#also! this is apparently the 40th captain swan work of mine on ao3

[welllpthisishappening]

But Once a Year (1/5)

This is a trick.

It has to be. Something Pan planned, or some nonsense only possible in Neverland, because one second Emma’s sitting outside the Echo Caves and wondering how exactly things could possibly get worse, and then the world decides to take her up on the challenge. She’s not where she was. Or when she was, either.

And the future isn’t entirely what Emma expects it to be, but that might not be entirely horrible and Christmas with a husband and a family that quite clearly loves her is only kind of messing with her head. God bless us, every one.

————

Rating: T Word Count: 8.3K and just a lot more than originally planned AN: It’s me. Incapable of writing a multi-chapter until starting a new job, and having other prompts to fill, and I really will fill those other prompts, so prepare yourselves for an onslaught of Christmas fic. Of which this is only kind of that. It takes place at Christmas. But also involves time travel, and way more canon divergence than I’ve ever written, and kissing. Because of who I am as a person. Blame @klynn-stormz​​ if you must. Or don’t, because she sent a very good prompt and is very nice and I hope she enjoys this mess of words. 

Also on Ao3 if that’s your jam

————

She’s so goddamn hot. It’s absurd. And disgusting. But mostly absurd. 

Sweat pools at the base of Emma’s spine, drips down the sides of her cheeks and falls from the edge of her jaw. Makes her skin crawl, the kind of heat that’s far too oppressive and she’s already having enough trouble breathing, so all of this seems like overkill. Which is Neverland’s schtick, she imagines. 

Licking her lips doesn’t help. Moving is a lost cause before she’s even considered clamoring to her feet, and she’s genuinely not sure if she’d be able to unbend her knees anyway, crouched as she is in whatever foliage surrounds the mouth of the Echo Caves. 

It smells. 

The foliage — and Emma, she supposes. Most of her thoughts drift away from body odor rather quickly though, right back into that cave and she can’t figure out who made the cell Neal was in, but she also told Neal she wished he was actually dead while he was in that cell and she figures that makes her something of an asshole. 

Feeling clenches in her chest, quite possibly the physical manifestation of her anxiety and growing fear and every single second that passes is another second they haven’t used to find Henry and—

“Ah, shit,” Emma hisses, not able to get her sword out of its makeshift scabbard in time. Maybe she shouldn’t keep it on her back. 

Hook lifts his eyebrows. 

“Are you alright, love?” “Shut up. What are you doing out here? It’s not your turn to watch.” Scoffing, he lets his tongue trace across the front of his teeth, which is only vaguely obscene, and Emma’s far too warm to deal with this. In both the literal and metaphorical sense of the word. It’s ridiculous that he’s still wearing his jacket. “Aren’t you hot?” she asks, words tumbling out of her before she’s really considered them and she wishes that trend would stop. 

Quickly. Immediately, even. 

Not crying after her mother’s Echo Cave admission might be one of Emma’s great accomplishments to date. 

“Should all of your statements sound so much like insults?” Hook quips, his tongue continuing to torment Emma. Staring at his tongue is becoming something of a very real issue for her. 

Presumably because she’s now all too aware of what that tongue is capable of, and they’d been very good at kissing. Each other, specifically. Better than she thought, honestly. And she refuses to acknowledge how often she thought about it. 

She still hasn’t been able to get her sword out of its scabbard entirely. “I’m going to take your rather pointed silence as confirmation of the insults,” Hook continues. Rocking forward, the edges of his jacket threaten to brush Emma’s bent legs and she honestly has no idea what she’ll do if that happens, so leaning back seems like a reasonable response and not one that’s going to make his eyes do that thing. Where they dim ever so slightly, teasing disappearing and evolving into understanding she both hates and wants on some sort of fundamental level and—

“I’m sorry.”

On the nonexistent list of things Emma doesn’t expect, that might be numbers one through seven. Maybe even up to eight. 

“You don’t—” she shakes her head, hair sticking to her skin in the process, “Well, no that’s not actually true, because you probably shouldn’t have said anything about the making out—” “—I don’t believe I used that particular phrase.”

He actually has the gall to smirk when Emma glares at him, eyebrows twisted in the kind of unspoken challenge that regularly makes her stomach flip. Emma doesn’t have time for stomach flipping. She’s got to find her kid. Possibly get, like, twenty-four minutes of uninterrupted sleep. “Even so,” Hook adds, “it was…” There’s enough fabric on that monstrosity of a jacket that Emma can only imagine he’s got plenty of pocket options to stuff his hands into, but his thumb just finds his belt loop and the exhale he lets out is rife with emotion. The same kind she’s trying to avoid, in tandem with the stomach flipping. “Your father keeps glaring at me.”

Laughing is a patently absurd reaction to that. 

Her father is dying, apparently. Or tethered to this island, and that’s not much better, but it absolutely does not surprise Emma that he’s falling directly back into overprotective and if she’s going to be the asshole she absolutely is, then she should also probably admit how nice it was

to be hugged with that kind of determination before. 

That might not be the right word. 

Whatever, it’s the thought that counts. She thinks she might be able to fall asleep if her dad were here. 

“It’s not a big deal,” Emma lies, barely opening her mouth. Like even that can’t believe what she’s trying to claim. “Although I am sorry about my dad, I can—I mean I can say something if you want.” “No, no, that wasn’t what I was suggesting, at all. I’m sure the prince has better things to worry about than—” “You and me?”

