#also my prof was like WOW THE TENSION here which was so fun

[scribsisnotdead]

a lil thing for class. redrew a sonic and shadow stock pose (yknow the one)

[manifestoonmoralmanlove]

Gormless Ch. 4 - Dab on them Pineapples

A well-meaning friend gave me a book series that is hilariously bad. The first book was Souless and my riffs were entitled brainless. This second book is entitled Changless and these riff are then gormless.

I mean to say I have entitled them gormless! Not that my riffs are dumb, and the effort I spend on them stupid since I’m the only one who enjoys them. HAHA!

The story is SUPPOSED TO be about how a badass lady wearing a rad-looking carriage dress hits baddies with her umbrella and bangs her hot werewolf husband.  In reality it’s mostly poor attempts at being witty, flirty, and superior.

For the last book check out the brainless tag.

If you want the TL;DR version but want to read these new riffs anyway?

This story is set in supernatural Victorian steampunk England.  Alexia is our NOT LIKE OTHER GIRLS protag.  She is a soulless, which means she’s able to negate the abilities of vampires and werewolves by touching them. She’s recently married a big oaf, named Lord Connel Maccon.  He’s the manchild in charge of the supernatural police with a zillion dollars and he’s totes super hot too ok.  Their relationship is mostly arguments about how Maccon can’t tell her fucking anything.  Alexia has also recently become head of ~Soulless affairs~ in Queen Victoria’s government.  She has a dumb friend named Ivy, a gay vampire friend named Akeldama, a family who’s evil because they do the same shit as her but while being blonde, and most importantly Alexia is better than everyone cause…cause.

Last time on Gormless:

There’s some mysterious force that’s turning the Vampires and werewolves into humans. Alexia is in charge of figuring out that deal, and she is doing a bad job at it.  Her husband is in charge of the Supernatrual Police (BUR) so he’s going to Scotland about it.

There’s a dude named Channing who wants to punch and have sex with Alexia, and Ivy is getting married to some rich slub, even though she’s in wub with Maccon’s servant Tunstell.

Alexia’s hubby told her to go to a hat store for mysterious plot reasons, she brings her dopey friend Ivy.  The hat store is run by a hot lesbian and as they’re chatting BOOM an explosion! GOLLY WHAT’S NEXT!?

Chapter 4 - Dab on them Pineapples

This chapter starts off totally under described.  Basically the explosion shook the hats on their nice dangling hooks, and turned out the lights.  They don’t even describe it as unbalancing Alexia.  So the whole next bit makes so little sense.  She first reacts by feeling around for Ivy.  She finds Ivy has fainted…cause okay? Ivy is whispering about Tunstell though so she’s like, “YEAH MY FRIEND UNCONCIOUS ON THE FLOOR AFTER AN EXPLOSION IS FINE! BYE LOSER!”

She immediately starts scurrying around for that secret passage she thought she saw earlier. Finds it, goes in, and down an elevator. I just…I was so flummoxed that this was her first response?  All it would take for this to make more sense is to write, “It sounded as if the explosion happened below them, and Alexia would bet you 100 pounds that this secret passage would lead her straight to it. And what if someone was hurt down there?”

It seemed so bizarre for her to go, “EXPLOSION? I’M GOING TO MAKE A BEELINE FOR THE SECRET PASSAGE! MY FRIEND OUT COLD? WHATEVER!”

When she gets down there she finds a messy workshop, where a small explosion clearly took place.  She finds LeFoux yelling at a child and there’s a ghost lady just chilling there.  The gist of the conversation is that the child threw a rag soaked in ETHER into a huge furnace which caused the explosion.  The boy is just like, “lol it went bang.”  And Alexia thinks that’s hilarious and reintroduces herself. LeFoux has to remark that WOW ISN’T LADY MACCON SMART FOR FINDING OUT THE SECRET PASSAGEWAY? GOSH I KNOW I CONFIRMED IT TO HER MINUTES AGO! BUT SHE’S SO SMART!  The ghost is LeFoux’s aunt Beatrice, and the boy is introduced as LeFoux’s son Quesnel even though the two do not look related.

I also find it odd that LeFoux, the owner of this establishment, with a shop full of customers, just slips into the passage and doesn’t give a token, “DO NOT PANIC CUSTOMERS I’M GOING TO FIGURE OUT THE ISSUE, PLEASE STAY WHERE YOU ARE!”

Alexia praises the child for the explosion.  I can’t help but feel a bit exasperated by the book’s tone for this.  This child could have not only killed himself on a flight of fancy but perhaps a block worth of buildings full of humans in a crowded city, and the story treats it like he stole a pudding out of the fridge he wasn’t supposed to have.  But I mean, my job is to worry for the well-being of children and I have a habit of overthinking this shit so take that paragraph with as much or as little care as you see fit.

