#and for Laios too because like this is a character that spend his life being misunderstood by most people and being looked down upon becaus

[doumekiss]

if you break it down Kabru's journey on the whole manga is about the ridiculous lenghts he will go through just to get this one weird guy to notice him and talk to him a little bit

[pyreo]

i've seen dungeon meshi around tumblr for what feels like a decade now and it's all been manga panels of senshi showing bulge. which obviously means I respected it but didn't know anything else

so anyway I'm up to episode 9 now and here's my ongoing thoughts about it:

The character dynamics are the best thing about it, I think everyone pretty much Gets It from seeing any page of the manga

There's a lot of great jokes - verbal jokes even! Which is tricky to do in translation but they still absolutely work

I really like how there's an underlying theme of.... being responsible for yourself and what's around you. the focus on balanced meals, and of food being a blessing and not something to treat like a burden. That the most survival-strong individual, Senshi, is almost always advising how to make something taste better because enjoying something is part of surviving too. The constant references to sustaining an ecosystem in their dungeon, though it's an unnatural area broken by time and filled with horrors, it's portrayed as a place worth respect and that no matter how creaetures came to be there, they deserve a way of life too

I like how Senshi's personality is portrayed through only doing things that take effort. He always takes longer or puts in more work when possible because he sees learning and training oneself with practice to be the most fundamental part of growth. He only dislikes magic because it seems like a 'shortcut' that skips the necessary responsibilities. He refuses to wash his beard because he doesn't care if it makes magic less effective - but he immediately does when Marcille spends the time and work to create him some soap, which he wants to use without hesitation

I actually love Marcille's voice acting, she's got so much personality in her voice and I just enjoy hearing how she feels like saying anything

Laios is a perfect balance of being very endearing and also just impossible to deal with. He's great. A male protagonist with such innocence and wide-eyed enthusiasm is also refreshing

Chilchuck is. Well I know what a moe gap is now and if I had a nickel for every short, cropped-hair anime boy who was Actually A Lot Older and Not Cute

My fav moment by far is Marcille begging Chilchuck for the barest bit of info about himself, and him grouchily revealing his age, but because she and Senshi live hundreds of years they hear '28' and only get affirmed in their belief he's a kid, and meanwhile Laios just learned he's actually the youngest party member and defers to Chilchuck's authority immediately

[recentanimenews]

Bookshelf Briefs 11/30/19

Let us give thanks for a hearty helping of briefs!

Beastars, Vol. 2 | By Paru Itagaki | Viz Media – If there was any doubt after reading the first volume of Beastars that I would be following the series, it has been completely banished after finishing the second. The sensitive gray wolf Legoshi continues to be a major draw for me, but so is Louis, the driven red deer who becomes an even more prominent character in the second volume (in addition to being featured on the cover). The scenes that the two share together are particularly intense, their contrasting personalities clashing and complementing each other in interesting ways. In part, using the framework of herbivore versus carnivore and the seemingly natural order of things, Beastars‘ narrative explores personal identities that challenge the expectations placed on individuals by a society that tries to neatly categorize them. But people are complicated and relationships are messy, something that Itagaki captures extremely well. Beastars is a dramatic and compelling series; I’m hooked. – Ash Brown

CITY, Vol. 6 | By Keiichi Arawi | Vertical Comics – Again, I feel that Arawi is not playing to his strengths by making this story of a city try to be as broad as possible. It’s best when there’s a through plot we can enjoy, such as seeing the restaurant owner/chef suffer from his cooking being average and his restaurant failing. There’s also some chapters that succeed by showing off amusing faces, such as the one where they try to figure out if one girl is mad or not (she’s not… at first), or trying to tell two identical twins apart when they insist on doing the exact same thing despite yelling about their differences. Unfortunately, when it’s random people doing random gags, it’s merely an average title. I’d like to be able to recall the names of anyone in this the way I can for Nichijou. – Sean Gaffney