Hook hums. Keeps his thumb where it is, and his eyebrows halfway up his forehead. 

Her stomach noticeably sinks. 

“Of course, not—no, I just…” Stammering Captain Hook catches Emma off guard, eyeing the toe of his boot as it digs a fairly impressive divot into the ground that is no doubt staining her jeans. And she’s about to do something, really she is. Say something almost positive, or reassuring, or maybe simply jump back to her feet, bent knees be damned, so she can grab the lapels of that nearly-offensive jacket and kiss the ever-loving daylights out of him. Again. But something snaps behind her, and every single inch of Kill—no, no, Hook, still Captain Hook. 

That’s more unimportant syntax. 

Because all of him tenses as immediately as Emma had been hoping for before, a soft noise on the wind that’s strong enough to ruffle those sweat-drenched strands of her hair. Her mouth goes dry, the laughter making her pulse sputter traitorously and Hook’s sword all but flies out of its scabbard. 

“Emma, you need to move,” he says, calm as anything. It’s an act. She knows — can tell even when it appears the jungle is getting darker, and the stars above them are going out, but then again, she’s always been able to tell with him, and it’s very disappointing that her rather dramatic swallow doesn’t do anything to help the state of her mouth. 

He used her name. 

Eventually that will feel very important. 

“What? Why, it’s—”

“Please, love,” Hook presses, “I need you to come with me. Right now. How long have you been out here?” Shrugging is harder than Emma expects it to be. As if the heat is actually a weight, pressing directly into her shoulders and rooting her exactly where she is. “We need to move, Swan. You shouldn’t be here.” “Well, that’s kind of rude.”

Widening his eyes makes it even more obvious how blue they are, and they are so ridiculously blue sometimes Emma wonders if she could simply drown in them. Sometimes that doesn’t seem like all that unappealing a prospect. 

God, he was good at kissing. 

“You told me to shut up earlier. Turnabout is fair play, darling.” “Running the gamut of nicknames, aren’t we? Is that a power move?” “Endearments, really. And no, it’s not. Disappointing that wasn’t clearer what with my intention to apologize and make sure you were alright.”

“Sounds suspiciously like playing knight in pirate armor.” “Can’t imagine armor would be very comfortable. Not much freedom of movement, you see.”

She laughs. Without thinking too much about the sound, mostly because the sound seems to bubble out of Emma and that’s not right. She doesn’t bubble. She stews, and sits and—

Something springs from the ground. Spring is generous, honestly. Cracks form under Emma’s splayed out fingers, tiny green vines that file up with a smell that make her vision swim and her senses fog, and she’s dimly aware of a hand on her shoulder. Tugging her forward, but Emma’s legs simply are not interested in functioning, and she’s so comfortable here. Standing seems even more unreasonable than before, especially when all of her inhales come with that scent. Reminding her of something she can’t quite understand, and it’s suspiciously similar to the tide coming in, and he’s still yelling. 

And swinging his sword. Light gleams off the blade, probably because whatever is pushing out of the ground is also glowing, and Emma’s mind can’t really cope with glowing plants right now. 

She squeezes her eyes closed. Burrows her face into the very solid chest she’s somehow level with, and Emma’s not entirely sure when that happened, but she also can’t bring herself to complain about it. Especially when it feels like his lips graze her temple. More than once. 

“Swan, c’mon love we’ve got to go.”

Groaning, Emma’s head doesn’t ache. Nothing does, actually. She’s oddly comfortably and her internal-body temperature appears to be biologically accurate, but she’s admittedly not totally confident about her knowledge of that second thing, and whatever is underneath her left cheek is also quite obviously not the very solid, slightly uncovered chest of a pirate captain she’d like to make out with again. 

Her stomach flies into her throat that time. So, there’s something to be said for a change of pace. 

Emma blinks. Swallows. More than once. Licks her lips, to absolutely no avail — but she can’t be bothered with that when it’s clear her heart is doing its damndest to beat its way out of her chest, and she’s not in Neverland anymore. 

For one thing, there’s a distinct lack of smells. Bad ones, at least. Wherever she is smells suspiciously liked baked goods and the forest, which makes sense as soon as Emma blinks open her eyes. There’s a rather large tree across from her. 

Covered in garland and lights that blink back at her, ornaments hang from nearly every branch, and there are enough presents underneath that she briefly wonders which bank they had to rob to buy all of that. Snow flurries dance outside windows that are frosted over, and there are a lot of windows in this room. 

Some of them look out towards an expansive backyard, while others make it clear just how close they are to the water, and Emma thinks she can almost smell the water, but that might be wishful thinking and—

“Holy shit,” she breathes, gaze finally landing on the voice in front of her and she knew the voice, even when she didn’t want to admit it. That’s something of a theme for her now. “What—what are you wearing?” Tilting his head in confusion, strands of hair threaten to fall into Hook’s eyes. The same blue as always, if not a little sharper because it’s obvious he doesn’t understand what’s going on, and Emma’s going to cling to that. So it feels like they’re on slightly more even footing. 

“Clothes,” he drawls, and that's the same too. Emma can’t move. Is having quite a lot of trouble breathing, and clothes is a vast understatement. 

