#but Greg is also so musical theatre coded

[ride-thedragon]

If there's something I'd change from Bridgerton is rather than having an array of pop music and some classic, give each sibling a genre to lean on. I loved Queen Charlotte because the big songs from that were RnB songs, so it would be interesting to see that.

One person I hope they do it for is Francesca, where I hope her songs are modern songs with classical music interpolations like Daughter by Beyonce or Redrum by 21 savage but not that song particularly.

[inktober-of-a-fan-girl]

Day 12: Christian Borle

This is from 2009.

More information in Keep Reading.

It started as a book series…

The "Starcatchers" books by Dave Barry and Ridley Pearson...

...are an unauthorized series reboot that was published by Hyperion Books (a subsidiary of Disney) in the US and by Walker Books in the UK.

The first book is Peter and the Starcatchers (2004). Set on a ship called Never Land featuring Peter and an earlier group of Lost Boys. In 2005, the publisher announced plans for Disney to adapt the book as a digitally animated movie. Second and third are Peter and the Shadow Thieves (2006) and Peter and the Secret of Rundoon (2007). The fourth book is Peter and the Sword of Mercy (2009), where twenty-three years since Peter and the Lost Boys returned from Rundoon. The Bridge to Never Land (2011), is an expanded part and fifth book where a pair of siblings, Sarah and Aidan Cooper drawn from the modern world as they follow clues left by an ancient coded document. The "Never Land Books" by Dave Barry, Ridley Pearson, and Greg Call (ill.), is a series of unauthorized spin-off chapter books. Based on the continuity established by the "Starcatchers" novels, for a younger audience. The books are: Escape from the Carnivale (2006), Cave of the Dark Wind (2007) and Blood Tide (2008).

Captain Hook becomes this…

In the novel Peter and the Starcatchers by Dave Barry and Ridley Pearson, Captain Hook is distinguished by halitosis, beady black eyes, a pock-marked face, and perpetual filth of his person and surroundings contrasting strongly with J. M. Barrie's Etonian gentleman. The novel, which takes place before the Captain meets Peter Pan, calls Hook "Black Stache" for his prominent moustache, and his ship is called the Sea Devil; he captures the Jolly Roger, originally a British ship called the Wasp, later. Black Stache is renamed "Captain Hook" in the second instalment, Peter and the Shadow Thieves. In Barry and Pearson's book, his left hand is accidentally cut off by Peter.

But then it got adapted into a musical/play….

The first book, "Peter and the Starcatchers" was adapted into a play similarly titled "Peter and the Starcatcher" winning several Tony awards. It debuted in the winter of 2009 at La Jolla Playhouse as part of an arrangement with Disney Theatrical. It was re-staged Off-Broadway in 2011 and opened on Broadway on April 15, 2012, at the Brooks Atkinson Theatre.

Captain Hook was made into this…

In Rick Ellis' theatrical adaptation of the Barry-Pearson novel, Black Stache (portrayed in the original production by Christian Borle, who won a Tony Award for the role) is a witty, poetical, but psychotic pirate prone to malapropisms and the occasional pratfall. Similar to the Disney film character, Black Stache resembles both a dangerous villain and a comic buffoon. The last of a line of villains, he seeks to become a great villain by fighting a great hero and finds one in Peter. His hand is cut off not by Peter, but accidentally severed when he slams the lid of a trunk in a fit of rage.

I am very disappointed in the creators.

But there is also this one...

Black Stache: A highly intelligent but malapropism-prone pirate chief, so-called due to the black mustache that is a trademark in his family. In search of a great hero who he can oppose to become a great villain, Stache is given to scenery chewing and anachronistic jokes and has a hook in his future. The name ‘Black Stache’ is a reference to the pirate Blackbeard.

Blackbeard will be mentioned in another Inktober.

At least the actor has blue eyes….but there is nothing else in Barrie's character here...just the mustache from which he gets his name.

Anyways, here are the play trailers and at the Tony awards….

"And I bet your milkshake brings all the boys to the yard but I'm not interested!" is the best.

[mcbastardsmausoleum]

All 8 titles announced for the Severin Films BLACK FRIDAY SALE - DETAILS!

Severin Films have now announced the full line up of their Annual Severin Films' Black Friday Sale! New to the announcement are the rarely-seen EuroSleaze masterpiece CASTLE OF THE CREEPING FLESH, our brand new original production TALES OF THE UNCANNY: THE ULTIMATE SURVEY OF ANTHOLOGY HORROR which includes three feature length horror anthologies, Buddy Giovinazzo's explosive – and long-unseen – drama NO WAY HOME (limited to 2,500 numbered copies), and THE COLOUR OUT OF SPACE Audio Book, read by Richard Stanley and packaged in a purple clamshell case with digital download code. The sale also will include the first ever authorized Blu-ray release of Severin's original horror anthology THE THEATRE BIZARRE in special 2-disc digipak packaging with slipcase, the Blu-ray premiere of the hallucinatory horror in THE ATTIC EXPEDITIONS featuring Seth Green, Jeffrey Combs, Ted Raimi and Alice Cooper, a new edition of PLAGUE TOWN packed with illuminating bonus features with slipcase, and the worldwide Blu-ray premiere of Douglas Buck's devastating anthology FAMILY PORTRAITS.

There are also two new episodes of the Severin Films Podcast! Both episodes feature surprise special guests and the smooth sounds of

RENDEZVOUS!

After Hours too!

https://linktr.ee/severinfilms

CASTLE OF THE CREEPING FLESH

(1968)

From writer/director Adrian Hoven – creator of the infamous MARK OF THE DEVIL – comes a rarely-seen EuroSleaze masterpiece packed with krimi depravity, mondo-style shocks and graphic gothic insanity: When a group of bourgeois swingers stumble upon the creepy castle of the cursed Earl of Saxon, they’ll discover an unholy nightmare of sexual violence, bombastic philosophy, deranged performances, grisly medical experiments, inappropriate music cues and one very pissed off bear. A stellar cast of Jess Franco regulars including Janine Raynaud (SUCCUBUS), Howard Vernon (SHE KILLED IN ECSTASY) and Michel Lemoine (KISS ME MONSTER) star in this sumptuous platter of late ‘60s filthwürst – also known as CASTLE OF BLOODY LUST – now scanned uncut & uncensored from the German negative for the first time ever in America.

Special Features:

- Adrian in the Castle of Bloody Lust – Archival Interview with Joyce Hoven and Percy Hoven

- MARK OF THE DEVIL Q&A with The Hoven Family at Austrian Pulp Film Fest

- Locations Featurette

- Trailers – English / German / Alt Title APPOINTMENT WITH LUST

- Textless Opening Credit Sequence

- German Opening Credit Sequence

-

Exclusive Black Friday Edition includes a Limited Slip Case!

