#and narcissus was like the Only greek myth we read about but I've written at least two analysis papers on it

[nexus-nebulae]

been thinking a lot lately about the story of narcissus and whether or not it's more of a blessing or a curse to eventually become so abundant that you are considered plain or mundane. thinkin about daffodils

[percabeth4life]

i want to know the original version of hades and persephone story. there are so many versions I've read and i wanted to know which one do you believe in or which one do you think is the real one?

Okay so to start with. If we wanna really go back, Hades came into existence after Persephone. But alas, we aren't speaking of this version.

We are talking about the version where Hades sweeps Persephone away without so much as a hello.

The problem is a lot of the stories of Ancient Greece are well... They're lost. They were primarily shared through oral tradition, and written down over time. And so many stories we may not know. On top of that, many that were written down were lost, destroyed or just vanished, to time. Plus, we don't know how to translate Linear A, but we do Linear B, and there may be a version somewhere in Linear A. Overall, it's just possible we don't know the earlier versions.

But the earliest version we do have is from the Homeric Hymn, from the 7th or 6th B.C.E. This hymn is actually one to Demeter, not Hades or Persephone. The myth, while speaking of the two, is actually about Demeter.

It is, for the time period it is from (and you must keep in mind the culture of the time to understand the myth) a feminist myth.

So the culture of the time.

In the time period women did not have the greatest of rights, something improved upon today, but it means that the Father (and/or King) had full rights to hand their daughters off to another man.

That is what happens in this myth, Zeus tells Hades he may have Persephone's hand... But Persephone did not wish to go. And likewise Demeter was not informed.

By the culture of the time that does not matter, but Demeter *makes* it matter. She searches for her daughter first, then when she discovers where Persephone was taken and who was the cause (Zeus) she is angered.

Demeter then refuses to step upon Olympus, not allow any plants to grow, until she sees her daughter again.

This is obviously a problem, so Zeus sends Hermes down to retrieve Persephone (who btw was unhappy and missed her mom). Persephone leaps up with joy to see her mother again and Hades agrees immediately. But he secretly feeds her pomegranate seeds just to be sure she would return.

The reason this is a feminist myth is because of Demeter, because she refused to accept her king and her daughter's father handing their daughter off in marriage. And she refused to such an extent that they had no choice but to compromise with her (and had Hades not forced Persephone to have the pomegranate seed she wouldn't have even had to compromise).

For the culture of the time, Zeus and Hades were taking actions that were more than okay, nothing they did would be considered wrong. But Demeter stood against it.

Demeter stood for her daughter to not be married off, and demanded she be returned, and Persephone (tho she came to love Hades) was relieved to return to her mother.

Many of the "new adaptions" have Persephone wanting to leave Demeter, wanting to be with her husband, and Demeter being overbearing. But originally it was mutual love, Mother and Daughter missing each other and the Mother fighting to get her daughter back when everything of the time said she had no right to.

And so the myth as we know occurs. This is the myth I ascribe too, being the oldest we have, and I do wish more realized how Demeter's actions are why the myth is so important.

I have copied the Hymn in it's entirety below the cut. It is fairly long and four parts. If you have questions about it, feel free to ask!

Homeric Hymn 2 to Demeter (abridged) (trans. Evelyn-White) (Greek epic C7th or 6th B.C.) :

I. HAIDES ABDUCTS PERSEPHONE

"[Demeter's] trim-ankled daughter whom Aidoneus [Haides] rapt away, given to him by all-seeing Zeus the loud-thunderer. Apart from Demeter, lady of the golden sword and glorious fruits, she was playing with the deep-bosomed daughters of Okeanos and gathering flowers over a soft meadow, roses and crocuses and beautiful violets, irises also and hyacinths and the narcissus, which Gaia (the Earth) made to grow at the will of Zeus and to please Polydektor (Host of Many), to be a snare for the bloom-like girl--a marvellous, radiant flower. It was a thing of awe whether for deathless gods or mortal men to see: from its root grew a hundred blooms and it smelled most sweetly, so that all wide heaven (ouranos) above and the whole earth (gaia) and the sea's (thalassa) salt swell laughed for joy. And the girl was amazed and reached out with both hands to take the lovely toy : but the wide-pathed earth yawned there in the plain of Nysa, and the lord, Polydegmon (Host of Many) [Haides], with his immortal horses sprang out upon her--the Son of Kronos (Cronus), Polynomos (He Who has Many Names).

