#also known as “the cocktail waitress costume”

[manic-vagabond]

70s Supergirl

[cartoonfangirl1218]

Just a Hug

Set after season 4 finale.

Felicity walked through the cave, expecting silence, darkness and the familiar buzz of the computers once she booted it up but was surprised to see it light under the door leading to the main room. She shook her head.

Ollie was not taking the Team falling apart very well.

She knew that Diggle leaving would be especially hard on Ollie, being there since the beginning. It would be a big test to see if Ollie could pull through without one of his closest allies.

And Thea, the poor kid had been through a lot, and though she had been getting better with her bloodlust, maybe this was broke her. The ability to kill a child without mercy, Felicity could hear the shame in Thea's voice when she said she would resign.

And Ollie. Maybe he was feeling like he failed. Like he failed his sister, even though he couldn't have any control over this.

This job was a hell hole. Always a fight, especially inside one's self and they were all humans. She couldn't blame them for needing a break.

That what they all and in common. Brokenness, will to fight, always teetering between light and dark. The whole saving the world thing had been more tense than usual yesterday, and even she had her scars. She tried not to care she really did.

People died, sometimes you were too late. She made that one miscalculation she wasted time, and people lost their lives. She tried to shut that part out from her. The part that cared and grieved, because in the hero business that was weakness. You can't get too attached.

But sometimes it came up. She had a hand in someone dying. She helped someone die last night.

She hardly slept. She saw the images of people's faces, frozen in time, eyes wide in horror, mouths open in silent screams.

She could also see Laurel in Damien Darhk's arms. Bleeding, ruptured, limbs barely staying together by thin joints.

She slowly, tentatively opened the door and surveyed the scene. Ollie didn't register her presence, but sat in front of the empty costumes. Lost in thought.

There were big things coming up in the future, besides their troubles. Mayor Ollie was going to be a big campaign to pull off and Felicity sensed that Ollie might be losing hope.

They've grown a lot these years. He had triumphed through the darkest stages of life, reunited with his sister, helped Helena fight through her need for vengeance, brought Sara back to life, suffered through Laurel's death and last words, got stalked by Cupid...their break up.

She sighed. Maybe he hadn't changed that much.

Keeping secrets, she had thought he had put that all behind. And really, to lie about something as important as a child! She thought he knew better than that. And really, she tried to avoid sounding like a cliche, but you really can't build a relationship without trust and honesty.

And sure, there were other factors such as his time on the Island, his never ending struggle between light and dark, and of course, daddy issues.

But the trust thing came up first. Not only was it wrong, but it had hurt. She thought she would have been the first he would confide to about drama in his life. She was wrong. He had been worried about her opinion. Well he should know that she would be a lot more open minded than that.

But he had also changed her, she had to admit.

She never would have thought, her, the daughter of a cocktail waitress would end up following her dreams at MIT, getting a great job with computer at Queens Insubordinates, helping Team Arrow, actually making a difference in Star City.

She grew braver in the face of danger, and in the face of her fears. Damn it she learned to kick ass, that's what she learned. And yes, he had been a big part in that change.

So maybe, they were at an impasse right now. She had meant what she said about that she would stay with him. After all, sometimes you needed a push by someone who cared. Not that she cared about him too much. Okay maybe a little. But she wanted to focus on herself right now. And the campaign she also wanted to focus on the campaign and she guessed that included focusing on Ollie. But not in "that" way.

"Okay over analyzing, you're over analyzing again Smoke. Calm down."

She look at him again. He would pull through this. She knew he would. He was one of the strongest, bravest, most complex yet infuriating man she had ever known. A man who gets beaten down by always rises up. It was inspiring really. And really hot.

And without a second thought or chance to over analyze it's romantic consequences she walked to his side, and hugged him.

"Felicity!" Ollie gave a little jump before relaxing in her arms. "It's just a hug." Felicity whispered.

They stood like that for a few seconds more than what Felicity normally required of a hug before relaxing each other.

"Now we have a lot of work to do. So let's get started." Felicity nodded, putting on her game face.

"Can we talk though?" Ollie asked.

Felicity hesitated. Talking. Normally that was good. But between them, talking was always serious, turning into something else.

But as she looked into his eyes, she felt that caring part of her open up again. Ex or not, he was still a human in need of someone who also cared.

Someone who was a good listener. And she was such a good listener.

"Okay. But later" Felicity gave a small smile.

"Thanks" Oliver said, he stood up and turned to walk to the computers.

Gently straightening her glasses as he walked past her. "Let's get to work."

[emileewilson]

THE G WORD

 I wrote this blog months ago. It’s time to share my story and some exciting news! I’m re-branding my business to include herbal education, workshops, and more! The entrepreneurial journey has been fun for me as I grow and expand my offerings. I am so happy to offer skincare and beauty services, but my practice has evolved into so much more. The following true story is told from my heart and I hope you’ll embrace my new brand with enthusiasm and support.  This is my story from Gypsy Skin Spa to Wild N Rooted. 

 It has been brought to my attention recently that a word exists. This word is part of our English language and our cosmology. This word has many meanings, it is powerful, controversial, and mysterious.

 Gypsy.

 Some people believe it to be a racial slur, others believe it to be a lifestyle and some have no idea what the word is, means, where it comes from, how to say it, or even care. You can see where this may cause some issues and concerns. Due to its controversial nature, I used it once, but will refrain from using it moving forward out of respect for those reading this who deem it offensive.

 This is my story and how I birthed my lifestyle brand in 2015. This word resonates with me deeply in a very authentic way. It is an expression of my being.  After being attacked online and accused of being a racist, I strongly felt the need to tell my story. I want to talk about it. This dilemma, this idea, this age of offending is an opportunity for education and to begin co-creating a high vibe around the label.

 You see, our English language is convoluted in historical accounts that many of us didn’t even know existed. For instance, the word “Bucket List” actually comes from hanging someone by “kicking the bucket” out from beneath them before they die. Did you know that Hooligans are associated with the Irish? Vandals, the Germans? The G word are associated with the ethnic group, Roma or Romany, who immigrated into parts of Eastern Europe. The locals thought they were from Egypt or Egyptian (hence gyp) which we now know as they begin to have a voice in literature and other cultural affairs. They identify with Roma, Romani, Romany, or Rroma. I’m what you call a European Mutt, which is essentially a dog mixed with who knows what and I don’t like it very much. Alas, society has deemed that description appropriate.

 My focus is on the positive aspects of the G word discussion and how we can use it to free the people under this guise, not slander them. More importantly, that we stop grouping people together and/or generalizing, stereotyping subgroups of people or minorities in the first place.  There are good people and bad people. Period. There are all types of different people in this world. I mean, there are ALOT of us!  We have different ideas, perspectives, opinions, customs, foods, languages, fashions, economics, currency, status, religions, and experiences. This all happens simultaneously as life spirals along, upwards and outwards.

  My personal story regarding this particular identity began when I was 30 years old, also known as my Saturn Return, when the walls around me would literally come crashing down. My roommates and I were residing in Marina Del Rey, CA and we all lived peaceful, independent lives. A large development company purchased the property and our landlord told us to vacate. During this time, I also lost my job and couldn’t afford to pay my bills. A dance troupe that I created and adored fell apart at the seams and my Grandmother passed away. I went on unemployment and moved back in with my parents. Welcome to the Boomerang Generation.