Specs:

Aspect Ratio: 1.66:1

Audio: English Mono and German Mono

Subtitles: English

Closed Captions: English SDH

Region Free

TALES OF THE UNCANNY:

THE ULTIMATE SURVEY OF ANTHOLOGY HORROR

(2020)

When Covid-19 hit, Severin Films chief David Gregory and House Of Psychotic Women author Kier-La Janisse decided to ask their industry friends which Top 5 films and segments that would make the ultimate horror anthology. The result became an international Zoom-enabled documentary featuring Eli Roth, Joe Dante, Greg Nicotero, Mark Hartley, Mick Garris, Ernest Dickerson, Joko Anwar, Ramsey Campbell, David DeCoteau, Kim Newman, Jovanka Vuckovic, Luigi Cozzi, Tom Savini, Jenn Wexler, Larry Fessenden, Richard Stanley, Brian Trenchard-Smith, Brian Yuzna, Gary Sherman, Rebekah McKendry and Roger Corman in a candid discussion of the best portmanteaus in film/TV history. As a Bonus, Severin is proud to include the rarely-seen 1919 German compendium EERIE TALES, the thought-lost 1949 French/Belgian anthology HISTORIES EXTRAORDINAIRE/UNUSUAL TALES, and a limited second disc with Black Friday Exclusive Bonus Horror Anthology: MASTER OF HORROR (1965) Scanned in 2k from Jack H. Harris’ dupe negative.

Special Features:

- Bonus Horror Anthology: EERIE TALES (1919) from broadcast tape master

- Bonus Horror Anthology: UNUSUAL TALES (1949) New 2k scan from only known 16mm print from Brussels Film Archive

- Limited second disc with Black Friday Exclusive Bonus Horror Anthology: MASTER OF HORROR (1965) Scanned in 2k from Jack H. Harris’ dupe negative.

- Exclusive Limited Black Friday Edition includes Disc 2 MASTER OF HORROR feature!

Specs:

Aspect Ratio: 1.77:1

Audio: English 2.0

Closed Captions: English

Region Free

THE COLOUR OUT OF SPACE

(Audio Book)

“West of Arkham the hills rise wild, and there are valleys with deep woods that no axe has ever cut.” So begins this legendary sci-fi/horror tale by H.P. Lovecraft about a meteorite that crashes in the fictional New England town of Arkham and proceeds to deform all vegetation on “the blasted heath” while driving its inhabitants slowly and homicidally insane. Read by award-winning filmmaker Richard Stanley – whose 2019 movie adaptation starring Nicolas Cage was called “a trippy rainbow of the gory and grotesque” (Daily Mirror) – The Colour Out Of Space remains one of the most startling and significant works in modern horror history.

Read by award-winning filmmaker Richard Stanley – HARDWARE, DUST DEVIL, COLOR OUT OF SPACE – "The Colour Out Of Space" remains one of the most startling and significant works in modern horror history.

Specs:

Purple cassette tape of audio recording

Digital download code of audio recording

Total run time: 84 minutes

THE THEATRE BIZARRE

(2011) 

The concept was unprecedented: Enlist seven of horror’s most transgressive filmmakers – Douglas Buck (FAMILY PORTRAITS), Buddy Giovinazzo (COMBAT SHOCK), David Gregory (PLAGUE TOWN), Karim Hussain (SUBCONSCIOUS CRUELTY), Jeremy Kasten (THE ATTIC EXPEDITIONS), splatter FX legend Tom Savini and Richard Stanley (HARDWARE) – and give them total creative freedom to create their own short films inspired by the Grand Guignol.The result – starring genre icons like Udo Kier (FLESH FOR FRANKENSTEIN), Catriona MacColl (THE BEYOND), Lynn Lowry (THE CRAZIES) and Debbie Rochon (AMERICAN NIGHTMARE) – has been called “wildly unique” (Dread Central), “hilarious, grotesque and scary” (Bloody Disgusting) and “one of the best horror anthologies of all time” (Paste). Experience “a trip you’ll never forget” (Mondo Digital), finally officially available on Blu-ray with hours of exclusive Special Features.

Special Features:

- 2020 Filmmakers Audio Commentary

- 2012 Filmmakers Audio Commentary

- Backstage: The Making of THE THEATRE BIZARRE - New feature length documentary featuring interviews with Directors Douglas Buck, Buddy Giovinazzo, David Gregory, Karim Hussain, Jeremy Kasten, Tom Savini, Richard Stanley, Producers Daryl J. Tucker, Fabrice Lambot, Michael Ruggiero, Actors Udo Kier, Catriona MacColl, Lynn Lowry, Victoria Maurette, Kaniehtiio Horn and more.

- French TV On-Set Report on Richard Stanley's Return to Genre Filmmaking

- Making of VISION STAINS by Filmmaker Pat Tremblay

- Making of THE ACCIDENT by Filmmaker Pat Tremblay

- Shock Till You Drop's Choice Cuts with Buddy Giovinazzo

- Shock Till You Drop's Choice Cuts with David Gregory

- Shock Till You Drop's Choice Cuts with Jeremy Kasten

- Boswell Scores - Interview with THE MOTHER OF TOADS & VISION STAINS Soundtrack Composer Simon Boswell

- THE MOTHER OF TOADS - Extended Cut

-Trailers

-

Exclusive to this Limited Black Friday Edition are an exclusive Slip Case and fold-out Digipak (showcasing original artwork for each anthology segment), as well as the first ever official soundtrack CD (with compositions by Simon Boswell, Susan DiBona, Bobb Freund, Pierre Marchand, Eric Powell and Mark Raskin).

Specs:

Aspect Ratio: 2.35:1

Audio: English 5.1 & 2.0, French 2.0

Closed Captions: English SDH

Region Free

THE ATTIC EXPEDITIONS

(2001)

It’s been called “imaginative and audacious” (Los Angeles Times), “fantastic and surreal” (Classic Horror) and “an ideal film that verges towards masterpiece” (Weird Wild Realm). Now experience the Blu-ray premiere of the hallucinatory debut by director Jeremy Kasten (THE DEAD ONES, THE THEATRE BIZARRE, THE WIZARD OF GORE remake) about a young man committed to an asylum where madness, mayhem and murder may rip apart his mind forever. Seth Green (ROBOT CHICKEN), Jeffrey Combs (RE-ANIMATOR), Andras Jones (A NIGHTMARE ON ELM STREET 4), Ted Raimi (SKINNER), Wendy Robie (TWIN PEAKS) and Alice Cooper star in the 2001 shocker Fangoria hailed as “an ambitious first feature laced with a wonderful cast, quirky charms and cool twists”, scanned in 2k from the original negative with all-new special features.

Special Features:

- Cast & Crew 20 Year Pandemic Reunion & Story of Making THE ATTIC EXPEDITIONS, featuring Jeremy Kasten, Seth Green, Jeffrey Combs, Tim Heidecker and many more

- Alice Cooper & Jeffrey Combs Internet Reunion

- Horror Scholar Adam Rockoff Contextualizes THE ATTIC EXPEDITIONS

-

Exclusive Limited Black Friday Edition includes the first ever release of the original motion picture soundtrack CD.

Specs:

Aspect Ratio: 1.78:1

Audio: English 5.1 & 2.0

Closed Captions: English

Region 0/Free

PLAGUE TOWN

(2008)

A tourist family lost in the Irish countryside. A remote village that hides a hideous secret. And the taboo-bashing indie horror milestone that has been called “maniacally twisted” (Horror News), “chilling and disturbing” (Blu-ray.com) and “an experience that goes where most mainstream horror fears to tread” (Fangoria). Experience this “brilliant” (Quiet Earth) hybrid of grisly ‘70s shockers and graphic 21st century folk-horror – hailed as “an icy hand gradually sliding along the back of your neck for 90 minutes” (Mondo Digital) – from co-writer/director David Gregory (BLOOD & FLESH: THE REEL LIFE & GHASTLY DEATH OF AL ADAMSON) and the producers of STAKELAND, now featuring an uncensored HD master and Special Features produced exclusively for this edition.