LeFoux punishes Quesnel and tells her aunt to take him away so she can have sexual tension with Alexia.  Alexia, you do not deserve the sexual attention of anybody except your dipshit husband. Leave the MacDougalls and LeFouxs for the more-deserving slutty, bisexual hate-readers okay.

Faps you realize you will never be able to have sex with a fictional character right?

Faps why would you want to bang a fictional character in a story you don’t even like?

I HAVE TO FIND SOMETHING TO ENJOY HERE OKAY!?

During some mild flirtation where Alexia first realizes women are hot, LeFoux explains that Maccon commissioned a gift that is ready for her.

It’s a huge ugly umbrella that takes a page to describe just its physical appearance, which was hard to follow.  My favorite detail is,

“The handle looked like something that might top an ancient Egyptian column, carved with lotus flowers---or a very enthusiastic pineapple.”

I don’t know what the fuck that’s supposed to mean but with that line I have decided that the handle of her umbrella looks like this:

(Picture of a pineapple dabbing, while wearing bright red shoes.)

And you cannot convince me otherwise.

We spend a few more pages explaining what her James Bond styled umbrella can do. Which includes:

Shoots poison darts.

Can switch between a silver and wooden tip depending on if you’re stabbing vampires or werewolves.

Can emit a magnetic field which can disrupt steam engines temporarily.

Can spray different kinds of toxic mists which can kill humans, and severely injure werewolves and vampires.  

Okay sure, she gets a proper weapon with a lot of weird uses. Sure good!

So now it’s time for me to complain about some writing choices!

Much to my annoyance, every time LeFoux smiles at all (which is a fucking lot) instead of using multiple verbs and descriptors such as, “She smiles, grins, smirks, beams, looks amused/smug/delighted/etc.” She says LeFoux ~dimples~ 100% of the time. And I’m like nobody verbs dimples that way you fucking weirdo who writes like they’re 12.

There’s also this really clumsy pointless exchange where it’s revealed that LeFoux has made special equipment for Prof. Lyall, and she remarks that he’s a curious man. Alexia says he’s not a man at all (cause he’s a werewolf) and LeFoux remarks, “I, too, am not a man. I simply enjoy dressing like one.”

….This is like super clumsy and not how humans talk at all. And there’s no reason why you need to bring that up AGAIN at all? We can tell she enjoys masculine dress because…she’s described as dressing masculine. Like….why? 

Like I know this isn’t meant to be a complex novel, but like I feel condescended to how often unimportant shit needs to be brought up again and again. UGH!

So they head back upstairs, Tunstell shows up so he and Ivy can stare longingly at each other, and OH YEAH tell Alexia Lyall wants to speak with her.

You gotta do more for me to ship Tunstell/Ivy then like show them cozy with one another and shouting in my ear about how they pine for one another.  Like maybe some dialog besides, “How are you?” “Oh I’m fine”?

So Alexia goes to see Lyall. She struts in swinging her new umbrella like HEY! HEY! ASK ABOUT MY NEW TOY!  Lyall does not.  Lyall has his issues don’t get me wrong.  But I find it so refreshing that he refuses to feed Maccon and Alexia’s shitty little egos.

Lyall says the humanization phenomenon has been ~spotted~ again and it’s moving toward Scotland, a bit ahead of Maccon, who is also heading that way.  Maccon doesn’t know he’ll be meeting the mysterious soul-sucking power soon, which could be a problem since he’s only useful in the sense that he has powers.

Alexia takes note of this, and decides she wants to have Lord Akeldama and LeFoux meet cause that would be cool I guess.  That’s where we leave off.  I’m not sure if the two are going to get along immediately upon meeting or hate each other’s guts. I hope they hate the other’s guts cause I think that would be more entertaining.

Say something nice Faps:

These chapters don’t always end and start on similar notes. So it doesn’t feel repetitive.

Lyall, while not totally free from this writing’s bullshit, helps ground this material by being a voice of sanity. A lot of authors can get caught up in HOW FUCKING COOL THEIR PERFECT FUN CHARACTERS ARE and it’s just kinda refreshing that this author has enough self-awareness to realize how exhausting and irritating their antics/personalities can sometimes be. Or in the very least enough awareness of writing to know when to slow it done and take a breather.

 LeFoux is hot.

Since I have identified her new murder parasol as having a dabbing pineapple handle, all mentions of it conjure hilarious mental images for me.  She was described as cradling it like a baby, and swinging it wildly in order for it to fail to catch Lyall’s attention.