 Although grateful for this landing, it was uncomfortable. I got a part time job in a small salon, but my business couldn’t thrive without clientele.  Soon enough, I decided to go back to College in Fullerton and soon I found myself back in Los Angeles living in West Hollywood. This was an interesting time. I had ditched an abusive boyfriend, my car was broken into, very important documents like college homework and documentary drafts were stolen. I was drunk most of the time falling into a deep state of depression. I had also discovered Ayahuasca as a medicine, something that would change my life in the most extraordinary way.

 Still to come at 32 years old, I was forced to file Bankruptcy, the banks wouldn’t accept my income loss or life changes. Eventually, I found another spa in Redondo Beach, CA and moved into a room with the generous Persian couple who owned it. A month later, I met a nice Indian man in Hawthorne and I rented a room from him. He was a single father with a daughter and a gorgeous white Shepherd named Bella. To supplement my income, I began working as a cocktail waitress while developing my clientele. No more than 3 months later, the restaurant folded. My inappropriate employer kept my last paycheck and I wasn’t making enough money at the spa to live on my own. I moved back to Culver City with my Aunt and shared a room with a friend. I lived there for, you guessed it, about 3 months. During this time, I was able to get another part time job in Santa Monica at a small spa called Petite Spa with a lot of potential, as well as taking up an offer to work for a high- profile ticket broker in Huntington Beach. This led me to a short stint in Orange County. I even got a third job working part time at another day spa. Less than 3 months later, I was fired from the office job and so I quit the esthetic job and moved back to Los Angeles. I found a small studio in Mar Vista, CA. One room, no kitchen, and it became my sacred space for 2 years.

 With hardly anything, but a strong will and a humbled spirit, my private practice as an Esthetician and Herbalist was born. The journey was already under way.

 In 2016 I studied in New York with a wise, old woman named Susun Weed, a Witch. All five of her apprentices were not allowed to say the word “guy.” It was unacceptable around her and she would only accept “Gaia” instead. It was difficult to change my habitual language, but eventually I started to remember. I admired how she created her reality, yet I feared her verbal abuse. Ironic eh? I lived on her land for two weeks and was initiated as a Green Witch, polishing my toe green as the final induction. The Washington Post wrote a great article about the word “guy” and its origins. Although now common language, the Oxford English Dictionary defines it as a “person of grotesque appearance.” When I came back to L.A, I began noticing how many people said “Guy” when referring to myself and women. It really bothered me. I attempted to correct them several times, then held my tongue, then it became plain awkward. Nobody cared. It was a construct. Once I realized my offenders never intended to insult or hurt me, I stopped physically hearing it. I can’t even remember the last time. I know they’re saying it, but I just can’t hear them.  The origin of “guy” has become a fun fact in Etymology. Now it means “a man or woman.” It’s amazing how our language morphs, twists and turns, along with history, experiences and ideologies.  

 Why am I telling you my life story? Well, because it all has to do with the G word. With all of that being said, we are still in a predicament because the G word is STILL used as a derogatory ethnic slur in other parts of the world.  In this very moment. In fact, people all over the world continue to oppress minorities and entire countries still deny genocides and documented accounts of massive human extermination. This pains my heart so. I dream of a peaceful planet where all cultures can learn from one another, respecting the language, food, music, fashion, art, and religious views. May we all migrate toward our tribes. This is a tall order; however, THIS is my focus, not how the G word has dubious meanings around the globe. My work is to continue finding my truth, my voice, and stand up for what I believe in. Of course, my writings and teachings are a part of this. I believe in service to the people, empowering women and leaving the world a cleaner place. It’s that simple.

 There is freedom and oppression within the G word. It has become an archetype. At age 3, my mother chose this as my costume on Halloween, dressing me in a gold scarf, bright red lipstick, blush and hoop earrings (clip on of course!). Let us think about it as an archetype. Like Witch, Faerie, Crone, Goddess, and Bitch, all those that we have reclaimed.  Allow for the good, the bad, and the ugly. I don’t subscribe to living in a paradigm that even allows for racism. Using the word racist and race separates us more than it holds us. I think that for people in the U.S, the G word conjures up feelings of traveling, romance, fashion, mystery, a free spirit, natural living, family, and determination. The irony and most painful part of this archetype is that one group of people on one side of the world felt and feel offended by it, and the other groups in the West have gained wild open-hearted freedom from it. We must ponder as a society, no matter where we were in the past, we are here today and need to continue moving forward together. We cannot suspend each other in the past. As my Mentor once said, “It’s ok to look into the rear-view mirror every once in a while, but you can’t drive the car that way.”  

 I consistently check myself and tune into my energy. When I’m feeling off, I have to take a deep breath and move it into a higher vibration. Living in society with different people has its challenges, but I believe it is our human right to feel happy and free no matter what our circumstances. I wish this upon all cultures. Instead of accepting a slur from the oppressors, the people of Romany are in a great position to reclaim themselves. Let us embrace the real G word and may they come into the light. Let the women tell their stories, entering into evolution. My prayer is that we release the word into the ethers and let peace fall upon the land of the aggrieving. My highest belief about this is that we are one human race thriving together on Planet Earth.

 So here we are back in my studio apartment. I knew exactly what I had to do. I had to create work for myself, with my own two hands. I had to discover my passion, my gifts, and share them with the world. I had to learn from other women and I also promised myself I would stay in one place as long as I could. Humbled by my life on the road, I was finally feeling confident, independent, and free once again. I began embracing my call to the wild, to ceremony, Paganism, the plants, and natural healing methods, reading books, apprenticing, and attending workshops. I studied myself. I studied others. Along with the Magician, The G word was becoming a strong presence in my life.  I still receive gifts to this day that represent G word magic.

What I did not know until recently is that the Romany are STILL being oppressed in Eastern Europe and the G Word is not a nice word at all.

I interviewed a couple Roma men that I found online. I interviewed Romany women who use the term in their business brand. They told me that the prejudices are still occurring against them. They all said they are not personally offended by the word, but warned that others may be. As a woman of mixed European descent, I am always searching for cultural traditions that I can call my own. I grew up with a small family and little tradition.  This is partly why I am so drawn to the archetype and the lifestyle, one that allows me freedom, contrary to what others feel the G word means.  

 I am a privledged white woman. I will use my voice to help others in need. I will continue to lead by example. I am a Lover. I am a Magician. I am a Manifestor. I am not an oppressor. I am not a racist. I AM wild and rooted.

 The Archetype that I felt would continue to represent my journey, my dream, and my passion was Gypsy (oops I said it), but after months of pondering the last three years of my life in the herbal world and reading historical accounts of this word and how misused it has been, it has left a rather bitter taste on my lips. I have decided to evolve myself, my name, and my brand to include more herbal knowledge, medicine making skills, and workshops. A name that I feel will bring the people together. The timing couldn’t have been more perfect. Things really do happen for a reason and sometimes buttons get pushed for a higher purpose. I will be launching a new website soon so stay tuned!!! I created a name that represents my most divine constitution. A name that is not controversial, or offensive, but one that remains powerful and meaningful to me. I belong to no one.  

 I AM WildNRooted!!  

