Does her/his coin play a part – and how come the coin still “powers” Laura despite Sweeney’s death? Does she bring him back another way, maybe figuring out how to keep herself around and be able to give Sweeney back his coin? Does he come back like she did, more undead than alive, or does his godhead, however depleted, help with that? That still leaves Laura to be fully resurrected too… Or does something completely out of left field happen – surprise me!

-Possible divergences from “Treasure of the Sun”: Sweeney manages to kill Wednesday, and then Laura rolls up, and then…? Or Laura rolls up and makes like Mama-Ji told her – destroys some motherfuckers? Or Sweeney gets killed temporarily but Laura brings him back, or brings herself back, or does something else with the Baron’s potion, and is Sweeney’s blood the one filled with love, or can we interpret voodoo spells in a non-literal way? Or what happens with Gungnir hidden in Sweeney’s hoard? And definitely how do they deal with each other once they meet up in Cairo, given how they parted in New Orleans?

-Or how about a wild divergence from the last several episodes of S2? Sweeney and Laura manage to settle their differences (ahem, more fucking, on this plane of reality, might help) and don’t part ways before leaving NOLA. Or they roll up in Cairo separately but at the same time, and confront Wednesday together, and neither of them die (or die more, in her case). Or they’re there together when the police nearly raid the house. Or they have Wednesday (the ultimate cause of Laura’s death) and Ibis (a death deity) and Bilquis (a love/death/life deity) on hand, surely they can concoct some kind of resurrection thingamajig for Laura, and if they have to twist some divine arms then so be it. Or or or…?

-Wednesday told that luckless cop that Sweeney had been against the big gods’ war from the start, and while Wednesday lies, what if Sweeney decided much sooner to say to hell with Grimnir and his war and his having Sweeney kill random people? I’m guessing Sweeney too drank three glasses of mead so he can’t back out without dire consequence – but he does have a fierce, dead woman in his corner.

-They go to some as-yet-unnamed old god (feel free to bring in whatever mythology you want) in order to bring Laura back to life. Between Sweeney’s mouth and temper, and Laura’s mouth and temper, it doesn’t go well. Now one or both of them are in big magical trouble with a pissed-off deity and have to get themselves/each other out of it. Speaking of other deities, I really enjoyed their brief canon interactions with Ostara, Anansi, and Mama-Ji, and I’d like to see more of that, especially Ostara’s polite yet over-it attitude, Anansi very obvious over-it attitude and his dramatic flair, or Mama-Ji being one of the few capable of giving Laura pause.

-All the petty, ridiculous ways in which Sweeney’s bad luck manifests itself make me laugh (can’t help it, won’t even try), and I’m down for more variations on that theme.

-Sweeney and Laura fighting together, like they did on Mr. Town’s train of torture. Whether it’s a bar fight of their own making, or the big gods’ war they find themselves embroiled in, or something else entirely.

-Things happen and Laura finds herself in the position to throw Sweeney under the bus but also help/save him, and while he knows it’s only karma (he did kill her way back when), he can still be pissed off about it – how do they navigate this?

-Related to that, the Baron said: “In death is her true love, but she betrays him also.” If that meant Sweeney, or can mean Sweeney in the future (I don’t like destiny-wills-it stories, and they’re definitely not there yet, but they could maybe get there at some future point, and even then It Would Be Complicated), was the betrayal Laura rejecting him after the loa ‘fuck them,’ or is it something that hasn’t happened yet, and if so, what?

-Laura gets fully alive again, but traces of her (un)dead state remain – what are they, how does she cope, what price did she/he/they have to pay for her resurrection, and how does their relationship change? I’d especially be curious how it would work if they’re already a sorta-maybe-item and then she’s alive again and it’s weird in a new way.

-For reasons I’ll leave up to you, Sweeney and Laura have to stay put in a single place for a while and end up essentially cohabiting, regardless of what their relationship is at that point. Take “cohabiting” as literally or as creatively as you want – in any case, I’m sure it will be marvelously disastrous and amazing. If the place they have to stay happens to be NOLA, all the better, I find everything about that city fascinating. Or, if you wanted to use book canon, Laura and Sweeney (rather than Shadow) are the ones who have to spend time living in Lakeside and deal with its creepy Norman Rockwell-ness and with Hinzelmann.

-Slight or major AU from the opening of “The Ways of the Dead”: Laura has hitchhiked with Sweeney instead of going off in a huff with Wednesday, or she otherwise gets to New Orleans sooner, and she and Sweeney tear up the town together. Maybe they even cross the paths of some loa and it doesn’t get all angsty. They were actually getting along nicely in those first couple of scenes in NOLA, only ribbing each other a little while still being their grouchy selves, before they got to Le Coq Noir. I wouldn’t have minded seeing some more of that.

-AU from the end of “The Ways of the Dead”: they still have their big fight (which was amazing as well as painful) or some variation thereof, but they don’t split up. (Maybe the reason is as mundane as Sweeney refusing to get left behind or they have a shared ride out of town, or maybe the more time passes the less Sweeney can afford to be far from his coin – or maybe the coin needs him close by to work at full capacity.) And then what?

-All the old gods hide their true appearance to an extent. A situation arises in which Laura sees Sweeney’s true, or at least old, self. Or Wednesday’s war ends in victory, meaning the old gods again get belief, worship, and sacrifices. How does Laura, the ultimate skeptic even when she’s on the other side of the mirror, react? How does this new knowledge and new reality change her opinion of/attitude to Sweeney? Or to flip that around, if Sweeney were again relevant and believed-in, would that actually change his bad attitude and fix his issues (my guess is it would be complicated)? On that note, Sweeney’s decline from Lugh to king to leprechaun was more sketched in than really explored in canon, ditto I didn’t really get why he couldn’t seem to remember his own history except in snatches (the curse that made him a bird/madman of the woods?) – I’d love to see more about it and his (not) dealing with it, or with a reversal of that decline. Eorann told him long ago to adapt and change with the times – but what does that mean after humpteen centuries in a rut and becoming used to always feeling angry and unappreciated?

-The power of names, since they never use each other’s in canon: for all his “dead wifeing,” there comes a time when Sweeney (has to) call her by her actual name, and that’s a tricky moment for them to navigate. Or, Mad Sweeney is not his actual name, and true names have great magical power and so must be kept secret; Laura discovers or learns his name, from someone else or from himself; what does she do with that knowledge? Or, Sweeney gets to say “cunt” in a situation (sexual or otherwise) where, not only does Laura not peel his lips from his gums, but she finds that she can’t object, even though she knows that he knows that he’s getting away with it.

-They’re both so complicated and contradictory and spiky, but they also start to care and rely on each other - and react really badly when they (think the other one) betrayed them. I would like to see those nuances explored some more and/or to see Laura and Sweeney get to a point where they trust each other and rely on each other, and know it and accept it, however difficult the getting there and being there may be for them.

-Sweeney and Laura get drunk and wake up married. Or some sex and/or blood resurrection spell results in basically an unbreakable marriage bond, whether it also secures resurrection or not. Or marrying the dead keeps them (sorta) alive. Or being married makes it possible for them to share magical/supernatural abilities. They’re both pissed about it, but secretly having to make it work may not be the worst thing that’s ever happened...

-My perfect AG spinoff would basically be Sweeney and Laura tooling around America, looking to get her resurrected (whether they succeed or not is up to you), stealing ever more ridiculous vehicles, arguing/fighting and having those pesky moments where vulnerability and genuineness creep in – and fucking. So yessiree I’d be down for porn, including “it’s technically necrophilia/zombiesex” porn, including a canon-divergent first time, or their second time, or all the later times after they had their first time in NOLA in canon.

-If you wanted to throw in some worldbuilding, maybe something exploring living death. Magical bargains. What kind of favor did Sweeney do for Ostara that would be worth her bringing someone back to life as repayment? What other powers might Sweeney have – or have left from when he was Lugh? How long can a dead wife keep going before she’s “soup”? What other superhuman abilities might dead!Laura have? Can the dead do magic? What even are the rules governing and the limits of different beings’ magical abilities? For example, why can’t Sweeney just take his coin back, or why does Laura gain super-strength as part of her undead package deal? Is the hoard in the same space as the behind-the-scenes accessed through the merry-go-round, or it’s a different place? Why does the coin seem to start to “run down” the longer Laura has it? Why did Wednesday need Laura to kill Argus when he killed Vulcan himself just fine? What happens with Gungnir now it’s in the hoard – can only Sweeney get to it, has it been transformed somehow (it’s now the treasure of the sun), etc.?