He caught her up reluctant on his golden car and bare her away lamenting. Then she cried out shrilly with her voice, calling upon her father [Zeus], the Son of Kronos, who is most high and excellent. But no one, either of the deathless gods or mortal men, heard her voice, nor yet the olive-trees bearing rich fruit: only tender-hearted Hekate (Hecate), bright-coiffed, the daughter of Persaios (Persaeus), heard the girl from her cave, and the lord Helios (the Sun), Hyperion's bright son, as she cried to her father, the Son of Kronos. But he was sitting aloof, apart from the gods, in his temple where many pray, and receiving sweet offerings from mortal men. So he [Haides], that Son of Kronos, Polynomos (Of Many Names), Polysemantor (Ruler of Many) and Polydegmon (Host of Many), was bearing her away by leave of Zeus on his immortal chariot--his brother's child and all unwilling.

And so long as she, the goddess, yet beheld earth and starry heaven and the strong-flowing sea where fishes shoal, and the rays of the sun, and still hoped to see her dear mother and the tribes of the eternal gods, so long hope clamed her great heart for all her trouble . . . and the heights of the mountains and the depths of the sea ran with her immortal voice : and her queenly mother heard her.

II. DEMETER SEARCHES FOR PERSEPHONE

"Bitter pain seized her [Demeter's] heart, and she rent the covering upon her divine hair with her dear hands : her dark cloak she cast down from both her shoulders and sped, like a wild-bird, over the firm land and yielding sea, seeking her child. But no one would tell her the truth, neither god nor mortal man; and of the birds of omen none came with true news for her. Then for nine days queenly Deo wandered over the earth with flaming torches in her hands, so grieved that she never tasted ambrosia and the sweet draught of nektaros, nor sprinkled her body with water. But when the tenth enlightening dawn had come, Hekate, with a torch in her hands, met her, and spoke to her and told her news : ‘Queenly Demeter, bringer of seasons and giver of good gifts, what god of heaven (theon ouranion) or what mortal man has rapt away Persephone and pierced with sorrow your dear heart? For I heard her voice, yet saw not with my eyes who it was. But I tell you truly and shortly all I know.’

So, then, said Hekate. And [Demeter] the daughter of rich-haired Rheia answered her not, but sped swiftly with her, holding flaming torches in her hands. So they came to Helios (the Sun), who is watchman of both gods and men, and stood in front of his horses: and the bright goddess enquired of him : ‘Helios, do you at least regard me, goddess as I am, if ever by word or deed of mine I have cheered your heart and spirit. Through the fruitless air (aitheros) I heard the thrilling cry of my daughter whom I bare, sweet scion of my body and lovely in form, as of one seized violently; though with my eyes I saw nothing. But you--for with your beams you look down from the bright upper air (aitheros) over all the earth and sea--tell me truly of my dear child if you have seen her anywhere, what god or mortal man has violently seized her against her will and mine, and so made off.’

So said she. And the Son of Hyperion [Helios] answered her : ‘Queen Demeter, daughter of rich-haired Rheia, I will tell you the truth; for I greatly reverence and pity you in your grief for your trim-ankled daughter. None other of the deathless gods is to blame, but only cloud-gathering Zeus who gave her to Aides, her father's brother, to be called his buxom wife. And Aides seized her and took her loudly crying in his chariot down to his realm of mist and gloom. Yet, goddess, cease your loud lament and keep not vain anger unrelentingly : Aidoneus Polysemantor (Ruler of Many) is no unfitting husband among the deathless gods for your child, being your own brother and born of the same stock: also, for honour, he has that third share which he received when division was made at the first, and is appointed lord of those among whom he dwells.’

