#autophone

[lolaveda]

“Androgynous Autophone” photographed by Tuo Yi for Vogue China, November 2019

Hair by MingHu Zhang 

[the-met-art]

"Autophone" Organette by Autophone, Musical Instruments

Medium: Wood, metal, various

The Crosby Brown Collection of Musical Instruments, 1889 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/504965

[buungoc]

Androgynous Autophone

Vogue China November 2019

Photographer: Tuo Yi

Fashion Editor/Stylist: Audrey Hu

Hair Stylist: MingHu Zhang

Model: Yuan Bo Chao

[fine-not-fine]

Yes please! Do you feel like you relate to any of them more then the other? Or are they all a part of you?

so fun fact! all my characters have a bit of me but some of them lean more towards me than anything. I’ll try to explain which of them are closest to farthest.‘Human’.monster personas:OpalConner/Cleo Andy (the semi-character)Andy (the creator)The automaton/autophonePitterFursonas:UglyMosheOddballMama Owliethe deer one with no nameBraxton Exstenia Crixis Oliveunnamed bearsona

Pokesonas:Java the espurrMidnight the UmbreonNightmare the Gengar unnamed old mew sonaBatimsona/Inksonaan unnamed sirenWofsona:Agate/MoodblindJellyfishGogsona:wervanderWcsona:BearheartCedarleafCarnage three-four more unnamed sonasThe absolute closest one to me is Andy (the creator), i feel like java, oddball, Mama owlie, and Bearheart are very close. A lot of these ocs have a lot of me. what makes them less so is their stories which makes them more oc like. the farther from my story they are the more oc like they are. I might have forgotten some but ah 

[artistic-fuss]

436 Baker - Ch. 3 Confessions

Since you all seem to like Tumblr posts more, here it is on Tumblr, AO3 link as well. Enjoy!

archiveofourown.org/works/17897351/chapters/42676124

Torture, gore, dismemberment, dead children mentioned

Daud has made sure that the man cannot cause a fuss as they take him to Coldridge. His home is cordoned off, and a dead counter is brought in to number the bodies. Even then, he can only make a rough estimate. Daud’s stomach sinks to his feet. Approximately thirty, some too small and rotted to tell if they were... pieces, or toddlers.

Daud has rarely felt such a need to take a man’s head from his shoulders, but he certainly does right at this moment. Corvo is able to wrangle him into doing the paperwork together. The pair links names with places, and initials with groups and names. Names of the victims are handed to the assassins, the Whalers set about linking what bodies they can to names and descriptions and writing letters to family. Corvo and Daud are buried in paperwork by the time they find their prisoner’s name, proof he is connected to it all. Daud can have his reason to make the man’s head roll, only first, even with proof, they need the confession. Any extra information they can gain from the man will work in their favour.

Daud is given the right to interrogate the man. A furious assassin is something to fear more than the Void and the Outsider. Especially when that assassin is the Knife of Dunwall, a man that studied in the Academy of Natural Philosophy, and has exceptional skill with a blade, one who is said by many to be driven by pain and blood.

The interrogation room is a disgusting mess when Daud is done. The man has admitted to everything, cleared up inconsistencies, and begged for mercy, something that Daud never gave. One of the man’s rib bone settled on the metal plate proves the lack of mercy. Only two holes are in the man, one at his spine and another where his ribs connect. Corvo cannot so much as make a guess as to what or how Daud had done it. Blood pools on the floor from a broken nose and bleeding cuts. The man is dragged back to his cell crying. Daud meticulously wipes clean his instruments.

Daud and Corvo listen to the recording, sorting and matching names. Many connections are made, all written and marked on boards. There are names Corvo knows all too well, names of council members. He and Emily meet with them weekly…

He clings to her shoulder in court, not once releasing her. She can feel his stress, his anger, and it makes her short with her council. Emily snaps and shuts them down if Corvo’s hand tightens on her shoulder. She knows something is happening but has yet to ask what. It seems very bloody, and frankly, it scares her, yet she trusts Corvo to handle it. Corvo is more trustworthy than anyone else she has met, as her father and protector. Her mother trusted him with more than their lives, and Emily believes she can do the same.

Those council members whose names were found in the papers are no longer permitted to speak to their Empress outside of court. Perhaps they are picking up on what is happening, that Corvo has caught on to their scent. They stay quiet and hide behind each other like scared children.

Emily is taken to her classes, and Corvo returns to Daud; finding him looking grim, even though he looks at home so deep in piles of paper. He has found something, he is digging through papers Corvo had not authorized him to touch. Papers with Hiram’s signature look as if they could be every paper the man ever so much as touched maybe only looked at. Did someone have to touch something for it to criminalize them? Corvo feels as if he will have to ask that question very soon.

He does not speak and pushes a paper towards Corvo. An officially royal signed document, allowing a shipment of goats, kids, into Dunwall. There is no proof of goats, there have been no goats through Dunwall for years, and the weight is wrong, size more fitting for children. Then Corvo notices the significance of the paper, who had signed it - Hiram Burrows. Daud pushes more papers toward him. Notes, similar to those that were sent to Daud requesting shipments of these goats, all royally signed, a handful had been written before he was Lord Regent.

He was not an innocent member of this trafficking ring, signing papers he did not realize the true nature of. The more Daud hands over to Corvo, the more obvious it is that Hiram knew exactly what he was signing. The man knew exactly what he was doing.

Corvo knows what these papers mean, and is just as furious as Daud had been. It is his turn to play interrogator.