 I also kinda like how despite getting a badass weapon crafted for her, it’s hideous.  Like perhaps it’s for the humor sake, but I appreciate we’re not just going to steamroll how cool and great Alexia is. Even though she got this super rad weapon with all these functions without having to earn it. The item does have the downside of being tacky and heavy. You know?

[krokonoko]

Doin one of my play by plays of the Pokemon movies.

It’s been a while since the last one! That’s cuz chronologically, we should do the 3rd one next, but the 3rd one is my fav and I’d rant for hours about how good it is and ain’t nobody got time for that, so we gonna skip straight to the fourth one.

I always remembered the fourth movie decidedly unfavorably. It’s categorized in my head as “the one that started the era of Pokemon movies that suck.”

And yeah it’s. Not as good as its predecessors. It was the movie that started the formula of “cute helpless legendary Pokemon needs to be saved from evul ppl.” It was the first one starring Ash’s new German voice actress, which was a big reason for me to stop watching the anime back in the day cuz WOW that new voice was the most grating thing in existence.

But looking back, I feel like I did the movie injustice. I think it’s got a lot of neat moments, and some that I honestly love, if only for their silliness. So let’s do this.

We start with music rehashed from the first movie. Not a good look, though that’s probably 4Kids fault.

GOD that cgi is ugly. And even worse, it was already back in the day!! There was never a time when this looked good.

wow thanks lady that looks gross af

those are some big ass nidoran

Oh no, the evil guy is weakening Celebi in order to catch it...! ...Wait that’s what we’re doin all day long in the games.

Honestly, it never made sense to my why the plot of the anime was so often revolving around keeping people from catching wild Pokemon? I mean I guess Team Rocket wants to use them for bad things, but Ash & Co. usually justified them keeping Team Rocket from catching wild Pokemon with accusations like “These Pokemon don’t belong to you!” ...bitch, yeah, they don’t belong to you either, they don’t belong to anyone, that’s why we’re catching them, that’s the entire purpose of the goddamn franchise?

And if the problem here is that this guy wants to catch a legendary Pokemon, then why am I required to catch legendaries to advance the plot in the games?

The cutest fucking Tyranitar.

What IS this guy’s outfit. Also will you believe me if I tell you it took me over 15 years to figure out this dude is a Team Rocket member?

“The Pokemon I catch with these balls become evil, and their powers are immediately maximized.”

Ah sure that sounds scientific and only slightly OP.

The title screen doesn’t exactly help the impression that this movie is severely half-assed, even if it’s made by 4Kids.

I also think it’s really funny that the English name of the movie is this run of the mill punny 4Kids bs. I mean. 4Kids. 4Ever. Wow. What ingenuity. And the German translation team took a look at that and went “NOPE, not doin it”, and called it “The timeless encounter”.

We’re about to see a Croconaw!!! :DDD

Will I ever be over the fact that Brock’s cute tiny Zubat evolved into a badass Crobat while I wasn’t looking? Nah.

Ah there it is, Ash’s new voice... You gotta understand, I had this huge crush on Ash when I was ~10yo, and his voice was a big part of that. So when it got replaced, I didn’t exactly take it well. Also the new one was doin its best to be even more grating than the English one. THEN AGAIN, the voice actress actually isn’t that bad in this movie and Mewtwo Returns.

HE.

No one knows how to actually pronounce Suicune until you hear someone else say it in a certain way and you go “NO that’s NOT how you say it!!”

I love how the old lady with the green hair is revealed to be the guardian of the entry to the forest since she was young. It’s just so funny how we just saw her jump about 30 foot off a tree as a teenager when Sammy was about to enter the forest, and go like “/game grumps zelda voice/ heeey kid, s’just a legend or whatever, but timetravel, it’s a thihiiing! Here, have some bread! byeee!” And then the kid vanished, and now she’s this grumpy old hag who waves her staff at everyone coming past her house like “DON’T EVEN FUCKING DARE GETTING CLOSE TO THAT FUCKING FOREST OR SO HELP ME GOD I WILL KICK YUR ASS!!”

babies babies bABIES

That Stantler is fucking legendary. Idk how it is in the English version, but in the German dub, it’s just got the most normal voice. Like, often the ppl voicing Pokemon will kind of talk in a hissing tone, or make their voice sound deeper or whatever, but this Stantler sounds like a completely normal dude just matter-of-factly stating: “Damhir. Plex.”

And instead of, idk, holding Celebi into the water at the edge, Sammy walks into the lake, clothes and backpack and everything, and squats there like a tool. I mean I get it, the imagery is much stronger like this, but couldn’t he at least taken off the shoes? The backpack? THAT’S GOT HIS NOTEBOOK IN IT???

