#anyways I want to quit and become a travel influencer or sum but THE WEATHER IS MAKING THAT NOT HAPPEN | Explore Tumblr Posts and Blogs

deadspaceaus · 8 years

Text

Deadspace - Interview with Chris - Afterlife Zine

https://www.facebook.com/afterlifezine/

DEADSPACE INTERVIEW

By Ricardo Rengifo

"THE WAY I VIEW THE WORLD IS LIKE A MASSIVE CANVAS"

What's the meaning of a Deadspace? A place where you find solace or a place where chaos rules supreme but you still feel that tranquility to come back over and over again to that "place", the first time I heard this band it was spellbinding and epic at the same time, layers and layers of sounds painting the perfect picture, envisioning this band is like looking into a glass mirror and you will see the beast of what Deadspace is made of, Afterlife caught up with Chris Gebauer to find out what's inside his mind and how much Deadspace means for him.

Through the bleak moments and the madness that goes in between or viceversa, how deep you get involved within yourself to make Deadspace an entity upon others?

Deadspace for me has always been deeply personal. An emotional, almost spiritual beast in which I have allowed myself to absolutely lose control as a human being. For me it is the child within. Angry, tortured, disobedient but pure. Then the other members came into the picture. I think it’s ridiculous to say that they draw the exact same purpose from the energy that is Deadspace. In saying that, I don’t believe anyone will every understand it like I do because the inner workings reflect differently to people closely involved. But I can certainly say I 100% feel like the energy burns infinitely harder when we’re together as a unit. I don’t think I’ll ever understand why… but it is a feeling I live for every day.

This is what we offer to our fans and loved one. This is a haven where you will not be judged or cast away for your lunacy. We consider it so that every Deadspace show is a surreal experience for all involved.

Can you describe the first time you fell in love with music?

Well that depends on what aspect of music we’re talking about. But here is a theory I have previously held value to, encompassing the idea of growth.

From a very young age I was always fascinated with how a good song would reflect on an entire room of people and fuel an ambience. This was the first step for me, falling in love with how music could make you feel.

Then as a more dissociative being, I became obsessed with the ability to disappear into music and to feel nothing. It was like a drug. I could put on a record and just disappear for as long as I needed. This is most likely where my love for post rock and severely heroin influenced stuff NIN stemmed from.

Then I hit my teens and I got angry. I wanted to see people willing to destroy themselves for art. For some obscure reason I really put emphasis on this (and still do). I wanted to see Manson kick in speakers, I wanted to see Reznor fuck his keyboard and smash shit with hammers and the idea of people like Kvarforth and Carlsson covering stages in blood was neurotically exciting.

You take these 3 moods and then you apply them to a day of Melbourne weather. All 3 feelings, about 5 times a day. It’s a mess, music has become the only thing that drives me insane and keeps me together at the same time.

In your formative years as a musician can you name a record or records that shaped your musical direction and why?

First of all, I’d encourage the idea of perhaps the ‘formative’ years still being in progress. Some albums that have seriously influences me as an artist are:

Marilyn Manson - Mechanical Animals: This record blue me out because it had an overwhelming sadness to it while still being heavy and the vocal delivery feels very honest.

Nine Inch Nails - The Fragile: This record just speaks for itself.

Placebo - Without You I’m Nothing: I just don’t know another vocalist doing anything even close to Molko in so many aspects. I love the version of the title track on this with Bowie also. Beautiful. Anything Placebo is in my favourites.

Jeff Buckley - Grace: My all time favourite favourite record. Jeff was, in my opinion, one of the greatest souls that ever lived and his voice will forever be untouchable.

That’s just me, the other guys have their own tastes but this is my personal standpoint.

As an artist and performer how important it is for you to give your audience an endless memory by them saying "that was intense"?

Absolutely imperative although it’s not a challenge at all, it’s a given. Majority of shows we play, it takes me about 15 minutes to remember how to breathe after. Everyone gives it everything they’ve got and I think that’s the beauty about being on stage. We’re all 100% emotionally invested in each others crafts and we could be on a stage we’ve never been on before and it feels like home.

I was blown away by the violent way you can crate music but at the same time there is beautiful moments in there, how important is to have band members that share your same point of views in a musical way?

I think not as such same points of view, but members with eclectic and unique points of view, working together towards the same idea. The light and dark shades are reflective to life in general and I’d say these things being clear in our music is a reflexion of honesty. Honesty with ourselves, each other and our music/audience.

What is your thought in the current music business, how much effort a band have to put into to be heard and to have some sort of success?

With anything, success if all conjecture. It’s a self established goal and the idea of succeeding in regards to your personal values. So in my opinion, we are successful. This is enough for me right now.

Your last release "Gravity" in my opinion is an opus, it feels like a life journey, how much input did everyone contributed to make this record a master of it's own?