Delicious in Dungeon, Vol. 7 | By Ryoko Kui| Yen Press – This volume concentrates on fleshing out the cast and backstory, possibly at the expense of the humor—there’s been less and less each book—but it’s not unwelcome. particularly when we get Senshi’s backstory. Elsewhere, Laios may be a child of prophecy, and he and his group had better find his sister and somehow get her back or the elves will get there first and destroy the entire dungeon… which will lead to massive loss of life. That said, rest assured that there’s still some eating of delicious monsters in this book, which is one reason people started to read it. It’s just that now there’s a plot that is more important. Now that this series comes out so infrequently, each volume is even more of a treasure. – Sean Gaffney

Dr. STONE, Vol. 8 | By Riichiro Inagaki and Boichi | Viz Media – We’re finally leaving the village, as Senku and company decide to take the fight to Tsukasa, which involves building a car. Yes, they build a car. That said, that’s hardly the most surprising thing in this volume, as we’re reintroduced to Taiju and Yuzuriha, last seen seemingly being written out of the manga for being too boring. But now, six volumes later, they’re back, and they’re in Tsukasa’s camp. Which is good, as Chrome has been captured. There’s slightly less science and slightly more action in this volume, but that just helps remind you that this is a Jump title at heart, and it will be nice to see the original three stars back together again. Though can Taiju and Yuzuriha magically get interesting? – Sean Gaffney

Guilty, Vol. 1 | By Ai Okaue | Kodansha Comics (digital only) – Sayaka and Kazu have been married for ten years, but only now has Sayaka actually told him she wants a child. Kazu does not. You’d think they’d have had this conversation over a decade ago! While he initially seems like a kind husband, readers soon learn that he is carrying on an affair with Rui, a woman who has positioned herself as Sayaka’s confidante at the bar she frequents, and is essentially keeping Sayaka trapped in a lie and denying her what she really wants. He’s utter trash, but Sayaka’s hard to sympathize with, as she is all too ready to believe his flimsy excuses. Drama involving GPS trackers, a coworker’s extramarital affair, and Sayaka’s first love ensues. I don’t really like these characters—though I have to admire how conniving Rui is—but I will probably be back for more. – Michelle Smith

Kaguya-sama: Love Is War, Vol. 11 | By Aka Akasaka | Viz Media – The ‘serious’ plots here are Ishigami deciding to try and get serious about studies to woo the girl he likes, only to find out how hard that is when you’ve slacked off for so long, and the cliffhanger ending, where Shirogane reveals what he plans to do about college. There’s also some great stuff with Hayasaka having to once again pretend to be Kaguya’s butler in order to fool Fujiwara. But all that pales next to the extended chapters of rap battles we get which reminds you that when the series is trying to be as funny as possible there’s no equal. This was around when the anime was announced (there’s a chapter lampshading it), and I honestly can’t wait to see these chapters done. Still great. – Sean Gaffney

Melting Lover | By Bukuro Yamada | Kuma – This is a collection of BL short stories with a supernatural bent. In “Bottom of Heaven,” a reluctant hitman is followed by a hedonistic angel who helps his victims rest in peace. In “The Circus After Midnight,” troupe dancer Luce exposes his animal trainer roommate’s most closely held secret after said roommate fails to believe his father figure could be guilty of sexual assault. The best story of the bunch is “Melting Lover,” in which a typhoon carries a shapeshifting blob onto the balcony of Keisuke, who is obsessed with his (straight) senpai from high school. Does he fuck the blob? You bet he does. The worst is “Noisy Jungle,” in which an android tells himself it’s natural to boff his human pet, while clearly thinking of it as an animal. Ick. Overall, though, I liked these dark stories and would read more by this author. – Michelle Smith

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 2 | By Satoru Yamaguchi and Nami Hidaka | Seven Seas – There’s another prose short story at the end of this second volume, which mostly just involves Katarina dreaming she’s in another universe, based on a standard shoujo private school manga, and because it lacks the “fantasy” elements her fate is… far more tolerable? As for the main manga, Katarina’s reactions to everything are the reason to get it, as it can give us all the faces that the light novel art wasn’t able to convey. She meets Maria here, who (to no one’s surprise) falls for Katarina just as hard as everyone else has, and Katarina is just as unaware of it. Still, Maria is still being bullied, so the plot of the game is still happening. A great adaptation. – Sean Gaffney

