#creative event agency London

[quillpill]

London's Creative Event Agency: Setting Trends and Raising the Bar in Event Planning

London's Creative Event Agency is a trailblazer in the event planning industry, setting trends and raising the bar for immersive and innovative experiences. With a finger on the pulse of the city's vibrant creative scene, this agency combines cutting-edge technology, exceptional design, and captivating storytelling to craft unforgettable events. From concept development to flawless execution, their team of talented professionals leaves no stone unturned in creating extraordinary moments that captivate attendees. With a meticulous attention to detail and a passion for pushing boundaries, they consistently deliver events that surpass expectations and leave a lasting impact. London's Creative Event Agency is at the forefront of transforming event planning into an art form.

Innovative Concepts and Cutting-Edge Designs: Redefining Event Experiences

In this chapter, we explore how Creative Event Agency London sets trends and raises the bar in event planning through their innovative concepts and cutting-edge designs. We delve into their process of pushing creative boundaries, from brainstorming groundbreaking ideas to transforming them into visually stunning and immersive event experiences. Through interviews with their creative directors and designers, we gain insights into their unique approach and the meticulous attention to detail that goes into every aspect of event design. This segment showcases their ability to create awe-inspiring environments that captivate attendees and set new standards in the industry.

The Power of Storytelling: Crafting Narratives that Engage and Inspire

In this captivating segment, we explore how London's Creative Event Agency harnesses the power of storytelling to create impactful event experiences. We delve into their process of crafting narratives that resonate with attendees on an emotional level, evoking a sense of wonder and leaving a lasting impression. Through interviews with their storytellers and content creators, we gain insights into their approach to weaving compelling narratives throughout each event element. This segment highlights their ability to engage audiences, create immersive experiences, and bring brands and messages to life through the art of storytelling.

Cutting-Edge Technology Integration: Pushing the Boundaries of Possibility

In this chapter, we dive into London's Creative Event Agency's mastery of cutting-edge technology integration. We explore how they leverage the latest advancements, such as augmented reality, virtual reality, and interactive displays, to push the boundaries of event experiences. Through interviews with their tech specialists and case studies of their most innovative projects, we gain insights into their ability to create seamless and immersive technological interactions. This segment showcases how they use technology as a tool to enhance storytelling, engage attendees, and create memorable moments that set trends within the industry.

Collaborations with Visionaries: Fostering Synergies for Unforgettable Events

In this segment, we explore London's Creative Event Agency's collaborative approach and their partnerships with visionary artists, designers, and industry experts. Through interviews and behind-the-scenes glimpses, we witness the synergy that emerges when creative minds come together. We delve into their process of fostering collaborations and how they leverage diverse talents to create unique and unforgettable event experiences. This segment highlights their ability to collaborate seamlessly, break new ground, and consistently deliver events that surpass expectations.

Experiential Marketing: Connecting Brands with Engaged Audiences

In this chapter, we delve into London's Creative Event Agency's expertise in experiential marketing. We explore how they create immersive brand experiences that connect with audiences on a deeper level. Through interviews with their marketing strategists and case studies of successful brand activations, we gain insights into their approach to crafting experiential campaigns that engage, inspire, and leave a lasting impact. This segment showcases their ability to seamlessly integrate brands into event experiences, resulting in authentic and memorable connections with attendees.

Sustainable Event Solutions: Pioneering Environmental Consciousness

In this segment, we delve into London's Creative Event Agency's commitment to sustainability and their pioneering efforts in creating eco-friendly event solutions. We explore how they integrate sustainable practices throughout the event lifecycle, from design and production to waste management and carbon footprint reduction. Through interviews with their sustainability experts and examples of their environmentally conscious events, we gain insights into their approach to responsible event planning. This segment showcases their dedication to setting trends in sustainable event practices and raising awareness of the importance of environmental consciousness within the industry.

Future-forward: Shaping the Landscape of Event Planning

In the final chapter, we reflect on the impact of London's Creative Event Agency on the landscape of event planning. Through interviews with industry leaders and thought-provoking insights, we explore how their innovative approaches and trendsetting ideas have influenced the industry as a whole. We gain a glimpse into the emerging trends and concepts that they are spearheading, shaping the future of event experiences. This segment serves as a testament to their ongoing commitment to pushing boundaries, setting trends, and raising the bar in event planning, inspiring others and leaving a profound impact on the industry.

Conclusion

London's Creative Event Agency has truly redefined the landscape of event planning, setting trends and raising the bar for the entire industry. With their visionary approach, they consistently deliver immersive and innovative experiences that leave attendees in awe. By seamlessly blending technology, design, and storytelling, they create events that go beyond the ordinary, setting new standards for what is possible. Their commitment to pushing boundaries and their ability to capture the essence of the dynamic city of London sets them apart. Whether it's a corporate event, a brand activation, or a private celebration, London's Creative Event Agency continues to shape the future of event planning, inspiring others and leaving a profound impact on the industry as a whole.

[ohoneyno]

The Ultimate Guide to Finding the Best Creative Event Agency in London

Finding the best creative event agency in London can be a daunting task, given the city's vibrant event industry. This ultimate guide aims to simplify your search and help you identify the perfect agency to bring your vision to life. It provides insights into key factors to consider, such as the agency's portfolio, expertise, and industry reputation. It highlights the importance of clear communication, strong collaboration, and innovative thinking. Additionally, it emphasizes the significance of evaluating the agency's ability to handle logistics, manage budgets, and provide exceptional client service. By following this guide, you can confidently navigate the London event agency landscape and discover the ideal partner to create unforgettable experiences.

Defining Your Event Needs: Understanding Your Vision and Objectives

Before embarking on your search for the best creative event agency London , it's crucial to define your event needs. This involves understanding your vision, objectives, target audience, and budget. Clarifying these aspects will help you narrow down your search and find an agency that aligns with your specific requirements. Consider the type of event you're planning, the atmosphere you want to create, and the message you want to convey. By clearly defining your event needs, you'll be better equipped to find an agency that can bring your vision to life.

Evaluating Expertise and Experience: Reviewing Portfolios and Case Studies

When searching for a creative event agency in London, evaluating their expertise and experience is paramount. Review their portfolios, case studies, and previous client testimonials to gauge their capabilities and track record. Look for agencies that have successfully executed events similar to yours or have experience in your industry. Pay attention to the quality of their designs, creativity, and attention to detail. Consider the scale and complexity of the events they have handled, as well as the positive impact they have made. A strong track record demonstrates the agency's ability to deliver exceptional results.

Assessing Industry Reputation: Seeking Recommendations and Reviews

An agency's reputation within the event industry is a key factor to consider. Seek recommendations from industry peers, colleagues, and contacts who have previously worked with event agencies in London. Online platforms and review websites can also provide valuable insights into an agency's reputation. Look for positive reviews, accolades, and awards that reflect their professionalism, reliability, and client satisfaction. A well-established reputation indicates that the agency has consistently delivered exceptional experiences and can be trusted to handle your event with care and expertise.

Communication and Collaboration: Ensuring a Strong Partnership

Effective communication and collaboration are vital for a successful partnership with a creative event agency. Look for agencies that actively listen to your ideas, understand your vision, and offer valuable input. They should be responsive, transparent, and willing to engage in open dialogue throughout the entire process. A strong agency-client relationship is built on trust and mutual understanding. Evaluate their communication style, responsiveness, and ability to translate your ideas into actionable plans. A collaborative approach ensures that your vision is effectively communicated and executed.

Innovative Thinking and Creativity: Pushing Boundaries and Delivering Unique Experiences

Creativity and innovation are at the heart of an exceptional event. Look for agencies in London that demonstrate a track record of pushing boundaries and delivering unique experiences. Evaluate their ability to think outside the box, incorporate new trends and technologies, and infuse creativity into every aspect of an event. They should have a keen eye for detail, a flair for design, and a passion for delivering memorable moments. Consider their ability to transform ideas into captivating concepts that align with your vision.

Logistics Management and Budgeting: Ensuring Smooth Execution and Financial Responsibility

A successful event requires effective logistics management and responsible budgeting. Look for agencies that have a strong track record in these areas. They should be adept at handling complex logistics, coordinating with suppliers and vendors, and managing timelines. Evaluate their ability to optimize resources and deliver high-quality results within your budget constraints. A reliable agency will demonstrate transparent budgeting practices and provide detailed cost breakdowns. They should be proactive in identifying potential cost-saving opportunities without compromising on the quality and impact of the event.

Client Service and Support: Providing Exceptional Attention to Detail

Finally, consider the level of client service and support offered by the event agency. Look for agencies that prioritize exceptional attention to detail and go the extra mile to exceed client expectations. Evaluate their responsiveness, willingness to address concerns, and ability to provide timely updates throughout the planning and execution process. A dedicated agency will ensure that you feel supported and confident in their abilities. Consider their commitment to delivering a seamless and stress-free experience for you and your team.