Emilee Amara

Holistic Facials, Herbalist

[papermoonloveslucy]

LUCY GETS LUCKY

March 1, 1975

Directed by Jack Donohue ~ Written by Robert O'Brien

Synopsis

Lucy Collins comes to Las Vegas to see Dean Martin perform at the newly-opened MGM Grand Hotel. When Lucy's reservation falls through, she hears that Martin is doing a special show for employees and promptly gets herself hired. Naturally, Lucy causes chaos in each department she is transferred to: valet parking, cocktail waitress, Keno girl. But Lucy gets lucky when Dean Martin takes a liking to her and arranges a front row seat at his show.  

Cast

Lucille Ball (Lucy Collins) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.

Lucy Collins lives in Los Angeles and took the bus to Las Vegas.

Dean Martin (Himself) also played himself (and his stunt man doppelganger Eddie Feldman) in “Lucy Dates Dean Martin” (TLS S4;E21) in 1966.  He was born Dino Paul Crocetti in Steubenville, Ohio, in 1917. He made his screen debut in a short playing a singer in Art Mooney’s band, but his first big screen role was 1949’s My Friend Irma with Jerry Lewis. This began a partnership that would be one of the most successful screen pairings in cinema history. Later, he also worked frequently members of “the Rat Pack”: Frank Sinatra, Joey Bishop, Peter Lawford, and Sammy Davis Jr.  His persona was that of a playboy, usually seen with a glass of booze and a cigarette. Martin and Lucille Ball appeared on many TV variety and award shows together. He died on Christmas Day in 1995 at age 78.     

Jackie Coogan (Gus L. Mitchell, below center) was a child actor. In “Ricky’s Screen Test” (ILL S4;E6) Lucy Ricardo hopes Little Ricky will be “the next Jackie Coogan.” Coogan was once married to Flower Parry, who was a frequent extra on “I Love Lucy.”  He is, of course, best remembered as Uncle Fester on TV’s “The Addams Family” (1964-66). He made two appearances on “The Lucy Show” and on one episode of “Here's Lucy.” He died in 1984 at age 69.

Gus Mitchell is head of personnel at the MGM Grand.

Bruce Gordon (Max Siegel / Vogel, above right) is best known for playing Frank Nitti on the Desilu series “The Untouchables” (1959-63).  He played a version of the character when “The Lucy Show” parodied “The Untouchables” in 1966. He was also seen in “Lucy and the Ex-Con” (HL S1;E15) in 1969.

Although the final credits list him as Max Vogel, in the special Gordon clearly says his name is Max Siegel. He is a toy company executive with a business that has been suffering due to shipping problems with their baby dolls.

Paul Picerni (Packy West) was a also cast member of Desilu’s “The Untouchables” from 1959 to 1963. He was seen in four episodes of “Here’s Lucy.”

Lee Delano (Chuck Murdock) previously appeared on the Desilu shows “Star Trek” and “Mission: Impossible.”  

Packy and Chuck are Max's gambling buddies.

Ken Lane (Himself) was Dean Martin's musical arranger, pianist, and, alongside Nelson Riddle, also served as composer for this special, although he was uncredited for that work.

Hal England (Dean Martin's Arranger) was an experienced Broadway actor who began screen acting in 1960. He previously appeared in “Lucy and the Astronauts” (HL S4;E5) and “My Fair Buzzi” (HL S5;E13). England died in 2003.

Joey Forman (Eddie) had a nightclub act with Mickey Rooney during the 1950s that led to his appearance on many TV variety shows.  He will also appear in “Lucy Calls the President” in 1979.

Eddie is the head of valet parking at the MGM Grand.

Gino Conforti (Antonio) began his TV acting career in 1968 and has been continually working since, although mostly as one-off characters. He had a recurring role as Felipe on “Three’s Company” from 1980 to 1982, a series Lucille Ball admired. He played the burglar in “Lucy Plays Cops and Robbers” (HL S6;E14) in 1974. He will also be seen in and “Three for Two” later in 1975.  

Antonio is the Maitre D' at the Celebrity Room. His name is never mentioned in the dialogue.

Vanda Barra (Gladys) made over two dozen appearances on “Here’s Lucy” as well as appearing in Ball’s “Three for Two” (with Jackie Gleason). She was seen in half a dozen episodes of “The Lucy Show.” Barra was Lucille Ball’s cousin-in-law by marriage to Sid Gould. 

Gladys is the desk clerk (possibly owner) of the Cactus Flower Motel.

Sid Gould (Taxi Driver) made more than 45 appearances on “The Lucy Show” and nearly as many on “Here’s Lucy.” Gould (born Sydney Greenfader) was Lucille Ball’s cousin by marriage to Gary Morton. He was previously in the Lucille Ball Special “Happy Anniversary and Goodbye.”  

Gary Morton (Al) was a comedian who worked the famed ‘Borscht Belt’ in the Catskills Mountains. He met Lucille Ball shortly after her divorce from Desi Arnaz and they married in November 1961. At her request, Morton gave up his nightclub career and became a producer of “The Lucy Show.” Morton also served as a warm-up comic for the show’s studio audience. He is also Producer of this special. Morton passed away in 1999.

Al is a pit boss at the MGM Grand.  His name is not spoken in the dialogue.

Bonnie Boland (Sally) played Mabel on “Chico and the Man.” The last of her six episodes aired two weeks after this special was first broadcast.

Sally is a waitress at the MGM Grand Coffee Shop.

Jack Donohue (Ralph) was the director of this special, as well as many episodes of “The Lucy Show” and “Here's Lucy.” He would sometimes make cameo appearances in the episodes he directed.

Joan Swift (Dawn) made six appearances on the “The Lucy Show” as well as two episodes of “Here’s Lucy.” This special is her final screen credit.

Dawn is Ralph's wife. Lucy parks their car when they arrive at the MGM Grand.

Judith Wright (Peggy, Keno Girl)

Jane Aull (Keno Girl) was a background performer making her fifth and final screen appearance.

While making a telephone call, the character is mistaken from the back for Lucy.

Jay Jones (Maintenance Man) makes his screen debut with this special.

Roy Rowan (Voice Over Announcer, uncredited) was Lucille Ball’s announcer for all of her sitcoms. He also made occasional on-camera appearances. 

During his introductions, Rowan doesn’t use the show's title, but calls it “The Lucille Ball Special.”  This was also the case with “Happy Anniversary and Goodbye,” which had nearly identical voice-over announcements introducing the show.

This was Lucille Ball's second primetime special after the end of “Here's Lucy” in 1974. The first was “Happy Anniversary and Goodbye” four months earlier.  After playing a character named Norma in that special, Ball is back to playing a character named Lucy. This time her last name is Collins. 

In 1953's “Lucy is Matchmaker” (ILL S3;E27), Lucy tried to fix up Eddie Grant with a girl named Sylvia Collins, although the character remained off-screen. 

On “The Lucy Show” Viv’s on-again-off-again boyfriend was named Eddie Collins. 

Collins is the surname assigned to Robert Cummings on a 1972 episode of “Here’s Lucy”. 

In the film Follow The Fleet (1936), Lucille Ball’s character is named Kitty Collins.

On a 1966 “The Lucy Show” Mr. Mooney and Lucy Carmichael meet the hip hypnotist Pat Collins (her real name)!

