#but Spy was having the five stages of grief in the background because he's the only one that understands german

[oh-theres-a-woman]

Peaky Blinders OC: Bettina Valentina Rosamond (nee. Schmidt)

Bettina Valentina Claudia Rosamond (nee. Schmidt)

Pronunciation: “Bet-tina Val-en-tina Claud-ia Rosa-Mond” Nickname(s) or Known As: Bet - Affectionate nickname fleshed from Bettina’s family and adopted by her husband. Presently in 1919 the only person that calls her that is her love Horace, whose been mentally wasting away. Mistress Rosamond - Known by the family’s staff as Mistress Rosamond, Bettina has never been one for such a title because of her rather modest background in Austria. But, after the war her thoughts towards it have never mellowed, Bet normally just lets the staff call her want they wish and doesn’t cause any issues with it. After all, her main concerns are her main concerns are Horace’s and her children, the generation that will lead on their father’s legacy more so give Horace something to stay living for, if not for her sake. Madame - Loyal patrons of the Rosamond’s Pleasure House establishment, often refer to her as the Madame as she’s more often or not seen dealing with the business. Bettina has never seemed bothered by this respective title. Mrs. Rosamond - Often addressed by business partners, or police that she sells information to. Personally doesn’t really like people calling her Mrs. Rosamond because in her heart she’ll always be a Schmidt.

Temptress - A teasing nickname that her husband calls her when Bettina manages to seduce him. Often referring to her as his Temptress in passionate moments or leading up to such a time. Date of Birth: 9th September,1891 (28 years old) Birthplace: Vienna, Austria Nationality/Ethnicity: Austrian, Austro-Hungarian. Personal Motto: Live for the new day, and pray for a better future. Quotes: “The war may have broken my home, and shattered the heart of my husband. But it will not take me, it didn’t then, nor will it ever.” “Our children are the breath of tomorrow, Mister Shelby. My proposal was to assist the expansion of the Shelby Empire, so our blood doesn’t crust and run dry with the coming turf wars but rise up as the victors. Much like my parents had done before me by ensuring my marriage to Horace.” “You call it murder, I call it being in the wrong place at the wrong time.” “Horace, God chose you to be my husband the moment I was born. Things might not have been simple in the beginning remember? We said our vows in moments that didn’t promise certainty and a future of happiness, yet look at those glorious children we have. They’re our purpose to carry on now. For the sake of their future.” “Mister Sabini, always a pleasure really. So what can I do for a drug fucked, loose canon such as yourself?”

“Birmingham, it’s quite different from what I’m used to… But it will have to do.”

Occupation: Currently - Matriarch to the Rosamond family, runner of the family business between her husband. Furthermore the boss of the illegal operations of the Rosamond’s family; Drug Dealing, Illegal Sales on the English Blackmarket, Professional Assassins, Criminal Setups, Covert Operations with Staff, Selling Information (between police or other gangs), and Privately Running a Pleasure House. Formerly - Spy for the British Intelligence during the duration of the Great War, posted in the unstable city of Vienna. Before becoming a spy she married her husband Horace Rosamond, though kept her maiden name in Vienna because it was a matter of safety.

Reliable Skills Mastered:

Fully mastered the following languages; German, Hungarian, French, Slovenian and English.

Capable spy - Able to change accent, dialect, pitch, and general appearance with the training she has received.

Multi-tasking - The perks of being a mother has shown Bettina is quite the multi-tasker dealing with children not getting along as well as business.

High level of education - mastering reading, writing and mathematics at a young age.

Capable of making bombs and weapons for junk. Much like different types of bombs from the cheapest and crappiest of materials.

Quiet the actress - To survive Bet has learnt a great deal about playing pretend emotions and actions.

Able to hold her own in a fight, even against much larger people. Because of certain techniques, she’d mastered in the time of being a spy.