The Marvelous Mrs. Maisel (TV)

Lenny Bruce/Miriam “Midge” Maisel/Susie Myerson

Lenny Bruce & Miriam “Midge” Maisel & Susie Myerson

Lenny Bruce/Miriam “Midge” Maisel & Miriam “Midge” Maisel/Susie Myerson

I’m here for Midge’s adventures in the intoxicating, foul-mouthed, and often-frustrating world of comedy, so her dynamic with Susie and Lenny is where it’s at. Shippy or platonic, I just love the interactions between these three, and between every pair combination among them: Midge and Susie bantering and swearing and tits-upping even when they irritate each other, Midge and Lenny bringing the pathos as well as the humor, and Lenny and Susie both being hardened old pros with still a little glimmer of starry eyes. I am good with L/M/S or L&M&S or L/M & M/S – so, if you go the shippy route, either a V-shaped triad or hey, Susie (whom I absolutely read as gay) might find a way to be good with a full-on triangle… If you want to keep it platonic, True Companions all the way, always there for each other, even when they want to strangle each other. And as much as I like the comedy inherent in the characters, I also love that they’re all three, each in their own way, messed up people and dysfunctional to various degrees. So yeah, I just want Midge to hand the kids over to her parents, ditch Joel once and for all, marry (interpret that as literally or as loosely as you want) both Susie and Lenny, and for the three of them to ride off into the sunset to make comedy history.

Canon-specific DNWs: explicit sex (so nothing above M rating for sex), pairing any two as a / couple with the third as a & hanger-on, Lenny can still be his RL messed-up, drugged-up self – albeit the gentler version the show gives us – but I don’t want him dying if your fic is set in 1966 or after.

Prompts (most of these are from before S3 dropped, feel free to work with canon or diverge however you see fit -- I am all caught up with S3):

-Does Susie manage them both? Does Midge open for Lenny on tour? Does he open for her??? Or they become equal stars on the comedy circuit?

-Maybe Lenny joins Shy Baldwin’s tour, or they run into him while touring Europe or the US, or after Shy fires Midge, Midge and Susie cobble together a Midge-only tour of America and keep crossing Lenny’s own touring path, and they all tool around, and yes I would love as much period detail and geography porn as you can throw at me. And while Lenny and Midge have seen the world, Susie hasn’t – her reaction to different foods, languages, customs, landscapes would be spectacular to witness. Especially if “different” is someplace as close to New York as Jersey or Connecticut, or someplace as far away and different as, say, Japan.

-If they do go to Europe, somehow or other they also tour the Soviet Bloc. Cue culture clashes, getting followed (or thinking they’re being followed) by the secret police, getting hammered on vodka and herring and pickles, and then when they get back to the States, the Feds grill them. It’s all dead serious, and Midge and Lenny refuse to take it as seriously as they should, while Susie is trying but the whole thing is really pissing her off…

-Lenny’s burned out, and Midge is just getting started. This dissonance may or may not find some sort of resolution. One thing’s for sure: Susie has limited patience for both Lenny’s depression and Midge’s need to make everything pretty.

-Instead of going to Joel for a no-way-is-that-closure fling after the Steve Allen Show taping, Midge goes to have a drink or seven with the two people who have, in their own ways, always been there for her and never let her down.

-Midge goes on TV again, this time as the star: longer set, prime time slot, dressing room, the works. She’s dying of nerves. Lenny and Susie coach her through it.

-More radio work to make ends meet in between gigs: hilaribad period ads, hilaribad radio drama, running all over town to be on time, getting paid in all kinds of dubious merch…

-Midge and Susie head out west to make it big and stay with Lenny once they’re in Los Angeles, and it’s marvelous (ha ha) and disastrous in equal measure.

-More of Susie being the hypercompetent manager we saw especially in S3! (And please don’t dwell on her gambling problem, I was not a fan.)

-They all three get drunk, maybe with a hint of sadness if it’s the holidays (you can ignore my DNW about holidays, but please let that be just the background, not the lynchpin of the story) or someone’s birthday, and there’s a bar fight, running from the cops, eating greasy food at ass o’clock, and possibly kissing, not necessarily in that order.

-One or two or all three of them get arrested/have court appearances all over America and have to bail each other out, or find someone to bail them all out, or secure legal counsel – you get the drift. Or all three of them are trying to explain to a single lawyer what happened, talking over each other, the two pros not being able to resist landing zingers and Susie not being far behind, and the lawyer just getting more and more confused.

-They get in trouble some other way – offended patrons, surly management, shitty hotels, tour bus breaks down in the middle of Wyoming – and have to have each other’s backs because no one else will.

-Three-person road trip or tour, and only Susie knows how to drive. So Midge decides to learn, right then and there. And Lenny… Lenny may or may not be too lazy/hungover/lying about not knowing how. There’s supposed to be a rotation so everyone gets to stretch out on the back seat for equal lengths of time, but you know the system doesn’t work too well in practice. Also, they play games in the car to while away the time, and they do it their own way of course: I spy, cows on my side, yellow car, never have I ever, 20 questions, or riffing on whatever’s playing on the radio…

-They sit down to watch the moon landing (you can move it up a bit so it’s not happening a whole decade after S2) – by which I mean, Midge is all gung-ho about the moon landing, and Lenny and Susie are like whatever – and things don’t quite go to plan, but a good time is eventually had by all.

-It’s Yom Kippur again, and Midge wants to do the whole production: synagogue, breaking fast, the lot. Lenny and Susie would rather eat glass. Midge gets her way, of course. Does she decide to bring Susie and Lenny home to meet – or meet properly – her parents??? I bet Abe and Rose’s reactions would be something to see. (This too is an exception to my DNW about holiday settings – I just want stuff to get as crazy as it did the two times we saw Yom Kippur celebrated on the show, and for everything to still somehow turn out relatively OK.)

-Midge and Lenny have cheered each other up when the going got extra rough. I want for Susie to be especially down in the dumps – maybe her boozehound of a mother died and Susie took it worse than she does in canon, maybe some asshole told her she’s a shit manager and got her right in her insecurities – and Midge to rope Lenny into trying to cheer her up. And for Susie to fight them every step of the way but still be glad they care enough to try.

-Inspired by Susie’s brother looking just like her, by which I mean she and he and their sister look nothing alike, and by Lenny’s “she’s my mother” quip about Midge at the TV studio and then his “let me introduce my wife or maybe my sister” in Miami – Midge, Susie, and Lenny pretend to all be blood relatives, or mafiosi, or spies, or something else they’re not, while out in public, say in a restaurant. Just to be assholes and see how long they can keep it going before they break character or people figure them out, or call the cops, or something. There’s totally a bet on who corpses and breaks character first. Or, nice hotels ca. 1960 weren’t very big on letting unmarried couples, let alone threesomes stay in rooms together – pretending to be family might make that easier; forgetting what they’re meant to be to each other, or mixing up their backstories might make it harder. This could also work platonically, if they’re trying to save money by only getting one room, there only being one free room in the hotel, or for any other screwball reason you can invent.

-Lenny and Midge do a (comeback) tour of the Borscht Belt, and all the Steiner Mountain Resort guests (especially the gossipy old hens from the beauty salon) and staff go to see them – and heckle.

-Stuff happens and they end up performing at some hole in the wall place where no one knows who they are (or no one believes it’s really those people they’ve seen on TV) – tough crowd, but a good workout for the two comics, and if Susie gets to threaten to rip off someone’s head, all the better.

-Lenny and Midge honing their routines – and maybe developing a double act – and Susie being all “oh my fucking god, what the fuck!!! … They’re actually good. I’m so proud.”

-Sharing a bed with two other people is an ongoing project: who sleeps (or refuses to sleep) in the middle? Who gets up during the night and why? Who starfishes across most of the bed? Who snores, and how does this get handled? If alcohol or pot have happened, how does that affect the sleeping arrangements? Also, Susie and Lenny witness and react to Midge’s beauty routine, ‘nuff said. Or, for various reasons one person after another ends up decamping to another room/bed/couch, but it doesn’t help them get much sleep or even stay there very long (this is inspired by my love of Shirley Jackson and her short story/humorous essay “The Night We All Had Grippe”). If you prefer to keep it platonic, most of this would work if they’re just sharing a double bedroom on tour (I leave the reason for why Lenny is bunking with the women up to you).