By taking these factors into account, you can make an informed decision when choosing the best creative event agency in London to bring your vision to life.

Conclusion

Choosing the best creative event agency in London is essential for the success of your event. By considering factors such as their portfolio, expertise, reputation, communication skills, and ability to handle logistics, you can make an informed decision. London's event industry is filled with talented agencies, each offering unique strengths and creative approaches. By following this guide, you can find the agency that aligns perfectly with your vision, ensuring a seamless collaboration and the creation of extraordinary experiences that leave a lasting impact. So, take your time, do your research, and find the best creative event agency in London to bring your vision to life.

[nightspinsfmt]

Crafting Unforgettable Experiences: How a Creative Event Agency in London Sets the Stage?

Immerse yourself in the world of extraordinary events with a leading creative event agency London. From inception to execution, this innovative team orchestrates unforgettable experiences that leave a lasting impact. Their meticulous attention to detail, imaginative concepts and seamless execution create a stage where imagination comes alive. With a diverse portfolio spanning corporate gatherings, immersive brand activations, and awe-inspiring parties, this agency sets the benchmark for crafting truly extraordinary moments in the heart of London's vibrant event scene.

Conceptualizing Extraordinary Experiences

When it comes to crafting unforgettable experiences, the creative event agency London sets the stage by conceptualizing extraordinary ideas. They understand the power of a unique concept to captivate and engage attendees. Through in-depth discussions and meticulous planning, the agency collaborates with clients to bring their vision to life. Whether it's a corporate conference, a brand activation, or a themed party, their team of creative minds explores innovative themes, imaginative storylines, and cutting-edge technologies to create immersive and memorable experiences.

Meticulous Attention to Detail

Setting the stage for unforgettable experiences requires a keen eye for detail, and this event agency excels in that aspect. From the smallest decor elements to the overall ambiance, every aspect of the event is meticulously planned and executed. The team takes into account the venue, lighting, sound, and even the smallest touches that enhance the overall atmosphere. By paying attention to every detail, they ensure that every element seamlessly aligns with the desired theme, leaving attendees with a sense of wonder and awe.

Seamless Event Execution

Execution is where the magic happens, and this event agency in London excels in seamlessly bringing their creative concepts to life. Their experienced event production team works tirelessly to ensure flawless execution, managing all logistical aspects including vendor coordination, technical setup, and on-site operations. With their expertise, they overcome challenges and deliver events that surpass expectations. Their seamless execution allows attendees to fully immerse themselves in the experience, knowing that every aspect has been taken care of.

Creating Immersive Environments

One of the key strengths of this creative event agency is their ability to create immersive environments that transport attendees to another world. Through careful selection of decor, lighting, sound, and interactive elements, they transform venues into captivating spaces. Whether it's a futuristic wonderland, a historical era, or a fantasy realm, the agency leverages their creativity and expertise to build environments that evoke emotions and spark the imagination of attendees. These immersive settings create a truly unforgettable experience for all.

Incorporating Cutting-Edge Technology

Innovation and technology play a vital role in setting the stage for extraordinary experiences, and this event agency embraces the latest advancements to elevate their events. From interactive installations and virtual reality experiences to projection mapping and augmented reality, they leverage cutting-edge technology to create immersive and interactive elements that engage and mesmerize attendees. By seamlessly integrating technology into their events, they provide a modern and dynamic experience that leaves a lasting impression.

Tailored Experiences for Every Occasion

Recognizing that every event is unique, this creative event agency in London specializes in tailoring experiences to suit the specific needs and objectives of their clients. They take the time to understand the brand, audience, and desired outcomes, customizing every aspect of the event accordingly. Whether it's a corporate event aimed at fostering networking opportunities or a product launch to create buzz and excitement, the agency ensures that the experience aligns with the client's goals, resulting in a memorable and impactful event.

Setting the Benchmark in London's Event Scene

With their unwavering commitment to excellence, creativity, and flawless execution, this event agency has established itself as a benchmark in London's vibrant event scene. Their portfolio showcases a diverse range of successful events that have captivated audiences and garnered acclaim. By consistently pushing boundaries, embracing innovation, and delivering exceptional experiences, they have become the go-to agency for those seeking unforgettable events in London. From intimate gatherings to large-scale productions, this agency sets the stage for extraordinary moments that are cherished long after the event concludes.

Conclusion

In the realm of crafting unforgettable experiences, the creative event agency in London stands out as a true master. Through their conceptualization of extraordinary ideas, meticulous attention to detail, seamless event execution, and incorporation of cutting-edge technology, they create immersive environments that transport attendees to another world. With a focus on tailoring experiences to each client's unique needs and objectives, they consistently set the benchmark for excellence in London's event scene. When it comes to setting the stage for extraordinary moments, this agency's unwavering dedication to creativity and flawless execution ensures that memories are made and cherished long after the event concludes.

[atzupdates]

[230303] ATEEZ are showing the world another side of K-pop by Taylor Glasby of i-D

Going stratospheric despite their small agency beginnings, the arena headliners discuss manifesting success and their secret ambitions.

ATEEZ have just played a raucous show to 20,000 fans at London’s O2 Arena. Backstage, with the adrenalin still pumping, Hongjoong, Seonghwa, Yeosang, Mingi, San, Wooyoung, Yunho and Jongho are talking about football. Mingi, deep-voiced, his cropped hair cotton candy pink, is a Chelsea fan. Jongho, the band’s youngest at 22, follows Spurs. “Which is better?” asks Mingi. My tentative, uninformed guess (“Spurs?”) yields triumphant hoots and disappointed groans, as Jongho reaches over for a fist bump and hi-five. This exchange isn’t so much about football, as it is a reflection of ATEEZ wanting to make everyone they encounter feel welcome – a habit unchanged despite their stratospheric rise through the global pop landscape since debuting in late 2018.

During their week-long stay, they meet fans (known as ATINY) at a signing event, make late-night TikToks beneath the glow of Big Ben, go live on YouTube from a cosy corner of a hotel room, and watch South Korean forward Son Heungmin score at a Tottenham Hotspur game. The club’s home stadium (soon to host Beyoncé’s five London concerts) leaves a lasting impression on Yeosang: “When I saw how big it was and how loud the people were, I thought about how I want to be an artist that can play there,” he says in his slightly raspy voice. Wooyoung’s thoughts, however, linger Stateside in the wake of their most recent EP, Spin Off: From The Witness, earning them a second Top 10 entry on the Billboard 200 in early January. “I don’t know if it’s a team goal or my own,” he admits, “but I do want a #1 on the Billboard Hot 100. Hoping for it to happen is the easy part, but what’s necessary is the confidence and bravery in the belief that it will happen.”

ATEEZ’ ambitious nature is an overarching constant to their rapid growth as individuals and artists, useful as both a touchstone of their success and a beacon for their creative output. It was present on their first record, Treasure EP1: All To Zero, which set up a rebellious narrative (now a complex and sprawling alt-world storyline) just as much as it drives their meteoric singles and the exploratory genre-overlaps of their B-sides. As a result, they’ve become a prolific and landmark group. The World EP.1: Movement (their ninth EP, out in July 2022) was ATEEZ’ first platinum-selling release, a major accomplishment for an idol group from a relatively small K-pop agency.

Hongjong, the band’s leader, thinks and talks fast (today, in English) but he pauses to take a moment to muse over their trajectory. “Many people say that I can be proud of being a group from a small company that has made their own way. So if we continually do it like this with ATINY, then in the future people might agree that ATEEZ have made a change in K-pop. I think for now though, we haven’t done enough.”

They hope, notes Seonghwa (the band’s eldest member at 24), that their achievements will eventually be on a broader scale. “We’d love to be the people behind that movement,” he says. Hongjoong nods in agreement: “I want for us to provide people with a better understanding of K-pop worldwide. There are people who continue to say that K-pop is so technical and manufactured but K-pop isn’t just a single genre; each group has a different type of art and I want to show how we express our art to everyone. When I look into the crowd at concerts, I can see so many people of all ages and backgrounds yet stereotypes against the artists and the fans still exist.”

In the early days of ATEEZ, it was evident that Hongjoong and Mingi played a key role alongside their music production team, Edenary, and that a sense of individualism seemed to be encouraged in the group’s performances. These are both now acknowledged as strengths in their arsenal. The Fellowship: Break The Wall, their third world tour, serves to highlight their unified stance while showcasing the members’ idiosyncrasies — from dance style to sense of humour — but also how comfortably they inhabit the stage.

“During our 2019 Expedition tour, we learned a lot about how to perform with every show we did,” says Yunho, an effortlessly impressive dancer. “Then during the pandemic, we studied and developed how to really make the performance; working on the stage configuration and synchronisation of moves amongst ourselves. When we came back to Europe and the US last year for the Fellowship: The Beginning of the End tour, we were able to see how everything we’d worked on and our personal growth came together on that stage.”