Weapons of Choice:

Mauser C96 - Semi-Automatic Pistol

Steyr Model 1907 (M1907) - Self-Loading Pistol

A Capsule of Cyanide - For if she’s caught in the wrong hands. Kept within a small locket that she always wears, that was an heirloom that was passed down in the generations of her family.

Social Status: Wife of a known veteran whom was left paralyzed, had five children, four of which are still living.

Marital Status: Arranged Marriage to Horace Rosamond (since. 1908)

Issue:

Archibald ‘Archie’ Gilbert Rosamond, aged 10 years old (born April, 1909)

Jeremiah ‘Jerry’ Rowland Rosamond, aged 8 years old (born August, 1911)

Septimus Vincent Rosamond, aged 7 years old (born September, 1912)

Julius Hiram Rosamond, stillborn (born April, 1913)

Henrietta Priscilla Myra Schmidt-Rosamond, aged 4 (born February, 1915)- Bettina found out she was pregnant with her fifth child while undercover giving her sometime more to hide under, as pretending she was wedded to her second-cousin during the time.

Schmidt & Rosamond Family History: Respective families that had alliances going back decades. The English family of Rosamond and Austrian family of Schmidt, decided to join their families together with an arranged marriage. This was arranged at the birth of the youngest and only daughter of the Schmidt family, Bettina Valentina Claudia Schmidt. Drawn up in agreement between Horace’s grandfather and Bettina’s parents, the two rather underground operating families agreed to expand their business relations through marriage. They were to be married when the young Schmidt girl turned seventeen. Till then, the two would marry to stop them from running or dispising one another. On the 13th of July 1908, after much preparation Horace and Bettina married. The newlyweds were a sign of good luck between the two families so they partied, not truly caring if the pair loved one another. Bet was seventeen years of age, and her husband Horace was twenty-one so it made finding a level playing ground difficult to establish for the young couple. Even language was a barrier, and caused some emotional strain between the pair. But, doing at they must the marriage was rightly consummated, and about September 1908 shortly after the lonely young woman found out she was carrying her husband’s child, which made both families overjoyed. While her first pregnancy Mistress Rosamond as her husband’s maids called her, learnt English slowly and weakly. Gaining more of her knowledge of her husband, and comfort in his company on the harder days. Most mornings she’d wake at the side of her husband caressing her swelling stomach, trying to soothe the child growing within her, hoping to allow it’s mother some more sleep. Though, Horace respectively worked hard on the family business, he worried for his young wife’s health and the risks that came with childbirth as it was still a risk even with the best aid they could afford. By the following year, in the middle of April 1909 their first son was born after long hours of labouring. Horace named their first son Archibald after his late father. The exhausted young mother agreed, as long as, Gilbert became his second name. After her father whom died from influenza in the later stages of her pregnancy. As a couple they had gained more of a solid relationship through the birth of their first son, often doing their most to experience with the young boy they fondly called ‘Archie’ together. Everything thrived with the booming family, and excelling business that the two families had worked so hard to maintain. Bet took her place at her husband’s side after the birth of their third son Septimius Vincent. As she felt that she was needed to assist her husband in opening up some further expansion plans for the family business. Which was when their first pleasure house was opened up in White Chapel, by the time their four and final son was born Julius Hiram whom was stillborn, Bet was struck by the brief of the loss after it had left her fighting for her own due to infection. Horace felt his wife begin to slip away even after passing the infection, and recovering. Her grief had caused her to neglect looking after herself, and moving up in the family business. It took months of her state to improve, and then the officials came knocking on their town house door with an order to take Mrs. Rosamond into custody under suspicions of her being an Austro-Hungarian spy. Truth be told the young woman was cleared of not being a spy, yet was tasked a mission even her husband couldn’t know about. To spy on officials and check in on the general life in Austria throughout the war. To others it looked like she was just being deported, and thrown away for good. Separated pained Georgiana, but the realisation that she was once more pregnant with her husband’s child made her commit to the course, and fight to protect the chance of going home to meet her love once more. Protecting her cover, one of her second-cousins stepped up and took the role of her husband in a chaotic time of Austria. Acting as her support, and companion in that time, even though she remained loyal to a fault with Horace. Sending word rarely through to her husband, managing to get a letter with a photograph of her and their first daughter to him when she was born in February of 1915. Her daughter was raised in Austria much like her mother was, though when the war ended she went home with her mother to England. The reunion with husband, and sons was said to be something of her dreams one of the notable times she was seen sobbing in public. War had broken so many people, and it had robbed her husband of his ability to walk. Moving to head of the Rosamond household at her husband condition, Bettina became a strong-minded figure. Loyalty never faltering from her family and the business. Though, since she had spent some time away from her young children, when she came home her sons struggled to reconnect with her. Which has caused resentment toward members of authority such as Mr. Winston Churchill. Henrietta fell into alignment with her siblings quite easily though, her brothers holding a sense of endearment towards their youngest sibling. Horace was depressed from the war, and lost in the mindset of those days when he was able. A depression that almost lead to his suicide, but Bettina stopped him at the right time. Supporting her husband through his woes, and the struggles that he now faced many rich men began to approach her trying to take her under their wing as their mistress or lover. Yet, she refused. The grown woman of twenty-eight had her family and business to worry about. Reaching out to the Peaky Blinders as a wish to push an Alliance, Bettina has offered herself at the disposal of Thomas Shelby in order to keep her unwell husband alive. Willingly doing whatever the Shelby brother wishes of her to do, much like she did at the age of seventeen with her husband ten years ago. To benefit her parents then, but now her husband and children.