Pants that are somehow tighter than any of the leather he’d previously sported make his legs look ridiculous, especially when there’s a noticeable lack of sword and Emma was kind of getting used to the sword. He’s rolled up the sleeves of his shirt, nothing covering the brace at the end of his arm, but she’s also admittedly preoccupied with the number of buttons he’s undone and the vest that’s hanging loosely from his shoulders, and this might actually be the first time she’s seen him without a jacket on. 

Her stomach will probably just stay in her throat, then. 

“You’ll do dangerous things to my ego, if you keep staring like that,” Hook warns, but any passably snarky response gets caught behind Emma’s increasingly problematic tongue and her brain still hasn’t caught up yet. 

To the glint of light reflecting from his hand. 

And one very specific finger. 

Mouth dropping and breath practically flying out of her, Emma nearly steps on both of his feet when she jumps to hers, trying without much success to stay upright. Her hands fly towards him of their own accord, or so she will argue forever, and that can’t possibly be her first mistake. 

Putting her goddamn scabbard on her back was, probably. 

As it is, whatever number she’s at is suddenly the only number that matters, because her flat palms make it undeniably clear that she’s got her own bit of jewelry on her own specific finger, and Killian’s hand keeps moving. Up and down her spine, like that’s something it’s allowed to do. There is not enough oxygen in the world to sigh as loudly as she’d like to. 

“Steady on, love,” Hook murmurs, and that about does it. Neck giving up and knees threatening to buckle underneath her, Emma’s fingers curl into this absolutely ridiculous shirt at the same time her forehead collides with his collarbone, and he doesn’t really flinch. 

Tenses, slightly — although she figures that’s because of the worry she can practically fele radiating off him, and his hand stills. So as to ensure that his arm can also tighten around her middle, while his lips brush across her temple and the top of her hair. 

Anywhere he can reach, it seems. 

“Nightmare?” he asks, pulling her closer. They fit very well together, Emma realizes. Like pieces of a puzzle, and that’s admittedly sentimental, but she’s also ninety-six percent certain she’s still dreaming. That’s the only reasonable explanation. 

She can’t be dead. Not from a plant attack in Neverland. And Kill—Hook, goddamnit, Hook, wouldn’t have let that happen. She’s sure of that, at least. 

“Um, yeah, yeah,” she stammers. “I—sorry, I don’t think I meant to fall asleep.” “Nothing to apologize for. You’ve been baking for a small army the last couple of days, only serves that’d be exhausting.”

“Have I?” Leaning back, he narrows his eyes, and that’s fair. None of this makes sense. Rings, and trees, and baking. She’s never baked in her life. If she had, it wouldn’t smell nearly this good. 

“Who, um—” Emma continues, eyes widening when the realization hits her. “Henry! Where’s Henry?” Running is not easy with the arm still around seemingly getting tighter by the second, but her fear has already evolved into the kind of maternal-based adrenaline they do scientific studies on. “Let go of me,” she sneers, and he does. Immediately. The sound of his hands hitting his jeans is far too loud. “Where’s my kid? Why isn’t he here?” The tongue thing. 

Swiping across the front of Hook’s teeth, the tip of his tongue finds the corner of his mouth and the inside of his cheek, jutting out with questions and the almost audible cranking of metaphorical gears in his head. “It’s not Christmas yet,” Hook explains, voice oddly similar to a few minutes before, but Emma’s starting to realize that was not a few minutes before and she’s starting to feel a little nauseous. 

“Yuh huh.” “Are you alright, love?” He says it soft enough that something flutters in the back of Emma’s brain, some long-forgotten hint of emotion that she refuses to acknowledge. She doesn’t have time for it. There’s baking to do, supposedly. “Yeah, yeah, I’m, uh—I’m fine,” Emma promises, only one side of Hook’s mouth tilting up. “Just...tired, I guess.” “Because of the nightmare.” “Say that again when it doesn’t sound quite so much like an accusation.” “No accusation,” he objects, but it rings as sincere as her promise and the light’s got to be messing with her now. Bouncing off his ring the way it is. “Haven’t had a nightmare in some time, but that’s neither here nor there.” “Wow, you suck at that.”

There goes the other side of his mouth. Emma might be staring at his mouth. “Occasionally,” Hook agrees. “What’d you dream about, then?” Lying is very appealing. Coming up with a story Emma knows he’ll only half believe, but she assumes she’s got plausible deniability too, and she can’t think of a single thing to say. That’s disappointing. 

“I was in Neverland.”

If nothing else, staring at his mouth — and the rest of his admittedly attractive face — makes it easy to tell the moment Hook’s jaw clenches. Nerves color his gaze, almost as if he’s trying to remember something he’s already forgotten, but Emma appears to be the only one having some sort of existential crisis and the hint of grey at his temples suggests its been some time since Neverland. Figuring out how much time exactly, will probably be a bit of a challenge. “And?” “And what?” “And there’s plenty of terrors to warrant nightmares in Neverland,” Hook says, stepping out of Emma’s space. Also disappointing. “What exactly was it?” Shaking her head slowly, Emma’s hair doesn’t move. She’s not nearly as sweaty as she was either, the blanket at her feet proof positive of that, although her skin feels almost clammy and the magic in her veins has started to buzz. If Killian doesn’t stop moving his tongue in his mouth, she’s going to scream. 

Ah, goddamn. 