Starred Up (2013 movie)

Oliver Baumer/Eric Love

Yes I do ship it, I do, I do!

Ahem. Don’t get me wrong, I liked what the movie did with the father-son relationship and its influence on both men’s character development – but I really wish they hadn’t got Oliver out of the action before the story’s climax (not like that!). The final denouement with Love father and Love son was great, as was the hint at the end that Eric learned something in anger-management group and has a support network that will help him a lot. But. I would have wanted to see more of the intriguing dynamic between Eric the intelligent, semi-feral, yet not-incorrigible, young thug and Oliver the educated, dedicated, kind yet aware of his own potential for violence (what was he on about with “I need to be here”?), slightly older counselor. They had me at Oliver’s “I want him” and Eric later telling his father that Oliver’s a better man than Love Sr. Also the not-flirting and the push-pull in the scene when Oliver picks up Eric from his cell - yowza!

Exception to blanket DNW: dubcon is a-okay! If you decide to go there, my preferred flavors of dubcon for this canon are: power differential makes it a bad idea but they do it anyway; “I know you want this”; “if the answer’s no/you’re only doing this for a dare or to prove a point, then why are you enjoying this so much [as am I]?”; no no yes a.k.a. starts as dubcon (or one of them thinks they’re dubconning the other), becomes enthusiastic consent. 

Also, if this is relevant or makes you nervous about writing for me, Eric would be 18-19, and Oliver is maybe 10-12 years older – and I like it!!! (The actors were 22 and 31 when the movie was made, FWIW.)

Prompts:

-I would love to see Oliver return to holding his group in prison, so the two of them can interact more, either in the movie’s immediate aftermath or years down the line, as it’s implied that Eric will be serving a long sentence. Give me more scenes from anger management or the ribald, honest, free-flowing conversations in group, either with the other men present (I liked Hassan and Tyrone especially, among the group members) or a one-on-one session.

-An oblique or open-but-undramatic admission/declaration that they both know there’s something there, even if they don’t know what to do with it. Or, one or both of them knows exactly what to do with it, and the push-pull that would result from that.

-Dirty talk: used for arousal, as a defense mechanism, as a form of flirtation. Eric using slurs to assert dominance, and Oliver not letting him hide behind profanity, when he can use colorful language to express emotion and/or sexual interest. There could definitely be some verbal taunting/flirting about who wants/is eager to do what or is good at doing something. There may be some sniping comments about logistics and (lack of) condoms and barebacking and what men get up to in prison. There probably wouldn’t be deep discussions about sexual identity.

-An emergency in the prison requires a lock-down, so Oliver gets temporarily stuck in Eric’s cell or another room with only Eric for company. Things get porny and/or emotional.

-Eric is eventually released (you can handwave this so it happens soon after the movie or have it happen years later) and crashes with Oliver while he adjusts to the outside world. You guessed it: things get porny and/or emotional.

-How do they get to the point where both can cross that line from friends/whatever the hell they are and become, to lovers? (There’s Eric’s personal history and general discomfort with vulnerability, plus all the ways prison sex can be or make things complicated, and if it helps, I headcanon Oliver as either gay or bi and at least somewhat closeted, at work especially.) Who initiates and “directs traffic”? How does their always-contentious dynamic shift during and after sex? Is the sex an isolated (series of) occasion(s), or a progression/escalation over multiple encounters (how would I love especially an escalating series of encounters, let me count the ways)? Eric might seem like the logical initiator and/or dominant partner as well as using the possibility of sex to manipulate and exert control, but then Oliver might (or might not!) surprise him and is definitely the one more in touch with himself as well as aware of his custodial duty toward the men in the group.

-At some point in their intimate relationship (probably not right at the start, and probably not in prison, though if you can make it happen in prison, more power to you!), Oliver decides he’s going to take his sweet time and make Eric fall absolutely apart with pleasure, while using dirty talk to both arouse and empower Eric to own his desires – by that point, Eric is in a place where he can let that happen and enjoy it, even if he still talks tough.

-Or how about this: Eric gets out, relationship happens or is in the process of being negotiated, and while physical intimacy is a whooooole neeeeeew woooorld, you know what else would be cool? Phone sex. Yep. Or even, Eric gets himself one of those secret prison burner phones (preferably hidden somewhere that’s not someone’s arse), and… phone sex after lights-out and lock-down. Maybe nothing (much) has happened physically (yet), so phone sex can be a building block to that or one facet of that deepening intimacy.

Witchblade (TV) Sara Pezzini/Danny Woo

Sara Pezzini & Danny Woo

I used to love this show back in the day, and loved it again in all its hokey gloriousness when I rewatched it recently. Sara figuring things out and being a principled badass, but maybe out of her depth with the Witchblade, and her dynamic with Danny, whether he's a ghost or alive, it’s all catnip to me. Sara is not extremely quippy, she has a job to do dammit! and don’t look at her vulnerable side, just don’t look at it!, and I love that about her (she’s much harsher in S1, after Danny’s death, than in S2); ditto that Danny is somewhat softer than she is, but still can hold his own thanksverymuch (well, when the plot doesn’t require him to get nabbed by bad guys) and has a bit of a deadpan snarker side too. I’d love something that plays around with their canon dynamic from either season, or uses canon as just a starting point. Gen is good, shippy (incl. porny) is good. Some of my prompts lean dark or horror-y, so don’t be shy about going there; I’d also enjoy a story in which the Witchblade itself ends up not being very significant (say, they start to investigate a possibly mystical case and then nope, plain murder). BTW I really like Conchobar too, so if you want to include him (that means also Conchobar Lives AUs), his relationship (current or past) with Sara, or his canonical death somehow, go for it!

Canon-specific DNWs: Irons and any version of Nottingham appearing (you can mention them if you need to).

Exception to blanket DNW: dubcon is fine (see first prompt).

Prompts:

-The Witchblade is more parasitic than symbiotic, and instead of Sara learning to control it, its feeding on Sara affects her more and more over time. Or, the visions and dreams ramp up into full-blown paranoia and/or disassociation. The Witchblade's POV, maybe (it is sentient)? Asking for help is the hardest thing for someone like Sara, but what are (more than) friends for? I’d also enjoy a dubcon scenario where Sara really shouldn’t be having sex when her head is all messed up by the Witchblade’s influence, but… well… they do. The Witchblade canonically enjoys violence and bloodshed perpetrated by its wearers, so it stands to reason that it might lower other inhibitions too.

-Witchblade v. mythological monsters. In S1, even with everything else that's going on, Sara absolutely scoffs at the possibility of vampires. So of course I want: Witchblade v. vampires! The scarier and more feral, the better. Or, it's implied that the Witchblade was forged from a meteorite, so it's basically an eldritch artefact from outer space. Yes, please lean all the way into the Lovecraftian tropes! (The moon is turning red, the Old Ones are back, it’s the end of the world as we know it, but Sara’s got her partner by her side.) Or something from Chinese mythology, so Danny can kick extra ass. Or, for a silly take on Chinese culture: Sara and Danny in the world of Big Trouble in Little China (another old fave of mine, the entire plot of which revolves around… a woman with green eyes and an unwanted connection to the supernatural).

-The Witchblade has a reputation for abandoning its wearers just when they need it the most. True to form, it slips off of Sara’s fist, leaving her and Danny to save themselves with good old-fashioned guns, fisticuffs, martial arts, and of course having each other’s back.

-More of the psychedelic-ness in many of Sara’s fight scenes, where now she’s a woman in a leather jacket with a gauntlet on her arm, now she’s a knight in armor! Now her opponent is human, now he’s a wolf-shaped spirit of evil and hatred! Playing around with the characters’ senses and perceptions – yes!

-Instead of seeing only Danny and needing him to play intermediary for Sara to talk to other ghosts, the Witchblade makes Sara see ghosts all over the place, and it's getting to her. Ghost!Danny may or may not help with that. Or, ghost!Danny is basically always around, whether Sara can see him or not. He manifests when Sara is masturbating, and you can't really feel guilty if the ghost of your dead partner whom you’ve always had a thing for helps you out, and anyway you’re probably going crazy and none of this is real, so it doesn’t count anyway... right?

-Case fic/stakeouts and banter. Flirting/ribbing/joshing to pass the long and stressful days at work.