Special Features:

- 2009 Audio Commentary - Audio Commentary with Director David Gregory & Producer Derek Curl

- White Lace & Button Eyes - The Making of PLAGUE TOWN by Documentary Filmmaker Howard S. Berger

- A Visit to Plague Town - Behind the Scenes Featurette

- The Sounds of Plague Town

- Trailer

- Short Films - SCATHED, TIL DEATH

-

Exclusive Limited Black Friday Edition includes exclusive Slip Case and the first ever release of the Original Motion Picture Soundtrack CD.

Specs:

Aspect Ratio: 1.85:1

Audio: English 5.1 & 2.0

Closed Captions: English

Region 0/Free

FAMILY PORTRAITS

(2006)

Over the course of seven years, three short films about the brutal dissolution of the American family – Cutting Moments (1997), Home (1998) and Prologue (2003) – elicited both horrified gasps and standing ovations at film festivals around the world. When combined into a theatrical feature, this trilogy by writer/producer/director/editor Douglas Buck – whose directing credits would eventually include the SISTERS remake and ‘The Accident’ segment of THE THEATRE BIZARRE – was hailed as “nightmarish” (The New York Times), “like Todd Solondz on crack” (Digitally Obsessed) and “the most chilling portrait of the loss of humanity in the manicured lawns of Middle America ever made” (LA Weekly). Buck’s “unbearably intense and enormously moving” (Filmecho) stunner is now scanned in 2k from the original negative for the first time ever with all-new Special Features.

Special Features:

- Commentary with Director Douglas Buck

- Commentary with Maitland McDonagh

- AFTER ALL - Early Short Film

- CUTTING MOMENTS Interviews, Circa 1998

- That’s Dark - Podcast on CUTTING MOMENTS & Interview with Director Douglas Buck

- Deleted Scene - Prologue

- Behind the Scenes - Prologue

- Stills Galleries

- Trailer

Specs:

Aspect Ratio: 1.78:1

Audio: English Mono

Closed Captions: English

Region 0/Free

[johnnymundano]

The Theatre Bizarre (2011)

Directed by Douglas Buck, Buddy Giovinazzo, David Gregory, Karim Hussain, Jeremy Kasten, Tom Savini and Richard Stanley

Written by Scarlett Amaris, Douglas Buck, John Esposito, Buddy Giovinazzo, David Gregory, Karim Hussain, Emiliano Ranzani and Richard Stanley

Music by Simon Boswell, Susan DiBona and Marquis Howell of Hobo Jazz

Country: United States

Language: English

Running Time: 114 minutes

CAST

Udo Kier as Peg Poett

Virginia Newcomb as Enola Penny

Kaniehtiio Horn as The Writer (segment 'Vision Stains')

Victoria Maurette as Karina (segment 'The Mother Of Toads')

Shane Woodward as Martin (segment 'The Mother Of Toads')

André Hennicke as Axel (segment 'I Love You')

Suzan Anbeh as Mo (segment 'I Love You')

James Gill as Donnie (segment 'Wet Dreams')

Tom Savini as Dr. Maurey (segment 'Wet Dreams')

Debbie Rochon as Carla (segment 'Wet Dreams')

Lena Kleine as The Mother (segment 'The Accident')

Mélodie Simard as The Daughter (segment 'The Accident')

Lindsay Goranson as Estelle (segment 'Sweets')

Guilford Adams as Greg (segment 'Sweets')

Framing Segments

Directed by Jeremy Kasten

Written by Zach Chassler

Cast:

Udo Kier as Peg Poett

Virginia Newcomb as Enola Penny

The Theatre Bizarre is a series of six shorts largely in hock to the grand-guignol tradition of naturalistic horror (i.e. proper ketchup, matey). I know this not because of any keen interest in French theatre but because the framing sequence is called ‘Theatre Guignol’, and it is into this terribly mysterious theatre that Enola Penny (Virginia Newcomb) dreamily wanders one decisive night. Each of the following sections is introduced by the indefatigable Udo Kier playing a big puppet (literally “grand guignol”) who becomes less puppet-like as the movie wears on and (cue wobbly theremin) Enola become less human. Which might be an artistic statement about desensitisation, but is definitely an excuse to watch Udo Kier popping robot-moves, which I think we can all agree is a good thing.

The Mother of Toads

Directed by Richard Stanley

Written by Richard Stanley, Scarlett Amaris and Emiliano Ranzani

Cast:

Catriona MacColl as Mere Antoinette

Shane Woodward as Martin

Victoria Maurette as Karina

Lisa Belle as The Naked Witch (as Lisa Crawford)

Amelie Salomon as The Monster

The Mother of Toads is apparently based on a Clark Ashton Smith story of the same name which I haven’t read, with a bit of HP Lovecraft chucked in. It features a pair of unpleasant young Americans holidaying in France, and I’m not dissing Americans there, this pair really are unlikable; Karina moans that everything is in French in France (quelle surprise!), while Martin is so anaesthetised by his own acumen he can barely push his smug words past the thicket of his trendy beard. They come unstuck when bargain hunting in a French market where a handsome older lady with a mesmerising accent saucily offers Martin a peek at her Necronomicon. Bundling Karina off to a spa Martin spends the day with the accommodating and increasingly ardent crone, drinking suspicious brews and fingering her dusty leaves. Things end badly. This was an agreeably silly creature feature with plenty of the old ugh! quotient, an endearing lack of logic and a pervading sense of encroaching doom. The humour leavening proceedings is clearly no accident; there’s an excellent joke when Martin attempts to extricate himself from a post-coital bed without waking his sleeping and somewhat slimy partner. Probably rings a few bells in the audience that bit. It’s just enjoyably daft, tongue-in-cheek stuff and a welcome reminder that Richard (Hardware (1990), Dust Devil (1992)) Stanley is still rocking his smart-trash groove.

I Love You

Directed by Buddy Giovinazzo

Written by Buddy Giovinazzo

Cast:

André Hennicke as Axel

Suzan Anbeh  as Mo

I Love You is a pretty tough watch and unusually it’s not because of the climactic gore. Axel wakes up in his bathroom disorientated and bloody; turns out he’s an insecure, self-destructive mess who has driven his lady Mo away. Mo returns to sever all ties and leave for good. What follows is an emotionally harrowing battle between two damaged people where words are weapons and the hurt is internal. As blood spattered as the despairing denouement may be the real horror is the extended verbal flensing Mo delivers to Martin, in which she destroys not only his present but also his past. And is she telling the truth? Or is it a desperate attempt to extricate herself from his unquenchable neediness? Like a fox gnawing its paw off to escape the trap? Sometimes uncertainty can be another level of horror. Buddy Giovinazzo delivers a classily acted, tautly suspenseful two-hander which leaves an emotional stain which persists for days.

