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re: dracula is so top tier & I get to enjoy it for free (big thanks to everyone who supported it of course). I cannot express how much I enjoy & look forward to this podcast every day. I'm so excited for the Oct 3rd entry
for every “🌹” received in my inbox i’ll post one random sentence of a random WIP i’m currently writing
Two 🌹 means two different pieces! So here we are!
“If you ask me he’s already started,” Shay mumbles. “Asking for an assassin for yourself? Howling mad, that one.”
- from Shallow Shadows, one of my original fics that I am working on for NaNo this year
aaaaand number two!
The only way one of them will destroy the other is by taking themselves out too: mutual destruction.
-from an au of sorts/warm up 'story' featuring my chaos children (characters from my chaos.jpg world)
In 'Zola,' two exotic dancers' road trip descends into chaos
Written by Jacqui Paumbo, CNN
Keeping you in the know, Culture Queue is an ongoing series of recommendations for timely books to read, films to watch and podcasts and music to listen to.
If classic genres are like roadmaps, the new movie “Zola” — steered by two exotic dancers who go on a whirlwind weekender in Florida — is what happens when you turn off the navigation. Directed by Janicza Bravo, “Zola” starts out as an impromptu American road trip and descends into chaos.
The titular protagonist, played by Taylour Paige, is a self-possessed Black woman waitressing in Detroit when she encounters Stefani, played by Riley Keough, a White girl with a heavy “blaccent” (Bravo’s words) who seems warm if a bit “fruit loops,” as Zola notes to another waitress. But they soon bond over dancing, and Stefani entices Zola into an impulsive trip down to Florida to make bank at a nightclub.
“At its core, it is a story about friendship, and it’s a story about fast friendships specifically,” Bravo said in a video interview. It’s about “those moments in our lives where we found ourselves falling in love with other women really intensely.”
Stefani (Keough) and Zola (Paige) become immediate friends, but their relationship quickly deteriorates. Credit: Courtesy of Anna Kooris / A24 Films
Joined by Stefani’s anxious boyfriend (Nicholas Braun) and shady roommate (Nasir Rahim), Zola soon finds herself in the queasy fluorescent lighting of a seedy Gulf Coast motel and a less-than-impressive strip club. (One gawking spectator tells her she looks like Whoopi Goldberg as he stuffs cash into her thong.) As the night unfolds, Zola discovers her road trip companions aren’t who they seem, and Stefani has lured her into a precarious situation that gets wilder by the hour.
Yet the A24 film isn’t a fictional tale — it’s an adaptation from a series of viral tweets that recount just such a weekend experienced by Detroit native A’Ziah “Zola” King. “Y’all wanna hear a story about why me & this b***h here fell out?” King wrote in October 2015 in the first of 148 tweets that became known as “The Story.” “It’s kind of long but full of suspense.”
An uncanny, unsettling tale
Bravo’s take on King’s story has parallels to the unending, surreal nights of films like Martin Scorsese’s “After Hours” and Stanley Kubrick’s “Eyes Wide Shut.” In other hands, it could have been close kin to Harmony Korine’s glossy girls-gone-wild flick “Spring Breakers” (and in fact, James Franco, who played the film’s hustler, was reportedly set to direct “Zola” early on). But Bravo handles the movie’s source material with a particular sensitivity: “Zola” isn’t the story of a narrator along for a crazy ride, but a woman telling a traumatic story through the shield of a dark comedy.
Bravo recognized King’s ability to “process trauama with humor as a vehicle” when relaying her account of the weekend on Twitter. Credit: A24 Films
Seeing King’s ability “to process trauma with humor as a vehicle,” Bravo said, is “probably where I most saw myself because that’s how I use humor. Humor is my greatest and strongest weapon, and I felt this 19-year-old was telling me…that without it, she wouldn’t have made it out.”
“Zola” is also a refreshing addition to the stories of American road trips, which are often told by White men, including Jack Kerouac in literature, Robert Frank and William Eggleston in photography, and Todd Phillips in buddy comedy films.
