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[nerdwithabirb]

In Praise of Bluey

I haven’t been on Tumblr in a hot minute because life marches on and I forget about some of my socials for a while.

Anyway, today I’m doing something a little different in the form of a longass rambling post so if you read to the end, you’re great and I hope all of the dogs you meet want you to pet them. (If you’re not a fan of dogs, insert whatever your favourite animal is.)

I’m not a parent. I will most likely never be a parent. I got my tubes removed almost two years ago now, by choice, because of medical issues that would impact a pregnancy, and sociopolitical issues I don’t want to bring a kid into. If I decide I want children, I will adopt them. But for now, my nephew is enough to get my fix of hanging out with kids.

With that said, I adore Bluey. It’s a masterpiece of animation, especially as far as modern kids’ shows are concerned.

Conflict Resolution and Realistic Characters

I find that many modern children’s shows are, for lack of a better word, sterilized. They don’t seem to like to show any sort of conflict. Bluey shows conflict. The Heeler sisters get frustrated with each other, with their friends, with their other family members. Bluey herself can be bossy and vindictive at times, occasionally bullying her sister Bingo, her cousins Muffin and Socks, and her classmates. Bingo is shy and sensitive and has a love of nature, but she runs into problems standing up for herself. 3 (later 4)-year-old Muffin behaves like an average toddler: absolute chaos, but not trying to be bad on purpose. Chilli and Bandit aren’t perfect parents - they get frustrated and sometimes hurt their girls’ feelings as a result. But they all learn from their mistakes, and they’re not afraid to admit when they’ve done something wrong — even the adults.

I grew up with an emotionally abusive father who was always too afraid (or too many beers deep) to form a meaningful connection with me. He’d belittle me for being interested in the arts and actively bullied me when I passed my driving test instead of congratulating me at all. He’s never apologised for any of it. Bandit is the dad I never got to have: he’s entirely devoted to his wife and daughters, even when it humiliates him. He’s not afraid to own up to his mistakes and learn from them.

Chilli reminds me of my own mother in a lot of ways: witty and sarcastic on the outside, completely losing her marbles on the inside because she’s afraid she’s not a good enough mom. Like my own mom, Chilli has a passion for drawing and encourages her daughters to keep practicing. She’s warm and welcoming and gives great hugs. She’s got both jokes and sage advice. And she sets out to right all the wrongs - my mom apologises to me all the time for stuff that happened years ago. (I love you, Mom!)

Tackling Serious Subjects and Different Family Dynamics

Another thing Bluey does absolutely spot-on is addressing serious subjects tactfully and in a way kids can understand. In the episode “Copycat,” Bluey starts her morning annoying the hell out of Bandit by copying everything he does. Things take a turn for the serious when the pup finds an injured budgie and rushes to the vet with her dad. The little bird doesn’t make it, which crushes Bluey. To cope, she plays out the events of the day in a game, but budgie-Bingo doesn’t get the memo and acts all better. Bluey realises that, like the budgie dying, Bingo derailing the game is out of her hands, and she comes to accept it.

In “Dance Mode,” Bandit steals Bingo’s last French fry. She’s given three chances to activate Dance Mode on her family, but gets all of those taken from her as well. Poor little Bingo is absolutely heartbroken when Chilli asks her an important question: “Does your outside voice sometimes say yes, when your inside voice is saying no?” As an (at the time undiagnosed) autistic kid who often struggled with speaking up and asserting myself growing up, this hit me like a ton of bricks.

“Early Baby” tackles premature birth with Bluey’s classmate Indy, “The Show” nods to Chilli having had a miscarriage, “Grandad” emphasizes that aging parents still need to take care of themselves for their adult children.

“Flat Pack” is an allegory for evolution, faith, getting older, and the struggle that is putting together flat pack furniture.

“Sleepytime” and “Baby Race” show some of the more everyday aspects of growing up, like sleeping independently and learning how to walk, all set to beautiful arrangements of classical pieces (Gustav Holst’s “Jupiter” from The Planets and Bach’s “Prelude in C Major,” respectively). And I won’t lie, as a nightmare-prone kid who was super attached to my mom, both of these episodes hit me hard too. I can’t watch either of them without getting a little misty-eyed.

In a more general sense, and regarding different family structures and dynamics, secondary characters like Judo, Winton, and the Terrier brothers are all shown with single parents. Rusty’s dad is in the army and, as a result, away on deployment for long stretches of time. But none of these things are made out to be a show or a spectacle or something bizarre, just a fact of life: different kids come from different backgrounds. I can guarantee that if a same-sex couple were to be introduced, it would be in a way that feels natural, like one of Bluey’s or Bingo’s classmates saying “My mums/dads are here to pick me up!”

Humour and Art-Related Ramblings

The character designs are simple and memorable. They have extremely expressive faces and movements despite being made of basic shapes like rectangles and ovals. The animation is smooth and fluid while embracing the “cartoony-ness” of being a cartoon. Everything is colourful but not to the point where it feels like a rainbow exploded on your screen. The backgrounds are simple, but not TOO simple, and many settings are nods to actual places in and around Brisbane.

Joff Bush and anyone he collaborates with on the soundtrack can convey everything from the beauty of nature to a boring workday via music alone, whether through arrangements of classical and folk music or original pieces. Bush isn’t afraid to use a variety of instruments, from a delicate music box in “Charades” and “Mount Mumandad” to a rambling banjo in “Grandad” and everything in between.

The humour is amazing, especially for children’s media. There are a few jokes that are clearly aimed at the adults in the room, like Bandit’s Polaroid camera going off in “Bob Bilby” when Chilli arrives with her tandem bike, or his discussion with Fido about getting a vasectomy/neutered in the original cut of “Perfect.” Bingo innocently asks Bandit questions about where babies come from in “Takeaway” and “Daddy Putdown,” though he always dodges the questions. “Dad Baby” is all about the struggles of pregnancy from the perspective of Bandit carrying Bingo in an old baby harness and it’s frankly hilarious; despite not being a parent myself, I have a nephew and I’m in that magical spot in my twenties where several of my former classmates are having kids left and right. There are well-timed fart jokes (“Daddy Robot,” “Fairies”) and slapstick moments (“Dad Baby,” “Born Yesterday”).

Conclusion

Bluey is a show that people of all ages can watch and learn from. It has heart, humour, and lovable characters. Its natural conflict resolution teaches its audience to be better people through showing rather than telling. It’s a beautiful show and I’m unashamed to watch it as a childfree adult.