This special is available on DVD from MPI video or can be streamed online. It was originally aired on CBS in the USA and ITV in the UK. Like “Happy Anniversary and Goodbye”, this show is sponsored by Timex, which gets opening title credit.

Writer Robert O'Brien had written 54 episodes of “The Lucy Show” and 24 of “Here's Lucy,” many of which were directed by Jack Donohue.

The biggest departure for this special is there is no studio audience or laugh track.  

Lucille Ball reunites with many of her “Here's Lucy” production staff, including hairstylist Irma Kusely, prop master Kenneth Westcott, costumer Renita Reachi, production manager William Maginetti, and script supervisor Dorothy Aldworth.

Location shooting was done at the (then) newly opened MGM Grand Hotel in Las Vegas. Scenes set inside the Cactus Flower Motel were shot at Paramount Studios in Hollywood. This is the second time Lucille Ball has shot on location in Las Vegas, the first being at Caesars for “Happy Anniversary and Goodbye.” Although episodes of her television shows were set in the city, actor doubles and second unit footage were used while Ball remained in Hollywood.  

Dean Martin's name was seen on the marquee of the Riviera Hotel when Lucy Carter went to Las Vegas in 1970's “Lucy and Wayne Newton” (HL S2;E22, above), three years before the MGM Grand was built. Lucille Ball first used location footage of Las Vegas in “Lucy Hunts Uranium” (LDCH 1958). Lucy Carmichael also visited the town in 1965's “Lucy Goes to Vegas” (TLS S3;E17), however no establishing or location footage was shot, and the episode was filmed entirely on the Desilu soundstage in Hollywood.

The show opens with a montage of the the Las Vegas strip that includes the marquees of the Caesars Palace, the Flamingo, the Frontier, the Stardust, the Sands, and the Dunes, before ending on the exterior of the MGM Grand. This montage is an aerial view at night, instead of the daytime street view in “Lucy and Wayne Newton” (HL S2;E22).

The MGM Grand opened as one of Las Vegas's first mega resorts on December 5, 1973. Dean Martin was the entertainer on opening night. It was the largest hotel in the world at its opening and would remain so for several years. “The Dean Martin Celebrity Roasts” were filmed at the hotel. The property was sold in 1986 and the name was changed to Bally's. The MGM Grand name was transferred to the former Marina Hotel, now known as MGM Grand Las Vegas.  

When Lucy Collins arrives at the MGM Grand with suitcases in hand, she walks through the casino and down their 'Hall of Fame' lined with illuminated posters of movie stars. The soundtrack plays a wistful  version of “Hooray for Hollywood.” 

Lucy pauses at posters of Spencer Tracy and Katherine Hepburn;  

She blows kisses to Cary Grant, whose poster is alongside Grace Kelly.

She gazes lovingly at photos of Frank Sinatra, Fred Astaire and Ginger Rogers. Rogers played herself on a 1971 episode of “Here's Lucy.”

Lucy does a 'ha-cha-cha-cha' in front of a poster of Jimmy Durante, who Lucy Ricardo disguised herself as in “Lucy Meets Harpo Marx” (ILL S4;E28). Durante later did a brief cameo on a 1966 “Lucy Show.”  

In a meta moment, Lucy Collins then stops and primps her hair in front of a poster of Lucille Ball!  Lucy Carter also stood before a poster of Lucille Ball in “Lucy and the Andrews Sisters” (HL S2;E6) and later shared scenes with movie star Ball in “Lucy Carter Meets Lucille Ball” (HL S6;E22).  Although her recent film Mame had been released by Warner Brothers, Lucille Ball had done several films with MGM, like The Long, Long Trailer (1954) and Forever Darling (1956).

Walking out the employees back entrance and trekking through the desert, it becomes clear that Lucy was only using the MGM Grand lobby as a shortcut to get to her actual lodgings, the Cactus Flower Motel, managed by her friend Gladys (Vanda Barra).

Lucy: (about her dress choices for Dean Martin's opening night) “The other one is older, but its got a Gucci label.” Gladys: “You have an outfit from Gucci?”  Lucy: “No. Just the label.”

In the MGM Grand coffee shop having a cup of tea in a back booth, Dean Martin sings a few bars of “Volare,” a song written by Franco Migliacci and Domenico Modugno. Martin was one of the first to cover the song in 1958. His orchestra will reprise the song at the end of the special while Lucy and Martin dance.

When Lucy phoned for a reservation for Dean Martin's opening night, she lied and said there'd be eight guests. Talking to Antonio the maître d' she must now make excuses for the absence of the seven others.  

Mr. and Mrs. Winters are expecting a baby;

Mr. and Mrs. Nichols, Mrs. Winters mother and father, naturally won't be coming either;

Mabel and Henry, Mr. Winters mother and father also aren't coming because of the baby;

Gregory is Mrs. Winters doctor, so he also won't be there;

So it is just Lucy.

Unfortunately, Antonio won't give Lucy a table for one!

Lucy: “I have been a fan of yours from bobby socks to suphose.” Dean Martin: “Do you think those suphose would help my problem?” Lucy: “What's your problem?” Dean Martin: “I fall down a lot.”

Lucy Collins gets a job as a cocktail waitress and causes chaos at the roulette tables. Lucy Ricardo had some luck (then lost it all) playing roulette in “Lucy Goes to Monte Carlo” (ILL S5;E25). In 1965, Lucy Carmichael had some luck (then lost it all) playing roulette in “Lucy Goes to Vegas” (TLS S3;E17).    

The character of Max Siegel (credited as Vogel) is likely named for gangster Bugsy Siegel, who was primarily responsible for the development of the Vegas strip in the 1950s. The fact that Max is being played by Bruce Gordon, famous for playing real-life gangster Frank Nitti on Desilu's “Untouchables,” pretty much assures the comparison. Naturally, Lucy overhears Siegel and his friends talking about “busted up dolls” and thinks they are talking about women, as the term was often used for females in the Damon Runyon musical Guys and Dolls.

Max Siegel's gambling buddy is played by Paul Picerni, another “Untouchables” alumni. His character name is Packy West, which is an obscure reference to Lucy's pal Bob Hope. In July 1919, a 16-year-old Hope entered the Ohio State Boxing Amateurs tournament under the name “Packy East,” a nod to light and welterweight boxer Patrick “Packy” McFarland and Hope's own school, “East” High.

A chase sequence involving Lucy and Max Siegel's gambling buddies ends up backstage at “Hallelujah Hollywood,” a lavish stage show conceived, produced, and directed by Don Arden, It was a 3 million dollar tribute to classic MGM Hollywood musicals which played The Ziegfeld Room (which at the time was the largest stage in the world, with the largest backstage area in the world), at the MGM Grand Hotel in Las Vegas. The show opened in 1974, and ran until 1980. Its flamboyant finale was a tribute to the Ziegfeld Follies, featuring The Grand Stairway and The Great Ziegfeld Walk. The show featured over a 700 costumes (designed by Ray Aghayan and Bob Mackie). Lucille Ball played a lavishly attired Ziegfeld showgirl in the 1946 MGM film Ziegfeld Follies.