-Quick and guilty sex because Danny's married. Slow and intense sex if handwave he's not married but “oh noes we’re partners, we shouldn’t be doing this, but somehow we keep doing it anyway.” Hooking up in the car. I've always headcanoned that they had a thing pre-canon which ended for Reasons, but they both kinda wish it hadn't, hence the hand kissing, and the “I can’t even touch you,” and the coffee bringing/stealing, etc. So feel free to play around with that.

-Undercover as married, undercover as a gangster and his moll (LOL at Sara as a moll, or have Sara as the gangster and Danny as her arm candy), undercover as “they think we’re fucking, better fake it real good for the people listening in, oops shit got real fast, careful don’t say each other’s real name or you’ll blow your cover.”

-More timey-wimey shenanigans with the Witchblade. Maybe it allows Sara to manipulate time more than once. Maybe she starts doing it way too often, throwing the continuum out of whack (something non-linear would be very interesting). Maybe she and/or Danny remember some or all of what happened in S1. Something about all the multiverse versions of them, possibly splitting off from a dramatic moment. Time loops and feelings are a combustible mix.

-Apart from the pretty obvious shippiness, what I like about S1 especially is how Sara rolls with the weirdness the Witchblade has brought into her life, instead of reaching for rational explanations. More of that (I can't think of a better way to put it), and double extra brownie points if alive!Danny figures out at least some of what's going on with Sara's bracelet and somehow gets in on the action. Maybe a Danny saves the day divergence? Or how about a loophole that allows a man close to the Witchblade's wearer to wield it temporarily, but There Is a Price to Pay.

Бeсa ǀ Besa (TV)

Dardan Berisha/Petrit Koci

Skënder Berisha & Petrit Koci

Teuta Berisha/Petrit Koci

Divna Dukić/Petrit Koci

Petrit Koci/Marija Perić

Petrit Koci/Uroš Perić

My longest of long-shot requests! If you already know and like this canon, yeeees come sit with me. If you don’t know it, here’s a quick intro: this is a crime drama, one 12-episode season so far, produced in Serbia and created by Tony Jordan of “Hustle” fame. Set in (and with a cast including actors from) several ex-Yugoslav states, the story follows three main characters: a Serbian family man and regular joe who accidentally kills the daughter of a major Kosovar Albanian crime boss in a car accident; said Albanian crime boss who coerces his daughter’s unwitting killer to start working for him as an assassin; and a half-Albanian, half-Serbian Interpol agent (Petrit Koci) who’s after the crime boss but starts investigating the regular joe turned assassin as well.

The show has a twisty plot, gritty and handsome visuals, excellent performances, and a great through-line of deconstructing Balkan machismo and patriarchal culture. All three of the main characters have an image of themselves as MEN who Provide and/or Take Care of Business and Put Family First, each in their own way, and all three end up compromising on all their principles by season’s end. The women in the show’s ‘verse sometimes become collateral damage but also assert themselves in unexpected ways, which is great. The title refers to the Albanian (but more broadly, Balkan) cultural concept that one’s promise/vow/word of honor has to be kept and carried out no matter what, at peril of losing face, dishonoring both oneself and one’s family, even death. This gets deconstructed five ways from Sunday too, and it is awesome.

If you glance at the pairings I’m requesting, I think you can guess who my favorite character is. :-) Koci is so committed to being the “good sheriff” and carrying out his professional duty regardless of whom he has to piss off along the way, but is also often quite ineffectual because the local police forces with which he has to cooperate tend to resent both his attitude and his ethnic background – not to mention that when everyone’s corrupt and compromised, the man who refuses to play the game makes lots of enemies. He’s also a real hard-ass who made a conscious choice long ago to have nothing in his life but his work, is a bit of a bastard, has a huge blind spot about gender which comes back to bite him, and ultimately is driven by a desire for personal vendetta more than an abstract commitment to justice (I love a character who is super focused on their goal and presents themselves as invulnerable, yet whose insecurities and traumas are always just beneath the surface of what drives them). And yes, by the end of the season he’s presented with a Faustian bargain and gets a huge target on his back. There’s a lot to unpack there!

I will eat up any local color you want to throw in. Ditto, the canon is super intense, but if you find a way to bring in some vintage Balkan pitch-black humor, I’m here for it. If you wanted to include some dialogue or phrases or hey write the whole fic in any variation of what used to be called Serbo-Croatian, I’m here for that with bells on! (Unless you’re writing smut – I just can’t with E-rated prose in Slavic languages, sorry.) Alas, I do not read Albanian, but if you want to include dialogue/phrases in it, go for it, so long as you tell me (in parentheses, in footnotes, whatever works) what’s going on.

Canon-specific DNW: soapboxing about Balkan history/conflicts/ethnic relations (the characters can clash about this, use stereotypes, etc. – I just don’t want the fic to be an excuse for the writer’s hot takes, ‘kay?)

Exceptions to blanket DNWs: RL current events being mentioned + dubcon *but* for M/F ships I want both characters to be motivated by anger/revenge/general existential bleakness/whathaveyou instead of or as well as lust, so just no M/f dubcon, please!

Prompts:

-Any of my requested pairings in any kind of casefic, either a divergence, something pre- or post-canon, or a side investigation spinning off from the canon’s central plot. Anything that requires Koci to again traipse all over former Yugoslavia, butt heads with everyone, interrogate people, and do that soft-spoken “you don’t want to give me what I want but you’ll do it anyway” thing he does along the way. 

-Something that requires Koci to use his knowledge of Albanian language and culture even more than in canon. I love how the canon depicts the existential discomfort of never fully fitting into – or being accepted by – either of the cultures/communities to which one has a connection, and how a person can become antagonistic and volatile as a result. Leaning into that would be wonderful.

-Koci has devoted his whole life to bringing down the Berisha clan. With the help or hindrance of any of the other requested characters, he finally gets his wish. Now what?

-Maybe the other character has to turn to Interpol for help/becomes a material witness/gets arrested/enters witness protection, or otherwise has to do teeth-clenched teamwork with Koci. For / pairings, the shippiness doesn’t have to be overt -- antagonism, barely finding common ground, something that reads more like gen or shippy gen than explicit shippiness is fine! If the relationship turns porny, the antagonism (I keep using that word because it fits!) and complicated dynamics and maybe a reluctant recognition that they’re not so different would perpetuate themselves in the porn too, and I’m here for it.

-A few words about the other characters and how they (could) fit with Koci:

Uroš Perić – the regular joe turned assassin, who gets multiple chances in the course of the show to seek Koci’s help and doesn’t because he gets in deep and wants to be the guy that protects his family and takes care of everything himself. I keep thinking back to their very first scene, when Koci gives Perić his calling card and tells him to get in touch, and Perić could have done that before he committed his first murder but… didn’t. And then at the end, there’s that huge spoiler setting up S2. Despite becoming a murderer several times over, Perić is a much softer character than Koci, but he doesn’t like getting pushed around either. How would they work together, how would they clash?

Marija Perić – Uroš’s Croatian wife, who has the thankless role of being married to the guy who’s keeping her in the dark about major plot developments, but makes up for it with how she reacts to the hints she gets of Uroš’s continuing troubles as well as getting on Koci’s radar. She’s scared and out of her depth, but she’s also angry and, yep, antagonistic when she thinks Interpol is harassing her for no reason. I love the scene where Koci interrogates her and she lashes out and won’t give him an inch even when he blindsides her with evidence of her husband’s activities – more of that kind of thing, please! Or what if she decided to protect herself and her kids by cooperating with Interpol, or maybe thought she could help Uroš by turning on him?

Divna Dukić – Koci’s Interpol colleague and maybe the only character that likes him. Their dynamic is both very professionally respectful and yet… “flirtatious” may be too strong a word. They pretty obviously have a little thing for each other but choose not to act on it for a whole mess of reasons (he’s an emotional disaster area, she has enough on her plate as a single mom with a shitty ex, they work together). Also, I have a theory that Divna, while seeming loyal, may take her marching orders from one of the criminal elements or maybe from the more corrupt parts of Interpol or the Serbian police. I would love any or all of that to get explored more.

Dardan Berisha – the grieving crime boss and main target of Koci’s obsession (even though it was actually Dardan’s old uncle Skënder who had Koci’s father killed decades earlier). They’re both such hard, intense men, in part because they’ve had to be, and the narrative sets them up as mirror images of each other (while Uroš Perić is more a study in how someone becomes hard when circumstances push them to it). Yet while their conflict underpins the whole show, they rarely share a scene. Put them together more; let them fight or y’know *waggles eyebrows*.