So he spake, and called to his horses: and at his chiding they quickly whirled the swift chariot along, like long-winged birds. But grief yet more terrible and savage came into the heart of Demeter, and thereafter she was so angered with [Zeus] the dark-clouded Son of Kronos that she avoided the gathering of the gods and high Olympos. She [Demeter] vowed that she would never set foot on fragrant Olympos nor let fruit spring out of the ground until she beheld with her eyes her own fair-faced daughter.

III. THE RETURN OF PERSEPHONE

"Now when all-seeing Zeus the loud-thunderer heard this, he sent Argeiphontes [Hermes] whose wand is of gold to Erebos, so that having won over Aides with soft words, he might lead forth chaste Persephoneia to the light from the misty gloom to join the gods, and that her mother might see her with her eyes and cease from her anger. And Hermes obeyed, and leaving the house of Olympos, straightway sprang down with speed to the hidden places of the earth. And he found the lord Aides in his house seated upon a couch, and his shy mate with him, much reluctant, because she yearned for her mother. But she was afar off, brooding on her fell design becuase of the deeds of the blessed gods. And strong Argeiphontes [Hermes] drew near and said : ‘Dark-haired Aides, ruler over the departed, father Zeus bids me bring noble Persephone forth from Erebos unot the gods, that her mother may see her with her eyes and cease from her dread anger with the immortals; for now she plans an awful deed, to destroy the weakly tribes of earth-born men by keeping seed hidden beneath the earth, and so she makes an end of the honours of the undying gods. For she keeps fearful anger and does not consort with the gods, but sits aloof in her fragrant temple, dwelling in the rocky hold of Eleusis.’

So he said. And Aidoneus, ruler over the dead, smiled grimly and obeyed the behest of Zeus the king. For he straightway urged wise Persephone, saying : ‘Go now, Persephoneia, to your dark-robed mother, go, and feel kindly in your heart towards me : be not so exceedingly cast down; for I shall be no unfitting husband for you among the deathless dods, that am own brother to father Zeus. And while you are here, you shall rule all that lives and moves and shall have the greatest rights among the deathless gods : those who defraud you and do not appease your power with offerings, reverently performing rites and paying fit gifts, shall be punished for evermore.’

When he said this, wise Persephoneia was filled with joy and hastily sprang up for gladness. But he on his part secretly gave her sweet pomegranate seed to eat, taking care for himself that she might not remain continually with grave, dark-robed Demeter. Then Aidoneus Polysemantor (Ruler of Many) openly got ready his deathless horses beneath the golden chariot. And she mounted on the chariot, and strong Argeiphontes [Hermes] took reins and whip in his dear hands and drove forth from the hall, the horses speeding readily. Swiftly they traversed their long course, and neither the sea nor river-waters nor grassy glens nor mountain-peaks checked the career of the immortal horses, but they cleft the deep air above them as they went. And Hermes brought them to the place where rich-crowned Demeter was staying and checked them before her fragrant temple.

And when Demeter saw them, she rushed forth as does a Mainas (Maenad) down some thick-wooded mountain, while Persephone on the other side, when she saw her mother's sweet eyes, left the chariot and horses, and leaped down to run to her, and falling upon her neck, embraced her. But while Demeter was still holding her dear child in her arms, her heart suddenly misgave her for some snare, so that she feared greatly and ceased fondling her daughter and asked of her at once : ‘My child, tell me, surely you have not tasted any food while you were below? Speak out and hide nothing, but let us both know. For if you have not, you shall come back from loathly Aidao and live with me and your father [Zeus], the dark-clouded Son of Kronos and be honoured by all the deathless gods; but if you have tasted food, you must fo back again beneath the secret places of the earth, there to dwell a third part of the seasons every year: yet for the tow parts you shall be with me and the other deathless gods. But when the earth shall bloom with the fragrant flowers of spring in every kind, then from the realm of darkness and gloom thou shalt come up once more to be a wonder for gods and mortal men. And now tell me how he rapt you away to therealm of darkness and gloom, and by what trick did strong Polydegmon (Host of Many) [Haides] beguile you?’