Wet Dreams

Directed by Tom Savini

Written by John Esposito

Cast:

Debbie Rochon as Carla

Tom Savini as Dr. Maurey

James Gill as Donnie

Jodii Christianson as Maxine

Wet Dreams is directed by Tom Savini, who is legendary in horror for his SFX work and slightly less legendary for his acting, so there’s no excuse for doing an Elvis double take at the fact he’s given himself a role and that his segment is luridly gory. He’s no slouch at directing either, which is nice. The esteemed Mr. Savini plays a psychiatrist, the kind who drinks on the job and talks about raping his mum (i.e. a movie psychiatrist), treating Donnie, a preening jackass who likes smacking his wife, Carla, about and cheating on her. See, Donnie’s having recurring nightmares wherein his sexy dream fun times climax with him being tortured and castrated by his long-suffering wife, in a series of gruesomely humorous and visually explicit ways. Gentlemen viewers may never again think of a fry-up without skittishly crossing their legs. Serves Donnie right you might think, but by the end of the dream-within-a-dream misdirection and its gruesomely pre-code EC Comics twist finale you might think again. Ugh. I mean….ugh. I...Jesus. What could have just been a gratuitous mess of general dismemberment is deftly directed by the savant Savini, resulting in an amoral immorality tale. And need it be said that his skills in the SFX dept remain second to none? No, it need not. So pretend I didn’t say it.

The Accident

Directed by Douglas Buck

Written by Douglas Buck

Cast:

Lena Kleine as Mother

Mélodie Simard as Daughter

Jean-Paul Rivière as Old Biker

Bruno Décary as Young Biker

The Accident provides a brief respite from the onslaught of sensationalistic gore, a pit stop if you will. Even if you won’t, it definitely centres around a cute child asking her blasé mother questions about mortality, said questions raised in the tiny, inquiring mind after the witnessing of an accident earlier in the day involving a deer and a cocky motorcyclist. It’s a very restrained piece, very accomplished, and softer in tone than anything before or after it. There’s a touch of grue when the deer is finished off, but mostly the horror here is the complete horseshit parents come out with to calm their offspring with regards to the ultimately absurd nature of life and death, a subject which everyone spends a lot of time avoiding thinking about on a day to day basis and about which they would rather not be cross-examined about by a child at bedtime. As upsetting as the sight of the deer’s tongue lolling out of its bug eyed head was (very), it wasn’t as upsetting as realising all the lies you have to fill your kid with just so they can function in what we’ve all decided to call reality. Compared to all that, lying about Santa Claus is a minor misdemeanour.

Vision Stains

Directed by Karim Hussain

Written by Karim Hussain

Cast:

Kaniehtiio Horn as The Writer

Cynthia Wu-Maheux as Junkie Girl

Imogen Haworth as Pregnant Woman

Rachelle Glait  as Older Homeless Woman

Alex Ivanovici  as Junkie Man

I have a thing about eye trauma. Not a sexual thing, a “flinch and wave your hands about like you’re warding off invisible birds” thing. It’s a running joke in the Mundano family unit; if there’s some serious eye trauma afoot in the viewing choice, all eyes fall on the father figure as he  tenses for impact. Those similarly (dis)inclined should be warned that there is a seriously impressive amount of eye trauma in Vision Stains. It’s built in as the whole episode rests on the Horror Movie Science concept of people’s past lives flashing before their eyes at the point of death. So if you extract their eye juice as they die and inject it into your own eye you will get to live the edited highlights of another life. Obviously. That sounds about as appealing as it sounds scientifically feasible, but our serial killer heroine is well into it. She basically harvests the lives of the homeless to make up for her personal shortfall in dreams. Judging by the massive pile of notebooks in which she has written the details of all the lives she has nicked, its worked out quite well for her. But people, even dreamless serial killers who prey on the homeless,  are never satisfied, so she decides to take the next step and find out what happens before people have a life to flash in front of their eyes. The results are mixed. Ultimately you can’t help thinking it would have been a lot quicker and far easier on the homeless population if she’d just read Tbomas Ligotti’s The Conspiracy Against the Human race. It’s all very silly but the po-faced approach suggests it is straining for some grandiose meaning; it fails. But it does feature a fantastic amount of eye trauma. Each to their own.

Sweets

Directed by David Gregory

Written by David Gregory

Cast:

Lindsay Goranson as Estelle

Guilford Adams as Greg

Lynn Lowry as Mikela Da Vinci

Jessica Remmers as Antonia

With Sweets, things close on a hilariously disgusting note. A deadpan Estelle and a semi-hysterical Greg talk about their dying relationship in the most banal clichés imaginable as they sit in what was once an apartment, but is now a kind of edible sty plastered with smushed up confectionery.  As trite nonsense falls from her lips Estelle slowly sucks a melting ice cream into her deadpan face. Greg flailing to rescue the dead relationship counters with the expected whiny responses, while spasmodically picking filthy sweets off the floor and ingesting them with all the automotive panache of the true addict. Their stale interactions are punctuated by a series of flashbacks  which parody cinema’s rote scenes of romance, with the pair swilling sweet shit like swilling sweet shit is going out of fashion. Luckily for Greg, Estelle hasn’t quite finished with him, unluckily for Greg he’s about to find out what that means. Sweets is pretty funny in its lip-smacking attack on love and addiction (and love as addiction), and is delightfully cartoonish in style; Estelle is often colour coordinated from hair to shoes with whatever sickly delicacy she is proffering. Of course all the comedy and caricature serve only to distract you while Sweets prepares a delightful gut punch of horror, before the management politely ask you to leave.

 TL;DR: The Theatre Bizarre: it’s worth a watch, but not if you’re squeamish.

[obspogon]