Teuta Berisha – Dardan’s wife, who first loses her daughter, and by the end of the season her family is totally blown to smithereens, in part because of how she chooses to assert her agency within the super-patriarchal context in which she lives. She was ambivalent about her marriage before we meet her, and I love how canon events bring out her anger, grief, and quiet steeliness. Also, that moment at her daughter’s funeral when Koci gives her his condolences really hit me – they know they are enemies, but there’s that moment of standoffish respect between them. What if somehow they had to work together? Or what if she took over as the head of either the Berisha or the Sokoli clan (or both!)? A divergence from the end or any part of S1 would be very welcome.

Skënder Berisha -- Dardan’s uncle who still wields enormous influence in the Berisha clan and was behind the assassination of Koci’s father decades earlier. I only want this as a & pairing, but the character dynamic is still one of difficult shared history, knee-jerk antagonism, goading humor, not being at all intimidated by each other, and yet recognizing something familiar in each other. One of my favorite scenes from the whole show is their conversation at the hospital, in which they cover both present troubles and the past. Skënder is one of the few characters who can and does consistently run rings around Koci, and I want more of that as much as I want the tables turned.

[becuztaelien]

1| The Beast

Part 1/Part 2/ Part 3/ Part 4

1.6k Words, Warning: Graphic descriptions

Summary: Being the girlfriend of someone who was known as the Psychotic Beast of Seoul didn’t seem to be that much trouble, until a rival gang leader made the grave mistake of kidnapping you of course.

Min Yoongi was a psychopath, that was certain. Everyone knew he was a psychopath, that was also certain. His biggest rival gang knew he was a psychopath, that was most definitely certain. So you were beyond shocked to be strapped to a chair in said rival gang’s basement with the leader threatening you for Yoongi’s empire.

“I’m gonna ask you one last time princess and then I’m not going to be very nice, the codes.” The man in front of you was beyond terrifying, he had jet black curly hair that was held up in a grey bandana, his eyes were sharp and fierce, quite similar to Yoongi’s but nowhere near as captivating and deadly.

“And I’m going to tell you one last time, I don’t know” you knew exactly which codes he wanted; the codes to the master server in which Yoongi stored everything, passwords to accounts with billions of dollars, receipts from every deal he ever made, contact details and career-ending-secrets of the most powerful men in Korea; everything. If Zico or anyone at all, ever got their hands on that information they could take down Yoongi’s entire empire in the blink of an eye.

“You seriously think I believe that?”

“You don’t have to believe me; I’ve got nothing to tell you either way-”

“Bullshit!”

“Yoongi didn’t tell me shit! He never fucking does, okay? His empire has nothing to do me, and if you’re having such a fucking hard time believing me why don’t you ask him yourself?

At this, Zico moved away from you and scratched at his chin; he was beginning to realise that kidnapping you was a bad idea after all, not only because you didn’t have any valuable information, but also because once Yoongi found out, well... that would be the end of everything-but you didn’t need to know he was thinking that. A few minutes of silent pacing later he paused and let out a very verbal annoyed groan.

“You know what? You’ve caused me a lot of trouble today” you followed his every move as it was apparent the man was becomming more and more pissed off by the second, “and quite frankly I don’t give a shit if you don’t know the codes” he took his previous place directly in front of you again, a dark, dangerous look evident in his narrow eyes, whatever he was about to say, you already knew you wouldn’t like, “because you’re going to find them. You’re going to go back to your perfect little life, you’re going to find the codes, you’re going to bring them to me and you’re not going to say a word about it to the PB, because if you do…” The man edged closer, his voice getting deeper and his tone more terrorising with each word, “Jimin dies.”

Your eyes shot wide open, what!? How does he know about-??? No one but Yoongi knew about your childhood best friend. The worst part was that not only was Jimin completely vulnerable, he also had no clue that your boyfriend was leading the most powerful mafia gang in the country and arguably the continent. Zico would have easily had countless opportunities to kidnap Jimin... but he could also be bluffing.

“Now you’re the one spitting bullshit, Jimin isn’t even in Korea.” You prayed Zico would be caught off guard so you could confirm he had no clue where Jimin was.

“Are you sure? Because according to the man I have waiting in front of Busan dance academy, he’s going to be stepping out of the building in exactly…” he mockingly pulled up his wrist to look at his watch and you felt an overwhelming sense of nausea at the thought of Jimin getting hurt because of you “15 minutes”

“Leave Jimin out of this! Even if I wanted to get you the codes I wouldn’t be able to! Yoongi would never tell me!” you protested, desperate to save your friend but the man in front of you only chuckled.

“Well then princess, you’re going to have to find a way to find out, won’t you?” he smirked and tilted his head to the side “besides I’m sure daddy would give his precious babygirl anything she asks for, he wouldn’t want her to be…upset hm?” He pouted mocking you yet again and you wanted nothing more than to smack the smug look off his face.

“Listen here-”

“7 2 4 1 4 8 1 4 0 5 0 3” A second later a series of numbers sounded through speakers you didn’t even know existed. Zico spun round at the speed of light, clearly not expecting the familiar voice to come out of nowhere. He looked at the 2 bodyguards- who had been standing in the room- for some sort of explanation, but they had the exact same expression as him.

“Who the fuck is in the control room…?” His voice sounded anxious, the once sharp eyes had lost any threat they previously bathed in and he looked paler than paper.

“Peep, peep motherfucker.” You didn’t even have time to turn your head before 2 gunshots flew through the air and the bodyguards fell to the ground, each gripping at their legs and screaming hysterically; Zico didn’t wait a second before grabbing you by the throat and bringing a knife to your face,

“DO YOU SEE ME MIN YOONGI!? MAKE ONE MOVE AND YOUR PRECIOUS WHORE DIES” Anyone in your situation would be scared shitless, but not you, at least not anymore; you knew everything was over for Zico the second Yoongi stepped in the building. The only thing you were even remotely afraid of, was the what Yoongi was going to do to the poor bastard in front of you.

“Hahahahahahahahahah” Yoongi laughed, obviously amused by the situation, “she dies? You really think she’s gonna be the dead one by the time I step out of this building?” Zico spun your chair harshly so you were face to face with the dark oblivion where the gunshots came from; he stood behind you and held the knife to your throat. You hissed as you felt him tightening the ropes around your body; they were rough and dug into your skin, those are gonna leave marks, you thought.

“If you’re so confident in yourself then come and sh-show yourself you rat!” Zico was shaking and clearly pissing himself, so you decided to intrude.

“That’s a good idea actually,” Zico stared at you, puzzled, “I’m kinda tired and this asshole is way too close right now.”

“Shut the fuck up you bitch!” Zico brought the knife closer to your neck, practically piercing the soft skin only Yoongi was allowed to touch, uh oh. You didn��t even flinch but rather kept going, knowing exactly which buttons to press, not your captors, but rather your boyfriend’s.

“Plus… These ropes are starting to hurt.”

Silence. Yes, even the two screaming guards were quiet, although they didn’t have much of an option considering they had bled to death already. Zico’s eyes were bulging out of his skull as he focused into the dark abyss, not even blinking in case Yoongi showed up in the split second between momentary blindness. You -on the other hand- began counting the seconds, five…four…three…two…one…zero.

The sharp sound of a knife falling on to the concrete echoed off the walls of the room and you could no longer feel the disgusting warmth of Zico’s grip. You spun round and saw a hand covering his eyes, another holding a gun to his head.

“Sorry I’m late.” Yoongi smirked and pulled Zico’s head back so hard you could have sworn you head a crack “What’s wrong Z? Not feeling brave anymore?” The gang leader didn’t even dare to breathe. “Cat got your tongue? Let me help you out there.” Yoongi twisted Zico’s neck and brought it to his mouth, biting into the flesh hard; in the second that followed, your abductor’s screams were the only audible sounds in the room; sharp, croaky and desperate. The man abruptly brought his arms up to free his neck from the savage beast that was Min Yoongi however, they didn’t even manage to go past his waist. The screaming intensified with the cutting sound of gunshots, penetrating the man’s elbows and causing blood to spray in haphazard motion

“HAAHAHAHAHAH. What’s wrong Z!? Didn’t you want me to come out?!” Yoongi began laughing like the psychopath the entire city believed him to be, no surprise there. He pushed the bleeding man off of himself causing the guy to fall head first on the floor, no surprise again, Zico couldn’t exactly use his arms. You took a small step backwards knowing all too well what was coming. Your boyfriend crouched beside your kidnapper’s head, psycho grin still plastered on his face and the already helpless man started wriggling, desperately trying to get away.