“I don’t know,” she says, not the lie she still wants it to be, “just some weird plant thing and you wanted me to come with you, but that was probably now, right?” There’s no way he’s comfortable with his neck at that angle. “Maybe. Do you still want to go?” “To, uh—” “—Doc called this morning, said the paint was ready to pick up.” “Paint,” Emma echoes, another confusing string of words that threatens to knock her back on the couch. It was a comfortable couch though, so maybe that’s not the worst thing that could happen to her. Neither is waking up in a reality where Hook wears jeans like that and stares at her like she’s his—she drops back. Onto the comfortable couch. 

“Mmhm, the color we picked out last week? He claimed he had to order it, but your father claims he’s just nervous because he doesn’t want to offend me and—” “—Why would you get offended by a dwarf?” Dots of pink appear on his cheeks. The bits not covered with stubble, and there’s some grey in that as well. It works, honestly. “He mercilessly overcharges for her services,” Hook says, clearly not the first time this particular rant has been voiced, “and it’s because he’s the only hardware store in town. Which is why you wanted to go. Help small businesses and the economy of the realm, even when Regina claimed we could order it just as easily off Amazon. But that only led to your denouncement of Jeff Bezos, and I do love it when you openly flout capitalism, so—” He shrugs. Emma might be going into shock. “Here we are, with slightly delayed, if not well-mixed paint, enough baked goods to mask the smell, and your parents guarantee that there’s more than enough room for all of us on Christmas Eve.”

“We’re painting on Christmas Eve?” Concern continues to ripple around him, made all the more clear by the pinch between his eyebrows and how often he rocks forward before shaking his head. It’s four times. “No, we’re painting—well, whenever we have time really, but you did mention Friday evening, and that way Hope could stay at the farm. Naturally she’s thrilled at the prospect.” “Right, right, right, that’s....yeah, that’s right.” She’s so bad at lying. To Hook, specifically. Open book practically broadcasts itself from every twitch of his mouth, and Emma is still doing a God awful job of not staring at his mouth, but her head is spinning and she can’t understand any of this and she’s kind of curious about what paint color they picked. 

And who Hope is. 

She refuses to acknowledge the flicker of familiarity in the back corner of her brain. 

She’s got to get out of here. Away from the couch, and whatever color the paint might be, back to Neverland, which is not something she ever thought she’d want, but they haven’t found Henry yet and who knows what Pan is planning next and— “Where’s Henry?” Emma whispers, far too aware of the desperation in those two words. Hook’s lips thin. When he presses them together. “I know he’s not going to be here until Christmas, but is—he’s ok, right?” “Swan, are you—” “—Just tell me where my kid is, Hook!” Those words fly out of her, voice rising on every letter until it feels as if they’re cutting their way out of Emma’s soul, leaving lacerations behind and the blood that’s appeared on the tip of her tongue makes her recoil. She fully expects him to take another step back, not sure when she stood up again, only that her knees are knocking together now, so naturally that’s not what happens at all. 

Hook moves back into her space, made all the easier by the lack of weapons between them, hand finding her cheek as easily as it traced her spine, and Emma doesn’t want to lean into the touch, but he’s so ridiculously warm and she’s teetering on the edge of undeniable insanity, so she’s going to give herself this. For at least six seconds. 

“Visiting Ella’s stepsister, so while he’s probably not having the best time, Lu’s always been a rather large fan of that particular realm, and Drizella is a bit of a pushover. I’d imagine the little lass is going gangbusters on the present front.”

Emma’s breathing out of her mouth. 

That seems fair as well. Trying to piece together any of that information with the life she’s currently living is all but impossible, and it’s only a matter of time until her knees give up again. Honestly, not crying continues to be her greatest talent. 

“Maybe I should just go to the store,” Hook says, “and let you try and get some more rest.”

Even the thought of being left here alone makes Emma’s magic boil in the pit of her stomach — wherever it might be sitting now, and she’s already shaking her head. “No, no, I want to make sure it’s the right color.” “Yuh huh.” “Sounding less than agreeable, Captain.” It’s a mean trick. One she knows will work, and it does. Hook’s eyes flash, and his brows jump, the hand that returned to her hip at some point tightening ever so slightly. “Tell me that you’re alright, and I’ll consider it.” “I’m fine.” “You’re a woefully bad liar is what you are, Your Highness.” Scrunching her nose, Emma tries very hard to temper the fluttering between her ribs. Magic mixes with nerves and flirting that’s not necessarily easier than it’s been, but certainly more fine-tuned. As if it’s a dance both of them are used to. “You can’t pull your sword on Doc, you know that, right?” “That hasn’t happened in years.” “Hook either, that might honestly be worse.” “He’s got a stranglehold on the hardware economy in this town. It’s not right. Gives him leave to charge an arm and a leg.” “If I tell you I’m fine again, will that distract you from your questionable obsession with hardware-based economies?” “Probably not,” Hook grins, more teasing and fluttering and his eyebrows jump again. As soon as Emma licks her lips. 

“No challenging the dwarfs to a duel.” Saluting is only passably overwhelming, but that appears to be the way this is going, and Emma cannot come up with an appropriate adjective to describe whatever sound she makes. As soon as he kisses her cheek. Giggling is out of the realm of possibility. “Noted,” Hook says, “c’mon, the sooner we get this over with, the sooner we can pick up the little sea monster.”

At this point, Emma would almost welcome a battle with a sea monster. Get her blood flowing, provide an outlet for all her adrenaline and, she hopes at least, if she dies in this dream, she’ll wake up back in Neverland. 

