haikaveh... save me haikaveh...
i KNOW it's been talked about to death but. the haikaveh research project. it literally haunts my mind. i cannot get over the implications. alhaitham going through his school life as someone that most people dont even really know about because he keeps to himself and doesn't socialize, with kaveh being the one exception to that, finding his way into his life as his Best Friend, and then leading to alhaithams one and only time he participated in a research topic. his bio says he only ever did ONE joint project!!! one!!! the one with kaveh his best friend and i think also his only friend at the time!!!! and then it ended in not only the project falling apart but also alhaithams only friendship. kavehs best friendship. they were each others closest person. they had no family around - alhaithams parents having died when he was young and his grandmother dying before he joined the akademiya, and kaveh's dad dying when he was young and his mom having moved to fontaine. like even if you dont look at it through a romantic lens it's still undeniable how important they were [and are] to each other..........
i'm getting off track but my point is very specifically for alhaitham, the one time he got close to someone, made a friend, even agreed to join one(1) group project ever, it ended in disaster. it led him into a fight so bad that his one and only friend said he regretted that friendship!!!! it was so bad alhaitham left the project and he and kaveh didnt speak for ages until they just happened to run into each other again at the tavern!!!!! like obviously it has to be incredibly awful for both of them but i just think how this probably had alhaitham in the cynical mindset that friendships and collaborations like that might just never work out for him because the one time he let someone into his life, it blew up on him and he was all alone again. even though alhaitham never seems to care much if people dont like him, that clearly cant still apply to someone he was exceptionally close to. like if he didnt care he woudlnt have been the one to take his name off the project and mutually not speak to kaveh...... kavehs words are the ones that hit the most significantly to alhaitham.......... kaveh is said/implied to have had at least some other friends while at school / people knew who he was, but not so much alhaitham. people didnt know him and the ones that did just knew he didnt socialize/he was not easy to get along with. he only had kaveh and then, for a while, he lost him too!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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Okay literally nobody asked but since I am procrastinating AND restless:
My final thoughts/ranking of the Eternal mini:
(warning this is a full on yap sesh and I have next to no knowledge of music except for the very basics feel very very free to ignore)
1. Deja vu: I have feelings for this song. So gorgeous, dreamy and ethereal. Smiling so big because this song exists blah blah. Anyway the way I thought this song would be #chillvibes from the album preview snippet but then it turned out to be #nochill kajskajsj even tho there is definitely a lethargic quality to the song. I was so gagged but despite the tables turning on me I loved it immediately. Also the very random (but very well incorporated) tabla in the bridge? Slay. Initially I was mad that this wasn't the tt but with all the melodrama and orchestral arrangement, it has a similar vibe to guilty so I get it. But this song is ten fold of what guilty wanted to be (to me, that is). And I think this song remaining as a b-side to be occasionally performed instead of it being dragged through the promotional cycle and losing all the weight and impact of the song is a good choice too (the song itself is not very promotion cycle friendly either). I can't wait to see what the choreo looks like.
2. Horizon: Very kibumcore as a lot of people have also said, I think so too!! A very unexpected sound for a taemin song but he delivered sooo well. I do wish the song was longer tho. Don't know what being the second title track on this album means as of now but it's worthy of the position I'm sure.
3. Crush: Extremely shineecore! A cute and funky little number! Got me moving! The layers in the instrumentals are neat. I got exactly what was promised on the album preview. Well executed. No other notes. Other than the funky vibe there isn't really any standout element so I might get bored of it quickly tho.
Can't decide between ranks 4 and 5 so I'm calling it a tie.
4/5. Sexy in the air: I definitely should have let my brain soak this in a bit more before complaining about it cause now I literally can't stop listening to it helpppaksnakms cause Damn... This is crazy. What am I gonna do now?? Jaksjksks My first ranking for this song was literally second last (in a derogatory way) and now here we are. Also I held off from watching the mv first because I'm a very visual creature and I get easily swayed that way so I was trying to be #unbiased or whatever. I still think that the second verse is a bit meh, specially because of the English lyrics (i don't even know why I was so pissed off by the "turn me down" that was obviously supposed to be "turn me on", it wasn't even that serious 😭) but I was definitely being too harsh and it's not even as bad as I made it out to be and it doesn't stick out enough to get in the way of me enjoying the rest of the song. The switch up after the beat change is soooo good I've been obsessed with that part (the horny choreo definitely helps :D).