“Please, please don’t hurt me anymore, please I’m sorry man, I’m fucking sorry! You’ll never hear from me-”

BANG

You looked away but not before you caught the split second between Zico’s cries and his brains splattering across the concrete floor.

“You’re right, I really won’t be hearing from you ever again.” The previous psychotic grin on Yoongi’s face disappeared, a soft distant look spreading across his features instead. “Every time I put an end to the misery of one of these sick bastards, I always pity their last moments.” Yoongi gave the deceased mans face an almost adoring stroke, as if mourning.

“What do you mean?” You asked without looking at your boyfriend who was making his way from Zico’s dead body towards yours.

“They all become so fucking pathetic in the end. When I hear about some of them, I feel as though perhaps I’ve finally found a worthy opponent, but no. Even this guy, I really had such high hopes for him” he groaned before letting out a deep sigh “turned out being all bark and no bite.” You chuckled softly upon feeling Yoongi’s arms wrap around you.

“Babe I think you, for one, take that phrase a little too literally.” Before Yoongi could open his mouth to speak, the sound of static followed by a robotic voice resonated through the cold space between Zico’s carcass and the back hug you were held in.

“Boss, I have visual on the boy, waiting for further instructions.”

Jimin.

// Part 2

[x0401x]

If you didn't read the last chapter of Tsurune don't read the ask: OMG! I almost get killed in this "Masa-san lightly pinched Minato’s cheeks and pulled them" and in the car scene.I laughed so hard on minato he's really didn't think about hiding his feeling lol. what do you think about the chapter?

Took me almost two full days to reply to this, and if that doesn’t speak volumes about how wild this chapter was, then I don’t know what would.

I’d read spoilers of volume 2 right after it came out so I already knew what was gonna go down, and being very honest, the cheek pinching was something I’d actually expected to see at some point after reading the summaries of volume 1. And rather than wishing for it, I was waiting for it because it seemed so obvious to me that this was gonna happen one way or another. I mean, it’s just so much like Masaki to do something of that sort, lmao. But I admit I expected it to happen in a daily-situation scene and not… like this. As always, Ayano surpassed my expectations on the unapologetically huge amounts of gay.

I’ve mentioned this topic in my post about the differences between the novel and the anime. Minato may keep a lot of secrets from everyone, yet Masaki has been the sole exception to this ever since they met. I mean, look at volume 1. It’s basically Minato hiding nearly every important thing from literally everybody except his conveniently-there-by-narrative-default master. Volume 2′s chapter 3 is basically a massive meme based off this plot device, like:Shuu: *touches Masaki*Minato: Sir, that’s my emotional support coach.Anyway, my point is that Minato doesn’t hide anything from Masaki, ever. Not even the most embarrassing shit.

The chapter was very interesting. It was rather entretaining to see how inept Eisuke actually is regarding himself. The novel often references Amanojaku, so I was wondering if we’d ever get an Amanojaku-ish character, and sure enough, here he is.

Other than that, good God. Minato is such a fucking embarrassment. I adore this walking fivehead so much. Had to put the extent of my love for him and this chapter under a cut because it’s probably the lenghtiest ask response I’ve ever written.

I think I can’t even pinpoint what the best thing about this chapter was. Like, the details are very subtly placed in all the right spots as always, and this is probably what leaves the bigger impressions on me. And by “details” I mean the subtext and symbolisms.

For starters, Ayano knows very well how to fuck with plant language nerds. She’s used a lot of it with Masaki and Minato, and it feels like the bar just keeps going up. First it was oaks (strength and knowledge), then bamboo (inspiration), then azaleas (developing passion), and now it’s freaking bellflowers. What’s more: the ones that Minato stopped by were spotted bellflowers. They’re known for their heart-shaped foliage. In flower language, bellflowers stand for gratitude and unwavering love. And sure enough, Minato doesn’t waver at all before going into that bakery and buying a batch of cinnamon buns (did it really have to be that of all things, omg) for Masaki, specifically.

I can’t stress how wholly, completely, utterly unnecessary that was. There’s no heterosexual explanation to it. I mean, there’s no heterosexual explanation to a lot of things about these two, but the romantic connotation was really heavy on this one. You have to use a fucking magnifier to find the platonic in this bullshit, and it’s still hella hard to ignore the implications. It’s even harder when Minato is berating himself for buying the buns on impulse when he heard that they go well with coffee and thinking about how irritated he feels when Shuu is around Masaki. He doesn’t even try to pretend that he’s not jealous. Be more like any other oblivious sports anime protagonist and let me die in peace, for fuck’s sake.

I’m just trying to pretend that I don’t know cinnamon is associated with romantic love and often used to inflame passion, because that’s too fucking much.

On other news, I’m highly pleased that we get SeiKai hints even when Seiya and Kaito don’t show up together. Kaito mentioning Seiya’s name every two or three sentences and approaching Minato simply because he saw Kuma and thought that maybe Seiya was there was gold, tbh. It was a good break before the mattress fire that happens right after.

The way Minato found out that Masaki meant well and didn’t want him to become like he was in the past was just so priceless. Take this shit straight to the face, son. Get fucking wrecked by how much he cares about you.

It’s also really freaking hilarious to me how everything that concerns Minato’s relationship with Masaki involves shoujo manga tropes. Envious of your rightful rival being too long around your master? Check. Learning the hard way that it was all for your sake? Check. Getting frustrated and shouting like a bitch at the irony of it? Check.

Minato is Minato, though, so of course he acknowledges that he wants Masaki by his side in spite of this. Did he have to do that while lying in bed, though? I think the fuck not.

And cue Masaki texting him immediately while he’s doing that, because Masaki always shows up when he wants to see him, and because this has turned into a romantic comedy, apparently? Love me that age-old cliché where the main character goes to the window after getting a message and finds the person who’d been occupying their thoughts standing there by sheer unadulterated coincidence, and they fucking heard you, you little shit.

This comes in a set with the “first visit and you’re already inviting him to his room” trope because why not follow all the way down with the romcom narration structure since we’re already at it? Double entendrees every three phrases or so because go big or go home.

“Dad isn’t home yet, so should we go upstairs?”

Yeah, lmao, that’s what about every shoujo heroine says before getting lectured on how they “shouldn’t make that sort of invitation to a guy”.

“It feels great. Thank you, Masa-san.”

It doesn’t feel so great not being able to overlook this, Ayano.

“Well, I may not look it, but I am your master after all.”

SHUT THE FUCK UP, JESUS CHRIST.

Seriously, this shit only loses to Fifty Shades of Takehaya and his more than unasked-for lines about “punishing” and “thoroughly training” Kaito. Sure, none of this is on the level of dirty jokes, but the subtleties are still too many.

The fluff is what gets you good, though. Because that was fluff right there. No, it doesn’t classify as hurt/comfort. These bastards fluffy. I just wanna know who managed to stay upright after reading about Minato feeling his heart ache because it had been too long since the last time he’d seen Masaki smile at him, ‘cause I sure as fuck didn’t.

No time is wasted before they off their asses to the place where they first met, which is basically a world of their own at nighttime (it’s named Yata Shrine for a reason; fuck that reason). And of course there had to be your usual load of elusive language in the middle, where the destination is pitch-dark but the road there is all wildlife and stars and this sparkly wave of light at the end of the tunnel. Welcome to the land of bitch, this isn’t a shoujo, stop acting like one.

Or don’t. We’re indulging. Screaming internally the entire time, but still indulging.

The dialogue is so obviously crafted to seem like something else that it’s useless to pretend it wasn’t inentional. I already knew what was coming but reading about the whole thing was an experience.

“I’m happy that you became my coach at Kazemai but I’m also not, because I don’t get to keep you for myself.”

Did he have to say it like that? Abso-fucking-lutely not. But he did anyway, because since when does Narumiya Minato give a flying fuck about ambiguity versus precision?