But in this case, the road trip experience isn’t romanticized for Zola. The unease with her surroundings begins as they drive through the South, and she spots a Confederate flag blowing ominously in the wind. Her dynamic with Stefani becomes increasingly fraught as Stefani oscillates with ease between playing victim and victimizer, appropriating Black beauty and style and language as it suits her but wielding her Whiteness at the snap of a finger.
“You have to continue to remind the audience that (Stefani) is also the victimizer,” Bravo said. Credit: A24 Films
“There is a portion of the audience that is going to arrive at this movie unconsciously rooting for (Stefani),” Bravo said. She said she had to consider how to present and position the two lead characters. “When we arrive at the start line, where are we setting (Zola)? And where are we setting (Stefani)?”
Zola is the only sane person on the journey, and like many characters who have been suckered into pandemonium, she just wants to get back home. And despite the film’s willingness to take creative risks and to defy genres, Bravo says some of the approach is still a classic comedy.
“(Zola) is very much the straight man where (Stefani) is the menace or the clown or the buffoon,” Bravo said. “Whenever there is chaos or unsteadiness, you should always be able to look to your straight man to ground you, and to recalibrate for you.”
Add to Queue: American road trips, rewritten
Read: “A Parallel Road” by Amani Willett (2020)
In this photo book, using archival and contemporary images, photographer Amani Willett weaves together an alternate view of the glorified American road trip, showing how, over the course of 85 years, the seemingly carefree rite of passage has been marked by violence for Black Americans.
Watch: “The Living End” (1992)
This film by Gregg Araki — considered an early title of the New Queer Cinema genre — follows two HIV-positive gay men who embark on a dangerous Thelma-and-Louise-like road trip when they have nothing left to lose.
Read: “Girl Pictures” by Justine Kurland (2020)
Photographer Justine Kurland challenges the “masculine myth” of the North American frontier with this body of work, photographed in the late 1990s and early ’00s, of fictional teenage girls forming their own utopia in the wilderness.
Watch: “American Honey” (2016)
Director Andrea Arnold’s “vagabond” film, co-starring Keough, is about a girl who runs away from home with a traveling group of hard-partying teens who sell magazines door-to-door. Bravo points to it as one of the reasons she wanted Keough for “Zola.”
Watch: “Queen & Slim” (2019)
After a traffic stop goes awry during a Black couple’s first date, they take to the road in this romantic crime drama written by Lena Waithe and directed by Melina Matsoukas.
Supermarkets attempt to calm meals scarcity fears amid border chaoshttps://www.newszada.com/wp-content/uploads/2020/12/Supermarkets-try-to-calm-food-shortage-fears-amid-border-chaos.jpg But Sainsbury's might see "gaps" in pr...https://www.newszada.com/supermarkets-attempt-to-calm-meals-scarcity-fears-amid-border-chaos/?feed_id=787416&_unique_id=5fe08ba3e4107
Random Song - Walker Hayes - You Broke Up With Me and bonus second song! Marianas Trench - Desperate Measures
send a random song and I'll say which OC it fits the most
You Broke Up With Me - Sawyer Lis. He’s from a couple ideas that I smushed together that I actually had a good chunk written for but none of the ideas ever really went anywhere. Sawyer is city boy. A scrapper. A pretty little thing that can and will defend himself when it comes down to it.
Desperate Measures - Bradley Carter. From chaos.jpg. My angry bi battlemage chaos child.
For my next project I will be taking my original concept of a “stress free calendar” by capturing data from the users heart rate and stress tolerances. When the user starts to feel stressed and overwhelmed by the events overpopulating in there daily calendar the heart rate monitor will read a set limit and freeze there digital calendar. Telling and giving the user time to BREATHE, SLOW DOWN, and PRIORITIZE with a clear mind.
PROCESSING CODE:
import processing.serial.*;
Serial arduinoPort;
PImage img;
int delayy = 0;
int value = 0;
int r = 230;
int g = 220;
int b = 210;
boolean hKey = false;
int BPM = 0;
/* Getting_BPM_to_Monitor prints the BPM to the Serial Monitor, using the least lines of code and PulseSensor Library.