Personality Traits: Loyal - It is a spoken trait of the Schmidt family that loyalty means everything. Bettina possesses this trait and it could quite possibly be her own downfall. If there was any dog that could explain the level of loyalty Bet held for her family and close friends it would be the German Shepherd. She’s always there for the people that need her in the lines of business and personal relationships. A downfall of her loyal personality is that she has a bad habit of forming a bias for the people she cares about. Though, after time and energy in thinking through situation she’d often see the other side to the story. Bettina often struggles with people that can’t grasp the importance of loyalty. In one of the views that really personally erks her is when a spouse, or lover can’t seem to hold a level of loyalty. Inturn people that she knows are like this aren’t respected by her. Loving & Devoted - Love has what kept Bet alive throughout the war, in various ways. After the separation from her children after their father was taken to fight at war her need to get back to her children has truly shown through. Finding ways to get in contact with them even countries away from them, from morse code message on their birthdays through agents, cards and letters when their little sister was born. She found no matter the distance she’d do anything for them, making sure they were taken care of and watched by her workers. Finally at the war’s end Bettina took all the time in the world around her, trying to make up for the lost time with her children. Even if her debications to work called, the mother always made sure to have time with her family. Driving them out to the countryside on holy days, and having a picnic. Getting some assistance on those days to make sure her husband’s wheelchair could come along too. During the long cold nights she stays by her husband’s side, speaking with him about his worries and fears. In the comfort of their own privacy in their bedroom. Soothing her husband lovingly when he crumbles with his fears and the thoughts about topic of discussion. Bettina has accepted what has happened to her husband, and loves him no-less because of his condition. Nor will she ever let him feel that he’s a burden to her. Business Orientated - From a early age Bettina has been raised about the importance of Good Business, and how to keep that kind of business. Forming and solidifying alliances with other gangs and powerful people. Originally she was believed to be a quiet observer by her husband’s side during the early days of their marriage. On some notable occasions with Darby Sabini apparent King of the Underground in London. Yet, she very quickly out-stepped those thoughts made by others. Becoming a rather ambitious rival that looked for alliances in many places, even the most unlikely. More impressively those business endeavours with the most unlikely have more often proved the most successful for the Rosamond Family. Bettina’s charming wit, and surprising amount of scarcaims have also helped on many occasions with known sexiest. The business woman is more than happy to take her success as an example of what women can do outside of a kitchen or nursery. Or more blunty not lying in bed for their husband’s to please themselves with. She openly recognizes that this is now the time for change as women have proved themselves rather useful at holding up the fort during the war, why should they be tucked away in their kitchens again? She hopes to make a larger place for women within the world, and the people she works around. Bet believes it's important for her daughter to know, and understand that she doesn’t have to be a simple house wife. Intelligent - Gifted the highest and best education that Bettina could afford in a considerably wealthy family had its up sides. But not all of her intellect came from the education from schools, and professional tutors. From a young age Bettina learnt what he family business was, and how she could use that to her advantage in any background. Her adaptive personality has allowed her brain survive the worse of conditions, most of all back in the war. She always holds more cards at her disposal, and uses them with great care which has been part of the reason she's respected by the paranoid Sabini, and hasn't had any trouble from them. Mothering - Extremely capable at being a mother, Bettina from a young age helped people in Austria with delivering and raising their children before having any of her own. Now that she is a mother of her own, and a busy business woman, Bet tries to balance her life to be there for her children, often taking them with her when it came to travelling her children often stuck by her. Her eldest son has now begun to hand out some of her letters to people she wishes to meet along with his little sister Henrietta, often putting up that it was just children sending letters that their father or mother wants to pay off something. Giving her business a little more of an innocent face before the person reads the letter. Outside of work hours she often enjoys spending time with her children in the country-side, having a picnic, or joyous times. When she or her husband aren't with her children they are all watched with respective body guards that she appointed after years of service, trust and loyalty. If those guards slip up she's more than happy to execute them herself to ensure the safety of their children. Archibald is often in her company for business day now because of the fact he's the heir to the Rosamond legacy, yet Henrietta is also there so she learns that woman have just as much strength as men. It was the way her father raised her in Vienna, Austria as a child also. Excellent Spy - As a young woman married into a family quickly in a foreign country, Bettina became quite the observer over time watching on from the distance. Never able to be detected when entering from room to room, the young woman seemingly would float through atmospheres rather nicely, able to observe and get information from her targets without them even noticing. Bettina's acting skills are also something that made the young woman in places of high class, to the lowest of class between the many roles she could play.