Six kinds of gay here. And all of them confirm that Minato’s “mixed feelings” when seeing Kaito being so familiar with Masaki from the get-go were, in fact, pure jealousy. It’s not even envy, because that’s wanting something someone has and you don’t. Minato was even closer to Masaki than Kaito was at that point, so it was all just his Masaki-exclusive greed speaking, plain and simple.

This is what gets me about this scene, tbh. It’s so much like Minato to say that, but it’s so alien to read it in a shounen novel. I don’t recall seeing anything so direct and raw in any sports franchise aside from Yuri on Ice. The most we get is “I wanna do [insert sport here] with you”. But this case is a blatant “we’d be doing the thing we like together one way or another and I’d have preferred if no one else were involved”.

And this comes right before we get a reminder that Minato doesn’t like it when Masaki treats him as a child, again. That’s… something. I hate this something a lot.

Also, it feels like the two of them are having completely different conversations with each other. Masaki is talking about his struggle coaching Minato and pointing out the crap he has to deal with in having a student whose last words are probably gonna be something stupid like “oops” or “oh, shit”, and Minato is countering with apparently completely unrelated arguments.

“But didn’t you let Shuu touch your belly, Masa-san?”

The fuck does that have to do with anything? How is that of any relevance to the conversation? What is this gay nonsense?

“If anyone else heard only that, I’d sound like a pervert, wouldn’t I? Did you want to touch it too, Minato?”

JUST DISMISS IT, YOU MOTHERFUCKER. DON’T ENCOURAGE HIS FOLLY. LET IT DIE.

“I’m no pervert, so I’m good.”

And now the moment of crushing honesty is over. Time for lies and derision because we all saw earlier in this chapter that (I can’t believe I’m actually writing this) Minato did, in fact, want to touch Masaki. Boy just called himself a pervert, indirectly. Gotta congratulate him for playing himself for, like, the hundredth time, I guess.

Of course Masaki would get emo in this scene sooner or later, because the fact that he’s dealing with the most reckless character out of the cast is apparently not a pertinent reason for things to have ended up the way they did. And of course Minato was gonna do something about it. It’s almost obligatory by now that they lift each other up.

WHY LIKE THIS, THOUGH?

Like, there’s just too much here that doesn’t translate into a master-student thing. Okay, I can totally see that in the dialogue but the actions are screaming something else entirely. Obviously, as I always say, I’m not gonna label it as romantic. What I’m talking about is: this isn’t the behavior of someone interacting with a teacher, but of a person with another. I mean, no matter how you look at it, there would have been a lot to consider here regarding the minimum of restraint that one should have around their mentor or at least around their elders, but Minato is basically saying “fuck you” to all of this.

Yeah, sure, go reach out to grab his hand and gently brush his bangs off his eyes simply because you can’t help the urge to look into them. No big deal. It’s just the affection of a disciple. Anyone else would have done the exact same.

I JUST WANNA TALK, AYANO. I JUST WANNA TALK.

Not trying to stereotype or devalue the worth of teacher-student relationships. Just back to my previous point: you don’t do this shit to a teacher, realistically speaking. And even if anyone hypothetically had any gall to do that, neither the teacher nor any onlooker would disconsider it an advance. Anybody would find it a little bit out of place at the very, very least.

Also, that declaration? Literally Minato swearing he would have Masaki be the one teaching him for the rest of his life? This after having said similar bullshit like claiming that he would never let Masaki go or that he’d follow Masaki to the grave. The bar just keeps going up. So, in short, “you don’t have to be my master but I’ll be damned if you’re not my master forever”.

Ayano, you’re murdering us. You’re murdering your readers.

“I feel more relaxed when I talk to you, Masa-san.”

No news here but thank you for saying it anyway. There had to be icing on this cake. And the cherry on top was Masaki’s explanation about the word “talking”. Are you telling us that these idiots hand their hearts over to each other every time they open up like this, Ayano? IS THAT WHAT YOU’RE FUCKING SAYING, AYANO?

Love me all of Minato’s non-existent heterosexuality being killed with fire.

I imagine that Minato must have made the cutest face when seeing Fuu again. Fuu, the owl with a heart-shaped face, showing up at the most convenient time. Because heart-shaped leaves weren’t enough, apparently.

The end of this chapter made me feel a tiny bit bad for Shuu, though, because it was one more instance of something that he and Minato and no one else had in common that got overwritten and outshone. It’s definitely a parallel to when they were little kids learning under Saionji and hiding it from everyone until a certain point, yelling at the top of their lungs and being competitive while taking things seriously to an extent. Here, we have Minato and Masaki in perfect sync, reproducing the exact same thing that Shuu and Minato had learned so many years ago but with experient successfulness and also complete harmony. And this time, it’s 100% their secret only, taking place at night without the knowledge of anybody, with no audience, no parents and no teacher.

It’s… too much, lmao. In every sense. Shuu literally stands no fucking chance next to Masaki and I love it. *broadcast lady voice* Fujiwara Shuu. Repeating; Fujiwara Shuu. Your wife Senichi is waiting for you at Kirisaki High.

And of course, the chapter had to be closed with a finishing blow. God fucking dammit. Minato packing coffee to share with Masaki would have been enough, but nay, Masaki also had to bring the fucking oyaki. From the fact that they’ve had oyaki together before at the shrine and that these oyaki are from the bakery where Minato had bought the cinnamon rolls without a second thought, it’s sort of really obvious that Masaki bought them to eat together with him.

I didn’t ask for any of this and now I need to lie the fuck down.

[survivedeathvalley]

EPISODE 1 - “TIME FOR SOME BRO AND TELL” - GIRUGA MESH

I am so excited to be competing! Everyone seems like such nice people and I can't wait to play in the challenges and do my very best!

Mattie is such a Basic Bitch(TM) and it's killing me. Like I'm not that great of an actress, I am a superb liar but I am a shitty actress. Why? because humor is the only thing that keeps me from going insane and I made Mattie such a basic bitch that she can't use any of my "quirks" or fun thoughts and theories. And now Mattie just mentioned death by dehydration, motherfucker! I am so going to be first boot it's not even funny. UwU

I just wanna talk about my feelings about being on the neutral tribe... I do consider myself on the Chaotic Neutral/Chaotic Good side of things. The chaos comes from my crazy emotions. I'm a Pisces so I'm sensitive and emotional. Also I'm actually kinda happy about being on a tribe of 6 people. I NATURALLY gravitate towards Bianca. I know who Paul is cause he slipped up in the tribe chat. So I feel good :)

OK SO i said i was retired but i adore logan and i wanna see what i can do without my baggage of the past that fukt me in ts all stars so phew. the people on my team seem chill, idk why but for some reason i get the feeling that theyre younger than me which doesnt make sense since im only 20 but anyway. I know that i type very specially and use phrases a lot so its gonna be hard to stop doing that bc if any of these people know me at all its gonna be a dead giveaway! 

So I've spent all day at Disney World today and I finally get back to the hotel and come online to speak to my tribe.  No one has talked to me one on one yet so... yeah,  no idea.  I said in the main chat I just got off work and I checked online to see Chick-fil-a's hours to make sure my story checked out too. :* We'll see what happens, on to figuring out this challenge!

First off: When I read this... Confess your sins, your dirty-dirty bad bads, your evil twisted thoughts here. It made me think of the dialogue in a bad porno. http://31.media.tumblr.com/tumblr_lthhgjZ1xY1qg39ewo1_500.gif Second off: I do quite enjoy the concept of this alias season. I like the idea of going into the game as a fresh face with a fresh personality and playing along with other people that I don't have any idea of. It kind of rekindles the fun that I have when I get to play in seasons with newbies. http://mashable.com/wp-content/uploads/2013/07/excited-baby.gif Then, of course, I remember that these are not newbies so some of that fire loses a little oxygen. https://media.giphy.com/media/BmMU3LOfNMMeI/giphy.gif But, I'll try to convince myself that we're all playing for the first time. 