The good things about this song being the title track are: it's produced by dem jointz (the production is interesting and immaculate), the mastering of this song is better than most tracks on this album, it is performance oriented/friendly, both halves of the song are tied together so neatly that honestly the beat change doesn't even seem that unnatural even if it's shocking, tm devoured this track in a way that only he can, tm freak lore continues!!!! but most importantly it's bold!!! and it's a statement!!! (instead of playing it safe like he did with guilty imo lol, musically i mean). My only real grievance with this song is probably the fact that it wasn't allowed to go full freak nasty the way it was originally envisioned to be because we live in a society or whatever. Tm was moaning and groaning and saying fuck in the studio only for it to be muffled and be barely audible on the track. The dem jointz trademark of an addictive repeated word/phrase being distorted because otherwise tm would be put in horny jail fr (horny gay jail even because its so crazy that they had another man moaning on the track like skdkksksjdkd). Some of the lyrics being altered hastily (like "turn me down" ksjsjsks).This song being called sexy in the air instead of sex is in the air kajskaksksks. Sad. Because if anyone can pull off something like this without being cringe, it's tm. But it's okay I get it. Also notably this song has one of the veeery few ethical uses of that infamous bed creak sample (by ethical i mean relevant to the song at hand in a way that maximizes the slay of the song).
4/5. Say Less: Very pretty, short and sweet, could have been longer. A solid closer for this album and definitely stands it's own ground despite being on the track list after Deja vu. Which is lowkey a feat of its own. The instrumentals are infact drowning out his voice a bit but I don't think it bothers me as much as I had feared. Reminds me of Truth a bit.
6. The Unknown Sea: I don't have particularly strong opinions on ballads but I do generally only listen to ballads if I'm already super into the idol. And I do like most of the other ballads from tm. However. He's singing his ass off here but the vocal processing.... specially in the chorus his voice sounds very tinny. When I first heard the song I thought it wasn't that big of a deal but now it is definitely getting in the way of me enjoying this song. Beautiful bridge tho, definitely the highlight of the song for me.
7. G.O.A.T.: This instrumental is so fucking nasty I'm obsessedddd. Unfortunately the instrumental might just be the saving grace of this song. I went into this track thinking I was not even gonna be able to listen to this but thankfully it's not thaaaaaat bad. But we definitely need to get tm off his rapping agenda. Even after listening to this a bunch of times it's not sitting that well with me. (Which is crazy because after first listen I thought his voice was more well suited to GOAT than SITA???) I do understand that this song was meant to be a bit tongue in cheek like yeah the goat bleating sounds are hilarious in a good way but tm is Not giving the hardass aura that he thought he was going for and um. that's enough for me to be like :/ which is such a shame cause even the arrangement of this song is so interesting. But yeah whatever this track needed vocally is not in tm's strengths so. I'll wait for someone to upload the instrumental tho so that I can download it and play it with the rest of the album jksjsksksjsjs
I think it's a good choice to drop an album that's just him coming out swinging after such a drastic career altering decision. There's no more room for regrets or dilly dallying and he's confident. Which is a good thing. Because it definitely makes the statement he wants to make. The album as a whole is interesting, all the tracks differ from each other but that doesn't take away from the cohesiveness of the soundscape of the album. There is a clear logic in the way the tracklisting was done, the transition from one song to the next makes sense (even if I can't explain it properly).
That being said, yes the production and the mixing is a bit lacking (along with the other downsides of a low budget) but I don't think sm has songs like this in their vault anymore so... You win some you lose some idk.
Overall I do see this as a win. Yapping over and out.
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thinking abt the imagery in so long london and the rest of the album makes me want to throw up. "my spine split from carrying us up the hill" - referring to atlas carrying the world, her relationship was her world and it became such a heavy burden??? the duality of the words so long london, where she says goodbye while simultaneously reminiscing abt the time she spent loving, living and breathing it??? two graves one gun obviously represents the death of the relationship but suggesting that the graves are side bye side so despite being one gun, the death hurt both of them deeply??? i can't do it. truly one of her best track 5s. like wdym she references all her saddest songs in one (tolerate it, the great war, peace, you're losing me etc.) this is just ONE song. i could talk for hours abt the Greek mythology and literary references in the rest of the album. taylor u have outdone yourself with this album and im glad you're in a better place now :)
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