Summertime scenes
Summertime scenes from 2022 - vineyard, orchard, bokeh, film, all the lovely things!
Here, a rotting apple somewhere in an orchard at my grandparent's place.
Taken with Pentax MZ-5 film camera, with manual focus smc Pentax-M 200mm F4 telephoto lens, on Kodak ColorPlus 200 negative film. In-camera, fake panorama mode.
Scanned with Plustek OpticFilm 8100 film scanner, using VueScan 9.5.
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#london #england #analogphotography #analog #film #filmphotography #filmcamera #camera #colornegative #photography #photooftheday #photographer (hier: London) https://www.instagram.com/p/CXrKxC6ogg_/?igshid=NGJjMDIxMWI=
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路地の 先の 空 #フィルム #フィルムに魅せられて #フィルム写真 #フィルムカメラ #フィルムカメラのある生活 #フィルムと日常 #日々フィルム #生活とフィルム #キリトリセカイ #ファインダー越しの私の世界 #写真好きな人と繋がりたい #アナログ #film #film_jp #film_com #film_camera #filmlife #filmphoto #analogphotography #colornegative #35mm #love35mm #HIBI_jp #ishootfujifilm #RECO_IG #streetphotography #snap #backalley #foto https://www.instagram.com/p/CiJwIrFvLWg/?igshid=NGJjMDIxMWI=
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Here’s the full Eduard Imhof quotation:
Complete fidelity to natural color can not be achieved in a map. Indeed, how can it be when there is no real consistency in the natural landscape, which offers endless variations of color? For example, one could consider the colors seen while looking straight down from an aircraft flying at great altitude as the model for a naturalistic map image. But aerial photographs from great heights, even in color, are often quite misleading, the Earth’s surface relief usually appearing too flat and the vegetation mosaic either full of contrasts and everchanging complexities, or else veiled in a gray-blue haze. Colors and color elements in vertical photographs taken from high altitudes vary by a greater or lesser extent from those that we perceive as natural from day to day visual experience at ground level.
The faces of nature are extremely variable, whether viewed from an aircraft or from the ground. They change with the seasons and the time of day, with the weather, the direction of views, and with the distance from which they are observed, etc. If the completely “lifelike” map were produced it would contain a class of ephemeral—even momentary—phenomena; it would have to account for seasonal variation, the time of day and those things which are influenced by changing weather conditions. Maps of this type have been produced on occasion and include excursion maps for tourists, which seek to reproduce the impression of a winter landscape by white and blue terrain and shading tones. Such seasonal maps catch a limited period of time in their colors.
—Eduard Imhof, Cartographic Relief Presentation, 1965 (English translation 1982).
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Colour-Accurate Conversion of Camera-Digitised Film Negatives using GIMP 2.10 and RawTherapee 5.8
There are numerous software methods available to assist with conversion of camera-digitised colour negatives - commercial plug-ins for Lightroom and Photoshop such as Negative Lab Pro, Negmaster and ColorPerfect / ColorNeg, as well as integrated tools in open source raw converters and image editors like Darktable, RawTherapee and DigiKam. I'm sure there are others I've not listed or discovered yet. Then, of course, it's possible to manually invert negatives in editors such as Photoshop and GIMP, and fine-tune colours using curves, colour balance and other adjustments. There are plenty of tutorials on the web for this, employing a variety of different methods.
Of these, I've personally tried RawTherapee's "Film Negative", Darktable's "Negadoctor", and DigiKam's "Color Negative" tools. I've also used the commercial Negative Lab Pro plug-in for Lightroom. Finally, I've carried out manual conversions in GIMP.
RawTherapee, Darktable and DigiKam's negative tools can work well, but the results are inconsistent and highly dependent on the elements within the captured negative. Colours will sometimes look OK, other times not, and in many instances you need to find neutral tones within an image to help the tools adjust for white balance and colour accuracy - the problem being, such neutral tones don't occur in every photo.
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#streetphotographer #photography #capture #melbourne #photooftheday #fujifilmga645wi #streetphotography #city #town #australia #fujifilm #streetphotographers #streetphoto #exterior #fujinon45mm #mediumformat #colourphotography #ga645wi #landscape #shop #anologphotography #landscape_captures#fujifilm400h #colornegative (at Melbourne, Victoria, Australia) https://www.instagram.com/p/CeZxVMAhSJa/?igshid=NGJjMDIxMWI=
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who does not like the color black
please leave your like
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City in a fog
Last year, targeted photo walks were extremely rare, and my job sucked all the time ever, but, once, I managed to finish the tasks for that week ahead of the schedule. That Friday, I had my then brand-new camera with me, so naturally, I went for a walk through the neighbourhoods.
Taken with Pentax MV film camera, with smc Pentax-M 40mm F2.8 pancake lens, on Kodak UltraMax 400 colour-negative film. Scanned with Plustek OpticFilm 8100 dedicated film scanner, via VueScan 9.5.
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#street #streetstyle #streetphotography #photography #photo #photooftheday #analogphotography #analogfilm #analog #film #filmphotography #colornegative (hier: Hamburg, Germany) https://www.instagram.com/p/CX1dIzLIJs3/?igshid=NGJjMDIxMWI=
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📷 Samsung 140fino 🎞️ Kodak Aerocolor 125 (135/24) "У вас одно непрочитанное сообщение.." #colorphoto #photo_uriel #photoeveryday #colornegative #kodak #kodakaerocolor125 #35mm #пленка35мм #мыльница #filmphotography #analogphotography #analogcamera #🎞 #sredafilmlab #photoshoot #travelphotography #travel #цветнаяпленка #countryviews #villagephotography (at Tambov Oblast) https://www.instagram.com/p/CSUYbtnDjWd/?utm_medium=tumblr
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