((OOC- Face Claim; Idda Van Munster))

[hellyeahomeland]

“Designated Driver” | Directed by Michael Offer, Cinematography by David Klein

Sara: If I had a dollar for every Homeland episode that opens with Carrie speed-walking while looking over her shoulder every four seconds… I would have about ten dollars. 

Gail: The imagery of Carrie looking over her shoulder is very reminiscent of the pilot episode. The closer we get to the end of the show, the more it feels like we have come full circle.

Ashley: Hi everybody, I’m joining Director’s Chair for the very first time because I’m feeling left out. I have no idea what I’m talking about. Anyway, Carrie’s paranoid, and rightly so, but it’s not paranoia if the guy you’re in love with just stuck a needle in your neck.

Sara: I had to take a screenshot of this because this is Claire’s actual handwriting, and long-time readers of this website will know that it seriously bugs me when they try to pass off someone else’s handwriting as Carrie’s. Anyway, this is the real deal, people.

Gail: Another scene that shows a character versus a gang of three. Here the Pakistan Ambassador is up against Hayes, Zabel and Wellington... or is he? Wellington has inched closer to the inner circle of trust, but hasn’t quite made it behind the desk yet. If Hayes represents the center, only Zabel is on his side, while the both the American flag and Wellington are not. 

Ashley: This shot, from above, has the same feeling of watching a bomb about to drop. The desk is the target. Will anybody in this room survive the fallout of what’s coming? (Please let it be Wellington.) (What even is coming?)