On stage with Lucy in the front row, Dean sings “Everybody Loves Somebody,” a song written in 1947 by Sam Coslow, Irving Taylor. Although it had been recorded by others, it was Dean Martin’s 1964 recording that hit #1 on the Billboard Pop Charts. He also sang it in “Lucy Dates Dean Martin” (TLS S4;E21, above). He then launches into “Tie a Yellow Ribbon 'Round the Old Oak Tree” written by Irwin Levine and L. Russell Brown in early 1973. It was a #1 hit for Tony Orlando and Dawn. The song was referred to by Steve Lawrence (but not sung) in “Lucy, the Peacemaker” (HL S6;E3).

This Date in Lucy History - March 1

“Home Movies” (ILL S3;E20) – March 1, 1954

“Lucy and the Old Mansion” (TLS S3;E22) – March 1, 1965

This is one of the best post-”Lucy” outings of Lucille Ball's career. The reason is simple: She sticks close to what she does best – and she does it without the cloying addition of a laugh track. Had she decided to call the character Lucy Carter instead of Lucy Collins, it might well have been billed as a “Here's Lucy” special.  As Lucy Carmichael, she did a similar filmed special titled “Lucy in London” during “The Lucy Show.”  Lucy Carmichael dated Dean Martin for one episode, so it would only have worked with Lucy Carter. Perhaps Ball thought people wouldn't remember “Here's Lucy” a year later. But whatever she's named, this special gives us old school, celebrity-hunting, anything-goes, Lucy and it is terrific!

[lynchgirl90]

@Racked: @LauraDern embodies Diane to stylish and sassy perfection #TwinPeaks

Laura Dern's Outfits Are the Best Part of the ‘Twin Peaks’ Reboot

Dern’s FBI agent Diane Evans makes wigs and bangles everything in the Showtime reboot.

By Abby Bender 

Before this year, the fashion world of Twin Peaks, David Lynch and Mark Frost’s 1990–1991 bizarro soap opera/murder mystery, was clearly defined. The original show blended fashion elements of the ’50s and early ’90s to memorable effect, with characters clad in autumnal-hued sweaters, midlength skirts, and saddle shoes. With a Best Costume Design Emmy and several magazine spreads inspired by the costuming (including one in every cool ’90s girl’s favorite, Sassy), the show’s sartorial influence was cemented.

Now, over 25 years later, Twin Peaks is back, and in its new 18-episode iteration, it’s stranger and more unsettling than ever. So far Twin Peaks: The Return hasn’t had a saddle shoe in sight. The fashion, for the most part, hasn’t stood out the way it did in the original series. That is, until episode six, which introduced Diane Evans, an FBI secretary recruited to help figure out what’s happened to Agent Cooper (Kyle MacLachlan), the lovable star of the original series who ended up possessed by a malicious, mysterious force. Originally, Diane was an unseen presence known only by Cooper’s address to a tape recorder. Now she’s embodied to stylish and sassy perfection by none other than Lynch muse and powerhouse actress Laura Dern.

Diane is first seen sitting at a bar smoking a cigarette, clad in a platinum bob wig, a black top with teal and gold embroidery, fuchsia and teal bangles, and a multicolored manicure. From her very first appearance, in which she delivers only a single line, one thing is clear: She’s the most dynamically styled character yet.

Now, over 25 years later, Twin Peaks is back, and in its new 18-episode iteration, it’s stranger and more unsettling than ever. So far Twin Peaks: The Return hasn’t had a saddle shoe in sight. The fashion, for the most part, hasn’t stood out the way it did in the original series. That is, until episode six, which introduced Diane Evans, an FBI secretary recruited to help figure out what’s happened to Agent Cooper (Kyle MacLachlan), the lovable star of the original series who ended up possessed by a malicious, mysterious force. Originally, Diane was an unseen presence known only by Cooper’s address to a tape recorder. Now she’s embodied to stylish and sassy perfection by none other than Lynch muse and powerhouse actress Laura Dern.

Diane is first seen sitting at a bar smoking a cigarette, clad in a platinum bob wig, a black top with teal and gold embroidery, fuchsia and teal bangles, and a multicolored manicure. From her very first appearance, in which she delivers only a single line, one thing is clear: She’s the most dynamically styled character yet.

Diane’s multicolored nails suggest a multitude of possible identities. Her style is designed to stand out among dark-suited FBI personnel. At one point, on a plane with fellow bureau members Albert Rosenfield (Miguel Ferrer), Gordon Cole (David Lynch), and Tammy Preston (Chrysta Bell), she wears a leopard-print trench coat, a print and style long associated with femme fatales. She’s the only one in the group this colorfully attired, and as evidenced by her prodigious F-bomb dropping, she’s totally over them.

Diane appears to be a woman who dresses for herself — the wig and manicure are quirky and self-consciously costume-like. Fashion in Lynch’s work often plays a nostalgic, fetishistic role: the saddle shoes are the stuff of ’50s teen fantasy, and Diane’s closest competitor for best dressed is a trio of bored Las Vegas cocktail waitresses who assist sketchy men while wearing matching shiny, powder-pink dresses. Diane, so long unseen (some viewers even doubted whether she was a real person) possesses a similar kind of uncanny appeal, as she now appears in a wig that’s both glamorous and concealing. We see her, finally, but we don’t know much about her — other than the fact that she carries herself with style.

Diane frequently wears fuchsia, a color that keeps reappearing in Twin Peaks. It’s been seen on various characters’ shirts and lipsticks and found in the décor, and has even seeped into some of the show’s more experimental, non-fashionable passages. In episode 11, at a meeting in a dreary brown office, she sits perched on a stool, wearing a dark green sweater and dark fuchsia flared trousers. She’s seated high above her male colleagues, and her outfit immediately stands out. There’s something poignant about Lynch giving Dern, a longtime collaborator since her role in Blue Velvet (1986), the best outfit. Even when the director himself is in the frame, it’s Dern who stands out.

Diane knows what she likes: we see her re-wearing tops and the trench coat, and she also has a pair of forest green baggy trousers similar to the fuchsia ones. The trousers have a Katherine Hepburn quality, and are paired with a sharply fitted blazer with a pointy multicolored neckline that mirrors the colors of the bangles and manicure.

Dern has had a very fashionable year on television. Prior to this, she starred in Big Little Lies, where her outfits appeared uniformly chic and expensive and included a fabulous cat-print jumpsuit. Twin Peaks, of course, is worlds away, and presents Dern in costumes that read more like a uniform. There’s some continuity with Dern’s previous television roles: Twin Peaks costume designer Nancy Steiner was also the designer for Dern’s short-lived series Enlightened.

In her previous collaborations with Lynch, Dern has played the good girl in pale, prim dresses (Blue Velvet) and the vamp in skin-tight biker-babe garb (Wild at Heart). Apart from the unclassifiable Inland Empire, in which fashion isn’t quite at the forefront and she primarily wears simple, solid-color outfits, Dern’s looks in Lynch’s films have hewed closely to feminine archetypes, even as the narratives spin into weirdness.

In Twin Peaks, Diane’s look borrows elements of the vamp without projecting too specific an archetype. How did this long-unseen character dress during Agent Cooper’s initial trip to Twin Peaks years ago? When does she take off the wig? How did she land upon her distinctive fuchsia/forest green/mustard yellow/leopard-print palette? We may never know, but with just a few fleeting appearances, Diane has established a signature look and brought fashion back to Twin Peaks.

Link (TP)

[olympivnshq]

☆ﾟ*·ﾟ  OOC INFO.

Molly, 22, she/her, EST, you know!!