For some members, the process has involved looking beyond the stage in order to feel more at home on it. Yeosang’s regimented program of working out put him physically and mentally in a stronger place: “I relieve my stress while exercising, but my breathing got better and my muscles also got better, so overall it connected into a great result on stage.” San and Seonghwa also turned inward, sifting through mental libraries of borrowed or imaginary traits to build and inhabit new characters for their performances.  

“I always have a lot of imaginative thoughts,” says Seonghwa, whose general serenity is replaced by a lightning-strike energy on stage and sparks of playfulness when you least expect it. “Even before sleeping, I tend to think about fantastical things,” he continues. “I use these to decide on how I’m going to be on stage and make sure the atmosphere matches with elements like my outfit.”

“For San, it’s movies and dramas [that inspire his performances], he takes those characters on,” explains Wooyoung. San, widely lauded for having an explosive stage presence, makes his creative choices the day of. “If there’s something I think of that I want to do that day, I share it with everyone to see if it will be okay. Then we create that image together and I simply express myself.”

Wooyoung, who is both mischievous and magnetic, looks to those he admires for guidance. “I mostly look at videos of our seniors – Jimin (BTS), Taeyang (Big Bang), Hoshi (SEVENTEEN), there’s so many – I get inspiration from them and make it my own on stage.” It’s a process also adopted by Yunho. “There are artists that I can pull from, like Rain, learning from them in order to realise my own style,” Yunho says. “On stage, it’s just me, I’m myself, but I have all this in the back of my mind.”

The title of their current tour, The Fellowship: Break The Wall, is derived from last summer’s single, “Guerrilla”, on which the phrase “break the wall” is chanted with increasing ferocity, culminating in a screamo-style vocal outro. It’s one of the show’s many high points, with ATINY putting their everything into screaming along with the band. The atmosphere grows feverish, the stage bathed in red light as the giant screens flash through the dystopian city of their storyline. It’s unbridled to the point of being transcendental. San grins, reflecting on this moment. “It’s difficult to explain,” he says of the experience, while Hongjoong sees in it the removal of cultural barriers through music. “I see ATINY during ‘Guerrilla’ singing along really loud and really tough,” he says. “They come to our show, they memorise our lyrics, they shout. That’s how they’re breaking the wall, by coming together.”

Since last October, ATEEZ have been playing arenas across Asia, the US and Europe, adding extra nights as they go in order to accommodate the demand, and garnering rave reviews — even from broadsheet media, for whom K-pop remains a confusing phenomenon — in the process. But their feet, heart and heads remain earthbound. “Nothing in this world is guaranteed,” says Wooyoung. “We’re always grateful for everything. It’s something we’ve discussed as a group, but it’s all thanks to ATINY’s love and support that we’re where we are now. To become global artists and a good influence on even more people, we have to hold a sense of responsibility to give our all on stage and deliver our truth. Honestly, it’s less about dreaming of an unknown future and more about how we have to work harder so we can go even higher and pave our own path.”

ATEEZ’ success is holistic in form: personality, performance and music. A harmonious but intriguing balance of authenticity and polish. Their impressive discography features recurring motifs (waves, moon, light) and ideologies (power, truth, rebellion, movement), yet Mingi and Hongjoong — who have written lyrics on every ATEEZ track so far — admit they’re still learning how best to combine what’s on their minds with what’s conducive to furthering their storyline. It is, they agree, not always an easy task.

“It’s absolutely hard to focus on so many themes,” says Hongjoong. “Sometimes my brain stops, so I watch movies or our music videos again. I think too much when I write but, after that work, the lyrics have more power for the fans who know our storyline; they get different emotions and a different effect when I’ve done that work well. It’s really hard but it’s important to do.”

Hongjoong had an epiphany when he picked up a camera while touring last year. “There's such fierce competition – not just in music but all industries – so if there’s no purpose, I’ve always found it really hard to create freely. We have continuous deadlines. I do the first album, then the second, and once I complete the second album I have to start on the third. I’ve found my hobby with a film camera. I walk around taking photos and I can see that even if I have no immediate purpose, I can create something.” It’s something that’s changed his approach to songwriting. “These days, when I write lyrics or produce a song, I just start from zero,” he explains. “Before, if we had a pirate theme, for example, I would start with that as a topic. That’s why I found it so hard.” He now works backward, getting down exactly what he wants to say before connecting it to the narrative markers. “It’s quite different but it’s more comfortable for me and the results are better than before.”

Hongjoong and Mingi, the group’s rappers, point to last year’s "Halazia” as the hardest storyline track to pen. “The atmosphere of the song is already quite difficult and complex,” Hongjoong notes, looking over to Mingi, who explains his process of cataloguing his many thoughts to later draw from. “I write down a lot of them as memos on my phone, so I always go back to them to see if they match what we’re going through (as a group); that’s how I write my lyrics,” he says. “Sometimes I’ll think of it as writing a script, to really get into that persona."

Mingi and Hongjoong are not the only collectors and creators in ATEEZ. “In my case,” says Seonghwa, “I always memo whenever I hear a line from a song or a line from a poem that I like, just for me to look back on. I’m the type to jot down my feelings if I experience something special. These help me when I write letters or want to say something to ATINY because I’m able to better word my feelings.” San, meanwhile, cites legendary South Korean poet 나 태주 (Ra Tae-joo) as an influence. “I love poems too — I’ve been writing my own but I keep them to myself,” he says. “They can be about my feelings on a certain day, the weather, objects or characters. I’m able to lay out my feelings like this.”

Now in their fourth year, ATEEZ remain as set on the idea of constantly challenging themselves as they were when they were hungry rookies. Take Jongho for example, whose rich, gut-punching vibrato forms the backbone of many of their songs. When he listened back to The World EP.1: Movement for the first time, he admits that he was “worried because my voice was used in ways that I hadn’t tried before, and I wondered how my vocal colour was going to fit”. He sat down with their producers and worked through “how we could still make it still an ATEEZ song and match my tone, while trying something new. I’ve gained more confidence — it makes me want to do better for all the albums to come.”

Hongjoong laughs. “It means our next albums are, uh, a big thing,” he reveals, knowingly. “There are so many good K-pop and pop stars that if we want to go higher, we have to have more good songs and try other genres, too.” But even as he muses on ATEEZ’ continuing expansion, the idea of one day becoming ‘too big to fail’ doesn’t appeal to him. “No, absolutely not that,” he says, gaze steady. “I want ATINY to be able to tell us if something is bad. I like it when they do this because we don’t want to just give them our popularity. I want to give them good quality, not just a song or a video or a performance.” Does the fact that music is subjective; that no single song can please everybody, bring some comfort? “We try to find the middle ground,” Hongjoong says. “The first thing to note is that if we think it’s really great but someone else says that they think it’s trash, then we don’t really care what they think. But when we’re unsure and questioning and someone says, ‘Yeah, it’s bad’, then ok, we go back to square one.”

The thought of ATEEZ honing their creative output through repeated baptisms of fire might well upset some fans, but the band are not only accustomed to the fame game’s highs and lows but wholly pragmatic in the face of its shadows. So when Wooyoung says he’s aware of “many people” who openly disparage their music, Hongjoong shrugs a little as he responds. “Yeah, there are. We talk about this a lot together, but if there are many more haters than before, it just means we’re more popular than before,” he reasons.

The group finds positive equilibrium via a heartfelt focus on ATINY, and all that comes with being an idol group who are years into a very successful career. “When we look at line-ups now, we’re closing the show,” says Wooyoung. “And as we perform, we see the other artists watching us, and we realise we have more responsibility. Firstly to ATINY, who have been loving us and supporting us from the start, but there’s also a responsibility to spread K-pop and Korean culture because we’re travelling around the world as Korean artists.”

One of ATEEZ many dualities is that while they have big, burning aspirations — Billboard charts, Grammys, performing at the Super Bowl — that make them look at each other starry-eyed, some of their ambitions are precious in a different way: they’re simpler, more immediate. “I’d like to be happier than the day before,” says Mingi. “And I want for us to never change our sincerity toward music and gratitude to our fans,” adds Seonghwa. This is echoed by San, who adds that ultimately, “I’d be satisfied if ATEEZ’ name came up when someone asks who the coolest artist is at the end of the year.”

“I want to make more events with ATINY,” says Hongjoong. “That’s a goal for this year because we always miss them and they always miss us.” Jongho, sitting in the middle of the group, is smiling. He’s been manifesting a more personal ambition. “By next winter I want to be able to snowboard,” he says. “I want to buy my own board, go down the mountain and not fall.”

[jess-moloney-malarkey]

Of all the photos of Jamie at that event, the Coach Presentation for Menswear 2015, there is only one singular picture where Jess is visible. And it's barely half her face. Here are the pics:

Also, if you notice, there is a blonde woman sitting in front of Jess, also in the front row, next to Matilda.