Sara: I love this shot because of the body language of the four men. Hayes and Zabel are both leaning forward in aggressive stances. Linus has his legs crossed, hand to his chin, thinking of new ways he’d like to be swallowed whole. The ambassador leans back, sort of resigned to this entire clusterfuck.

Ashley: The look on Balach’s face is so… everything. The furrowed brow, clenched jaw, and the intensity of his eyes — he’s barely holding it together, and his expression is pure murder. 

Sara: I love this actor who plays Balach (Seear Kohi). He has been so great all season. I finally figured out this week that he looks surprisingly similar to Donald Glover. It’s been bugging me for weeks. 

Gail: Balach is not faring as well as advisor to his new boss, (ugh) Jalal, as Wellington is to Hayes. I love the angle they chose for this scene. We see Balach from above and it gives the impression that he is looking down at Jalal, which based on his point of view, he most certainly is.

Gail: Carrie is back in the same place where President Warner thanked her and recognized her for all that she has done. Feels poignant that she shares this moment with Worley back at Bagram. He put President Warner in that helicopter and indirectly, so did she.

Sara: IJLTP.

Sara: I feel like Jenna’s entire storyline really paid off this episode. I loved this detail of her hand shaking when Mike mentions the ops team in the Pakistani jail. 

Ashley: Jenna’s been a wildcard all season and this episode humanized her in a very real way. I don’t want more Homeland, but I would be interested in Jenna’s story moving forward. So she’s probably gonna die.

Gail: Jenna’s got a long way to go in her training at the Carrie Mathison Spy School if a little treason gets her this nervous.

Sara: This is such a cool shot. There is an identical one of Quinn in “Iron in the Fire,” which was also directed by Michael Offer.

Sara: This shot reminds me of two things:

that moment in the cartoon How the Grinch Stole Christmas when everyone wakes up and their houses are completely bare. 

that moment in “Super Powers” when Carrie paces back and forth, weighing her next move and hesitating, after Jonas leaves.

Everything this season is reminding me of something else, not in a bad way! 

Gail: It reminds me of a surveillance shot with the camera mounted up high, giving a full view of the room. We don’t know it at the time, but maybe this is a subtle nod to Carrie being under surveillance while looking for Yevgeny, who finds her with Arman, her designated driver, a short time later.

Ashley: This reminds me of “A False Glimmer,” actually. Carrie returning home to her apartment, mostly expecting Jonas to be gone, but calling his name anyway — ultimately opening a closet to find his things still there; and she’s reassured of his presence. She didn’t expect to find Yevgeny here, but he’s left nothing. The disappointment, to me, reflects her relief at finding that Jonas hadn’t left.

Gail: Ugh, Jonas.

Sara: Yay, Jonas.

Sara: I love the reveal of the other Russian officials seated around the ambassador, watching his phone call with Saul. It’s such an ominous setup.

Gail: Such a great reveal! Very interesting choice to keep the people in the background, out of focus, in this shot. Feels symbolic--the audience can’t see what’s coming, and neither can Saul.

Sara: I stan this friendship. 

Gail: My theory that everything goes to hell every time someone smiles still holds.

Ashley: It’s amazing to me that Carrie still has people who are so loyal to her. Don’t they know better?

Gail: Well, Arman is still alive, so, no.

Sara: This Carrie/Yevgeny scene is so great. I love the way it shifts as Carrie processes what Yevgeny is asking for her--as she says later, making an offer she has no choice but to accept. You can see her cycle through the stages of grief: denial that the asset exists, anger that Yevgeny is asking her to do this, bargaining with him (she’ll do anything else), depression when she realizes she has to do it, and finally acceptance. 

Gail: Interesting that they had her cycle through the stages of grief. It must mean something is gone that she’ll never get back. The choreography of Carrie walking away from Yevgeny and turning her back on him as she processes what he’s just said is telling too. Not only is he not on her side, he just became her Russian handler.

