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#anyways. can u tell my number one pet peeve is generalized writing advice online
themauvesoul · 1 year
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Sometimes I feel like I am a guy trying to plug a hole in the Hoover dam with my pinky finger. Anyways. Here is what you actually need to know about paragraph length, sentence length, and the like:
Yes, the rule is TECHNICALLY that you’re supposed to start a new paragraph with each new action or thought. However. On a more basic level, a paragraph is just a group of sentences that are conveying the same idea, and there are one million ways to skin that cat. For instance, here is an excerpt from a personal essay I wrote a while back:
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Here it is again:
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And here it is again:
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All of these are technically correct, but they read slightly different. The first one reads faster than the other two, and the ideas in the paragraph blend and bleed together a little more. The middle one is much more measured and even. And the last version reads very slowly and dramatically, with heavy emphasis on certain words and phrases. What makes these three passages read so differently is the length of the paragraphs. Readers tend to pick up the pace during long paragraphs, and slow down quite a bit when they get to shorter paragraphs. Additionally, you’ll notice that the two one-word paragraphs add a TON of emphasis to those words. This is because they’re so visually distinct AND extremely short.
The trick to formatting your paragraphs is NOT following an imprecise rule that is frequently difficult to apply to your own writing. The trick is to vary the length of your paragraphs.
This:
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And this:
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are both equally annoying. The version without any paragraph breaks goes on and on, and eventually you get tired of reading it. The version with TOO MANY paragraph breaks feels like it’s shouting at you, because every sentence is so important it deserves its own paragraph. Formatting paragraphs is, first and foremost, about including enough variation to keep people interested and paying attention.
And this exact same principle is true of sentence length. If you scroll back up and look at the pic where I put every sentence on its own line, you’ll notice very quickly that there’s a lot of variation there. Some sentences are one word, some are three lines long, and most fall somewhere in the middle. This is intentional. It keeps the reader engaged. If you look closely at this paragraph, you’ll see that I’m doing it in here, too.
The reason for this is identical to why varying your paragraph lengths is a good idea. Long sentences move quickly, short sentences slow the reader’s pace and add emphasis, and medium sentences keep the reader at a comfortable, easy pace. You can use long sentences to add urgency, a sense that time is moving quickly, or a level of confusion as the reader tries to decipher your six line sentence. Short sentences pack a punch. It’s the difference between a freeze frame and an establishing shot. You can use the rhythm and meter of spoken language to help out with this as well. Most people sort of instinctively vary their sentences in length, tone, and emphasis. Nobody irl is speaking to one another in a series of five-word sentences because it sounds robotic and disgusting. If you write in the natural cadence you use in spoken language, you will automatically vary your sentences enough to keep a reader interested.
One thing to note about this is that the emphasis sentence and paragraph lengths create, much like any other fun writing trick, is like cayenne pepper or salt. No emphasis is bland, but too much makes your writing inedible. Figuring out how to season your drafts is a process that you can only complete through experimentation.
This is why you patently SHOULD NOT listen to writing advice that is broad, basic, or positioned as universally applicable. Everybody has their own preferences wrt spice and salt! Two people can look at an identical work of art, and can very easily get into an argument online about whether it’s bland or over seasoned, because they fundamentally have different standards. The best way to improve your writing is to learn how and why the tools in your toolkit work, experiment with them, and show other people the results.
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