Tldr; I listen to way too many podcasts. Skip to the very bottom of this long-ass post to see my top recommendations. Titles are links (this subreddit's css, doesn't make that obvious)I have loved podcasts for about 10 years, but for the last 3, due to my job, I have become a 40+ hour a week, power-listener. In that time my lists and recommendations have been very well-received on this sub, and since I'm leaving that job next month, I decided it was time to come up with a master list of my top recommendations across all categories.First of all: These are just my opinions. If your favorite show didn't make this list, don't get mad at me, just go ahead and shout it out in the comments. I put a lot of thought into the ranking, but if you ask me next week I'll probably have changed my mind on a lot of it.I have no qualifications to review podcasts except for the fact that I listen to way too many of them. Actually, the real reason I wanted to make this list was because I think the lists I've seen written by qualified reviewers are usually really bad, imo. I always feel like the reviewer has listened to like 60 podcasts, and is listing their top 50. I have no idea how many podcasts I've listened to but it's got to be in the thousands, and there are soooo many great shows out there, so I thought it's my duty to share.100 shows is actually only a subset of the shows I like. At first this list grew to over 200 and I was still thinking of more. So I decided to cut it at my favorite 100 and I added three criteria to help cull it down:It must be active: Some day I'll make a list of my favorite dead podcasts, but none are on this list.It must have at least 10 episodes: I think 10 episodes in is a decent trial period. If I've listened to less than that I don't feel comfortable recommending it. Also there's a trend right now of shows putting out one 8-10 episode season, and then just never renewing to a second season. So, if it has more than 10 episodes, I feel like it has staying power.It must be interesting for general audiences: Podcasts tend to be topical. That makes it a little tough to recommend them if I don't know you, because you might not be into the topic of the show. So I have only included shows that I think you don't need too much specific knowledge to enjoy (either because the topic is general, or because it's fun even for the non-initiated.)I'm sure at some point I screwed up on those rules, but they were the guidelines I was working from.Honorable Mentions: First here are some smaller podcasts that didn't quite make it into my top 100 but I still think you should check out:This is why you're single, Doughboys, Do By Friday, Hopefully We Don't Break-Up, Roundtable of Gentlemen, Mental Illness Happy Hour, Sleepycast, James O'Brien's Mystery Hour, Nocturne Podcast, Quirks and Quarks, Put Your Hands Together, Book Shambles, Sex & Other Human Activities, Singing Bones, A Taste of the Past, We Fact Up, The Bridge, Step By Stapp, Return Home, Movie Sign with the Mads, Save it for the Show, The F Plus, Next Picture Show, Be Here For a While, Code Breaker, GoosebudsOk, with no further ado . . .The List: In reverse order100. I Tell My Husband the News, A news-reporter reads current headlines to her husband, who is a comedian. Not exactly cutting edge satire, but I love this show for the hosts' chemistry. They are super in love and incredibly cute together. They just make me happy. And their banter is usually legitimately funny.99. You Must Remember This, True stories from old hollywood narrated over lush, old-fashioned movie music. The stories are great and give you a window into the crazy world of movies in the black and white era.98. 8-Bit Book Club, Three funny nerds read through old novelizations of video games. The books are ridiculous and the hosts make fun of them mercilessly. Great host chemistry. Tons of fun.97. Lore, Solo podcast exploring the stories and legends all around us. A tightly written and moodily produced show focused on the tall tales woven into our history.96. Longform, Long conversations with writers of non-fiction. Good host and really interesting conversations. A bit slow compared to most of my other podcasts, but satisfying.95. Superego, Very strange, slightly off-putting, free-association improv comedy. When it's bad it's just weird, when it's good it's magical.94. Our Fake History, Single host show exploring misconceptions and pseudo-history. Like a Hardcore History for things that didn't actually happen. Host is great and topics are usually very interesting.93. I Was There Too, Interviews with non-famous people who in some way worked on iconic scenes in famous movies. Fascinating if, like me, you have a love for pop-culture arcana.92. Shut Up and Sit Down, Four British comedians talk about and occasionally play board games. Lot of fun, and a lot of goofballery. I don't play a lot of boardgames, but I've bought several because these guys made them sound fun.91. I Saw That Years Ago, Two witty guys talk about movies they don't quite remember. The concept doesn't actually do much, this show is all about the chemistry between the hosts which is fantastic.90. Duncan Trussel Family Hour, Comedian Duncan Trussel invites guests on for long rambling conversations. Stands out for Duncan's odd choice of guests and the unique, weird nature of the conversations he engages them in.89. The Adventure Zone, Goofy brothers play Dungeons & Dragons. Took me several tries to get into this show (beginning's a little rough and I don't play D&D.) But I kept giving it chances because of some strong recommendations, and it does blossom into some really unique storytelling.88. Planet Money, Very NPR show about money and our world and the interplay between economics and our daily life. Fun and listenable in spite of the dreary subject matter. Has some really great education about dollars and cents that we really should all be listening to.87. Giant Bombcast, The crew of a gaming magazine get together and shoot the shit about games, life and everything in a long and rambling discussion.86. Burnt Toast, Conversations and researched features on food, food culture, and it's relationship to daily life. Lovingly produced and charmingly performed. An absoulte delight.85. Fireside Mystery Theatre, Storytelling and variety show done in front of a live audience. The stories are usually a lot of fun, and the theatre atmosphere adds a fun unique quality to it.84. Opening Arguments, A lawyer and a comedian chat about the law. Sort of like Star Talk, but for legal questions. The hosts perfectly hit the balance of informative and engaging. Law affects all our daily lives and it's something that most people know bupkis about, and I love that this show does a great job of making it accessible.83. Comedy Bang! Bang!, One of the old staples of podcasting. Loose format comedy show usually involving interviews followed by some light improv. Still a great show after all these years.82. The Black Tapes, Ghost stories, but in the form of a "non-fiction" journalistic podcast. Really well-told with a dark and brooding tone. A weaker second season has dropped it in my esteem but still great.81. Never Not Funny, Comedian plus celbrity guest ramble on about nothing in particular. Jimmy Pardo is a great host and has a wonderfully cutting sense of humor. One of the longest running big podcasts. Very rarely not funny.80. Leicester Square Theatre Podcast, Comedian Richard Herring does one-on-one interviews with comedians in which he asks them stupid and ridiculous questions. Throws out the formal interview format and just has fun. Having a big live audience elevates it.79. Rocket, A few tech journalists run a show about general geek topics, with an emphasis on tech. Perfect balance of smart informational chat and good host chemistry.78. We're Alive, Audiodrama about a Zombie infestation. Very good writing and acting and probably the best-produced serial scripted story podcast. Great use of tension throughout.77. Greg Proops Film Club, I've always loved Greg Proops' wacky smart-guy comedy, but his main podcast doesn't work for me as well as this one, where the theme of chatting about movies and geekery keeps him more on task. And through all the joking, he has a lot more interesting stuff to say than most of the serious movie podcasts.76. Harmontown, Comedy writer Dan Harmon plus friends talk nonsense and generally have fun. Mostly funny with occasional seriousness. Harmon is a great lovable asshole and the podcast format is perfect for him. Does fun and interesting things with the basic talk-show format.75. Smash Cut, Storytelling via dialogue collage. Wonderfully unique show that ranges from gripping to tragic to avant-guard. May be too weird for some, but hits a sweetspot for me.74. Desert Island Discs, Celebrities are interviewed with the same question: If you were stuck on a desert island, what five albums would you want to have with you. Mostly a conversation about music, but it expands into a bigger conversation about the guest's life and influences.73. No Such Thing As a Fish, The writers of a British trivia show go into depth on the obscure knowledge they've been researching and ramble on about arcane knowledge. Smart people chatting casually about smart things. Usually very interesting to listen to.72. Blank Check, Movie discussion pod that perfectly hits the balance between smart discussion and levity. The premise is talking about director's who get license to do whatever they want (the titular blank check), but it's really a pretty freewheeling conversation. Phenomenal chemistry between the hosts.71. The Future of Everything, Wall Street Journal's interesting impecabbly researched radio-style features on technologies and ideas that are pushing our world into an uncertain future.70. The Memory Palace, Bite sized stories from 18th - 20th century history, told with interest and pathos. Focusing on the human story behind the story of our recent past.69. The Orbiting Human Circus of the Air, Silly absurdist storytelling about a radio show that records in the Eiffel Tower. This show is not for everyone, but if it hooks you it is delightful and charming and always a joy to listen to.68. Imaginary Worlds, Serious discussions exploring the quirky little details of the worlds of popular fantasy and sci-fi franchises. Done as a host monologue, interspersed