Then beautiful Persephone answered her thus : ‘Mother, I will tell you all without error. When luck-bringing Hermes came, swift messenger from my father the Son of Kronos and the other Sons of Ouranos, bidding me come back from Erebos that you might see me with your eyes and so cease from your anger and fearful wrath against the gods, I sprang up at once for joy; but he secretly put in my mouth sweet food, a pomegranate seed, and forced me to taste against my will. Also I will tell how he rapt me away by the deep plan of my father [Zeus] the Son of Kronos and carried me off beneath the depths of the earth, and will relate the whole matter as you ask. All we were playing in a lovely meadow, Leukippe and Phaino and Elektra and Ianthe, Melite also and Iakhe with Rhodea and Kallirhoe and Melobosis and Tykhe and Okyrhoe, fair as a flower, Khryseis, Ianeira, Akaste and Admete and Rhodope and Plouto and charming Kalypso; Styx too was there and Ourania and lovely Galaxaure with Pallas who rouses battles and Artemis delighting in arrows: we were playing and gathering sweet flowers in our hands, soft crocuses mingled with irises and hyacinths, and rose-blooms and lilies, marvellous to see, and the narcissus which the wide earth caused to grow yellow as a crocus. That I plucked in my joy; but the earth parted beneath, and there the strong lord, Polydegmon (Host of Many) [Haides] sprang forth and in his golden chariot he bore me away, all unwilling, beneath the earth : then I cried with a shrill cry. All this is true, sore though it grieves me to tell this tale.’

So did they then, with hearts at one, greatly cheer each the other's soul and spirit with many an embrace: their hearts had relief from their griefs while each took and gave back joyousness. Then bright-coiffed Hekate came near to them, and often did she embrace the daughter of holy Demeter: and from that time the lady Hekate was minister and companion to Persephone.

IV. GIFT OF AGRICULTURE & THE ELEUSINIAN MYSTERIES

"And all-seeing Zeus sent a messenger to them, rich-haired Rheia, to bring dark-cloaked Demeter to join the families of the gods (phyla theon) : and he promised to give her what rights she should choose among the deathless gods and agreed that her daughter should go down for the third part of the circling year to darkness and gloom, but for the two parts should live with her mother and the other deathless gods. Thus he commanded. And the goddess did not disobey the message of Zeus; swiftly she rushed down from the peaks of Olympos and came to the plain of Rharos, rich, fertile corn-land once, but then in nowise fruitful, for it lay idle and utterly leafless, because the white grain was hidden by design of trim-ankled Demeter. But afterwards, as spring-time waxed, it was soon to be waving with long ears of corn, and its rich furrows to be loaded with grain upon the ground, while others would already be bound in sheaves. There first she landed from the fruitless upper air (aitheros) : and glad were the goddesses to see each other and cheered in heart. Then bright-coiffed Rheia said to Demeter : ‘Come, my daughter; for far-seeing Zeus the loud-thunderer calls you to join the families of the gods, and has promised to give you what rights you please among the deathless gods, and has agreed that for a third part of the circling year your daughter shall go down to darkness and gloom, but for the two parts shall be with you and the other deathless gods: so has he declared it shall be and has bowed his head in token. But come, my child, obey, and be not too angry unrelentingly with the dark-clouded Son of Kronos; but rather increase forthwith for men the fruit that gives them life.’

So spake Rheia. And rich-crowned Demeter did not refuse but straightway made fruit to spring up from the rich lands, so that the whole wide earth was laden with leaves and flowers.