* Tutorial Webpage: https://pulsesensor.com/pages/getting-advanced
*
--------Use This Sketch To------------------------------------------
1) Displays user's live and changing BPM, Beats Per Minute, in Arduino's native Serial Monitor.
2) Print: "♥ A HeartBeat Happened !" when a beat is detected, live.
2) Learn about using a PulseSensor Library "Object".
4) Blinks LED on PIN 13 with user's Heartbeat.
--------------------------------------------------------------------*/
#define USE_ARDUINO_INTERRUPTS true // Set-up low-level interrupts for most acurate BPM math.
#include <PulseSensorPlayground.h> // Includes the PulseSensorPlayground Library.
// Variables
const int PulseWire = 0; // PulseSensor PURPLE WIRE connected to ANALOG PIN 0
const int LED13 = 13; // The on-board Arduino LED, close to PIN 13.
int Threshold = 550; // Determine which Signal to "count as a beat" and which to ignore.
// Use the "Gettting Started Project" to fine-tune Threshold Value beyond default setting.
// Otherwise leave the default "550" value.
PulseSensorPlayground pulseSensor; // Creates an instance of the PulseSensorPlayground object called "pulseSensor"
void setup() {
Serial.begin(9600); // For Serial Monitor
// Configure the PulseSensor object, by assigning our variables to it.
pulseSensor.analogInput(PulseWire);
pulseSensor.blinkOnPulse(LED13); //auto-magically blink Arduino's LED with heartbeat.
pulseSensor.setThreshold(Threshold);
// Double-check the "pulseSensor" object was created and "began" seeing a signal.
if (pulseSensor.begin()) {
// Serial.println("We created a pulseSensor Object !"); //This prints one time at Arduino power-up, or on Arduino reset.
}
}
void loop() {
int myBPM = pulseSensor.getBeatsPerMinute(); // Calls function on our pulseSensor object that returns BPM as an "int".
// "myBPM" hold this BPM value now.
//if (pulseSensor.sawStartOfBeat()) { // Constantly test to see if "a beat happened".
//Serial.println("♥ A HeartBeat Happened ! "); // If test is "true", print a message "a heartbeat happened".
Serial.print("{BPM: "); // Print phrase "BPM: "
Serial.print(myBPM); // Print the value inside of myBPM.
Serial.println("}");
delay (1000); //wait one second between readings
// delay(20); // considered best practice in a simple sketch.
}
कोरोना का कहर जारी, जमीन पर गिरा उड़ता हुआ गुब्बारा, मच गई अफरा-तफरी
कोरोना का कहर जारी, जमीन पर गिरा उड़ता हुआ गुब्बारा, मच गई अफरा-तफरी
गरियाबन्द: छूरा में गुरुवार सुबह करीबन 9 बजे देवरी ग्राम में आसमान से एक मशीनरी नुमा गुब्बारा आकर जमीन पर गिर गया. कोरोना के कहर के बीच यह गुब्बारा कौतूहल कम बल्कि कुछ देर के लिए दहशत का कारण बन गया था.
ग्रामीणों ने छूरा पूलिस को मामले को सूचना दी, जिसने पहुंचकर उसे सावधानीपूर्वक कलेक्ट कर वाट्सएप के जरिए जानकारी के लिए विशेषज्ञों के पास भेजा. विशेषज्ञों से जानकारी मिलने के बाद पुलिस और…
Immortal Egypt episode 2 - Chaos: In the second episode, Joann explores how the Pyramid Age ended in catastrophe. Joann uncovers evidence of famine as the young Egyptian state suffered a worsening climate and political upheaval. #history
Immortal Egypt episode 2 – Chaos: In the second episode, Joann explores how the Pyramid Age ended in catastrophe. In one of Saqqara’s last pyramid complexes, Joann uncovers evidence of famine as the young Egyptian state suffered a worsening climate and political upheaval.
With depleted coffers, Egypt was plunged into the dark ages and civil war. With the land fractured into many small…