This is a friend of Jess's, who she went with, Harriet Verney. A stylist, DJ, and writer/editor, at the time:

Harriet also did a write up for the Grazia Daily publication about the whole of Fashion Week, talking about how on Day 1 at this Coach event, she spoke with Jamie and Matilda, as she sat next to them in the front row:

Here is Harriet and Jess together at another event for Coach the following month, where it suggests that Jess was just...simply attending multiple Coach/fashion events, maybe with/maybe without Harriet, because they were both stylist/in the fashion world at the time:

Funny enough, Harriet now also has a creative agency, with a website just as bland and vague as Ice Studios, and Harriet is also not listed on the website:

Her LinkedIn also says she was a Talent Agent:

Just something I found interesting and fun to note for no particular reason. :)

So, anyway, final thoughts: She had a reason to be there that has nothing to do with stalking and that's when they first met, being introduced by Harriet, who was seated in the front row beside them.

[rappaccini]

do you ever think about how in 1970 on earth 616 gwen stacy and hobie brown first meet when he blasts through her living room window in a spider-man costume.

do you ever think about how gwen nearly escapes her narrative as the doomed good girlfriend by fleeing to london and the event that gets her on the plane is hobie standing guard outside her apartment in his prowler costume because he's worried spider-man will get her killed, and how that's hobie's first attempt at escaping his narrative as a reluctant villain. do you ever think about how he's right, because when gwen's ultimately drawn back to new york, she's murdered a few months later and it's arguably spider-man's fault.

do you ever think about how on earth 138, the world where hobie's anger at systemic inequality is validated as his parallels to peter parker are finally expanded into making him the spider-man, gwen stacy, rock icon, is hobie's idol whose music gave him a creative outlet for his anger, the language to articulate it and a community to support and be supported by, (whose murder probably radicalized him even further) and therefore is arguably the architect of the revolution he starts

do you ever think about how on earth 65, the world where gwen's anger at being denied respect and agency is validated as her white feminist tendencies are called out and deconstructed, gwen's radicalization arc begins with hobie blasting her in the face with spray paint and calling her on her girlboss bullshit (which she accepts and commits to fixing), and ends with hobie having quietly watched her redemption for a year and concluding that she's grown and changed into such a genuine hero that he decides to memorialize her

do you ever think about how in the worlds where they get to be the heroes, where hobie keeps the costume instead of borrowing it and it's his from the start, where gwen gets a life defined by herself and not her boyfriend, their alter egos' ideologies are shaped by their worlds' versions of each other and if not for having met each other they might never have become heroes at all

do you ever think about how as soon as spider-gwen and spider-hobie became aware of each other's existence they became fast friends in web warriors and hobie starts treating gwen like a peer instead of a love interest within one issue instead of years of publication like miles and peter, they were stuck to each other like glue during the battle in spidergeddon and were flirting in the corner of spider-brit's funeral, promising to be there for each other, and then they never met again

do you ever think about how gwen-65 and hobie-138 have both been informed by powerful multiversal beings that they're doomed to fates they'd both hate, but he's doomed to die young and have his memory disrespected posthumously by capitalists and she's doomed to live long after losing everything that makes her who she is for a life as spider-man's wife and babymaker, and they've both fully internalized their fates given how hobie doesn't care about his own self-preservation and gwen's coming untethered from her world and being pressured into 616, the home of the guy she's going to be forced into a romance with if she's there long enough. they can be heroes, but only for so long before something stops them, and their legacies will undo everything they stood for.

do you ever think about how in atsv, which came out exactly fifty years after the night gwen stacy died, gwen stacy and hobie brown are the closest they've ever been in any canon yet, so close that they may not be a couple but they have a shitload of chemistry and just mentioning each other makes gwen's love interest sweat, that they built that relationship in london and their bond is what sets gwen free from the spider-society, makes it possible to rebuild her personal life, return to her homeworld where she's the main character of her own story, and escape her narrative but in btsv gwen will almost inevitably give in to her role of Miles's Love Interest by the end and he will be expected to cheerlead them

do you ever think about how in every other universe where gwen and hobie have a significant interaction, every single time they get closer and closer to permanently changing their narratives for the better as they get closer and closer to each other. idk man i do.

[flowers-for-em]

IM ACTUALLY SO OBSESSED WITH YOUR EVENT!! It’s so cute I can tell you really put work into it!! And I’m so so proud of you <33 so amazing you’re at 500!! You deserve all of them <33

May I ask for disposable camera and London?

lets start off with me thanking you for putting up with me and how long this took for me to complete 😭 so ty for that <33

emma's travel agency ✈︎

╰ ➤ ᝰ {disposable camera} ᝰ

╰ ➤ ᝰ {london} ᝰ

crocheting, strawberries, a bike ride in the sunshine

╰ crocheting- its always been something i admire and its such an askdhgsa pretty craft in my opinion and to me you're like the human equivalent; craft, pretty, creative etc

╰ strawberries- ok so i love love love strawberries. its insane they're like one of my favourite fruits so you = strawberry cause ur one of my fav mutuals.

╰ bike ride- to me you're sunshine. like you always always always seem to remind me of sunshine and bike rides. they're so much fun and a fun thing to do with friends <3

[adarkrainbow]

Lost media quest: H&G Epic Tales (part 3)

Last time I ended my post while exploring the defunct epictales.com website. There was one page of this website (preserved in the Wayback Machine) that I did not add in this post: the About page.

The About page not only describes the Epic Tales line, but also lists the full staff that worked on this project. Here is what the website contains:

EPIC TALES™ is a developer and publisher of interactive storybooks for the iOS platform. EPIC TALES presents its own unique interactive adaptation of the imaginative and magical stories found in fairytales, folklore and world mythology.

All of our tales are narrated by our central storyteller, a most likeable dwarf named Silvertongue who used his magic to let our books and stories come to life. Each storybook offers stunning hand-drawn animations, a revamped storyline, original music scores, and spellbinding interactive environments that are sure to draw readers deep into the story.

EPIC TALES allows you to not only enjoy magical worlds and enchanting tales, but to experience them more closely than ever before.

We, the people at EPIC TALES, are always inspired by stories that fuel our ideas and imagination. We are storytellers, animators, and composers that gladly indulge ourselves in folklore, mythology, and the many tales and stories that have captured our imagination for generations. The result is a talented team of people driven to create original storybooks that are filled with whimsical characters, spellbinding environments, and interactive surprises. By combining creativity with technology, and talent with expertise, we hope to constantly produce exciting tales that bring every page to life. EPIC TALES is a joint venture between Cloud Castle Interactive and Anikey studios.

EPIC TALES Paul Hanraets, Founder of EPIC TALES and producer

Albert ‘t Hooft, Partner and creative director

Paco Vink, Partner and lead artist, animator

TEAM MEMBERS Lou Attia, Narrator and voice actor

Martin van Spanje, Software engineer

Joost van den Broek, Music composer

Arjen Schut, Sound designer

Sjan Weijers, Background clean-up artist

David Muchtar, Animator

Jelle Brunt, Animator

Ruben Zaalberg, Animator

The website also briefly offers descriptions/curriculum of the staff members:

Paul Hanraets Paul Hanraets has been a creative entrepreneur since 2002 when he co-founded Red Road Media, a media agency specialized in video games. Successful projects undertaken by Red Road include: Benelux largest annual game event Gamexpo, the tv show GAME FACTS broadcasted by TMF/MTV and the freely distributed game magazine Games Guide. In 2008 Paul founded Cloud Castle Interactive and was involved in the development of smaller game projects which further awakened his passion for the creative industry. As an immediate result Paul founded EPIC TALES, a developer of interactive storybooks for IOS and GAMBITIOUS an equity based crowdfunding platform dedicated to the games industry.

Albert ‘t Hooft & Paco Vink Albert 't Hooft and Paco Vink both studied traditional animation at the Willem de Kooning Art Academy in Rotterdam before they founded Anikey Studios in 2007. Anikey is an award winning animation studio which specialises in hand drawn 2D digital animation. Anikey creates independent and commissioned animations for television, films and games which have an emphasis on story, characters and fun. Anikey's first two independent films 'Paul & the Dragon' and 'Little Quentin' won several awards at international film festivals. In addition on working on the new EPIC TALES titles, Anikey is developing the first hand drawn animated feature film in the Netherlands since 30 years.

Lou Attia Working with the likes of Disney and Sesame Street, Lou Attia has been a professional voice-over artist for over 15 years. After studying professional vocals in London, England, Lou landed a radio host position at 104.2 Nile FM in Cairo, Egypt where he became Creative Director and then Program Director of the station. Throughout his seven years on the air, during which his morning show went on to be the No.1 listened to radio show in a city of 16 million, Lou continued to do voice-overs for numerous commercials, shows and features. In 2010 Lou moved to Toronto, Canada where he is currently a full time voice-over artist, writer and TV show host.