Then she [Demeter] went to [the leaders of Eleusis] . . . she showed them the conduct of her rites and taught them all her mysteries . . . awful mysteries which no one may in any way transgress or pry into or utter, for deep awe of the gods checks the voice. Happy is he among men upon earth who has seen these mysteries; but he who is uninitiate and who has no part in them, never has lot of like good things once he is dead, down in the darkness and gloom. But when the bright goddess had taught them all, they went to Olympos to the gathering of the other gods. And there they dwell beside Zeus who delights in thunder, awful and reverend goddesses. Right blessed is he among men on earth whom they freely love: soon they do send Ploutos (Plutus, Wealth) as guest to his great house, Ploutos who gives wealth to mortal men.

And now . . . queen Deo, be gracious, you and your daughter all beauteous Persephoneia, and for my song grant me heart-cheering substance."

[lovenona]

LONG ask ahead, sorry T^T

*arrives in a hurry after 2-3 days* *slow, appreciative clap at the ted talk* sweetie, have you got any idea how much i adore hearing you ramble about the creation process??? seeing the whole love and dedication you hold for the odyssey makes my day! (and nooo, i'm totally not reading it again bc i want to have all of it in mind for tomorrow and bc it inspires me to no end hahaha what do you mean :) )

here comes yet another question: what kind of powers do you possess to write so beautifully. your writing literally punches me in the gut every single time, even the simplest of things!! it's hauntingly beautiful and i'm living for it!

(and another one) how did you find out how the odyssey was going to end?

also, it's rambling time because i've been thinking. (i do that sometimes.) each chapter title is a reference to a greek myth, and, in particular, odysseus' myth (no clue if i've written his name right, i've always knew him as "ulysse" in my mother tongue ^^;). and so my brain went: oooh nice, greek lore ^^ and then: yo wait. hold up. which brings me here: analysing the chapter titles. (bear with me please, and feel free to ignore my enthusiastic rambling/correct me if i'm wrong which i probs will)

so first, we have the prelude. david and calypso. while i'm sure david has his importance it's almost 1 am as i'm typing this so i'm going to focus on calypso. poor nymph is stuck in an island because of the will of gods for a reason i've forgotten. but here's the catch: while she cannot leave, others can come to her (good ol' odysseus for instance) until they leave her all alone again. and the cycle unfolds again and again. which brings us to a nice parallel with reader's situation at the beginnig. she, after all, is stuck on an island with no way out but stories. comes the dilf supreme toji aka an odysseus of sorts, until he leaves her. so she's alone again. calypso there illustrates a passive state of sorts. she cannot leave, or so she thinks: while she wants to, we don't see her try per se until sukuna comes in.

ah yes. sukuna’s arrival. chapter title: neptune’s hands. Neptune, god of the seas, all powerful, also known as Poseidon absolutely terrifying if provoked — which is something Odysseus did! well, man is smart enough not to do it to his face. but he did stab a cyclope, which happened to be neptune’s son. son who swore to a haughty Odysseus that he’d pay for it. in consequence: instead of going back to Ithaca without that much of trouble, Neptune goes: nope mate, and promptly sabotage his return (with a storm who leads his ship astray if my memory is correct). Neptune serves as a catalyst in here, to properly start the action. and it so happens to be sukuna’s role! he is, as well, the one who starts reader’s journey — well, odyssey in this case ;) — by making her this offer. plus, if we consider reader as being calypso, a nymph, and sukuna as being Neptune, a god, it shows their difference in power. sukuna is a fearsome curse, captain whose name is enough to strike fear in the cruellest pirate, who can and will kill reader should he get bored of her. reader is but a printer’s apprentice, so weak compared to him it hurts.