with interviews of experts and fans. I love the way he parses out interesting aspects of those worlds and tries to envision how they would really work.67. Hello From the Magic Tavern, Improv comedy set in a fantasy world with a diverse cast of funny improvisers playing far-out fantastical characters. Solidly funny and always fun to disappear into their goofy mythical world.66. The Joe Rogan Experience, Interview show with all types of guests. One of the most succesful podcasts in the world. It's a bit love-it-or-hate-it, and while I mostly love it, it can get on my nerves at times. Very hard for me to rank this one for that reason. But I must say Joe Rogan is a great interviewer and everyone should give it a try for themselves and find out which side they fall on.65. In Our Time, Big, heavy intellectual discussions of very serious topics in history, art and culture. This one might be a bit too smart for me, tbh, but I try and when I can hook into a topic it's immensely satisfying.64. Hello Internet, Two internet smart guys chat casually about smart and obscure subjects. There's actually not that much to this show, but the hosts are great and they have a very unique chemistry.63. The Infinite Monkey Cage, British-style panel show where a couple comedians and a couple scientists get together an tackle a difficult science topic and try to find answer. Unlike a lot of science shows, they don't shy away from talking actual science, but the chemistry of the hosts keeps the show always entertaining.62. Wolf 359, Narrative sci-fi podcast. Intriguing space travel story with a quirky sense of humor and good sound design to create a solid sense of atmosphere. Starts simple and blossoms into an awesome story.61. The Thrilling Adventure Hour, Comedians do a parody of an old-fashioned radio play in front of a live audience. So much fun. Best moments are when it breaks down. Was dead for a long time but there have been recent occasional releases so I'm considering it alive and putting it on this list.60. Doug Loves Movies, Comedian Doug Benson has several celebrity guests on each episode to talk movies and play games. The quintessential podcast for me. Slightly too lose and quirky to ever have worked as a radio show. Usually funny and always fun.59. a16z, Science and Tech podcast with interviews of actual scientists doing cutting edge work. Can be a bit dry, but I love how in depth it is, and that it doesn't dumb it down to a grade school level like a lot of similar shows.58. The Football Ramble, Four dudes with amazing chemistry talking bullshit and football (soccer) and just generally mocking each other and having a blast while doing it. I listen to a lot of sports podcasts but few are so good (and general-audience friendly enough) that I would recommend them to all podcast listeners. But this one is just tons of fun.57. Theory of Everything, Loose think-pieceish conversations about life and technology and the connections between things. Really interesting and well thought-out.56. The Truth, Short non-serial audio dramas. Stories range from serious to silly, often strange and off-kilter. Very well produced and performed, but the best part is the writing, which is awesomely creative and interesting.55. Reply All, One of many thinkpiece shows on this list. This one sets itself apart by focusing on internet-related stories. There's a whimsical nature to the hosts which gives the show a unique sort of charm.54. Spontaneanation, Paul F Tompkins has an interview with a famous person and then leads a long-form improv scene. Usually very funny simply because Tompkins is so funny.53. Candidate Confessionals, Interviews with losing candidates (or people who worked on losing campaigns) done as sort-of autobiographies telling the story of how a campaign fails. Fascinating deconstruction of politics from a new angle. Refreshingly honest at times.52. Mouth Time!, Absurdist show that parodies the vapid beauty mag culture but taken to the extreme. Part way between absurdism, improv comedy, and an actual pop cultuer podcast.51. The Black List Table Read, Audio performances of industry movie scripts that haven't gotten made. The concept is fabulous and the actors do a great job. Unique storytelling podcast with wonderful production. Some of the scripts are really great. Held back a bit by the fact that movie scripts aren't always written to be read out loud.50. 2 Dope Queens, Two sassy ladies host a comedy podcast with guests that chat with them or do their stand-up acts. Love the energy of the hosts. Generally great when the guests are good.49. Harry Potter and the Sacred Text, Two divinity professors use their techniques of scholarly bibilcal analysis on the Harry Potter books. Silly concept but they take it completely seriously. The result is part deep textual dive into the Potter-verse, and part reflection/conversation on life in general. Wonderfully introspective. Somehow both heavy and light at the same time.48. Monday Morning Podcast, Weekly show of the ramblings of comedian Bill Burr. Zero production or planning, just unfiltered Bill, who delivers the entire show in his trademark angry monologue. Usually funny, but that's not the reason it made this list: What makes this show stand out for me is its personal and honest nature. If you can get past Burr's abrassiveness, definitely worth a listen.47. The Adam Buxton Podcast, Comedian interviews celebrities. It's hard to stand out in this crowded genre, but this show does due to the host's magnetism and energy, and the quirkiness of the show's production, with little songs throughout (including the ads), and lots of silly digressions. And at it's heart, Adam is an excelent interviewer who gets a lot out of his guest.46. Anxious Machine, Introspective think-pieces about the human mind and how it works in human society. Usually done through interview intersperced with host commentary. The stories sit in a sweetspot between the personal and the general in a unique way.45. The Flop House, Three guys watch a bad movie and talk about it. The real joy, though, is in the constant flights of fancy when they say something dumb or misspeak that cascade into jokes that they follow to their logical conclusion. At its best it’s a top 10 podcast, but I feel like its lost some of its fastball lately, so its fallen on my list.44. Gilbert Gottfried's Amazing Colossal Podcast, I think Gottfried is one of the funniest guys in show business. This is his interview show, where he talks mostly to comedians, mostly about comedy. If you can handle his voice, it's a really wonderful show.43. Laser Time, Friends shooting the shit is probably the most common podcast genre, and one that I listen to a lot of, but not a lot of those made this list because while they may be listenable, they are rarely notable. Laser Time is a major exception in that the chemisty of the hosts and the odd specificity of the pop culture arcana they talk about makes the show consistently fun and fascinating.42. How did this get Made?, Three comedians and a guest review bad films. This show might be lost among the sea of decent/good comedy podcasts if not for the work of Jason Mantzoukas, who is imo the funniest man in podcasting.41. This Feels Terrible, Comedienne interviews other comedians about dating and love and relationships. Host has a lovely easy style that is good for getting people talking about really personal stuff. Has great chemistry with most guests.40. Beef and Dairy Network Podcast, Comedy podcast pretending (with a completely straight face) to be an actual beef and dairy specialty pod. The result is very high-quality absurdist comedy.39. Here's The Thing, Alec Baldwin interviews celebrities. The tone is very NPR but Baldwin keeps it a bit tighter than your average radio show. TBH, most of the time when a famous person decides they want a podcast the show ends up sucking hard, but Baldwin is a charming and natural host and consitently gets great guests. I know some people hate this show but I find it consistently great.38. My Favorite Murder, Two entertaining women talk through and dissect the details of a real-life grisly murder and generally try and figure out whodunit. Keep it pretty light considering how serious the subject matter is but it works because of how fun and interesting the hosts are. (Though it is guilty of my biggest podcast pet-peeve: Taking forever to start the show.)37. The Bugle, News and Politics satire with an absurdist twist. Three years ago this was a top-5 podcast for me and then they went on a long hiatus and lost John Oliver. Still great and slowly working its way back up the ranks.36. Guys We Fucked, Filthy comedy show that's secretly a positive look at serious issues relating to sexuality. The hosts have a good time and keep it light. Their chemistry makes the show great.35. Common Sense, Very heady current events discussion from an outside-the-box perspective. The host is a provocateur who tries to challenge your preconceptions about government and society. I don't always agree with him but he always opens my eyes at the gaps in my own thinking.34. Revisionist History, Malcolm Gladwell's odd little examinations of historical events from a new perspective are fantastic. The first season was very well-thought out, although still finding it's voice. I was very glad that it returned in time to have enough episodes to make itself elligible for this list.33. Love + Radio, Interesting people tell their stories in extended, tightly edited interviews. The people are usually non-famous people who have done remarkable things in their lives. Good production and good stories.32. 