☆ﾟ*·ﾟ  DEITY  —  GENDER. AGE RANGE.

Pheme, Female, 23-27

☆ﾟ*·ﾟ MORTAL NAME. JOB/OCCUPATION. BOROUGH/NEIGHBORHOOD.

Ella Vandertrap, Socialite and Blogger, Upper East Side

☆ﾟ*· HOW WOULD YOU PLAY THEM?

Pheme is the whisper in the winds, the little devil on your shoulder. She is the sensation of success, and the pit in your stomach. She can drag you into the spotlight, if she wants to. But if you cross her, she can crush you, with the snap of her dainty, little fingers. She can be quiet, when she needs to be. Starting rumors, they start slow and steady, barely a whisper. But when they build and build into something big, she can be loud and commanding, demanding your attention. She is cutthroat and cruel, if necessary. She wants things her way, or else there is hell to pay. She is the founder of fame and if you are in her favor, you are spoiled. She can also spread good things, but that is much more seldom than the chaos that she creates, just for fun. There isn’t too much written about her, but she is infamous.

Ella is… difficult. She’s a socialite, the daughter of a CEO and a model. She grew up, the pampered princess of the Upper East Side, and she knows it. From private school, private lessons in just about everything you can imagine, designer clothes at her dispense, she was certainly known as an “it-girl”. Living this life, she was always in the most elite of circles, which gave her access to all of the gossip and secrets, whispered, shouted, said in confidence. She drank it all up, loving the way people opened up to her. Maybe it’s because her parents never paid much attention to her, maybe it’s because most people are a bit scared of her, but she’s lonely. And that loneliness is not allowed to be seen. The secrets of others allows Ella to feel like she matters, and so, she started a blog, which, of course, is a rousing success. She’s not anonymous, she doesn’t care to be. But if she hears a whisper, life-making or life-breaking, she will let the world know. She plays with the people in New York City like they are dolls, all for her entertainment. Get on her good side? She is loyal in a strong way. She will build you up.. unless you give her a reason to break you down.

answer these questions: 1. are they more likely to stand with the pantheon or against it?  ( if you are choosing a god they may endeavour to dismantle it for whatever reason )

She stands with it, but only as she is able to manipulate the pantheon as her own play things. She will play along, for now. 2. what is their stand on mortals?

She loves mortals, as they all but worship her. Fame is one of the most intoxicating sensations, and Pheme adores the way she can spin stories, controlling them like little puppets.

☆ﾟ*· GIVE US A SAMPLE OF YOUR WRITING!

CHOOSE AT LEAST ONE OF THE FOLLOWING OPTIONS

☆ﾟ*· REPLY TO A STARTER!

check our starter blog   HERE and select one of the starters to reply to.

(this is replying to adara’s starter!!)

Her lithe frame had slipped through the evening crowd easily, a myriad drinks carefully balanced on her tray. There were nights when not a soul showed up, quiet settling over the bar… and then there were ones like these- chaotic, messy, seemingly never-ending. Adara had been back and forth with orders, amidst her sempiternal shift. Just when she had a moment to breathe, someone would wave her over with another request. It was far from glamorous- the ridiculous costume made to match a faux moulin rouge aesthetic, the plethora of lonely hearts looking for something new. But it paid most of the bills… for now. The early morning hours began to descend when she heard the magic words- last call. Turning to her closet table, she forced on a smile. “Alright love, if you’re still planning on picking your poison, time is slowly ticking away… anything in mind?” Adara nodded, arms leaning on the high top table as emerald eyes looked them over.

Ella didn’t even know how she found this bar, but she needed a drink. Her father had been stressing her out, talking about some family cocktail party for his company, that Ella had absolutely no intention of attending. This bar, it was crowded, which made it all the better. So many secrets to be spilled around, overflowing glasses and loose lips made for an excellent combination. Ella knew last call was approaching, but that was the perfect time, when everyone would let go. A waitress approached, and Ella smirked. “Gin martini. Neat.” Ella was concise, to the point. She was pretty, this one. Ella had never seen her before, which felt disgustingly odd. “And just who are you?”

[telavivgallery-blog]

Independent Study II

For this week’s independent study, I will discuss and review the unique and new luxury hotel in Tel Aviv, called the Jaffa Hotel. Within one week, I ventured to 3 different hotels, each with its own price range, crowd, and style to find my favorite one, and the Jaffa Hotel won! Tel Aviv is a popular spot for tourists who visit the Middle East. Around 2.5 million visitors travel to Tel Aviv every year, and the number is growing! According to the National Geographic, Tel Aviv is one of the top 10 best beach cities in the world. The city is known especially for its bustling nightlife, fun energy, and young spirit. Tourists also travel to Tel Aviv for its unique architecture and eclectic aesthetic. Tourists also flock to the city to enjoy laid-back beaches and long walks on the city’s promenade. Many visitors travel through the city on scooters, Segways, or bicycles, to explore the city as much as they can. The city consists of 44 hotels in total. Top hotel brands, such as Sheraton, Dan, Hilton, and Isrotel, have developments in Tel Aviv. There are also several boutique hotels that are world-famous for their interior design, top-notch service and Tel Aviv touch!

The Jaffa Hotel is located on Louise Pasteur Street 2, in Tel Aviv-Jaffa. Jaffa is a neighbourhood in Tel Aviv that is famous for its port, its Friday flea market, and its art culture. The neighbourhood also features ancient buildings and charming alleyways covered in pink hydrangeas. The Jaffa Hotel integrates and highlights all of these qualities that Jaffa holds into one high-end, flawless development. An average room at the hotel is quite pricy and can range between $400 and $700, depending on the season. 

The hotel’s modern design, spearheaded by Israeli architect Army Gill, English designer John Pawson and New York hotelier Aby Rosen, bleeds fantastically into the hotel’s preexisting 13th century structure. The Lobby of the hotel is striking and features contemporary, baby-blue and bright orange furniture by Japanese and French artists. The walls of the hotel lobby are adorned by blue-chip artists like Damien First and George Condo. These artists are rarely seen on walls in Tel Aviv, so I was amazed but not surprised to see them on the Jaffa Hotel’s walls. I was also amazed by the charm of the hotel’s outdoor pool and by the sleek design of the hotel’s spa and gym. I also got to take a peek at one of the hotels 120 rooms, which are all designed exquisitely. The room that I visited was most notably beautiful for its large window that casts a stunning pattern on the hotel bed’s soft white sheets. The design of the room was perfectly underwhelming and its color palette was soothing and easy on the eye. Colors like lime green and baby blue jumped out of the tan carpet and egg-shell walls of the minimalistic room. 

The hotel is also home to 3 delicious restaurants, Don Camillo, which serves Italian food, Golda’s Delicatessen, which serves a traditional Ashkenazi-Jewish cuisine, and the Chapel Bar, which in my opinion is the most special part of the hotel. The Chapel Bar is a lively lounge that is constructed inside an old church. This church became a hospital for British soldiers during the British mandate of Palestine. Thus, the bar is special because of its historical significance. The designers of the bar appropriated some of the space’s history into its contemporary design. For example, the menus are shaped as bibles and the waitresses wear nun costumes. In addition, cocktails feature names such as, “Mexican Prayer” and “Sin of Gin.” 