Gravity was really just a little concept I was playing with at the time. I really wanted to get something strong out as a unit with our solid lineup. The concept is really quite observational and brutal in nature. Basically summing up the idea of birth, life, death and rebirth as transitional inevitabilities. The character takes form of a narrator, living inside a soul that is enduring and learning such fate. All members came together to create the piece. Whether it be shared duties recording piano parts or just handling their own instruments parts. Finally, Nish mixed and mastered the fucker, which was a massive learning curve for everybody I’d say. We’re all growing into the strongest versions of ourselves.

Chris your lyrics are just something that a lot of people can relate too, what makes you write such as strong and dark but at the same time meaningful, what sort of message are you trying to deliver?

I’ve always been a person that values truth and honesty over diplomacy. I just say it how it is and try not to fabricate complexity by adding superfluous vocabulary. The idea of my lyrics is to stimulate the senses. Either in a visual way or a nostalgic feeling that makes you feel alive. That’s for this record anyway. Truth be told, It all gets spat out on a piece of paper without any thought. Then when I wake up in a different mind state, I refine it so it still makes sense. Sometimes you’re feeling something so passionately that the actual words hold no meaning and need a second look.

Who were your main inspirations to write and put lyrics together?

I’ve always written, even as a child. I guess it’s always been something that nobody could ever take away from me and thusly has been a gift I’ve held dear for some time. To be frank, as many inspirational people as their are out there. My writing is on its own journey. I don’t want to say things other people have already said, no matter how amazing the sentiment may be. I’m very good at disturbing people’s beliefs and thoughts, not deliberately, but I love the idea of everything I’ve ever ‘known’ to be turned upside down. I’m also very bad at being certain about things. I’m not a logical person and the idea of certainty/stability bore me beyond belief.

The last song on Gravity has that spoken word at the end of the song and the part that strike me the most was when the narrator said "if you have any possessions, give it all away" what is the message you are trying to send across?

“Don’t cling to things”, don’t hold on to what you know or what you think you have, it’s going to change and one day go away.

But please note: with Gravity is was never intended to be a solid message for people. It’s just food for thought. It’s a personal reflection and I’m not by any means saying ‘live your life like this’. It’s just insight into where I was at that point in time.

Let's deviate a bit from the music side and let's talk about your views about society in general, is this a better world to live in?

Better than what? It’s the only world we have. It’s full of pain, suffering, joy, love, loss…

The way I view the world is like a massive canvas. There’s paint everywhere but not all aspects of the peace are going to be the colours or shapes that you can relate to. I’m not entirely sure whether I see it like this because I’m a coward and need to take a back seat or if it’s just my place in society to think like this. As far as I can tell I’m not hurting anybody and hopefully actually bringing a few people up (lets not kid ourselves though).

This being said, everybody has their own struggles. A lot of mine are internal and health based. I have a good family, a house I’m welcome in, I’ve travelled extensively. These inner issues provide me with some challenges but they also make me get up every day and want to do something with it. I think for someone with a different genetic make up, the challenges would be elsewhere, inviting them to see the world in a different light.

Also apart from creating music you love photography, how much inner peace you found when you see something that you want to capture and show it to the world?

It just depends where I am at a certain point in time. Sometimes the beauty is just too fucking beautiful to capture in any generic forms of art. If I didn’t have to work I would definitely live behind my camera by day and in a studio writing music at night. This would be incredible but for now I view the day job as earning my keep so I can continue to explore.

Would you "compromise" and make your music more accessible so it can be heard by a bigger audience or this is something that has never crossed your mind?

Not deliberately. But I don’t really see us as a severely underground or inaccessible band. Most of the inspiration comes from melody and the rhythmic aspects are not necessarily difficult to digest. We build our audience by emotionally connecting with them. And that’s what we’ll continue to do through our music and lives in general. The sounds will only change to facilitate getting out how we feel within the foundation of our musical integrity.

The balance between all your records are very different but still keeping the Deadspace sound, would it be major changes for the next record?

Exactly what I was saying before. Nish has grown as a producer, we’ve all grown as musicians. My voice is more of a reflection of where I am right now. We have new ideas on tones, new ideas on what is ‘us’ in general. The production on our split is a lot cleaner, the low end has been handled in a much more experienced way. I also tracked my vocals in a studio with a producer, mainly as a confidence boost as they are very defined compared to beforehand.

Thanks Chris for your answers, final question, what do you expect from 2017 and onwards?

I expect the world to keep orbiting the sun. I expect people to be people. Some will be born, some will die. One man will drink alone every night until he shoots himself, another with start a multi million dollar company and live on materialistic happiness until he loses a house in a divorce.

For us, I expect that we keep doing what we’re doing. Making noise, meeting amazing people, playing amazing shows and expanding our handprint on the world bit by bit.

Gravity is out now on Deadspace bandcamp

www.deadspacecollective.bandcamp.com www.deadspace.com.au

3 notes · View notes

deadspaceaus · 8 years

Text

Interview with Chris

Through the bleak moments and the madness that goes in between or viceversa, how deep you get involved within yourself to make Deadspace an entity upon others?