ah, yes. the narcissus pool aka siren gojo, aka me simping so hard for this man I might squirt with the mere mention of him. yes, siren gojo is that powerful, feel free to lure me in with them baby blues sweetie *blows him a kiss* hem. anyway. long story short, an oracle said: if narcissus sees his reflection, he’ll die. people prevent him from seeing himself. ofc man is so handsome it hurts and has women and men alike running after him, including a nymph named echo. he rejects her. hera is somehow involved in the mess and makes it so that he stumbles upon a river and sees himself. entranced by his beauty, he desperately tries to reach himself and stays near the river until he dies. this one is a bit trickier (especially considering I’m writing this as I go with no coherent preparation whatsoever but damn if I’m not having fun). but. *proceeds to read it again* *sighs in ‘why the hell ain’t siren!gojo real pls sir take me’* anyway. it’s never mentioned in narcissus’ myth, but I’m pretty sure he was tempted to look at himself. at least once, considering he could wonder why on earth all those people kept falling for his looks. (or he could be pretty dumb. let’s say he isn’t) so he’s tempted by his own reflection. just like reader’s tempted to follow segsy siren gojo. he doesn’t up until hera is involved and ends up seeing his reflection. he falls. not literally, but in love — with his own self. here it’s different (and the reason why i’m strugglingTM to gather coherent thoughts). gojo is the very embodiment of this temptation — so he acts as narcissus’ reflection here. he’s the one seducing reader, the one luring her until she falls in the waters, just like narcissus did. she didn’t die though, unlike him. (thank you sukuna. I guess. yes I would’ve given my life for gojo to consume me in both ways and??) now, this is very simp-tainted (sorry bout that ^^;) and the thing I’ve noticed is this: narcissus isn’t a character in the og odyssey. could it be bc to my absolute despair, gojo’s not as much of an important character as sukuna and toji? only you know!

(the hades, psyche analysis comes in tomorrow *looks @ time* *sees it's 1 AM* well, later on! have a lovely night/day!)

- the LRE (who's very happy tumblr allowed her to do paragraph breaks/to have a pirate history book recommandation! thanks about that one btw, it'll come in handy for a ff of mine (yeah it involves pirate gojo))

wait this is so precious n thoughtful oh my gosh 😭 thoughts n vibes under the cut :’) 

first of all THANK U!!!??? ur making me blush out here omg my hEART 😭 

as for ur first question, ur SO SWEET n IM LOSING IT bye i genuinely don’t know i just scream and throw a bunch of commas and metaphors everywhere and somehow things happen 💀 i read a lot (english major vibes) and it’s very helpful because i tend to imitate writers/phrases/books that inspire me while i'm figuring out how i want to write !! 

secondly: how did i figure out the ending of the odyssey??

answer: i think i just stumbled across this one 😭 i was brainstorming w my bestie (@/suedebunn) n she originally suggested a different version of the ending that i was like “oh wait” and then i played with it for awhile until i arrived at the version i have now ! i want to tell u more about how i arrived from point A to point B and what the process was but i will withhold because i am not giving anything away >:)

onto ur TITLE ANALYSIS!! this is SPECTACULAR! ur pretty much on the nose for all of them god damn i don’t have much to add :’) i’ll give u some of my takes tho!!

david and calypso – ur absolutely on the nose for the calypso aspect; david’s just a passing nod to the pirates of the caribbean portrayal of davy jones and the doomed relationship between him and calypso (mirroring the doomed relationship between toji and reader since he leaves them) 

neptune’s hands – yes! yeah! sexy! pirate sukuna is being compared to a sea god!! also a minor teaser but sukuna’s hands are important symbolically ;-) 

narcissus pool – ur brain is so big here god damn 🤲 narcissus is more of a loose reference to the idea of pride/ temptation and also hollowness/mirages (the emptiness of a reflection versus the tangibility of the real thing) so it’s not immediately a reference to the odyssey itself or even the myth (i'm taking creative liberties bye homer) but probably the best entity to use when describing gojo – the dichotomy between pride/emptiness is a lot more apparent in part 5 

gosh thank u sm for this!! excited to see what u have next!!!!!!