Martin van Spanje Currently co-owner of LayerGloss Digital Publishing, Martin used to program and design on 8-bit Sinclair machines in the eighties. Then came Macs, digital audio, ten years of IT-projects and finally, iOS. Nowadays he lives his life surrounded by Objective-C code, and he sometimes thinks cornflakes look a bit like people. Oh, and he doesn't do Twitter.

Joost van den Broek Joost van den Broek is a producer, composer, arranger and keyboardplayer based in Tilburg, The Netherlands. Starting out as a keyboardplayer for several metalbands like After Forever touring all over the world, he finished his conservatory with honour in musicproduction, keyboards and classical arrangement. Since then he been working as a freelancer in his own studio on several productions, compositions and arrangements, for acts/events like: Ellen ten Damme, Symphonica in Rosso, Wende Snijders, Games in Concert, Ben Saunders, Qlimax. Epic moviescores and/or/in combination with (pop/alternative)rock is what defines his style the most.

Arjen Schut Arjen Schut is a sound designer based in Hilversum, The Netherlands. As a freelancer Arjen has worked on numerous projects, both on location and in his own studio. Arjen is involved in sound effect creation for all sorts of media, but has a strong focus on interactive and animation projects. International blockbuster Killzone 3 being one of the larger projects.

I have taken upon myself to contact some of these artists, just in case they were open about talking or sharing information about the animation they worked onto. Is it a bad idea, or a good one? I don't know but that's the most straightforward direction one can take. I will warn you if I ever receive any response, positive or negative.

I forgot to link before the official page, on the Anikey Animation website, for their work on Hansel and Gretel - Epic Tales. Not only does it contain large, high-quality screenshots of the artwork, but their "Production" page also has one concept art for the storybook. They also list the credits of the app as such:

Title: Epic Tales - Hansel & Gretel

Release: 2012

Directed by: Albert 't Hooft & Paco Vink

Animation by: Jelle Brunt, David Muchtar & Ruben Zaalberg

Backgrounds by: Paco Vink & Sjan Weijers

Music by: Joost van den Broek

Sounddesign by: Arjen van der Schut

Producer(s): Paul Hanraets for Cloud Castle Interactive

AppAdvice still has a page dedicated to the application. There is also a review by the MacTrast website that is quite interesting because, while today the pictures contained within it are "dead files", in the Wayback Machine you can fetch them back, and they are pretty rare screenshots of the game! Here's an additional Dutch article I forgot to add earlier. Again, not much to add since they all basically just announce the game's release and rephrase the storybook's commercial description.

I also don't think I have added this to my previous posts, but Cartoon Brew also had a page for the app's launching, which contained this text:

The Hague, the Netherlands — April 24, 2012 — Hansel and Gretel – Epic Tales animated storybook is the first in a series of tales as told by Silvertongue, the likeable dwarf and storyteller, and is now available on the Appstore for IPad and IPhone.

Hansel and Gretel – Epic Tales animated storybook offers a world filled with whimsical characters ranging from pesky gnomes to witty dwarfs; from brave children to wicked stepmothers and cunning witches.

“But we are not just another fairytale App,” says Paul Hanraets, founder and producer. “What sets Epic Tales apart from other storybooks are the incredible production values. Each of Epic Tales storybooks are digitally hand-drawn by our award winning animators, and offer stunning 2d animations, professional voice acting, original music scores and ambient sounds by game industry veterans. These elements combined offer spellbinding interactive environments that are sure to draw readers even deeper into the story.”

“Of course, our alternating witty and wacky humour and the high quality of our animations are amongst the things that separates Hansel and Gretel from other storybooks,” says creative director Albert ‘t Hooft.”However, what ultimately distinguishes Epic Tales is the implementation of our central storyteller, Silvertongue the dwarf.” Using the magic of pesky gnomes, Silvertongue brings the stories to life and narrates them.”Silvertongue used to be quite the adventurer, travelling the world in search of the most intriguing tales and stories, and now looks after your storybook collection in his humble bookstore. He is a truly gifted storyteller who can take an audience from a gasp of fright to a roar of laughter in just the twist of a phrase.”

Epic Tales is a series of high quality, interactive fairytales that allows you to not only enjoy enchanting tales, but to experience their magical worlds more closely than ever before. Children will love the sense of wonder and discovery,while adults will certainly appreciate the clever and wacky humor.

A final piece to add to the dossier so far is Muchtar Productions' page for Hansel and Gretel - Epic Tales. Muchtar Production is the WordPress website of David Muchtar, a 2D animator and illustrator who worked on the Epic Tales animation as a (I quote) "Rough and Clean-up animator". He notably put within his portfolio an important number of concept art for the game's character designs. But, as with last time, I will keep it for the NEXT post!

Or... an almost final piece. I wanted to keep this for a much later post, but I ultimately decided to share it here. I vaguely described before one unofficial source for content about "Hansel and Gretel - Epic Tales". And that is an online review, a Youtube video, by a Youtuber named "Crazy Mike" specializing in app reviews. Here is the video, and the reason why this video is important (beyond it being the last remaining video review - unless I manage to get back the one from the defunct website) is because so far it is the only visual recording we have of the app outside of the trailers. Not only that, but at one point Crazy Mike opens the list of chapters within the app - which gives us a full glimpse of the story's main episodes, with thumbnails of each "tableau". Mind you, it is tiny details at the bottom of the screen so we can't get much of it... But with all the additional material I gathered, it will be a key element in my reconstruction of what the storybook looked like and was about.

[kaijuboarcreations]

Into the Andersonverse: A full timeline of events for the confirmed continuity of Gerry Anderson Supermarionation shows (Fireball XL5 to Captain Scarlet and the Mysterons)

(Disclaimer*: i actually opted to follow Thunderbirds are Go canon for ages *don't ask me why it's a process plus the actual ages and birth order for the boys is heavily debated in both the og series and are go so don't at me* Also yes I took a few creative liberties to fill in some blanks they are marked by ** so you know what isn't canon, and yes it doesn't always make sense *aka how Venus is a war orphan if the war ended before she was born* but you can't blame me for that, that's just how it was written)

Anyways yall better love me for this it took me three days to make

1988: Sally "Grandma" Tracy is born (maiden name unknown)

2012: Professor Mathew Matic is born in Britain -Aloysius "Nosey" Parker is born - Jeff Tracy is born in Kansas to Grant and Sally Tracy**

2015: Commander Sam Shore (real name Samuel Arthur)is born in Kansas

2017: Charles Grey (Colonel White) is born in England

2028: European Atomic War and Mass Riots in France

2029: Conrad Turner (Captain Black) is born in Manchester, England

2030: Steve Zodiac is born on Mars -Sam Shore leaves home to join the navy

2031: Edward Wilkie (Dr Fawn) is born in Yalumba, Australia

2033: Professor Matic graduates with 22 degrees in astrophysics, robotic, and astronomy, and becomes a navigator for Zero-X interplanetary missions -Sam Shore is given command of a World Security Service submarine -Bradley Holden (Captain Gray) is born in Chicago

2034: Sam Shore befriends Admiral Jack Denver -Patrick Donaghue (Captain Magenta) is born in Dublin Bay, Ireland -The European Atomic War ends (the war left Venus and Conrad Turner orphaned)

2035: Venus is born in Paris -George Lee "Phones" Sheridan is born in South Carolina -Adam Svenson (Captain Blue) is born in Boston -Richard Fraiser (Captain Ochre) is born in Detroit

2036: Paul Metcalfe (Captain Scarlet) is born in Hampshire, England

2037: Jeff Tracy becomes a Colonel for the US Air Force and later transfers to the Space Agency -Patrick Donaghue and his parents immigrate to the US, living in poverty in Manhattan

2038: Troy Tempest is born in New York City -Jeff Tracy marries Lucielle** -Charles Grey graduates from the University of East Angila -Lady Penelope Creighton-Ward is born to Sir Hugh and Lady Amelia**

2040: War damage fixed -Sam Shore marries Elaine MacDonald -Scott Tracy is born**

-"Brains" is born -The Southeast Asia revolts -Juliette Pontoin (Destiny Angel) is born in Paris

2041: Atlanta Shore is born from Elaine and Sam in California -Seymour Griffiths (Lieutenant Green) is born in Trinidad

2042: John Tracy is born** -The Iceland Dispute -The Panama-Ithsmus rebellion begins -Karen Wainwright (Symphony Angel) is born in Cedar Rapids -Chan Kwan (Harmony Angel) is born in Tokyo

2043: The Panama-Ithsmus rebellion ends -Magnolia Jones (Melody Angel) is born in Atlanta -Dianne Simms (Rhapsody Angel) is born in London