99% Invisible, Little think pieces about design and it's role in our everyday life. Impecably researched and always interesting, with a wonderfully charming delivery from its host.31. The Hilarious World of Depression, Comedian interviews comedians about depression and how it shapes their lives. Genius concept that perfectly hits the sweetspot of using humor to enlighten dark subjects. Fairly new and still finding its feet, but already one of my favorite shows.30. Radiolab, Reporters explore fascinating and mysterious stories usually in the realm of science and nature and wind their way to answers in a series of tightly cut together interviews. Really tightly produced (sometimes too much so) and very well researched, this show is one of the most iconic podcasts in the medium.29. Death, Sex & Money, Very personal stories about the big decisions in everyday people's lives, done in interviews in a journalistic style. Very heavy sometimes, but really great. Really digs into the real stuff in people's lives.28. You Made it Weird, Very long in-depth celebrity interviews with comedian Pete Holmes as host. A mirror-universe version of WTF, with a young-happy host rather than an angry older one. This doesn't have the same bite as WTF, but it replaces it with a wonderful sense of joy. Both hosts have mastered the art of the long interview.27. Reveal, Serious journalism, but with a slightly more of a conversational tone and more production to make it a more entertaining version of a news show. Nevertheless, the subject matter is heavy, and often deadly serious.26. Overdue, A couple funny dudes talk through great classic novels while riffing and making jokes. Spot-on chemistry and a perfect combination of high-brow art and low-brow comedy.25. Relic Radio, I love that podcasts are bringing back the audiodrama, an artform basically dead for forty years. But few of the new ones can match the originals, back when there was a big industry of daily and weekly shows and hundreds of professional actors and writers churning them out. Relic Radio lovingly curates from over 30 years of successful but forgotten shows to present them to a modern audience. The stories, while old-fashioned, are amazing, well-performed and fully produced with original music.24. Savage Lovecast, Call-in advice show about love, sex and life. Whet sets it apart is the kind and charismatic host, who has a gift for cutting to the heart of complex questions. Advice shows are a bit overdone, but he manages to elevate the format with his frankness and his ability to connect the problems we have in our loves, to larger questions we have about our selves.23. Crimetown, In depth audio documentary on organized crime in a big city (season 1 was on Providence.) Really well told story that feels tight and informative, while staying entertaining, mostly because the stories themselves are so engaging.22. Modern Love, Essays and stories about love in the modern world, read by famous actors. The pieces themselves are incredible, both joyful and heart-wrending. They often interview the author after, which sometimes makes me wish they would just have the author read it (due to the personal nature of the stories.)21. Wooden Overcoats, Scripted comedic audiodrama about competing funeral homes on a small British island. Very witty. Wonderfully funny and charming. Has probably the best character voice acting in scripted podcasts.20. Invisibilia, This podcast describes itself somewhat grandly as exploring the invisible things that shape everyday life. What it is, is a damn good radio-style interview think-piece show, with an emphasis on the patterns of human behavior. I love the light touch that the hosts give to the show. With a penchant for giving more questions than answers (in a good way).19. The Best Show with Tom Scharpling, Cult show that started in radio over a decade ago and slowly got weirder as it went. It's an ironic impersonation of a radio call-in show. This is definitely not for everyone; many of you will hate this show. But if you like it you will likely end up loving it. The host is a mad genius of twisting the radio format without ever totally breaking it. Best known for insulting and abusing his call-in listeners.18. WTF, An angry old comedian interviews famous people in great depth. Marc Maron's gift is in getting people speaking from the heart, and in breaching personal subjects that don't usually get talked about in interviews. WTF is often funny, usually fascinating and occasionally heartbreaking.17. Alice Isn't Dead, Weird, creepy, wonderfully produced and performed fictional story about a woman on a journey to find someone she lost. Uniquely moody and moving. Poetic to the point that it might be considered self-indulgent, so it might not be for everyone. But if you dive in, it's an incredible journey.16. The Moth, Personal stories told by a wide set of writers in front of a live audience. Usually funny and often touching in a smart-NewYorker-piece sort of way. Curated from a larger set of stories, and it shows: The stories are more consistently good than most of these types of shows.15. The Church of What's Happening Now, Comedian Joey Coco Diaz plus guest (usually comedians) trade life-stories. Diaz is really funny, as are most of his guests, but what stands out is Diaz's unique comedic voice and how he can talk about the really heavy stuff in his life in a funny way. And he is just overflowing with stories. He has had a crazy life.14. Strangers, Tough, beautiful personal stories examined in interviews with leather-voiced Lea Thau (I mean that in a good way: love her voice, it's like a smoked Nina Simone). It's like little audio documentaries about everyday people who have been through extraordinary personal turmoil. Beautiful stories, beautifully told.13. The Mortified Podcast, Grown-ups read their childhood journals to a live audience along with embarassing stories and memories about being kids. On one level it's really funny to hear their skewed childhood perceptions but also there's something amazingly cathartic about sharing in the embarassment. At least for me, being able to laugh at it makes me feel better about my own messed up childhood, and realize that all the stuff I was trying to hide, is the exact same stuff that everyone else was feeling as well.12. Snap Judgment, Great true-stories told by the people who lived through them, over some sick beats and tight riffs, all pulled together by my favorite host in podcasting.11. Here Be Monsters, Wonderful stories about suffering and hate and love and all the crazy things that are going on in the human soul. Told mostly through solo interviews with lightly intersperced music and production. The show is very heavy, but very listenable and very real.10. The Film Reroll, Rotating crew of actors and comedians pick a famous movie and improvise a new version of it with license that anything can happen. Hilarity ensues. The new movies are sublime and ridiculous and often better than the original. They use a dice system to run their stories like a game so they can't decide in advance what will happen. Brilliant concept, perfectly executed. Probably the most pure fun in podcasting.9. This American Life, Pastiche of stories about the American experience, told in a jounalistic style through interviews. Sometimes sad, sometimes joyful, always interesting. Many smarter things have been said about this show than I can say. Many of the podcasts on this list are in response to or immitation of This American Life, but the original continues to be one of the best examples of the format.8. Risk!, Similar to the Moth, people come on to tell their personal stories. I go back and forth between the two of them as to which I like more. Where the Moth has stories that are more cleverly written, this show feels more real and visceral. The storytellers are less likely to be writers, so we get less polished stories. But this show ultimately gets the nod for me with going to dark places of profound personal drama. Varies greatly in tone from episode to episode, but has been consistently great for a long time now.7. My Dad Wrote a Porno, A host and his two friends go chapter-by-chapter through his dad's erotic novel, constantly disecting and laughing about the bizarre and terrible writing. This might honestly be the funniest show in podcasting right now. And while it's mostly light-hearted humor, there's something very compelling about the bizarre view into a man's relationship with his father that comes out from the show's premise.6. Beautiful/Anonymous, Long phone conversations with anonymous callers who tell personal stories about their lives. The host is a comedian, but he doesn't try to be funny most of the time, keeping a balance between respecting the story and injecting levity when needed. Brilliantly simple yet unique concept and executed perfectly.5. Welcome to Nightvale, Bizarre, absurdist poeetry, delivered hypnotically in the form of a local radio bulletin, mixed with wonderful music for ambience and as breaks in the main show. Welcome to Nightvale is honestly pretty hard to describe. It's funny and dark and compelling and weird all at once. It's completely unique, and it's definitely not for everyone, but if it's for you, it's can be transformative.4. Song Exploder, Musicians break down the making of their songs, pulling out and explaining individual tracks and showing you how the song works piece by piece and ultimately how they work. Lovely and unique podcast for music lovers and noobies alike.3. PRI's the World, You could argue this is the best show in podcasting and it's basically a news show, but not your typical cable news fare. Reporters go around the globe and go in depth with local topics and how they affect the world and what they mean to all of us. These are all human stories, with all the pathos and weight of great fiction, but done in interview with real people. Heavy show but very listenable in spite of the seriousness.2. Criminal, Stories at the extremes of the human experience, told through interviews in a semi-journalistic style. Perfect blend of story-telling and introspection. Captures these wonderfully twisted stories with a matter-of-fact style that succeeds in putting you in the shoes of the people in the stories, and make you reconsider your preconceptions about the topic. Love the pacing and music on this show as well. Perfectly produced.1. Hardcore History, Powerful stories from the past, told passionately and intelligently. Dan Carlin has a gift for the dramatic, keeping the narrative human and personal while still showing you the great sweep of history. At its heart it's just great epic storytelling, you could easily forget that it's technically learning. But then he'll make some point that makes you realize these were real people with real feelings, and these stories created the world as we live in it. This show awakened in me a totally new understanding of our world. In spite of how many podcasts I listen to, it was pretty easy to choose which one I feel is the best. Warning: very long episodes.EDIT: Formatting via /r/podcasts

