#because those are not the traits i think of when i barf my 10000th ‘i ❤️ Daffy Duck’ post but i would also be remiss not to note him since

[ducktracy]

never posted these here but wanted to prop this up: a well directed sequence! some VERY strong and in your face parallels (especially that up angle of Popeye and Bluto throwing Olive onto the couch, establishing her as the helpless middleman), little nuances that support those parallels, and just a great helping of personality that is always so dominating of the Popeye cartoons. that the dominating music here is “Love thy Neighbor”—used with an acerbic irony—ties it all together.

the punches Popeye and Bluto throw at each other is my favorite part. Bluto only needs to throw one punch—it matches how big, imposing, and “whole” he is. Popeye throws multiple; they’re smaller, just as he is, but more spry and split the difference. likewise, Bluto throwing in that extra “runt” after his punch is a great reflection of his character—he resorts to violence AND petty insults, making him seem even more unlikable. Popeye gets back at him with the violence, but he doesn’t stoop to his level with the name-calling.

even how they react to Olive offering candy is indicative of their character. Bluto is indulgent, pleasure-seeking (even if it is from a mere chocolate), and seldom thinks before he acts. Popeye on the other hand is more courteous, polite, and doesn’t succumb to his instincts as easily. his “no thank you,” is more genuine than Bluto’s own coy expression of thanks