2044: Virgil Tracy is born**

2045: Professor Matic takes the role as a professor for Universe University -Conrad Turner joins the British Air Force

2046: Marina is born -Gordon Tracy is born** -Charles Grey moves up to the rank of 'Captain' -The British Civil War begins (during which Conrad Turner is badly wounded)

2047: Steve Zodiac joints WSP Academy -Tanusha "Kayo" Kyrano/Tintin Kyrano is born** -Britain joins the World Government -Charles Grey becomes Admiral while commanding the World Navy Destroyer fleet -Conrad Turner joins the World Air Force

2048: Charles Grey joins the Universal Secret Service and marries his field partner Elizabeth Sonmers -Edward Wilkie starts medical school in Brisbane

2049: the British sector of the USS is reorganized by Charles Grey

2050: Professor Matic designs and builds the world's first Nutomic Hyperdrive Motor and is given an honorary position as Major while heading the XL project -Alan Tracy is born** -Charles Grey is promoted to the head of the USS British sector

2051: Steve Zodiac becomes an astronaut and sub-lieutenant at Space City -Prototypes of the XL project are debuted including XL1 Alpha -Adam Svenson receives a full ride scholarship to Harvard University at age 16

2052: the Anti-Bereznik Riots (of which Patrick Donaghue was involved where he was later arrested and imprisoned for 90 days)

2053: Steve Zodiac befriends space explorer Jim Ireland who sets off on a 10 year voyage -Seymour Griffiths loses his parents in an air disaster

2054: Richard Fraiser joins the World Government Police Corps after being rejected from university and the Air Force -Bradley Holden graduates from the World Navy Academy in San Diego immediately enlisting in the World Navy submarine service

2055: Steve is promoted to captain and is assigned to co-pilot Fireball XL5 -Conrad Turner joins the World Space Patrol and mans Fireball XL3 -Adam Svenson joins the World Aeronautic Society as a test pilot -Patrick Donaghue finishes his studies and graduates from Yale University with degrees in physics, electrical engineering, and technology and he takes a job as a computer programmer for a firm in Brooklyn but soon quit for a life of crime -Edward Wilkie graduates from Brisbane with degrees in medicine and biology and joins the Australian sector of the World Medical Organization as assistant medical controler. Later that same year he is promoted to health controller of the Scandinavian sector.

2056: Venus joins the World Space Patrol -Colonel Grange suffers a mental breakdown while piloting Fireball XL5 leaving Steve to bring them to safety -Marina's mother dies -Troy Tempest joins the World Navy Academy in San Diego -Lucielle Tracy passes away

2057: All Fireball XL ships are outfitted with the Nutomic Hyperdrive Motor -Paul Metcalfe graduates from Winchester University with degrees in History, Technology, and Mathematics -Adam Svenson is promoted to active field agent for WAS -Patrick Donaghue becomes a kingpin for organized crime in New York due to his leadership over several gangs and hacking abilities -Edward Wilkie revolutionizes the WMO's medical technology through robots which places him in the position of Administrator for Advancements in Medicine and Medical Science -Juliette Pontoin attends University in Rome

2058: Elaine Shore suffers a heart attack and passes away -Phones takes on work as a mercenary -Karen Wainwright attends Yale University at age 16

-Lady Penelope becomes chief operative of the Federal Agents Beareu where she meets Jeff Tracy (wait...... F.A.B..... so that's what that stands for....)

2059: Paul Metcalf begins study at West Point Military University in New York -Richard Fraiser transfers to Chicago and takes on one of the toughest crime syndicates in the country

2060: An attack on his vessel causes Sam Shore to lose use of his legs. He and Atlanta move to Marineville to command the World Aquanaut Security Patrol (which is newly established)

-Gordon Tracy interns with WASP** -Troy Tempest is captured on a failed mission and is rescued by Phones who he convinces to join the navy -Troy Tempest arrives at WASP Marineville -Juliette Pontoin joins the World Army Air Force and is transferred to the Intelligence Corps where she hones her skills as a pilot, leads the Woman's Fighter Squadron

2061: Magnolia Jones joins the World Army Airforce at age 18

-Gordon Tracy suffers an accident while working with a high speed hydrofoil**

2062: the start of the events of Fireball XL5 -Jeff Tracy establishes International Rescue -Seymour Griffiths graduates University in Kingston Jamaica with degrees in telecommunications, technology, and music and joins WASP as a junior hydrophone operator (his brothers followed but were killed in an accident which Seymour transferred as a telecommunications operator at Marineville) -Bradley Holden joins WASP as the Lieutenant commander security chief and takes the role of piloting Stingray in her prototype years -Karen Wainwright becomes a full fledged field agent for Universal Secret Service after several years of training -Magnolia Jones becomes lost while taking the XKF 115 aircraft on a test flight and loses contact with control -Chan Kwan graduates University and is determined to fly solo around the world

2063: Venus earns a degree in Space Psychology -Steve Zodiac is awarded Astronaut of the Year -Paul Metcalfe graduates from West Point and joins the World Air Force -Juliette Pontoin leaves WAAF to start her own pilot contracting firm -Magnolia Jones returns after being lost for almost a year after rebuilding her craft from the wreckage. She shortly leaves to focus on flying and setting up a freelance air taxi service -Dianne Simms meets Lady Penelope and is offered a position in the FAB to train as an agent

2064: Bradley Holden receives a severe back injury taking him out of the line to duty and landing him a desk job at Marineville -Troy Tempest becomes captain of Stingray and takes on Phones as his co-pilot -Chan Kwan attempts her voyage around the world but stops to answer a distress call to rescue a group of men from a burning tanker ship in the Pacific. Six months later she tries again and succeeds

2065: the events of Thunderbirds begins -the Spectrum Organization is established and Charles Grey turns down the position of Supreme Commander of the USS to take on his role as "Colonel White" for Spectrum under the Spectrum Selection Committee -Seymour Griffiths joins Spectrum under the codename "Lieutenant Green" -Conrad Turner joins Spectrum under the codename "Captain Black" and quickly climbs the ranks as Spectrum's top agent -Paul Metcalfe joins Spectrum under the code name "Captain Scarlet" (thanks to recommendation from Conrad) -Adam Svenson joins Spectrum under the code name "Captain Blue" -Patrick Donaghue is pardoned for his crimes and is offered a position as an agent of Spectrum under the code name "Captain Magenta" -Dr Edward Wilkie is approached by Spectrum to become the Supreme Medical Commander of Cloudbase and given the codename "Doctor Fawn" -Juliette Pontoin is approached to join Spectrum's squadron of fighter pilots and is given the codename "Destiny Angel" -Magnolia Jones is selected by Spectrum as a fighter pilot and is given the codename "Melody Angel" -Lady Penelope quits her role in the FAB to focus on her work with International Rescue. The FAB dissolves soon after. -Dianne Simms is forced to leave the FAB and becomes a chief security officer for the Euro-Charter Airline company -Chan Kwan's father dies and she takes over the family air taxi company 2066: Richard Fraiser fakes assassination and joins Spectrum under the code name "Captain Ochre" -Bradley Holden clears a health check under Spectrum and is recruited as an agent under the codename "Captain Gray"

-Karen Wainwright quits her work with the USS to become a pilot full time. Shortly after she passes her exam to join Spectrum and joins the Angel squadron under the codename "Symphony Angel" -Dianne Simms is approached by Spectrum to join the Angel squadron and is given the codename "Rhapsody Angel"

-Chan Kwan is approached by the Spectrum Selection Committee to become an Angel pilot, in which she is accepted and given the codename "Harmony Angel"

2068: the events of Thunderbirds end and the events of Captain Scarlet begin (the Mysterons declare war on Earth after the Zero X Mars expedition comes across their settlement and attacks)

[madstars-festival]

[MAD STARS through Female Eyes] Becky McOwen-Banks, Director, Creative X Global, Meta

[MAD STARS through Female Eyes]

: Becky McOwen-Banks, Director, Creative X Global, Meta

It was the first MAD STARS event Becky McOwen-Banks, director, creative X global, Meta. She also brought their female perspective to the final juries.

Becky has been a creative director, on staff and freelance, at agencies such as M&C Saatchi London, VaynerMedia UK & EMEA, New Republique and FCB Inferno as well as an active member of the SheSays committee.

Becky McOwen-Banks certainly threw herself into MAD STARS. She was a member of the Final Jury and New Stars Jury, as well as a speaker discussing Searching for Innovation? Then Shut Up and Get Out of the Way! A.K.A. Creative Entrepreneurship in Action. Here is her MAD STARS view:

What motivated you to be so involved? What was your impression of MAD STARS 2023? 