I love them. Every single one of them is so valid.

Nothing to see here, just a pretty shot.

I really like these old anime glow effects~

The best part about Celebi healing Misty’s knee is how she doesn’t just slowly try to put weight on it or something, but straight up jumps around on it. Ride or die, man.

This is one of my fav moments in the entire movie, cuz you got Celebi cruisin around in the foreground, and the boys sitting there, looking at the viewer with this exact vacant stare for multiple seconds without making a noise or moving.

You know, I mean... the first two Pokemon movies were some pretty basic stuff. Esp. The second one was really just a McGuffin hunt. But this one is just such a poster child for the plot that would be recycled in Pokemon movies like no other. The entire narrative has completely halted. All we are doing is watching Ash, Sammy and Celebi bond. There are no stakes and no tension, except for the fact that the Pokemon hunter is still on the lose but he’s so forgettable, who honestly even still cares about him?

And the thing is, this bonding between Ash, Sammy and Celebi is important so they can save Celebi from turning evil later, but it still rings kinda hollow what with the montage they’re getting of all the fun times they had for the last, say two hours?

The much more important thing, which puts this movie a bit ahead of most other Pokemon movies with this structure, is that Ash isn’t just bonding with the legendary of the week, but also with Sammy.

And Sammy isn’t just a bff of the week, but an established core cast character. Imho, that’s what makes the movie worthwhile.

The dumb thing about this is that Celebi didn’t even get corrupted for any good reason. It was literally just “yeah it was in that weird pokeball for a sec now it’s evil.” ^^°

cgicune

I remember first watching this movie and this was the point where I honestly started hating it because I was so disgusted by how unimaginative everything about this... ball? is...

yeah no, this is just. really really bad.

OKAY here’s another thing. WHY did Suicune turn up now?

On the one hand I do realize I like this movie more than I thought I did. On the other hand I’m starting to see why it was such a problem for me back then. This movie is just trying to copy formulas from the prior ones without really. Working for it. Remember Lugia and Ash working together? Lugia saving Ash and all that? Wasn’t that cool?

Yeah but there was also a reason for WHY Lugia stepped in and WHY they helped Ash. It was Lugia’s task to step in in case the three birds started fighting. And Ash was the chosen one. It’s flimsy as fuck, but it worked.

What’s Suicune’s connection to all of this? They’re... sorta like... another guardian of the forest. Cool. Then why didn’t they step in the moment the hunter attacked Celebi? There’s no real reason for them to save Ash and Sammy, except for the fact that they’re protags and they need plot shield.

Everything about the writing in this movie makes it so obvious even to a young teenager that this is just ticking boxes.

The thing is, the first three movies had at least one character developing. It took a human’s sacrifice for Mewtwo to learn the value of life, both of the life of others and their own. In the second movie, Ash had to live up to the responsibility of being the chosen one. And the third movie is just amazing and Molly is a really interesting character, she overcomes a deep grief and learns that escapism is not the answer to her problems and it’s just all around the best Pokemon movie of all time it’s got so much emotional depth idek where to start.

But here... Who learned anything? Who developed? And I think that’s where later Pokemon movies fall short. There’s not a lot of character development, and even if there is any, it just rehashes of the old movies. And while I couldn’t have put it into words like that when I was a young teen, I think that’s part of what bothered me so much about this one. 

Also what’s with this bs talk about the lake being polluted or the forest dying? A couple of trees got uprooted and there’s a bit of dirt, honest to god nothing but soil and stuff, in the lake. Give it a couple of months and it’s gonna be fine. It’s not like there’s toxic waste in the water or anything.

I mean you could say the forest is dying cuz Celebi is dying, but by the logic of the movie, it was the other way around! And honestly, nothing in the background even looks like its wilting at ALL. So this really doesn’t leave much of an impression.

Fuck this, this is not earned.

At this point, the hunter guy is just bullying Celebi.

And this little overpowered dingdong can’t even free itself from some dude grabbing it. Okay sure so Ash needs to save it againnnn what are the emotional stakes hereee

ANYWAY. It was all worth it for the only actual plot twist in the history of Pokemon movies:

And I actually really, really like this one. It’s not just an awesome twist but also a super sweet moment between Ash and Prof. Oak that deepens their bond.

So yeah, I think I already said everything I had to say about this one. Kind of the beginning of the end for Pokemon movies. Not saying there aren’t some winners in between, but man did they get formulaic. And the recent attempts to break up said formula are. Questionable at best. It seems like Pokemon can’t really escape itself, though I’m sure if they wanted they could create meaningful stories like the first or third movies or just solid, fun action movies like the second one again.