#algozi
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Bukan ngada2 mas bro, ini alat subuh aja baru berfungsi,,, kalo udah siang gak berfungsi lagi,,,, invalid katanya #teheknyaalatini #Algozi
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Showreel 2017 from Ardiansyah Satria Fajar on Vimeo.
Hello my name Ardiansyah Satria Fajar, I'm freelance graphic and motion designer (Visualkustik) based in Jakarta, Indonesia.
On this showreel contain my latest project when I was a motion designer at Motionhouse Indonesia.
Enjoy!
0.08 : Bumper Logo Magnify & Magnitude Project Manager : Theresia Sari Creative Director : Muhamad Santoso Motion Designer : Jafar Sidiq, Imam Handayana, Ardiansyah Satria Fajar, Ribat Algozi Studio : Motionhouse Indonesia
0.15 : Marlboro CC awarding Project Manager : Theresia Sari Creative Director : Muhamad Santoso Motion Designer : Jafar Sidiq, Imam Handayana, Ardiansyah Satria Fajar, Ribat Algozi Studio : Motionhouse Indonesia
0.18 : Decible Festival Surabaya Project Manager : Christ Ganda Creative Director : Muhamad Santoso Motion Designer : Jafar Sidiq, Imam Handayana, Ardiansyah Satria Fajar, Ribat Algozi Studio : Motionhouse Indonesia
0.20 : Honda JBTC 2017 Project Manager : Nadine Risthanty Creative Director : Muhamad Santoso Motion Designer : Ardiansyah Satria Fajar, Ribat Algozi Studio : Motionhouse Indonesia
0.26 : LNJ Infographic Project Manager : Thopan Mahesa Jenar Creative Director : Jafar Sidiq Motion Designer : Jafar Sidiq, Ardiansyah Satria Fajar Studio : Hurricane Visual Voyage x Visualkustik
0.31 : Marlboro LAMP - You Decide Project Manager : Theresia Sari Creative Director : Muhamad Santoso Motion Designer : Jafar Sidiq, Ardiansyah Satria Fajar Studio : Motionhouse Indonesia
0.36 : Sampoerna Commercial Conference 2016 Project Manager : Theresia Sari Creative Director : Muhamad Santoso Motion Designer : Jafar Sidiq, Imam Handayana, Ardiansyah Satria Fajar, Ribat Algozi Studio : Motionhouse Indonesia
0.41 : A Mild Trademark Project Manager : Christ Ganda Art Director : Roni onet Ernawan Creative Director : Muhamad Santoso Motion Designer : Jafar Sidiq, Ardiansyah Satria Fajar Studio : Motionhouse Indonesia
Linkedin: linkedin.com/in/ardiansyahsf Behance: behance.net/visualkustik Instagram: instagram.com/visualkustik YouTube: youtube.com/user/artfulsyndrome Website: visualkustik.com/
Music: Avenza - Explorer
Thanks for watching! :)
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Status of the internet
Both Troll Thread (TT) and The Serving Library (SL) provide free content that is easily accessible through the internet. They have simple, quite homemade-looking designs and their pages are very easy to navigate as a user. TT’s simple design presents each work on the main page with name and two buttons which offers free download in pdf format and the offer to buy the work in print whereas SL offers pdf-downloads of all their works and the option to buy their annual magazine, single issues or a subscription. Both websites’ contents are free, downloadable and printable. My first impression is that this is a new kind of self-publishing that makes it easy for writes to make their pieces accessible, but without all the middle-men in a conventional publishing process. As Joseph Yearous-Algozin says in the Troll Thread Interview on Poetry Foundation’s website, it is resource-saving, ”poor publishing”: “My particular interest in working with digital platforms is that the work can be published, distributed and consumed without money changing hands. Rather, we’re parasites on multi-million dollar companies. Using Tumblr to host our PDFs and Lulu to print books with no upfront costs, means we didn’t have to waste money on staples, paper, or xeroxing. In effect, Print-on-Demand and PDFs are what poor publishing looks like”. This is, as he says, cheaper and easier than conventional publishing if you as a writer want your things to be published. However, as the team behind TT also says, this kind of production is also a lot faster and less thorough (or at least it can be). Fastness is a factor in their way of publishing, and that might affect quality. The content might become “poor” in more senses than simply cheap: “I don’t want to argue that the kind of work that TT is publishing is not literary, clearly we publish “books” and PDFs that we label as poetry and are distributed, for the most part, within different poetry communities. However, their status as literature has certainly become more generic or general, while also becoming more ephemeral and reliant on a different speed of production/publication/distribution. I think Chris Alexander’s definition of literature as “post-medium” can be useful here. Or, that in flattening out the text and making it more easily distributed, it loses an important part of its aesthetic, i.e. exceptional, status.” I am not sure the situation is the same for SL as the site is created run by a university. Fastness might not be as important. But it is interesting if their works of serious writers will suffer from the same as Yearous-Algozi claims – if their works lose an important part, the exceptional status, as well? If the sender and content becomes less important than the medium because the medium is considered “less”? It is interesting as well why this free internet sharing would be considered less exceptional because it is easily accessible on the internet. Is it traditional thinking? Or is it the lack of curation as Chris Sylvester claims that TT and most of the internet has?
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PCB keyen hihihi Lumayan baguslah, #Algozi
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PCB buatan tangan, masih berserak... #algozi
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Ini baru motor, Hahaha V > 10K RPM #algozi
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Yuhuu Baru ininya yang siap... tet tet tet Hahaha Pkek #Algozi pulak tu
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Tinggal Ambil Data Dengan memanfaatkan yang ada di sekitar dan membuat sesuatu yang bermanfaat #algozi
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Di cari seven segmen 1.2” common anoda.. wilayah medan Hehehe #algozi
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