Becky McOwen-Banks: I have been on many global awards juries, but none that ran from Asia. I was keen to join MAD STARS, see the approach, meet more amazing talent and see for myself how it has been growing as an awards to be noticed. The combination of creative showcase and marketing business focus provides a balanced view of the industry, so I was excited and honoured when invited to get involved. I believe in the power of learning and curiosity have driven me throughout my career. The opportunity to visit a city I hadn't travelled to before, spend some time with leaders and creative talent was too good to miss. It is so important that we in the West don't become myopically focussed inwards and forget that there is so much more to discover and uncover. 

You were on the final jury. What stood out for you in the jury room (and did any work stand out for you in particular)? What were you looking for in the winners? 

Becky McOwen-Banks: We had a great mix of talent and skills in the Final jury for my categories which meant lots of good discussion about the work. Identifying what is the right work for this specific awards show, at this time and within the specific category makes judging different every time. This year lots of conversations focussed around work that made a difference to the world (like Knock Knock) but also rewarded paying clients for pursuing brave thinking.

A piece of work I loved and have shared since being home is the Ladies of Tang Dynasty for Daning Palace. I'm a typophile - I adore typography - so this was just delicious. The attention to the heart of the concept and then allowing their design minds to fly was brilliant. 

You were also on the New Stars jury. What did you think of the standard of work and the New Stars themselves as well as the judging experience? What were you looking for in New Stars winners? 

Becky McOwen-Banks: The NEW STARS jury was tough. There was a lot of great work and so little time. The awards facilitators were very strict with us to get through all of the entries with time for good conversation. It was really interesting seeing the variation in the approaches, and also seeing how some teams seemed to really get under the skin of the issue. The ideas that linked the heart and head were the standout winners, taking such a sensitive topic out of expected channels, to reach audiences wherever they may be - and all with empathy. You won't change behaviour on any topic by shouting at people and trying to shame them. The ideas required an understanding of the educational job that was needed in order to bring people with you and allow the message to be heard as well as the empathetic tone required.  The three points I had as advice for all teams was: 

1: Really question your own thinking. Be your own biggest critic.  Would the audience REALLY respond how I am suggesting? Would it really work? What is the simple message they would actually take out and remember? If you’re not strict in your own thinking then CDs or awards juries will be and will dismiss your thinking.  Learn to stress test your own ideas. Try them from every angle and always be honest with how effective the idea may be in the actual world. It's only this way you get to water-tight thinking. 

2: Keep pushing ideas.  Some ideas simply weren't evolved far enough, despite having a good insight and idea. Creatives (particularly at the early stages in their career) need to keep pushing to deliver full campaign thinking. It's also a way to test the validity of the idea itself. You can get two executions out of most ideas but then run dry - so push for 3, 4, 5 and show this idea can go anywhere. 

3: Crafting should always be secondary to the idea - in service of the idea, not instead of it. Great design and entry boards can never hide an average idea. Some entries were beautifully crafted, when I'd advise for this time-limited exercise that they should have been focussed 90% on idea and 10% on the board. 

Please tell me about your session. Why did you choose the topic and what were its main insights?

Becky McOwen-Banks: Searching for Innovation? Then Shut Up and Get Out of the Way comes from my MBA thesis subject. I am a creative leader committed to innovation and teams. My thesis enabled me to explore the effects that leaders have on their teams, not through their direct actions but through the team design and process they create - and subsequently if these different team designs then have a different impact on the ability to innovate. This felt like a topic that would bring together the MAD STARS audience of leaders and innovation. We are all after ways to learn and enable our teams and businesses to be better, so I thought this was a good way to share some of my findings. I've had a few enquiries for my presentation so I'm hoping that means it landed with some. The main insight is that the traits of leaders (or founders) do affect the shape of teams they create, and this does ultimately impact the ability to innovate. So, we all need to be more aware of the systems we are creating, that we are the ones inhibiting our own success. It also reveals that innovative leaders are those with interactive and interpersonal traits, and that these leaders create more fluid teams. 

Or to distill that into some simple guidance from my results:  1: Leaders who identify themselves as interactive/interpersonal create more autonomous team shapes  2: A more autonomous team shape results in more identifiable and measurable innovation with the added benefit of team positivity and confidence. 

[tacotuesdaygirl]

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London's Creative Event Agency possesses the expertise and skills needed to transform ideas into unforgettable events. They work closely with clients to understand their vision and objectives, using their creative prowess to bring those ideas to life. Whether it's a corporate conference, a product launch, or a private celebration, their team excels at designing and executing events that leave a lasting impression. From the initial concept development to flawless execution, their expertise ensures a seamless and remarkable event experience.

Pioneering Creativity and Imagination

As London's top event agency, creativity and imagination are the driving forces behind their success. They are known for their ability to pioneer new trends and concepts in the event industry, setting the benchmark for innovation. With their finger on the pulse of the latest industry developments, they constantly strive to deliver unique and imaginative event experiences. Their commitment to pushing creative boundaries has earned them a reputation as the go-to agency for those seeking extraordinary and groundbreaking events.

London's Premier Event Planning and Design Agency

London's Creative Event Agency takes pride in bringing dreams to life through their premier event planning and design services. They understand the importance of creating magical and immersive experiences that transport guests to another world. With meticulous attention to detail, they curate every aspect of the event to match the client's vision, from the decor and ambiance to the entertainment and catering. By seamlessly blending creativity, innovation, and expertise, they transform dreams into unforgettable realities.

Conclusion

In conclusion,london's Creative event agency stands as a beacon of creativity and innovation in the event industry. Their ability to conceptualize and execute extraordinary events sets them apart from the rest. By collaborating with top talent, transforming spaces, and pushing the boundaries of event production, they consistently raise the bar for what can be achieved in the world of events. With their meticulous attention to detail and commitment to tailoring solutions to every occasion, they have cemented their position as a trusted partner for clients seeking truly remarkable experiences. London's Creative Event Agency continues to shape the event landscape, leaving an indelible mark on the industry and captivating audiences with their imaginative and unforgettable events.

[quillpill]

The Leading Event Agency in London

As one of the world's most vibrant and culturally diverse cities, London is known for its thriving event scene. At the heart of this bustling industry is the leading event agency in London, a powerhouse of creativity and expertise. With a deep understanding of the city's unique pulse and an unrivaled network of top-notch suppliers, artists, and venues, this agency has established itself as a trailblazer in the world of event management. From conceptualization to flawless execution, they have earned a reputation for delivering extraordinary experiences that captivate and inspire attendees. In this guide, we will delve into the exceptional qualities and services offered by the leading event agency in London, highlighting their innovative approach and commitment to creating memorable events.The creative event agency london brings a fresh and innovative approach to event planning, combining imaginative concepts with meticulous execution.

How the Leading Agency in London Excels ?

The leading event agency in London stands out for its expert event management services. They possess a deep understanding of the industry and have built a reputation for their exceptional organizational skills and attention to detail. From coordinating logistics and handling vendor relationships to managing budgets and timelines, their team ensures that every aspect of the event is seamlessly executed. Their expertise allows clients to relax and enjoy their event while having full confidence in the agency's ability to deliver a successful and stress-free experience.

The Unique Approach of the Leading Event Agency

What sets the leading event agency in London apart is their commitment to creating truly memorable experiences. They approach each event with a unique perspective, incorporating innovative concepts and creative design elements that leave a lasting impression on guests. Their ability to transform spaces and curate immersive environments sets them apart. By incorporating the latest trends, technologies, and interactive elements, they ensure that every event they produce becomes an unforgettable and talked-about experience.

The Comprehensive Event Planning Services in London

The leading event agency in London offers comprehensive event planning services, taking care of every detail from concept to execution. They work closely with clients to understand their vision and objectives, and then meticulously plan each element of the event. From venue selection and event design to catering, entertainment, and audiovisual production, they handle it all. Their experienced team collaborates seamlessly to bring the event to life, ensuring that every aspect is flawlessly executed, leaving clients and guests impressed.

Delivering Excellence in Event Production

The leading event agency in London holds the reputation of being the premier choice for event production. With a strong network of trusted suppliers, cutting-edge technology, and a passion for innovation, they deliver excellence in every aspect of event production. From staging and lighting to sound engineering and multimedia integration, they have the expertise to create awe-inspiring productions that captivate audiences. Their commitment to quality and their ability to push the boundaries of creativity make them the go-to agency for top-tier events in London.

Unleashing Creativity with the Leading Agency

One of the hallmarks of the leading event agency in London is their innovative event design and styling. They have a team of talented designers who excel at transforming spaces into immersive environments. Whether it's a corporate gala or an intimate social gathering, their creative approach ensures that every event is visually stunning and cohesive. With a keen eye for aesthetics and a deep understanding of current trends, they curate unique designs that leave a lasting impression on guests.