This has to be a dream. 

So, it seems they live in a mansion. 

Stepping outside, Emma’s breath catches loudly as she stares at the wraparound porch and there are somehow more windows than she’d originally noticed, and a turret-type thing involved that’s only vaguely absurd. Almost as much as the way people greet them on Main Street, familiar faces mixing in with strangers, all of whom nod and smile and some who even reach a hand out to Hook like he’s not a pirate or only recently returned to Storybrooke with the one thing they needed to get to Neverland, but Emma also supposes that was years ago, even if the math is still admittedly kind of messing with her. 

That was never her strongest subject in school. 

And there’s no sword strapped to his hip when the bell over the hardware store door rings, but Hook’s called “Doc” still sounds appropriately threatening, the scuffle of shoes and slightly panted breaths making Emma almost smile in spite of herself and her mathematical failings. “Captain,” Doc exhales, shuffling behind the counter that spans the far wall of the store. Tools and cans of paint line the shelves above his head, a name tag pinned to his shirt that seems unnecessary, but Emma’s nearly charmed by that as well and wholly unprepared for Doc to glance her way, adding—“Your Highness, it’s so nice to see you. I’ve got your order all ready, if you’d like to…”

Whatever else he says disappears in a haze of buzzing magic and malfunctioning joints, Emma’s fingers fluttering at her side while it sounds like Killian does his best to argue the price. For the paint. That they’re going to use. In their mansion. 

She didn’t ask which room they were going to paint. 

That felt like a flashing-neon sign, announcing how little she belongs in this place and Emma’s fairly certain Hook can tell, but that’s also another sign she’s not entirely ready to deal with at the moment and Doc flinches when the literal hook drops onto the counter. 

Emma presses her lips together. 

So as not to laugh. Like a person nearing their psychotic breaking point. 

“But Captain,” Doc argues, “we did agree on that mark, and—” “—Aye, but that was before it took an extra three days to receive the color, and I think there should be some sort of fee reduction for that.” “There aren’t any fees, just—” “—The overall cost, then.”

Pain flutters at the back of her consciousness when her teeth continue to dig into her lips, but the feeling twits with amusement and that looming sense of insanity, and Hook hardly even moves when Emma does. So she can rest her hand on his shoulder. 

“Maybe it’s not that big of a deal,” she ventures. 

Hook gapes at her. “Traitor.” “Pirate,’ she counters. “But I think we can afford it. Y’know, just to help the—” “—Locals,” he finishes, “aye, it’s something I’ve heard several thousand times before, love. But it is the principle of the thing.” “The thing being what, exactly?” “Efficiency,” Hook replies, as cool as any vegetable Emma could come up with, and Doc’s eyes go comically wide behind his glasses. The whole thing is actually pretty impressive. Attractive, maybe. She doesn’t have time for that. She has to—

Get back home is not the right string of words at all. Home is some abstract concept that certainly does not exist in the reality Emma came from, and even less so in a place like Neverland, but she doesn’t belong here, with the jewelry and the house, and she can’t quite get over the way his face twisted. When she called him Hook. 

“Naturally,” Emma mutters. “Can we just get the paint, Doc? Then we’ll be out of your hair.” Doc hums, but he doesn’t move and Emma can’t believe he doesn’t move. She’s given him an out. A reason to scamper back to wherever he’s keeping their paint, away from Hook’s appraising stare and the hand that’s already inching back towards hers, and he’s somehow even more tactile than usual. 

It makes her mouth go dry again. 

“Of course, Your Highness. If your husband could just agree to the terms of price, then—” Hook rolls his whole head, hair shifting in the process, and that’s minimally distracting when Emma’s heart constricts in her chest. Because she knew. Has eyes, after all. And the notable ability to stare. But there’s something about hearing the word that makes it all the more real, and Hook’s argument doesn’t have anything to do with relationship monikers. 

She’s starting to have several assumptions as to who Hope is. One assumption, really. 

Pulling her hand away from Hook’s is easier when he’s so preoccupied, twisting the ring around her finger and staring at the stone and it’s—well, it’s gorgeous, honestly. Exactly what Emma would imagine if she’d ever let herself imagine such a thing, and that’s got to be another sign or something at least in the realm of positive, and it turns out they’re painting the dining room. Blue, and that’s something of a cliche, but anything Emma has to say about that gets stuck halfway out of her undeniably chapped lips when Killian ushers her out of the store, a smile tugging at the ends of his mouth because— “Color reminds me a bit of that gown of yours.”

She’s atrocious at this. Schooling her features, or acting like every word out of his mouth isn’t a punch to her literal gut. It’s a miracle she hasn’t just keeled over. In the middle of goddamn Main Street, where the guy who is very clearly her husband has stopped them. 

So as to stare at her incredulously. 

“You’ve got no idea what I’m talking about, do you?” “Presumptuous.” “Not an answer, m’dear.” Maybe Emma will start keeping track of endearments. Just to give her mind something to latch onto. There appear to be more than she’s used to. “You wore a very blue gown to Elsa’s wedding, made some rather wonderful comments about how it matched my eyes that also made you blush rather severely, all of which I will admit to still thinking about with almost startling regularity.” She’s got no idea who the fuck Elsa is, or why they’d go to her wedding. Wearing a gown. And making sweepingly sentimental statements. 