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So far I've noticed a few things about my tribemates. I don't think anything can be applied specifically to the individual given that I haven't really reached a stage to call people out... but, some of them are hung up on the fact that this a catfish season. When messaging them they tell me that it's awkward and when I tell them that the dog in my profile picture is my dog Donut they ask if it is "for real". I'm trying to play up this characters of Jenny for them because I thought that was the goal and I need these people to get on board. https://media.giphy.com/media/KGHtHISczyhHO/giphy.gif

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Wow, that last bit probably makes me come off as quite the rude person. Yikes! I need to get over myself a little. I get that easing ones self into a new situation can be challenging... sooo I'll give them a shot while continuing to respond to any and all questions and comments as Jenny would. http://replygif.net/i/440.gif

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So far I think my favorite people are Tanner, Kai, and Adelaide. I'd like to think I'd enjoy Wash as well but they went to bed shortly after starting communication with me. I don't think (so far as I know and god I hope not) that anyone has come up with a plan to ally yet so I'm just going to continue chatting to get my feelers in those waters. http://media1.giphy.com/media/BqHng2hpjOUdW/giphy.gif

Hopefully Jenny will appear charming enough to begin allying with these people. She needs some throats to slit later down the road and can only start to burn the bridges once she's built them - unfortunately!

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Alright, so I wanted to show my excitement at this game because I've played a real-life version called Tsuro with my friends where you are dragons and I'm hugely board game obsessed... but that's nowhere in Jenny's character and I don't feel like making any content about her up unless I absolutely have to! https://uberflip.cdntwrk.com/files/aHViPTIxOCZjbWQ9aXRlbWVkaXRvcmltYWdlJmZpbGVuYW1lPWl0ZW1lZGl0b3JpbWFnZV81NmQ4NDkzNzFjM2I0LmdpZiZ2ZXJzaW9uPTAwMDAmc2lnPTIxMTE0OTVlM2I1Y2M2NWVlYjMzOTE3OTcyMDExZmI0 Also, I was being truthful when I said the challenge is hard... like, I guess I'm having some difficulties processing the path or something because I keep crashing absurdly early. I'm hoping that by tomorrow when others have played it they will be able to talk me through getting a decent score so our tribe doesn't have to go and I won't have to face the possibility of being first boot (which is likely).

Ok! So basically, Kat just asked me for an alliance??? It's legit night one like chill, but obviously I ain't gunna turn down an ally so i'll play along. I was like "OMG YAHHH I NEVER HAVE ALLIES ON SURVIVOR ORGS" hopefully that makes her think im like a 100% on board... in realist im like 40% on board. It's SHADee as FUCK to try and propose an alliance so early... Also, Giruga (or whatever) is legit annoying as fuck. I think ever sentence he has said thus far has the word "bro" in it? Like can you not be annoying as fuck for no reason... I get it is an alias season, but they dont give you no free pass to be as obnoxious as possible. Praying we win this challenge... hopefully get first because I could totally use a reward with possibility of an advantage in the game. GIMME THAT IDOL. If we do happen to lose I cant wait for the ugly bro culture of Giruga to be the first boot this season deserves.

Honestly I love my tribe and everyone seem so nice  Not knowing who people really are is kinda crazy but I'll get use to it. 

That challenge was crazy and I'm glad it's almost over with. 

I'm bored so I'm just gonna... make another confessional. What does this alias twist mean to me? I wanna be able to make the most of it and be able to play the game I'm never capable of playing as my real self. As who am actually am I suck at seperating emotion and strategy so I'm gonna try to be as emotionless as possible, which I actually think will be easy considering idk who anyone is....... except 2 people perhaps. Anyway time to flop at this challenge xoxox give me a good edit please

i'm typing like gabby bc i don't wanna get out of practice. why is it that the only person that talks to me is misty? bianca i c that u're on and you don't respond to me you're the first person im gonna target. i swear i've sent a 'hey' message to every1 on my tribe and the only one that responded was MISTY.  then marco or whatever his name is hasn't even accepted my friend request yet... i see how it is.

Later...

I mean I figured we didn't do fantastic but losing by over half.... sucks.  a lot.  Misty and uh.... someone else just called Marco out for not accepting anyones friend request... maybe that means we can vote him out this round to ensure I stay. :) 

https://youtu.be/NSE7BsDWti0

https://youtu.be/mn4vdHFOM88

I forgot we were the Titus tribe but then I realized we got 2nd so I am very proud of my tribe! We did it yay!

So we just got 2nd and are immune this week I'm so happy. Whoever gets voted out will be crazy bc no one wants to be first boot but the weakest should go!

So, not only does Kat approach me as an alliance, but i just got approached by William and Layla, too? Damn I cant believe im winning this game :))) Anyway, supposedly Kat and William are ORG newbies? Not sure if that is a lie, but that doesnt shrink their targets by any means... Also thank the fucking survivor gods this Bro bitch aint on our tribe for the next 20 hours!!!! I hope he burns in the Devil's butthole along with his meninst culture.

So UMMMM I'm gonna just spearhead this plan to get Marco out cause he hasn't spoken... at all. I'm not afraid to take control of my tribe at this point cause the inacts gotta go. Mattie/Gabby are both pretty active so I wanna work with them. Bianca's my goddess so I wanna work with her too. It sucks she got removed or else I would've formed a majority with them. Rn I'm telling everyone "If you watch out for me I'll do the same for you blah blah blah" and making deals w/ everyone because that's how I play! Let's hope it works out xoxoxo

okay, i've been trying to be a super sleuth to figure out these identities...  I really think that Misty is really Nic.  Misty is from Georgia and Nic is from Georgia, and I think they are from around the same area.  Nic knows that I am from Georgia and now he knows that Gabby is from Georgia too so I hope he doesn't put it together, I think that I'm typing differently enough and I lowkey think he believes that whoever is behind Gabby really works at chick fil a because I've been doing my homework. I'm not sure who Mattie is yet, but I'm having a hard time NOT mentioning how much I love Glee because then I think people would obviously know who I am- or they would think that I'm Ashley Sarah, but Mattie was talking about Scream Queens and I desperately wanted to say I LOVE LEA MICHELE but I kept my cool. I lowkey think that Mattie might be Pippa though, they remind me of each other.   Everyone else....?  I still have no idea. 

Not much has happened so far. I've talked to a few people but nothing has really moved forward. I was happy to go to the devil's hole, although I didn't end up finding anything. I'm glad I got a chance to meet people from the other tribes though. It was interesting to find out that they have people who haven't even spoken in tribe chat yet? That's crazy. Also it's fun to try to guess who's who. I mean, it's possible I don't even already know the people on my tribe, but it's still fun to try to figure out who they could be. I haven't really gotten there yet. Although I wonder if Alex Raine is a bit new to the community because he's a comp beast, yet he's showing it and making it obvious and making himself a target. I don't know, he seems cool and we've talked a bit, but come merge that could be tricky for him. In terms of alliances, there aren't any yet that I'm really aware of, but Jenny and Alex are the only ones I've talked to that much and I'd be happy to work with them, despite being a little nervous that Alex is a target. He's nice and hopefully his social game is as good as his physical.

aaaaa  i got 378 score   aaaa

Bye I'm going home today...  I'm shook at how fast this game started and I saw in the tribe chat that people were complaining that I hadn't added anyone yet but I didn't get any contact requests from any of them either hm!! Anyway unless I can pull myself out of the dirt somehow I'm totally screwed right now... im an easy target bc I was not here the first day and easy targets are always just easy to vote out the first week rip...

Nothing really. I haven't acted on my plans of being an aggressive player this season, so maybe I'll adapt and get a new strategy going later. Good luck to me

Right now I feel like a mess because I keep forgetting to check skype and missing important stuff. But right now the general consensus according to Misty is to vote out Marco because he literally does not exist and hasn't added any of us. I love a good first round flop. I feel like if I start showing my fabulous personality I could have a good shot at surviving if we go to tribal again, however people might be weary of me now that I've gone to the Devil's Hole, even though I got nothing. Rob wouldn't even let me keep the rock. :'(

I can't believe I'm pippa 

these bitches are so bland and boring BYE

Why did I make Kat so happy and grammatically correct all the time I'm so used to keyboard smashing like jsjsjahajak. I literally cringe every time I add an exclamation point like pls... settle down... I regret this so much nnnn. Anyways- The people I'm closest to rn are Dianna and William because we have an alliance. I'm also good with Giruga, but that's probably because he's such a talkative person-- and so is Dianna. It's really important for me to show my worth to these people so they don't target me because social players run the early premerge. I think I'm doing a pretty good job of that so far. I'm also playing it off like this is my first time playing an org, which will make me seem less threatening. I don't really know if that'll play off since we're all catfish, but I figure the more utr I am right now the better. 

Well, I can't get into my Paul account so I'm probably being voted out. Peace ✌️ 

EP 1 EDGIC

http://prntscr.com/f4zaus