Although I did not spend a night at the Jaffa Hotel, I would highly recommend a stay at the hotel for any tourist looking to immerse themselves in art and history at once. When walking around the hotel, I truly felt I was learning at every step. Is was remarkable. Even the staff informs you constantly on the background of the art, furniture, and architecture. From what I can tell, the service is also supreme. Everyone working at the hotel was friendly. In addition, I had a bagel for lunch at the hotel’s Golda’s Delicatessen, and although it did not compare to a fresh New York bagel, it was certainly delicious. The street that the hotel is situated on is also calm and charming. Although the price point is high, if you’re willing to spend on a lavish hotel in Tel Aviv, the Jaffa Hotel is the place to do it. 

[envirotravel]

Running Like a Girl: A Weekend Away for the Midnight Run Koh Samui

I know, I know, things are kind of confusing around here right now, timeline-wise!  Because yes, I’m in Southeast Asia now, but as I’m pretty much the worst blogger on the planet I’m still writing about last year’s trip. Here’s to catching up on all my content soon! [Insert the deranged laugh of a crazed blogger here.]

After my big early 2016 Thailand trip to Khao Yai, Bangkok, Hua Hin, and Khao Sok, I vowed I wasn’t stepping foot off Koh Tao until it was time to head back to the Americas. Ha ha. That was cute.

I quickly remembered that I had no choice but to leave — my visa restrictions include a mandatory trip to the immigration office on Koh Samui every sixty days. Sure, technically I could get it over with on a quick day trip, but have I ever turned down the opportunity to turn a bureaucratic chore into a fun weekend away?

About a month or so prior to my visa extension, I saw an ad on Facebook for the Midnight Run on Koh Samui. I basically laced up my shoes that exact moment. I’d absolutely adored the Midnight Run I’d done in Bangkok a few years prior, and was pumped for the opportunity to try to outdo myself. But I couldn’t run alone!

I quickly enlisted several of my girlfriends into an island hopping getaway to run a 5K, giggle by the pool, and treat ourselves to a champagne brunch.

The run was in Chaweng, Koh Samui’s commercial epicenter, and so we booked a hotel nearby and took advantage of the central location to kick off the weekend with dinner at Wine Connection and cocktails at Drink Gallery, a bar I’d discovered on my last boozey trip to the island.

I’d arrived early that morning to take care of my visa and register the runners in our group, and so after a day of paperwork I was ready to kick back by the time the girls arrived. That said, we took it pretty easy with just one post-dinner cocktail — we did have 5K to run in less than 24 hours, after all!

And so the next morning, we switched to a more fitness-friendly liquid — fresh juice! As the owner of island favorite Living Juices on Koh Tao, my girl Janine can basically turn anything into a business trip with a little scouting trip to the local competition.

This weekend, we checked out two Koh Samui juiceries, Project: Juice and Juice Queen. The verdict? Put all three on your must-drink list for the Gulf of Thailand!

Juice runs aside, we spend the entire day “mentally preparing for our run,” also known as lounging by the pool, giggling and gossiping, and moving as little as humanly possible.

Unfortunately, we didn’t have the greatest digs to do so by.Typically for a group like this I’d rent a villa, but booking fairly last minute in high season, we’d had pretty limited options in proximity to Chaweng. I wanted to treat everyone to something fun though, so I splurged on what looked like one lovely suite with a private pool and two other basic rooms at a hotel I’d never heard of.

Yeah, it turns out there was a reason we’d never heard of it — the photos on the website were pretty misleading and overall the hotel was pretty cold and charmless. Chaweng Noi Pool Villas was overall underwhelming and I wouldn’t ever go back nor recommend it to anyone. That said, we weren’t going to waste a second of our trip turning our noses up — we definitely made the most of it in the moment!

That evening, we anxiously headed into town for the big event. Amy and I had started running together about a month before race time, and it had been quite eye-opening. In all my years in Thailand, the one and only time I’d run outside had been that previous fun run in Bangkok — otherwise, it was treadmill all the way, baby. As much as I prefer running outside under normal circumstances, I just could never imagine tackling hot, hill-covered Koh Tao with my trainers on!

But it’s amazing what having a running buddy can motivate you to do, and soon Amy and I were challenging ourselves to beat our records as we slogged up and down the mountains of Koh Tao at sunset. We hoped that by the time we made it to the blissfully flat race route on Koh Samui, the whole thing would be a breeze.

Isn’t that adorable that we thought that?

Well my friends, there was certainly nothing breezy about it. As we tacked on our race bibs, former marathoner Janine (who had to sit this one out due to a knee injury) gave Amy, Johanna and I a race-night pep talk and sent us into the lineup. Costume-clad runners were abound and the atmosphere was distinctly party-like — not innappropriate for a run though Koh Samui’s most notorious party strip.

And then we were off, following the winding route around Chaweng Lake. Johanna took the lead while Amy and I kept each other’s pace behind her. We’d decided to ambitiously aim for an under 30 minute time, despite the fact that our best practice run had been about 35 minutes. My older sister Margaret, a wellness and running coach (who just started her own business in Rochester!) had assured me that game-day adrenaline leads most runners to beat their training times on race day.

Just as I was starting to crave breaking my run for a few moments of walking, fireworks erupted over the lake, giving me the endorphin rush I needed to keep jogging. The next adrenaline boost came as we entered the heart of Chaweng’s nightlife zone, where partying tourists enthusiastically cheered us on and offered us sips of beer (nah thanks). Much more welcome were the waters sweetly offered by the local hookers and bar girls who also excitedly lined the streets to cheer — an “only in Thailand” moment if I’ve ever experienced one.

While Samui is flat, a huge relief after hilly Koh Tao, I didn’t take into account some of the challenges of running in a more urban environment. Basically, I’m talking sewage smells, guys. Thailand isn’t known for its ground-breaking waste management systems, and a few times along the race route I felt so nauseous from the smell of rotting garbage and, um, other unpleasant things that I thought I might be sick. But I kept on keeping on.

Have I ever been happier to see a finish line? After a brutal final couple hundred meters, I almost collapsed as we stumbled over it in just under 33 minutes. While technically we didn’t reach our ambitious goal, I couldn’t have been happier — we beat our training times, I didn’t break my stride to walk even once, and I ran my fastest race ever! For a girl who used to barely be able to get through a mile, it was a huge accomplishment.

I couldn’t have been more thrilled that the race started and ended outside Reggae Bar, one of my favorite spots in Koh Samui. Still clad in sweaty race gear, we joined hundreds of our fellow runners for drinks and dancing to a Bob Marley cover band until we finally succumbed to the call of the shower and our beds.

Overall, I was very impressed with the Samui Midnight Run. The event was overall well run and organized, and my only suggestion to them would be to please use paper cups for the water stations — all those teeny tiny one-sip plastic water bottles broke our eco-loving hearts!

The next morning, it was finally time to celebrate! Because not only had we just kicked butt in a big race, but it was also Easter Sunday (yeah, I told you I was behind on trip recaps!) And Easter Sunday calls for brunch.

Brunch culture hasn’t really hit Thailand outside a few select neighborhoods in Bangkok, but we were determined to make some magic happen. A trip to Koh Samui requires a serious embracing of chain restaurants, and thus I enthusiastically supported a group trip to The Coffee Club, where we baffled our waitress by ordering a full bottle of champagne along with our assorted juices for DIY mimosas. “You want… to take it away?,” she asked, brows furrowed in confused. Our smiling insistence that we were going to drink it right then and there, at noon on a Sunday, was met with you crazy farang!-style laughter that we returned with a wink.