Her smile is weak at best. “Sorry, just—that paint smell got to me, I think.” “Sure it did,” Hook says, clearly not convinced, “maybe we should go see Regina.” “Why would we do that?” Leveling her with a slightly different expression, Hook’s tongue shifts behind his closed mouth. Emma juts her chin out. In misplaced defiance, and inherent stubbornness. She’ll find Regina later. When she’s not at least partially thinking about kissing this version of Kill—

Hook, Hook, Hook, Ho—she wonders how he proposed. If he proposed. Maybe she did, what does Emma know? Nothing, apparently. “Do you remember what those plants looked like?” “What?” Emma asks. “Maybe you’re the one who got messed up by paint fumes.” “Absolutely scathing, Swan. Answer the question, please.” There’s an undercurrent of command in his voice — like she’s a member of his crew, and she doesn’t know if he has a crew anymore, but Emma bristles at the thought of being part of it all the same and the muscles in her neck do not appreciate being angled like this. “I told you, it was just a dream.” “Aye, you did. And as you would so lovingly put it, that particular lie sucked quite a bit. So once more, what were you dreaming about and where were you in the dream?” Opening her mouth, Emma’s sarcastic and inevitably snark-filled response evaporates as soon as she hears the clack of heels on the sidewalk next to them and the woman walking towards them has shockingly red hair. And a kid clinging to her side. Who immediately tries to launch herself at Hook. 

“Codfish heads,” the woman mumbles, Killian not able to hold back his chuckle or keep his arms at his side. The same ones that catch the kid and pull her close to his chest, peppering either one of her cheeks with kisses. 

Emma seriously considers dying right there. 

Dying will absolutely wake her up, she’s convinced. 

“Articulate as always,” Hook grins. The woman sticks her tongue out. “What are you doing here? I thought—ah,” he grunts, a knee slamming into his side, “control the limbs Mel, or I’m going to drop you and then your mom will be even more angry than she is.” The dexterity of this woman’s face is astounding. As is the width of Hook’s smile. “I’m not angry,” she objects, “and I’m here because you didn’t answer your phone. There’s some kind of disaster happening at the realm line.” “What kind of disaster?” “Something to do with magic, and it looks like some of Lancelot’s knights are exploring the forest here, looking for some kind of something because you know they have to have a quest.” “David can’t do anything about that?” “Was more than willing to if you actually decided to acknowledge him today. Hence the frustration over your phone issues.” “An insult roll,” Killian laughs, the sound almost more surprising than anything else Emma’s encountered today. She’s heard him laugh before. Of course she has. But it’s usually cynical, or occasionally even a little evil, and this guy can’t be evil. Not standing there, acting as a human jungle gym to a kid, and a woman Emma’s mind has also started to make assumptions about. The hair was a pretty good clue. No, this isn’t the first time she’s heard him laugh, but it’s certainly her favorite and if she plays the sound on loop in her head for at least several hours, then she hopes no one will ever be the wiser. 

Emma hardly notices that she’s referred to him as Killian. 

That’s probably for the best. 

“And,” he adds, “we finally finished with Doc, so we can go relieve the prince of his duties, even though he offered. Multiple times.” Ariel, Emma assumes this is the goddam Little Mermaid, throws her head back. “Oh Gods, did you terrify him? Is that why you’re being like this? Y’know the paint was back ordered, that’s why it took so long.” “There was no terrifying involved, and if that was the case, he should have made it known. All I heard was that he didn’t have it in stock, and it was going to take a few more days and—” 

He cuts himself off when Ariel waves an impatient hand in his face, turning towards Emma expectantly. “Did he terrify Doc?” Emma nods out of instinct, some dark and distant part of her wanting to be involved in this banter and this place, and this place isn’t real, so that’s a dangerous line of thinking, but she can’t seem to stop herself. In the same way Killian can’t seem to do anything except tug her against his side. And kiss the top of her hair. 

He really likes to do that. 

Especially impressive with the kid still hanging from him. 

“She’s a bloody traitor,” he announces, “but one of the other dwarfs is bringing the paint home, and, like I said, we were on our way to pick up the sea monster, so David can deal with the knights. They only listen to one of their own, anyway.” “No honor amongst thieves, huh?” Ariel asks knowingly. 

Killian scowls. It’s frustratingly adorable. 

“Fine, fine,” she shakes her head, “I retract any annoyance about your refusal to turn the sound on your phone on, if only because you gave my arms a break, and your dining room will look very good in that color.” “It’s a good color.” The arm around her shoulders is the only thing that keeps Emma from melting into the pavement beneath her boots. She had at least six pairs of boots in their hallway closet. Also absurd. And she hears the lilt in Killian’s voice, even if Ariel doesn’t — the soft intensity that sounds eerily similar to the way he promised he understood what it felt to lose hope, how quickly he agreed to her plan, demands, after the kiss and she imagines they kiss quite a lot in this reality. 

If her other assumptions are right. 

Ariel stares at them for a beat longer, one that Emma worries will end in a longer conversation and inevitable discussion of the awkward way she’s standing, but then the mermaid with legs is pulling her kid back and quieting the riot that causes, and Killian’s arm stays exactly where it is. “Send some pictures when you paint the first wall, ok?”

Killian nods. Stiffer than it should be, but Emma’s only barely managing to stay conscious at this point, and she doesn’t object when he directs her past Granny’s and down a road she’s never noticed before. 

His arm doesn’t move. 