Ashley: It’s a dreamy shot too, everything blurred behind her, but we’ve really found ourselves in Carrie’s worst nightmare.

Gail: Sorry, Jalal. Yevgeny has already trademarked that lean.

Sara: There was a lot of imagery involving children this episode, which I find very interesting. Here Jalal is literally training young boys to shoot and kill. It gives a new sense of hopelessness to the entire situation. As Balach says, they’re inviting more endless war, and they’re lining up their next generation of soldiers. 

Gail: Saul’s body language has continued to morph into a submissive and defeated posture. The stress this man is under makes me worried for his health. A person can only take so much before they break and it seems like Saul is almost there.

Sara: Me watching this damn show.

Ashley: I second.

Sara: I found this moment where Carrie observes the two young girls playing to be especially poignant and a very Homelandian detail. It immediately calls to mind Franny, or, as Gail said on the podcast, the various little girls we see in the opening credits each week, versions of Carrie who have grown up watching war and conflict play out on her television screen.

Sara: Carrie using her earring to remove the SIM card in her phone is such a Carrie thing to do and I have to stan on that one. 

Gail: I love the detail because it’s also a callback to Allison in season five when she “tears down her comms” while going into full flight.

Sara: The expression in Carrie’s face here, as she turns herself in, also strikes me as one of grief. To be patted down by soldiers, to have to utter the words “I’m Carrie Mathison. I’m wanted by the FBI”... for a patriot like Carrie, we know this is her absolute worst nightmare. 

Gail: I agree. I think Carrie is devastated that it’s all come to this but she also looks resolute. Her gaze is determined and steady, and her movements are calculated. Her line to Saul keeps echoing in my ears: “I did what had to be done.”

Sara: I found a lot of parallels between Carrie’s and Balach’s situations in this episode. Maybe Balach finding his two sons was meant to mirror Carrie seeing those two girls earlier. They act ultimately for those children. 

Ashley: The horror at finding his children on-site — I find it hard to believe that Balach didn’t know what this meant at the very second he saw it. He, too, goes through the stages of grief at record speed.

Gail: Ashley’s right, Balach goes through the same stages of grief as Carrie. It’s clearer what Balach is losing in this moment and never getting back: his life. Is that true of Carrie as well?

Gail: Carrie’s cool demeanor versus Jenna’s anxiousness sets up such a powerful scene between them. The coloring of the room is cool, too, done in trademark Homeland blue and gray. 

Sara: This is quite a role reversal. Now Jenna towers over Carrie; still, Carrie ends up maintaining the upper hand. I loved this scene and how it paid off the season-long quasi-mentorship between them. Carrie has been teaching her lessons all season, just teaching them the hard way.

Sara: Carrie being on the other side of the interrogation table is not something I ever thought I’d see on this show. 

Gail: Carrie’s posture is confident. She is sitting upright, head tilted slightly forward. Her hands are under the desk, revealing nothing. Carrie has probably been in a million interrogations and knows how to play the game.

Gail: So many emotions play across Saul’s face here. We’ve seen Carrie and Balach cycle through the five stages of grief this episode, both of them having their cycles shown within one scene. Saul on the other hand has cycled through his stages over the course of the episode, ending with acceptance in this conversation with Wellington.

Sara: It’s ironic that in the episode where Saul finally steps up to acknowledge the ways in which he’s used Carrie over the years but can’t turn on her now, she makes the crucial decision to potentially betray him. There is a great contrast between Linus’ motives--about optics and politics--and Saul’s--which ultimately boil down to loyalty.

Ashley: I never thought I’d see Sara talking about how Saul’s motives boil down to loyalty, but 2020 is a helluva year.

Sara: IJLTP.

Gail: It looks like a chess board. If Mike thinks he put the Queen in check, he’s got another thing coming.

Sara: Carrie looks stun-ning here. (Requisite acknowledgement of yet another scene where Carrie is filmed from outside a car window.)