The Night Beyond the Tricornered Window, Vol. 6 | By Tomoko Yamashita | SuBLime (digital only) – I sometimes forget what an amazing balance Yamashita-sensei strikes between moments of romantic progress between Rihito and Mikado—like the scene where Rihito says, “I’ll help you. As long as it keeps you with me.”—and ominous reminders that Rihito has been through some terrible trauma and is a broken and dangerous person. In this volume, there are some parallels between his plight and that of Erika Hiura, who is trying to get away from the cult leader who’s compelling her to curse people. It was great seeing five to six characters in a scene together all working towards this common goal and feels like we might be heading towards a conclusion fairly soon. I hope Mikado emerges unscathed, but I do love that I am actually feeling some doubt about that. Can’t wait for the next volume! – Michelle Smith

One Piece, Vol. 92 | By Eiichiro Oda | VIZ Media – I was so worried going into this volume that Luffy was going to mess up the plans of the Wano rebels, which involve careful coordination and laying low for two weeks, neither of which he appears capable of. And, indeed, when he thinks Kaido has killed Tama, the little girl with whom he’s bonded, he picks a fight with the Emperor of the Sea. (I did appreciate seeing Luffy laid out by a single hit, though.) He ends up in a labor camp and, actually, this is for the best story-wise as it allows his more competent crewmates to help with the plan instead. It was so nice seeing Usopp distribute fliers, and Franky attempt to track down building plans for a mansion, and Robin snoop around in her geisha guise. I’ve missed those characters! This is shaping up to be a pretty fun arc! – Michelle Smith

Skip Beat!, Vol. 43 | By Yoshiki Nakamura | VIZ Media – I can’t recall there ever being a bad volume of Skip Beat!, but this one was exceptionally good. Kyoko has been cast as Momiji, but Moko did not get the role of Chidori, so Kyoko is worrying a lot about her (and feeling guilty). It turns out, however, that another challenging role has come Moko’s way. I very much love how these friends can talk to each other about their professional setbacks and opportunities. Meanwhile, Yashiro contrives for Ren and Kyoko to spend some time together, but it backfires when Kyoko, still beliving that Ren is in love with the horrible Morizumi, gets so overwhelmed by how he makes her feel that she gets mad. Poor baffled Ren. Still, I can’t help but feel that this is the start of some real progress for them. We shall see! – Michelle Smith

Skull-Face Bookseller Honda-san, Vol. 2 | By Honda | Yen Press – This is a fun title to read, but there’s not particularly much to review here. Honda-san walks us through more problems that Japanese bookstores have, from author signings to employee turnover and reassignments, to the difference between BL manga and gay manga. We meet wholesalers, go to a drinking party, and once again deal with a wide variety of customers, including possible yakuza and those who simply buy 90 pounds of titles and can’t carry them out the door. And there’s also the fact that Honda’s manga is now out, which means trouble when one of the prior plotlines, the customer service coaching one, annoyed the bosses. Still good, but you may want to stick to the anime. – Sean Gaffney

Teasing Master Takagi-san, Vol. 6 | By Soichiro Yamamoto | Yen Press – It’s hard to top the last volume, which contains the two most famous chapters in the series to date. But this volume remains cute as a button, with an extended plotline involving a visit to a water park that shows off Nishikata’s nice side as well as his embarrassed and scheming sides, and reminds you why Takagi likes him so much. Even better is a chapter where she’s depressed (and thus not teasing him) all day, and he tries to find out why and cheer her up. Not that she’s willing to give up her place as the winner of every battle. That said, even the chapter with the eyedrops (which is another “will they try for a kiss” moment) has a tag reminding us these are still innocent middle-schoolers. Which is why this is so cute. – Sean Gaffney

By: Ash Brown