In the days that will follow, Emma will never be entirely sure how she manages it. Tears sting her eyes almost as soon as the screen door slams behind her, more than one voice drifting down the hall, and there are pictures everywhere. Her own face smiles back at her from multiple times, eyes jumping from frame to frame and back again, a life that isn’t hers playing out despite her own misgivings, and if she’d thought the overall width of Killian’s smile was something ten minutes earlier, it’s got nothing on the several here. 

Wearing a tuxedo that does something unfamiliar to her heart, and gazing back from an ornate frame that also holds a grown-up face that’s still able to remind her of the boy she left in Neverland, and another with his arm around Emma’s shoulders again, exhaustion clear even from here, but there’s something cradled in her arms and a tiny hat that makes her whole soul ache and—

“Swan,” Hook breathes, and at least they’re back to that. In her head, where she's clearly going insane. “Emma love, I really need you to tell me what’s going on.”

That’s impossible. Not for any other reason than Emma’s vocal chords appear to have stopped working, and she never actually cries. 

It’s a Christmas miracle. 

Of the shittiest variety, because Hook’s hovering far too close to her and Emma wonders if he notices the magic coursing through her, or if this is just how he normally stands and none of it matters when two sets of feet sprint down the hallway. 

Frames rattle in their wake, both of them shouting and jumping before Emma’s even remotely prepared. She can’t imagine she ever would be. Maybe in a different lifetime. This one, possibly. 

Not hers. 

Not as is. 

And as it is, Hook ducks down before the blur rushing towards Emma’s shin can knock her over, hauling the giggling and smiling bundle over his shoulder. More kisses are dispensed, laughter ringing out around them and only slightly muted by the mess of dark curls that threatens to cover Hook’s face. 

He tries to blow it away, several times. 

“Emma,” another voice says, tugging at the end of her jacket and it’s a little overwhelming to see her father’s eyes staring up at her. From a kid. Who isn’t very old, but feels like a memory she can’t place, and if her mind doesn’t stop piecing things together Emma is going to scream. 

She doesn’t want to know. 

Absolutely cannot cope, honestly. 

“Emma,” he repeats, “if you and Killian are going to stay here for Christmas, can we make snowmen again? Because Henry said we could and Aunt Gina said she’d magic them so they wouldn’t melt and you’re way better at rolling than Mom is.” Someone huffs, Mary Margaret’s arms crossing over her chest and there’s an apron tied around her waist. Just to drive the domestic point home. “I resent that, and Dad is totally going to be better at rolling snowballs this year. He’s promised we’re going to win.” Emma’s mouth drops. In confusion, and several other adjectives. All of which Hook quite clearly recognizes, and that’s messing with her too. 

Reading her as well as he does should leave her feeling off-kilter. Reeling, even. It doesn’t. It’s like some sort of metaphorical anchor, and Emma finds herself constantly glancing over her shoulder, hoping for that one specific tilt of his lips and— “Let’s wait to go over rules until Henry gets here, alright mate? Don’t want to get into specifics when he’s going to have his own demands.”

Opening his mouth, the kid’s argument disappears once Mary Margaret makes another noise, adding a soft “Neal,” and only one of Emma’s knees bends. That’s lame. Very un-Savior like. 

And she doesn’t know how Killian manages it, either. She also does not care. Leaning into the hand that’s suddenly cemented to her back, Emma nods like someone has asked her a question, and there are more footsteps and smiles and she bites her tongue. David doesn’t disappear. He’s here. In this place he shouldn’t be, some sort of farm that had an almost kitschy mat outside that screen door and chickens lingering along the side of the front yard, and Killian’s voice is in her ear. “In through your nose, out through your mouth.” “I’ll kick you,” Emma warns.

“I’d drop the sea monster that way.” She’s just about to ask the wholly unnecessary question of who the fuck is the sea monster when the beast in question tries very hard to stand on Hook's shoulders. All limbs and hair in desperate need of a cut, both Mary Margaret and David look overjoyed by her mere presence, warmth blooming of its own volition in Emma’s chest. “Mama,” she yells, resting her chin on top of Killian’s head, “are you going to magic the snowmen too?”

More than one pair of eyes flash towards Emma, suddenly frozen with a maelstrom of fear and words echoing between her ears and she’s got to talk. She can’t talk. Her tongue is growing in her mouth, no doubt a byproduct of that now occurring insanity, and her own eyes keep moving. Tracing over the lines of her daughter’s face, and the questionably cute clothes she’s wearing and her eyes are almost alarmingly blue. 

Tears fall on Emma’s cheeks. 

“Emma,” David mutters, but she barely hears him. Reaching out a hand that’s shaking much more than she’d like, her fingers graze Hope’s cheek and the skin there is soft and warm and obviously loved, like that’s something that’s possible. This new reality doesn’t have any rules, though. So maybe that works here. 

She must nod. Emma’s hair moves, so that’s got to mean something and she’s clinging to every victory she can get at this point. “I’ll try,” Emma says, not quite the promise she'd like it to be. Hook's fingers twist under the hem of her shirt, grazing across her actual spine and it’s disappointing when she tenses. 

Noticeably. 