Gail: I love this storytelling device the show uses to give us a window into Carrie’s current emotional state. What’s great about this shot specifically for me is the familiar jazz music from Homeland’s opening credits that softly plays in the background as Carrie is being brought home almost a full year later. It’s the first time we’ve heard jazz music in a scene with Carrie all season long. We can see reflections in the window, but over Carrie, the glass is crystal clear. Earlier in the episode Carrie says she can’t see a way out of the hole she’s dug for herself. But just as the glass here is crystal clear, so is Carrie. She knows what she must do.

Sara: Gail, a “window into Carrie’s current emotional state”... literally! 

Sara: Love the “GOODBYE PAKISTAN” sign as we’re leaving this setting and returning to America the homeland for the final two episodes. 

Ashley: The “GOODBYE PAKISTAN” is interesting because it is in English. Obviously this is for the viewers, but it comes off like a warning. 

Gail: It is most definitely a warning. Look at what awaits them on the other side.

Sara: This scene was so stunningly shot. It reminded me a lot of Brody’s tape from “Marine One” and Carrie’s from “Why Is This Night Different?” 

Gail: The details were all crafted so well too. From the prop department and set designers, to the moving score from Sean Callery, to the beautiful writing, to the performance from Seear Kohi. Balach accepted his fate in the earlier scene with Jalal, and now he is resolved to do what needs to be done.

Gail: I mentioned this on the podcast, but good Lord does this woman give great side eye. This is the exact same look I give my kids when they say they don’t have homework. I stan.

Sara: Gail, you’re so right. Vanessa Kroll gives excellent side eye.

Gail: Parker, the character shown here, also cycles through the five stages of grief. 

Sara: It’s not just Carrie who’s been trapped. The special ops team being literally trapped inside the bus, desperately yelling to be let out, was especially heartbreaking. This season, the show has portrayed multiple characters--major and minor--who are trapped in an endless cycle of war, prisoners of their own ideas and the system in which they operate.  

Ashley: There is also just the fact that people are physically entrapped consistently — but they can still see what’s outside. Being able to see things and not stop them or escape them… it’s kind of a motif in this show, amped up to 1000 this season.

Gail: And now, acceptance of a fate he can’t escape. 

Sara: This entire sequence was expertly edited, the shouts and commotion drowned out by Sean Callery’s excellent score. Weirdly there is a sense of quiet to it all. 

I appreciate the contrast between these two reactions. Parker looks at the bomb barreling toward him and seems to have a sense of acceptance about his fate. Jenna, meanwhile, mostly out of harm’s way, ducks behind a car and her expression is one of fear. 

Sara: This final moment where Balach lets out an excruciating scream as flashes of his crying sons play across the scene is heartbreaking. He dies so that they can live. I thought it was--ironically-quite beautiful. 

Ashley: Agree that it was beautiful, but it’s terrible insofar as his children are going to grow up under Jalal’s rule. They will never see the peace that their father wanted; they will never even know that’s what he wanted. Balach didn’t have a choice, but his legacy is now embedded in terrorism — not peace.

Gail: Balach had a choice, he chose his family. From their perspective, he’s a hero.

Gail: The symbols on the side of the bus are symbols on the Pakistani flag. The star symbolizes light and knowledge, the crescent moon symbolizes progress. Quite a contrast to the people being held prisoner within.

Sara: The split second before it happens -- the palms pressed against the bus windows is a breathtaking image.

Gail: We don’t need a car window to locate Carrie emotionally now. She’s looking straight ahead, and like Balach in the car, begins her journey to the end.

Sara: The parallel to Carrie in the airplane is an unexpected one, but it fits. She has the same look of resolve in her eyes as Balach. She knows what she must do. She’s blowing up her life in her own way, setting a match to it all. Is she a martyr, or is she a traitor? This scene fits between a cut to white and a cut to black, and that’s where Carrie has always been: in the grey, searching.

Ashley: God help me.