Hiram is dragged across the cold flooring of Coldridge by the back of his collar. Corvo’s boots echo louder than any yelling, not that there is any. Every prisoner is silent. They duck to the backs of their cells, cowering in fear that they may be next. Hiram can feel what is coming to him, his execution edging closer, weeks at a time.

Corvo is not nearly as clean or precise as Daud. He is a man of harsh moves, not smooth flickerings that cause more pain than a brand. Corvo burns Hiram’s skin and tears at his teeth until he is screaming his guilt to the dust-filled air.

He is spilling confessions admits to the trafficking rings, that he was allowing them, that he was taking some of their coin as payment to allow them to function. Hiram cries that if all went his way, even if Emily was following her given orders, she would have been sold off to them. That when they were done with her he would bring her body from the plague pits, claim they found her there, that Corvo had dropped her there. The plague pits for children is another matter, so many of the poor young souls did not have the plague when tossed in. They were wrapped and thrown in the piles once they served their use, or if their parents refused to sell them off.

The offending man’s luck is still going. There is a guard standing by the autophone, Corvo cannot simply claim the man died in interrogation, he has a witness. Hiram, much to everyone’s dismay, lives to see another day.

Hiram shakes in his cell waiting for his execution. Positive that he will share the fate with the others found guilty of trafficking. His head will roll by the assassin’s hand, an old partner of his.

The ring is shut down in a week. A visit from a Whaler, with a knife and a paper expressing their guilt. That is all it takes to fill Coldridge. Many are executed shortly after arrival, they have less need to feel fear than Hiram and the high class. Every one of them spilled their confessions like the guts of a whale.

They clean Dunwall of any found relating to the ring. Living cargo slows, and Corvo passes a law that all cargo must be checked. Many ships protest, Corvo demands them to be searched. His men may not find what they are looking for in every ship, but it makes sure the point reaches the places it needs to.

This law is the first Emily hears of what is actually happening. The first she hears that people would do such things to children as buy and sell them. The first she hears her father is working with the man who murdered her mother.

She may have shared tender moments with Daud while they waited for her carriage, but he was still a murderer. It did not matter that the leather of his coat and gloves were as soft as any cotton.

[4-leafclovers]

Amazon.com: Autophone for Toyota Key Fob Cover with Keychain Soft TPU 360 Degree Protection Key Case Compatible with 2018-2021 Camry RAV4 Highlander Avalon C-HR Prius Corolla GT86 Smart Key(Red) : Automotive https://ift.tt/507Xjbh

[talmidimblogging]

Magic Words and Quack Cures: An ‘Epic’ Fail During a Plague — SENTENTIAE ANTIQUAE Lucian, Alexander the False Prophet 36 “There was one oracle, also an autophone, which he had sent to all peoples during the plague.

[yasakajinjya]

AUTOPHONE ORGANETTE

[technopatia]

Autophonic ‎- Industruction [dub04] (1998)

[the-met-art]

"Autophone" Organette by Autophone, Musical Instruments

Medium: Wood, metal, various

The Crosby Brown Collection of Musical Instruments, 1889 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/504965

[digi-decay-blog]

"Autophone" Organette

Publication date 1878

Where North and Central America, United States

Dimensions H. 26 cm (10 1/4 in.), W. of base, 25 cm (9 7/8 in.)

Medium Wood, metal, various

Rights Metropolitan Museum of Art 

Accession_number 07.195 a,b

Views 166

Downloads 0

[radconnoisseursong-blog]

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[greekpara]

@Regrann from @mediablackoutusa - The gumboot dance (or Isicathulo) is an African dance that is performed by dancers wearing wellington boots. In South Africa these are more commonly called gumboots. The boots may be embellished with bells, so that they ring as the dancers stamp on the ground. This sound would be a code or a different calling to say something to another person a short distance away. It was basically used to communicate in the mines as there was strictly no talking otherwise they would get punished by their boss. Gumboot dancing was conceived by black miners in South Africa as an alternative to drumming, which authorities restricted. Another reason for gumboot dancing was for the miners in South Africa as they worked they sang. Gumboot dancing has now become a world-known dance; in schools children perform the dance. The boots were a solution to a problem of often flooded gold mines in which men otherwise stood in knee-deep water toiling at their work stations. It is also thought that the workers used the gumboots to relay messages to each other that they did not want their bosses to overhear. It is still used today by some miners. Description Gumboot dancers are commonly sighted on the streets and plazas of tourist areas in South Africa, such as the Victoria & Alfred Waterfront in Cape Town. The dance likely originated among South African gold miners, and especially in their tough working conditions, including poor lighting and dampness. Many of the steps and routines are parodies of the officers and guards who controlled the mines and workers' barracks.[citation needed] Like other forms of African dance, Gumboot utilizes the concepts of polyrhythm and total body articulation, drawing from the cultural dances of the African workers that manned the mines. It is a percussive dance made by idiophones or autophones (objects of the everyday life vibrating by themselves), and is similar in execution and style to forms of "Stepping" done by African-American fraternities and sororities. Appearances Outside of Core Context The dance is the highlight of the performance of Black Umfolosi, a prominent Zimbabwean folk group. (at Lineup)

[what-floats-my-boat]

By Eidenbenz c. 1930 (via plakatwp)

[the-met-art]

"Autophone" Organette by Autophone via Musical Instruments

Medium: Wood, metal, various

The Crosby Brown Collection of Musical Instruments, 1889 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/504965

[technopatia]

Autophonic ‎- Artificial Death [dub04] (1998)