David’s eyes turn appraising — but he doesn’t immediately look at Mary Margaret like Emma expects. He glances at Hook, a quick jerk of his shoulders that she only notices when they bump hers. “Did you hear about the knights, then?” “Ariel accosted us on our way here. What do they want, exactly?” “As far as I can tell, they’re just scouting, but who knows with those Camelot idiots.” Mary Margaret scoffs. David might actually blush. “I’m going to go out and talk to them now, and Snow sent a bird.” The hand at Emma’s back flattens. So as to keep her upright. 

“Lance usually responds quickly,” Mary Margaret says, “but you know the cross-realm travel, it’s always hit or miss. Especially with the weather. Hopefully we’ll know what they’re doing sooner rather than later.” Humming in what sounds like agreement, Hook shifts Hope and keeps Emma pulled against his side. His eyes dart back towards David, an unspoken conversation Emma doesn’t entirely want to hear. When it’s obviously about her. 

And her father doesn’t respond either, just crosses the space between them and kisses her cheek. “Everything’s going to be ok, kid.”

“Yuh huh,” she mumbles, but it sounds like a lie and Hope falls asleep with her head on Hook's shoulder while they walk home. 

It takes her about three seconds to realize she used that word as well. 

And then another fifteen to totally freak out about it. 

As silently as possible. 

To his credit, he doesn’t press the issue. He stares, without much subtlety — but Hook never comes out and accuses Emma of anything, or questions how little she knows about this life they’ve got, and she’s not entirely surprised when he doesn’t ask when she’s coming to bed. He just takes a deep breath, and kisses the top of her hair again, which is somewhere like the ninth time that’s happened, walking up the stairs and presumably waiting for Emma. 

In their bed. 

They share. Together. As people. Married people, with a very cute kid and Henry’s in some other version of the Enchanted Forest with his wife, which is only marginally screwing with Emma. That’s positive, she thinks. Marginally is better than totally. 

But it’s also not her life, and around twelve forty-seven she starts to wonder if she’s fucked with the Emma that’s supposed to be here by waking up on that couch, and she can’t get over how comfortable that couch was, and she starts walking. 

Aimlessly, really. 

Down halls and from room to room, opening doors that regularly make breathing a legitimate challenge. Henry’s old room clearly hasn’t been changed, and Hope’s hair covers her entire pillow, much like Emma’s regularly does, and they’ve got an actual sitting room and family room, a nautical theme that feels a little to on the nose, but is also somehow perfect and she knows he’s there before he says anything. 

“You’re lurking,” Emma accuses, jumping onto the edge of the kitchen counter now that she’s finished her patrol. 

“And you’re admittedly freaking me out just a bit.” Her laugh does that bubble thing again, something that Killian could probably claim ownership over if he wanted. She knows he won’t, though. Not this version. Not this guy, staring at her like he’s torn between terrified and terrorizing, like he’d challenge the timeline to a duel if needs be. 

“Where’s your sword?” “In the basement. Where it’s been for years.” “You don’t use your sword much?” Taking a step forward, the floor creaks under his sock-covered feet and the realization that he must have put socks back on at some point does what Emma can only imagine is irreparable damage to more than half a dozen internal organs. “Asking that adds to my growing pile of suspicions and worries.” “The freaked out ones?” “Aye,” he nods, hand and hook resting on her hips. Maybe there are magnets there. Maybe he’s just hardwired to touch her. Emma fists her hands. “Why are you surprised by that?” “If I ask you a question will you totally freak out more?” That time he shakes his head. Hair shifts in the process, and there have to be magnets involved. That’s the only reasonable explanation for how quickly Emma’s fingers find the strands, brushing them away and relishing the exact way Killian’s eyes flutter shut and—damn, she did it again. His hand tightens. 

Like he’s nervous she’s going to disappear otherwise. 

“Question for a question is breaking conversational rules,” he starts, “But—” “—You’re a pirate?” “Something that’s been well-documented. What do you want to know?” Everything seems unacceptably vast, and Emma’s not sure which question to pick when they’re all weighing down on her still too-large tongue, but Killian’s eyes don’t pull away from her and he turns his head into her palm. The one cupping his cheek. 

She’s an absolute disaster. Which is, she’ll argue the exact reason, she asks: “Are you in love with me?” He doesn’t laugh. More credit to him, although this credit comes with an asterisk for the exact way his expression shatters. In slow motion. For maxim effect. Muscles in his throat shift when he swallows, the tip of his tongue darting between barely-parted lips, and his next inhale has a distinct shuddering quality to it. 

“More than I knew I could be,” he whispers. “You want to tell me the truth now?” “About? 

Bending his neck, Killian’s exhale brushes Emma’s cheek and for one absolutely insane moment, that would make sense if they were actually married, she thinks he’s going to kiss her. He doesn’t. Figures. Lips graze the edge of hers, sending shockwaves that ripple up her spine and threaten to make magic explode from the tips of her fingers and she has to close her eyes. At the force of his voice, steady despite the emotion behind it. 

“Who are you, really?” The shockwaves disappear. Turn into fear, and something ice-cold and Emma has to blink.

“What?” He clicks his tongue. More than once, in obvious reproach, and she wonders if she’ll have to walk to the plank at some point, the tip of his hook threatening to dig into her skin. “I’ll ask you once more, darling. It’s very good magic, whatever you’re doing. I can feel it, but—” “—You can feel my magic?” “Stop talking,” he sneers, and the symmetry of it all feels like a slap. Several times over. “Now either you tell me the truth, or I’ll have to do something drastic. Who are you, and what have you done with my wife?”