#did i overreact and write too much..... ah... nay......

[johannwolfgangvongoethe]

Some Personal Thoughts on Disability in Enstars

disclaimer: disability is a very broad term that covers many different experiences. i will be talking about physical disabilities since i feel most comfortable doing so/have experience with them. obviously that ignores a Huge part of what disability and chronical illness is and can be. but i think it is beyond my capabilities to talk about experiences i don't know much about.

alt caption: i think ritsu is a good character and im trying to explain to myself why

this is sort of a long post, sorry.

content warnings: i talk about ableism and touch on related topics such as dehumanization and objectification and such below. individual parts of this post have their own cw's.

Enstars Writing, Beloathed

to get this out of the way; it is bad sometimes. this is discussed very often. it doesnt depend on the authors either, in my opinion, some writers will hit you with something really troublesome only to (seemingly accidentally) invent human emotion and compassion in a different story. i dont want to repeat what others have said eloquently but there is a fair amount of imperialist worldviews, xenophobia, just racism really, transphobia, ableism, and copaganda to be found in enstars. this isnt about x character being x thing, but about how it is very noticable when the author of a story holds these worldviews and they bleed into their stories.

so that is not the greatest foundation if youre looking for well-written disabilities. but i wouldnt be reading enstars if i didnt think it genuinely is really really good sometimes. in my opinion, the way disabilities are portrayed is a mixed bag overall but there are some extremely worthwhile bits that touched me quite a lot.

What I personally understand as Well-Written Disability

the way disabled people suffer often goes unnoticed, and disabled people dont have a platform to talk about oppression. a lot of life-changing issues can go unnoticed to those unnaffected by them, even if they are in broad daylight: underfounded or entirely lacking healthcare, the way many healthcare systems are marketbased and ethics are prone to suffer bc of this (even under 'welfare' capitalism), a lack of equal marriage, the inaccessibility of the most basic and necessary facilities, financing care and the dependency on family/loved ones (both a logistical and psychological problem), the huge stigma against disabled people, etc, etc, you get me....

we need to write about people who need care, to keep them in mind at all times. disabled people are not a minority in a mathematical sense but in a hierarchical sense. it is naive to think of them as "a substancial percentage" of populations. as we age, we inevitably all enter the stage of needing care at some point. SO to an extend, i want to claim its a topic that affects every single person. yet disabled people are rarely a central topic anywhere. it is not enough to acknowledge them, we need to plan and think with them in mind. and Write with them in mind, i guess.

SO when i see fiction grapple the topic, i am usually really happy, even if the portrayal isnt ideal. (critical, maybe, but generally speaking very happy) pointing out "badly" written disabled characters is obviously not as easy as calling someone out for uncritically saying "i think eugenics are a good idea!!!" through fiction. people with that sort of facist mindset exist of course but ableism does not end there.

if i were to single out things i see often: i think the most disappointing thing a story can do is to - mention a disability without it ever having an impact on people in the story (-> the disability is basically nonexistent, has no impact or relevance, outside of a theoretical mention) OR - uncritically use a disabled character as a mere plot devise, without granting them the ability to speak (-> dehumanization, a lack of understanding that disabled people are, well, People. they do shit.)

and then of course there is fetishization, both in a literal sense and in an inspiration porn sense and the problem of turning disability into a caricature for jokes (either to other disabled people for their behaviour/body or to create a sense of satisfying superiority by laughing at them) but i feel like those problems explain themselves.

to apply these to very basic examples: i think often something like a robotic sci-fi prosthetic is not a good way to represent a disability because it fails to represent what people go through irl and provides a "magic fix" without repercussions. here is a really good post about it. about the plot device issue... i think it is similar to what people often criticise as "manpain". a disabled person will never appear or speak, they are demoted to being the reason an able-bodied character acts a certain way, like a lifeless accessory. this doesnt always have to be bad, esp if its just a sideplot! but it can get tiring if the audience never gets to learn about other aspects of the unseen character in question and we are only introduced to their suffering.

all of this to talk about gacha idol boys. it is how it is. anyway, this is roughly my mental state when i tackle enstars.

disclaimer 2: i am really just a kogaP. this influences which characters i encounter when reading. there are tons of stories i just never looked at and there is SO MUCh lore i just dont know about. please lemme know if you have additions to stuff i say/understand a character better/have related story recommendations! tl;dr the sakuma bit will be long.

disclaimer 3: i genuinely adore every single character mentioned below and am always excited to learn smth new about them. if i criticize writing, that has nothing to do with that character or their fans. it is about the writers.

the most obvious example. Eichi (content warning for brief mentions of self harm and suicidal ideation)

everything eichi does, he does with the knowledge he will most likely die young. that is a truly dramatic setup.