Showcasing the Impact of the Event Agency in London

The event agency in London has an extensive portfolio of client success stories that showcase the significant impact they have made in the event industry. From organizing high-profile conferences that received critical acclaim to planning breathtaking weddings that left couples and guests in awe, their track record speaks for itself. Client testimonials and positive feedback highlight their professionalism, attention to detail, and ability to exceed expectations. These success stories serve as a testament to the leading event agency's ability to deliver outstanding events that leave a lasting impression.

Conclusion

In conclusion, the leading event agency in London stands at the forefront of the city's dynamic event industry. With their creative prowess, industry knowledge, and extensive network, they consistently deliver exceptional experiences that surpass client expectations. From high-profile corporate gatherings to immersive cultural festivals, their dedication to excellence and attention to detail sets them apart. London's vibrant atmosphere serves as a fertile ground for their innovative concepts, and their collaborations with top talent further enhance their event offerings. With their unparalleled expertise and commitment to creating unforgettable moments, the leading event agency in London continues to shape and elevate the event landscape of this captivating city.

[ohoneyno]

Setting the Stage for Unforgettable Experiences: Creative Event Agency London

Setting the Stage for Unforgettable Experiences: Creative Event Agency London showcases the unparalleled expertise of event agencies based in the dynamic city of London. These creative event agencies are renowned for their ability to set the stage for unforgettable experiences. They combine innovative concepts, meticulous planning, and flawless execution to create events that leave a lasting impression. From corporate conferences and product launches to immersive brand activations and gala dinners, these agencies specialize in curating experiences that engage, inspire, and captivate attendees. With a deep understanding of London's vibrant event landscape, they leverage the city's rich cultural heritage, iconic venues, and diverse creative talent to deliver extraordinary events that reflect the unique essence of London. By collaborating closely with clients, these creative event agencies bring visions to life, setting the stage for unforgettable experiences in the bustling metropolis of London.

Captivating Venue Selection and Transformation

Creative event agencies in London have a knack for finding captivating venues and transforming them into extraordinary event spaces. They have an extensive network of unique and iconic venues across the city, ranging from historic landmarks to contemporary spaces. These agencies carefully assess the client's event requirements and brand identity to select the perfect venue that aligns with their vision. They excel in creating immersive environments through innovative decor, lighting, and production design, turning ordinary spaces into captivating settings that set the stage for unforgettable experiences.

Immersive Thematic Experiences

One of the hallmarks of creative event agencies in London is their ability to craft immersive thematic experiences. They go beyond standard event themes and create cohesive narratives that transport attendees into another world. Through meticulous attention to detail, these agencies bring together elements such as thematic decor, music, interactive installations, and theatrical performances to create a fully immersive experience. From reimagining iconic eras to taking inspiration from art, culture, and technology, these agencies excel in curating thematic experiences that captivate and engage attendees.

Cutting-Edge Technology Integration

Creative event agencies in London are at the forefront of technology integration. They leverage the latest advancements to enhance event experiences and engage attendees in innovative ways. From interactive displays and augmented reality experiences to live streaming and virtual reality, these agencies utilize technology to create unforgettable moments. Whether it's incorporating holographic projections, interactive touch screens, or immersive audiovisual installations, they push the boundaries of technology to set the stage for memorable and immersive event experiences.

Bespoke Branding and Personalization

A key strength of creative event agencies in London is their ability to provide bespoke branding and personalization. They work closely with clients to understand their brand identity, values, and objectives, and then infuse these elements throughout the event. From customized signage and branded collateral to tailored guest experiences, these agencies ensure that every touchpoint reflects the client's brand and creates a cohesive narrative. By incorporating personalized details, they create a sense of exclusivity and make attendees feel truly immersed in the event, resulting in unforgettable experiences.

Exceptional Culinary Experiences

London is renowned for its vibrant culinary scene, and creative event agencies in the city harness this expertise to create exceptional culinary experiences. They collaborate with renowned chefs, mixologists, and catering partners to curate menus that are not only delicious but also align with the event's theme and atmosphere. These agencies understand that food and beverages play a pivotal role in setting the stage for memorable experiences, and they pay meticulous attention to presentation, taste, and innovation. By incorporating unique culinary offerings and bespoke dining experiences, they elevate the overall event ambiance and leave a lasting impression on attendees.

Engaging Entertainment and Performances

London is a hub for artistic talent, and creative event agencies leverage this rich pool of performers, entertainers, and artists to curate engaging and memorable entertainment experiences. These agencies have access to a diverse range of acts, including musicians, dancers, aerialists, magicians, and more. They carefully select entertainment that aligns with the event's theme and objectives, ensuring that each performance adds a dynamic and captivating element to the overall experience. Whether it's a surprise guest appearance, a live band, or a customized theatrical production, these agencies go the extra mile to create entertainment that mesmerizes and delights attendees.

Seamless Event Logistics and Production

Behind every unforgettable event is a team of event professionals managing the logistics and production seamlessly. Creative event agencies in London excel in event management, handling all aspects of logistics, vendor coordination, and production. They have a strong network of trusted suppliers and technical experts, ensuring that everything from audiovisual setup to stage design and sound production is executed flawlessly. These agencies have a keen eye for detail and meticulously plan each aspect, ensuring that the event runs smoothly and the stage is set for a memorable experience.

Post-Event Engagement and Legacy

The work of a creative event agency in London extends beyond the event itself. They understand the importance of post-event engagement and creating a lasting legacy. These agencies employ strategic follow-up tactics to keep the event alive in attendees' minds and maintain a connection with the brand. Whether it's through post-event surveys, personalized thank-you notes, or digital content distribution, they ensure that the event experience extends beyond the physical gathering. By leaving a positive and lasting impression, creative event agencies in London set the stage not only for unforgettable experiences but also for long-term brand engagement and loyalty.

Conclusion

In the bustling city of London, creative event agencies set the stage for unforgettable experiences that leave a lasting impact. These agencies possess a wealth of expertise and a deep understanding of London's event landscape. They blend creativity, strategic planning, and meticulous execution to curate exceptional events that engage and inspire attendees. By leveraging the city's cultural heritage, iconic venues, and diverse talent pool, these agencies create immersive experiences that reflect the unique essence of London. From intimate gatherings to large-scale productions, creative event agencies in London collaborate closely with clients to bring their visions to life, ensuring that each event is a seamless blend of creativity, innovation, and meticulous attention to detail. By entrusting their events to these agencies, clients can rest assured that their guests will be treated to unforgettable experiences that showcase the best of what London has to offer.

[electricalshamer]

Outdoor Advertising 101

Advertising, as we all know, is an influential tool used by businesses around the world to showcase their brand and products to the masses. Outdoor advertising, in particular, has been a longstanding strategy that remains ever-effective despite the rise of digital marketing. Page Media, a leading name in the advertising industry, lets you deploy an outdoor advertising campaign anywhere in the world, with wide coverage across six continents and a massive network of over 500,000 billboard locations.

Outdoor advertising encompasses a host of methods and strategies. Some of the best outdoor advertising campaigns incorporate general billboard advertising, indoor digital, roadside billboards, and even innovative moving billboards (those attached to moving vehicles). Page Media, for instance, facilitates more than 76 geo-serving platforms and leverages digital billboards and other technological innovations to make the most of advertising space. To measure the effectiveness of outdoor advertising, read more at https://ad.page/media

Page Media serves as an expansive outdoor advertising agency and a symbol of creative outdoor advertising, employing numerous types of outdoor advertisements. Whether it’s pattison outdoor advertising, global outdoor advertising, digital outdoor advertising or even 3D outdoor advertising with LED display screen, you can easily customize the advertisements according to your needs.

This flexibility and accessibility have given rise to many iconic and innovative outdoor advertising campaigns, which are a testament to the potential of outdoor media advertising. Perhaps you’ve seen examples of outdoor advertising that have caught your eye in London, New York or Dubai. These are likely the work of top outdoor advertising companies, available for perusal on platforms such as Adams Outdoor Advertising, JCDecaux Outdoor Advertising, or the world’s largest outdoor advertising firm, Clear Channel Outdoor Advertising, among others.

Page Media’s service doesn’t just include advertising adult products. An advertising outdoor bandung or outdoor advertising banners for children’s events can make a huge difference. Businesses can even incorporate outdoor advertising flags or design an outdoor advertising mockup through the company. To register your interest or sign up for the services, head to https://ad.page/register

Beyond merely catching people’s attention, outdoor advertisements help to reinforce your brand image in the minds of your audience. Depending on the positioning or location, companies could even target specific audiences. From roadside billboards along highways to LED screen advertising on bustling city streets, there’s a broad range of possibilities to explore.

The interactive nature of certain formats like the outdoor LED advertising screen can invite audiences to engage with brands in new ways. Examples of this could be found in highway rest-stops or busy town centres where interactive LED screens disseminate messages in an engaging manner.

All in all, the potential for outdoor advertising is limitless, and companies should make full use of the available avenues to ensure their brand stands out, reaching a wider audience in a creative, engaging, and impactful way.