It was the perfect toast to the perfect girlfriend getaway.

Of course, we had a few more stops. You can’t take a bunch of country Koh Tao girls over to the civilization of Koh Samui without unleashing them on the mall and also a Tesco Lotus or two to stock up on supplies, after all.

Once the retail frenzy was over, blissful as the weekend had been, we happily boarded our ferry back to teeny tiny Koh Tao. And when we arrived, we were greeted by one of the most beautiful sunsets I’d seen in a while. So good I had to stop, put down all my bags, and just soak it all in.

Welcome home, it said.

Running Like a Girl: A Weekend Away for the Midnight Run Koh Samui posted first on http://ift.tt/2k2mjrD

[papermoonloveslucy]

LUCY AND THE EX-CON

S1;E15 ~ January 13, 1969

Directed by Jack Donohue ~ Written by Robert O'Brien

Synopsis

The Unique Employment Agency sends Rocky (Wally Cox), a reformed safe cracker, on an assignment as a janitor.  When the place is robbed, Rocky is the number one suspect.  Disguised as old ladies, Lucy and Rocky go undercover to catch the real crook.  

Regular Cast

Lucille Ball (Lucy Carter), Gale Gordon (Harrison Otis Carter)

Lucie Arnaz (Kim Carter) and Desi Arnaz Jr. (Craig Carter) do not appear in this episode.

Guest Cast

Wally Cox (Rocky Barnett) was probably best known as America's favorite science teacher “Mr. Peepers” (1952-55) on NBC. Cox had played a nervous musician on a 1963 episode of “The Lucy Show.”  This is the first of his four appearances (playing different eccentric characters) on “Here's Lucy.”  He was also a regular panelist on “The Hollywood Squares.”  Cox died in 1973 at age 48.  

Rocky is short for Rockingham.  

Bruce Gordon ('Doc' Morgan) is best known for playing Frank Nitti on the Desilu series “The Untouchables” (1959-63).  He played a version of the character when “The Lucy Show” parodied “The Untouchables” in 1966.  

Doc Morgan is so named because he uses a stethoscope when safe cracking. Bruce Gordon was not related to Gale Gordon.

Irving Benson (Irving) was an ex-vaudevillian Milton Berle hired to appear as a heckler named Sidney Spritzer on his variety shows. This is his only appearance with Lucille Ball.  He died at the age of 102.

Vince Howard (Policeman, extreme left) was much more at home in hour-long crime dramas (like “Mannix” or “Mission: Impossible”) than in sitcoms.  Many of his 125 TV and film credits were as law enforcement officials.  Howard also played a policeman on “Lucy and Mannix are Held Hostage” (S4;E4).  

Larry J. Blake (Policeman) appeared as a Native American Medicine Man in “Lucy the Rain Goddess” (TLS S4;E15).  He was an ex-vaudevillian making the first of his eight “Here's Lucy” appearances.

Some of the patrons of the Seadrifter Café (uncredited) are played by:

Don Anderson was seen in the last two episodes of “The Lucy Show” as well as making three appearances on “Here’s Lucy.”

Victor Romito was seen as the Bartender in “Lucy Meets John Wayne” (S5;E10). He also appeared in four episodes of “Here’s Lucy.”  Romito was an extra in the 1960 Lucille Ball / Bob Hope film Critic’s Choice.

Chalky Williams played a police officer (uncredited) in “The Ricardos Go To Japan” in 1959.  He was an uncredited extra in many TV and film westerns, often found sitting on a bar stool.  

The scantily clad blonde waitresses, the taxi driver, and the other Seadrifter patrons are played by uncredited background performers.

For his employment application, Rocky lists his aliases: Riley, Murphy, Shapiro, Agnew, and Smith.

Bruce Gordon introduces this episode on the “Here's Lucy” DVD collection.  He passed away in 2011.  

Lucy sends Mr. Barnett to Parker Import Company for a job as a maintenance man (aka janitor).

Lucy goes undercover as Abigail Throckmorton and Rocky as Lydia Perkins (of the Pasadena Perkins') from the Ladies Civic Betterment Committee.  The mention of Pasadena gets a laugh from the studio audience because of the Beach Boys hit song “The Little Old Lady from Pasadena” (1964) sung by Jan and Dean. Ball and Cox are dressed as stereotypical little old ladies.  

Lucy and Rocky decide to fake getting drunk to gain access to Doc's office, which allows Lucy to deliver the clever line: “Might I have a Mai Tai?” The Mai Tai is an alcoholic cocktail based on rum, Curaçao liqueur, orgeat syrup, and lime juice, and usually adorned with Polynesian-style decorations like paper umbrellas and tropical flowers. Doc says his Mai Tai's have seven different kinds of rum.  

After too many Mai Tais, Lucy drunkenly croons a few bars of “Sweet Leilani,” a song featured in the 1937 film Waikiki Wedding. It won the Academy Award and Bing Crosby's recording of it became one of the biggest hits of 1937. The music then segues into “The Hawaiian War Chant,” a traditional island melody first written in 1860. Lucy dances energetically shaking her maracas – and other body parts.  

When Lucy and Rocky pass out (as planned) Doc says “Irving! Give me a hand with arsenic and old face.” Arsenic and Old Lace was a 1939 Broadway play and 1944 film where two elderly spinsters serve lethal glasses of elderberry wine to unsuspecting older gentlemen and bury them in their basement!

Lucy Carmichael recruited the help of an ex-con safe cracker (Jay Novello, above) to get Mr. Mooney out of a the bank vault in “Lucy and the Safe Cracker” (TLS S2;E5).

Lucille Ball first performed "The Hawaiian War Chant” with Vivian Vance in “Ricky's Hawaiian Vacation” (ILL S3;E22, inset).  She performed it again in “Lucy and Carol in Palm Springs” (TLS S5;E8).  Ball and Vance will sing it again on “Here's Lucy” in “Lucy Goes Hawaiian” (S3;E23, above).  

This is not the first time Lucille Ball has played the archetypal little old lady.  Lucy Ricardo made herself old to ward off the affections of Arthur Morton (Richard Crenna) in “The Young Fans” (ILL S1;E20)... 

...and then again to seal a real estate deal in “The Girls Go Into Business” (ILL S3;E2). 

Lucy Carmichael aged herself in “Lucy Helps the Countess” (TLS S4;E8) and “Lucy and the Soap Opera” (TLS S4;E19) – both times wearing the same costume!  

Mrs. Carmichael also poses as a wealthy octogenarian in “Little Old Lucy” (TLS S6;E7).

Auto Owner? Lucy tells Rocky she doesn't own a car, but in a previous episode Lucy audibly sideswipes the garage when coming home from work – blaming both the wide car and the narrow garage, of course. 

Safe Keeping! A big black safe has been moved into the Unique Employment Agency offices for the sake of the episode's plot. 

Door is Ajar! When Lucy and Rocky enter the Seadrifter Café, they leave the door open. Doors left open or ajar was a frequent occurrence on “The  Lucy Show.”

“Lucy and the Ex-Con” rates 4 Paper Moons out of 5