[lvaartebella]

Feature: Sarah Lindgren

Raising The Ante On Public Art

Sarah Lindgren is a government employee, which makes her, almost by definition, a bureaucrat - a terrible word with little positive association. Yet, as Public Art Administrator at Louisville Metro Government, she is the top authority on public art in the city, a job description that sounds anything but monotonous.

In conversation, Lindgren speaks of the issues surrounding public art with detail and confidence, but she also effectively illustrates the complexity of the topic. With substantial experience in museum administration with The Speed in Louisville and the St. Louis Art Museum, she clearly has the bona fides for the job.

Public Art Administrator is a job that never existed before 2014, a creation of the long in development Louisville Public Art Master, which in turn gave birth to COPA, the Commission On Public Art. Part of Lindgren’s role is to, in effect, head up COPA. But what does a commission on public art do exactly?

“COPA was established to advocate for all of the recommendations in the Master Plan, which included a position for Public Art Administrator,” explains Lindgren. “My job is to help artists and arts organizations navigate their way through the bureaucracy of public art. What permits are needed? What is required to site artwork in the right-of-way?”

So COPA is an advisory body making recommendations to Mayor Greg Fischer and the Metro Government on such questions as how to adequately archive and maintain the rich history of public art in the city. How much does the general public know about the significance of sculptures that have been a part of the fabric of the city for generations? How often do you drive past the Daniel Boone statue at the entrance to Cherokee Park with any thought to the fact that it was created by one of the most important women sculptors in the United States, Louisville-born Enid Yandell (1869-1934), who studied with Auguste Rodin? How many of us know with assurance where to find all of the Barney Bright statues in the city? Or works by Ed Hamilton?

That archive was one of the first tasks implemented from the Master Plan, with the help of Kristin Gilbert, Lindgren and photographer Luke Seward, who took fresh pictures of many of the pieces. But there also is a need to build consistent public policy towards public art, both old and new.

COPA is what Lindgren calls “a nexus for various areas of expertise to come together to address public art policy.” In some instances, city and state government might cross paths, and if the topic involves an institution such as the University of Louisville, the paths between action and accountability can be difficult to chart. “We also work with city departments and overlay review committees. Depending on the project, it can be a lot of moving parts.”

Most cities have requirements in place for new construction that demand developers include initiatives public space and/or public art, and so does Louisville. “We have a unique formula in the Land Development Code,” explains Lindgren, “which stipulates outdoor amenities or focal points be included in building plans for large-scale developments, or the developer can choose a fee in lieu of the amenity or focal point which goes into a restricted fund for public art.” The result is the establishment of a funding opportunity that will be offered in the next fiscal year, a grant application for funding new public art. The size and availability of this opportunity will, of course, vary depending upon the volume of new construction each year and developers that opt for the fee-in-lieu to support public art. “The fee-in-lieu option was added to the Code in 2010, but the recession slowed down construction. By 2016 with an increase in new development projects, there is also an increase in this type of funding for public art.”

The funding opportunity is just the latest initiative that Lindgren has brought to the Metro Government’s renewed attention to public art. In 2015 she managed Connect/Disconnect: A Public Art Experience, the inaugural project of COPA and Louisville Metro Government’s Public Art, which featured outdoor installations by five artists – Simparch, Jean Shin, Mark Reigelman, Jenny Kindler, and Louisville artist Mary Carothers. The pieces were only in place for a few months, but several have received national recognition. Other projects in various stages of development include:

The Louisville Knot

A project to install public art and lighting features to enhance the Ninth Street underpass, it is being developed in coordination with the Louisville Downtown Partnership. A multi-disciplinary team led by Interface Studio Architects (ISA), based in Philadelphia, and includes Shine Contracting, Louisville; Core Design, Louisville; Element Design, with offices in Lexington and Louisville; and LAM Partners, Cambridge, MA, would seek to turn the area under the 9th Street I-64 ramps into “an engaging and enticing public space tied together by local influences and traditions, providing a destination for exploration, commerce, and play.”

Love In The Street

An initiative by local poet and artist Lance Newman to curate a selection of poems by local poets and stamp them in a newly laid concrete sidewalk on 4th Street, between Chestnut and Broadway. The poems are intended to be love letters to the city. The project has a target completion date in spring 2018.

Bike Sense Louisville

Bike Sense Louisville is a public art project designed by Todd C. Smith. By providing sensor units to 100 Louisville cyclists (Citizen Cyclist Volunteers), data will be translated into helpful maps online as well as drive a public sound composition on the pedestrian Big Four Bridge. The resulting dataset will be open to the public and used by the city at the project's end to help in developing further improvements in bike infrastructure and planning.

It’s fair to observe that the creation of a Public Art Administrator position and the formulation of COPA represent a renewed focus on arts and culture that accompanied Greg Fisher into office, so given the shifting political landscape that characterize America in the last few years, how long can Louisville expect an arts professional such as Lindgren to have a seat at the public policy table?

“Well, my job is as vulnerable as any to a change in administration, but COPA is a public commission without salaries or budget of any kind – members are appointed by the Mayor and serve as volunteers, so it would be difficult to imagine why any new administration would not see their value.”

The recommendations are not limited to the benefit of the current administration or the city of Louisville but also extend to the uncertainty and lack of protections for individual artists. “As an artist, you deserve to work under a proper contract, to be paid appropriately and on time, and, when necessary, to have liability insurance in your project budget provided by your client. I want Louisville to raise the ante in advocating and implementing for best practices creating art in public spaces.”

Public Art Database: http://louisvilleky.pastperfectonline.com/ Explore Public Art: https://louisvilleky.gov/government/public-art/explore-public-art

This Feature article was written by Keith Waits. In addition to his work at the LVA, Keith is also the Managing Editor of a website, www.Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.