Can you describe the first time you fell in love with music?

Well that depends on what aspect of music we’re talking about. But here is a theory I have previously held value to, encompassing the idea of growth. From a very young age I was always fascinated with how a good song would reflect on an entire room of people and fuel an ambience. This was the first step for me, falling in love with how music could make you feel. Then as a more dissociative being, I became obsessed with the ability to disappear into music and to feel nothing. It was like a drug. I could put on a record and just disappear for as long as I needed. This is most likely where my love for post rock and severely heroin influenced stuff NIN stemmed from.Then I hit my teens and I got angry. I wanted to see people willing to destroy themselves for art. For some obscure reason I really put emphasis on this (and still do). I wanted to see Manson kick in speakers, I wanted to see Reznor fuck his keyboard and smash shit with hammers and the idea of people like Kvarforth and Carlsson covering stages in blood was neurotically exciting.You take these 3 moods and then you apply them to a day of Melbourne weather. All 3 feelings, about 5 times a day. It’s a mess, music has become the only thing that drives me insane and keeps me together at the same time.

In your formative years as a musician can you name a record or records that shaped your musical direction and why?

First of all, I’d encourage the idea of perhaps the ‘formative’ years still being in progress. Some albums that have seriously influences me as an artist are: Marilyn Manson - Mechanical Animals: This record blue me out because it had an overwhelming sadness to it while still being heavy and the vocal delivery feels very honest. Nine Inch Nails - The Fragile: This record just speaks for itself. Placebo - Without You I’m Nothing: I just don’t know another vocalist doing anything even close to Molko in so many aspects. I love the version of the title track on this with Bowie also. Beautiful. Anything Placebo is in my favourites. Jeff Buckley - Grace: My all time favourite favourite record. Jeff was, in my opinion, one of the greatest souls that ever lived and his voice will forever be untouchable. That’s just me, the other guys have their own tastes but this is my personal standpoint.

As an artist and performer how important it is for you to give your audience an endless memory by them saying "that was intense"?

What is your thought in the current music business, how much effort a band have to put into to be heard and to have some sort of success?

Well you’re not going to put together anything like what we’re doing and earn a living off it in this country. The business side of things has always taken a backseat with us. In saying that, it’s important to a certain extent but we’re definitely (at this point anyway) travelling around, making friends and building up a strong/loyal community in which we would like to share this experience with. With anything, success if all conjecture. It’s a self established goal and the idea of succeeding in regards to your personal values. So in my opinion, we are successful. This is enough for me right now.

Your last release "Gravity" in my opinion is an opus, it feels like a life journey, how much input did everyone contributed to make this record a master of it's own?

Chris your lyrics are just something that a lot of people can relate too, what makes you write such as strong and dark but at the same time meaningful, what sort of message are you trying to deliver?

Who were your main inspirations to write and put lyrics together?

Well the whole idea of Rebirth was to throw a curveball. Birth, Life, Death - these things are certain. Rebirth is a concept dreamed up by humans, for humans. This is the shit that keeps life interesting. A lot of people don’t recognise this either that it’s actually the uncertainty that keeps their minds and souls alive. So who better than Alan Watts and his own words of wisdom to add the element of conjecture and ‘certainty in uncertainty’. “Don’t cling to things”, don’t hold on to what you know or what you think you have, it’s going to change and one day go away. But please note: with Gravity is was never intended to be a solid message for people. It’s just food for thought. It’s a personal reflection and I’m not by any means saying ‘live your life like this’. It’s just insight into where I was at that point in time.

Let's deviate a bit from the music side and let's talk about your views about society in general, is this a better world to live in?

Better than what? It’s the only world we have. It’s full of pain, suffering, joy, love, loss… The way I view the world is like a massive canvas. There’s paint everywhere but not all aspects of the peace are going to be the colours or shapes that you can relate to. I’m not entirely sure whether I see it like this because I’m a coward and need to take a back seat or if it’s just my place in society to think like this. As far as I can tell I’m not hurting anybody and hopefully actually bringing a few people up (lets not kid ourselves though). This being said, everybody has their own struggles. A lot of mine are internal and health based. I have a good family, a house I’m welcome in, I’ve travelled extensively. These inner issues provide me with some challenges but they also make me get up every day and want to do something with it. I think for someone with a different genetic make up, the challenges would be elsewhere, inviting them to see the world in a different light.

Also apart from creating music you love photography, how much inner peace you found when you see something that you want to capture and show it to the world?

Would you "compromise" and make your music more accessible so it can be heard by a bigger audience or this is something that has never crossed your mind?

The balance between all your records are very different but still keeping the Deadspace sound, would it be major changes for the next record?

Thanks Chris for your answers, final question, what do you expect from 2017 and onwards?

For us, I expect that we keep doing what we’re doing. Making noise, meeting amazing people, playing amazing shows and expanding our handprint on the world bit by bit.

#deadspaceaus #deadspaceband #blackmetal #gothrock #australianband

0 notes