but before i get back to that thought. it always felt to me like eichis illness(/es) lack a certain sense of conciseness? i do not think you need to put a name and diagnosis on it for it to be relatable and real to readers, tbh!! though to achieve believability, there needs to be a good amount of consistency. what i can recall off the top of my head is the following:

he breaks down/straight up blacks out frequently due to weakness and dizzyness

measures were taken to secure his safety in those situations (the infamous Eichi-kun Gauge as seen in Element)

his stamina is seriously low

he coughs a lot

we saw him cough up blood (Daydream)

he relies on long hospital stays because his health needs to be monitored and/or supported this closely

he stays inside a lot (hinting towards problems with his immune system?)

being healthy enough to eat unhealthy food is a big deal to him, so there are dietary restrictions/it was necessary to precisely control what he eats

his grandfather, who died recently, is considered an outlier for how long he lived (so it IS hereditary)

which..... could be a lot of things...? or, more likely: a culmination of many things at once. if you have headcanons on eichis health, please lemme know!

but in addition to eichis terminal illness, there is a second quality to him that separates him from most disabled people: he is extremely wealthy. and his wealth is fundamentally important to stories. usually illness and poverty go hand in hand, since income is tied to the ability to work, which worsens an already bad situation. no matter how limited eichis actions are because of his body, the possibilties offered by his wealth make him a central figure in every overarching plot. in addition to this, his family is well aware of his consitution and he is a patriarchal leading figure to them, the head to their coporate hierachy. eichi is free of the things that usually rid the chronically ill of their safety and power: society (he is an idol and popular) and money (he is the richest boy in japan). if youd ask me, i think that while being chronically ill is of course physically taxing, the worse problem is the economic state it puts you in. eichi simply overcomes this? yes, he is terminally ill, his situation is terrifying. but he has an extraordinary amount of control while he lives. more than a poor yet able-bodied person may have.

his unique circumstances enable him to be incredibly active. this is so fun to read about in my opinion. its a fascinating setup to me. without casting any sort of moral judgement on his actions and the antagonistic role he plays; he is, excuse me for my phrasing here, a disabled power fantasy. (at least to me)

this is a double-edged sword to him. because of who he is as a person (ambitious, cunning, ruthless, diligent)

he lives in relative safety but his strong ambition and financial ability to fulfill his dreams tempt him to go past his limits. because his remaining lifetime is uncertain, the need to preserve the body he is given seems uneconomical (a mindset his upbringing and education as an heir to his family would have enforced imo) he is bound to break down sooner or later anyway. i think he begins to see himself and his body as a tool to achieve his goals and neglects spending time on anything BUT working towards them. so the moment he runs out of goals (like at the end of Element), his reason to "remain" becomes futile.

it really struck with me how he appears in Blackbird - emaciated, pathetic, purposefully neglected because he chose to be neglected and weak in an act of self harm bc denying medical attention (something that couldnt have happened otherwise) wataru has to remind him that no one died and the obvious connection to make is that the eccentrics are physically unharmed and starting over, that they should not be a source of guilt to eichi. but i think this is just as much about eichi himself. he might have expected to die since he left the hospital and overexhausted himself at school and as an idol. he didnt die though. it was a real possibility and seemed likely but he didnt. the neglect and indirect self harm here point out, to me, that he saw the "role" he gave himself as fulfilled at that point and waited to die.

eichi stands over economic or social factors that could ostracize and dehumanize him but funnily enough he manages to do so himself by treating his body as a tool and his happiness as an option that got overshadowed by a need to succeed.

this vulnerability makes him, despite how vague the descriptions of his illness are and despite how unrelatable his wealth is, a very satisfying character imo. it is engaging to me. certain limits are removed for him but he created new ones, specifically because he did not see himself as something worth sustaining once he becomes useless. imo, eichi applied the idea that a lifes worth can be measured in its ability to function in an industry to himself. and spiralled over it, entirely inverting his uncanny amount of bodily autonomy. it is clear how the situation he is in worsens his mental health like that. and how his mental health in turn worsens his physical health. it is inseperable.

i cant really get into !! era eichi because i genuinely just dont... know enough. the fine tradition of having a weekly H-Day stands out, though. after all, eichi has new bigger ambitions and is, once again, inviting his own ruin through overexhaustion. so his friends (the new addition of having friends is essential) had to forcefully make him stop for at least one day a week. that is pretty big. i think.

this is true for many marginalized existences so it of course applies to disabled people: if neither your surroundings nor yourself permit you to feel human and therefore assign your person an inherent worth and lovability... sometimes you need a friend to do so!!! social circles are the best support structure for your health.

The Sakuma Family

(i will get into ritsu and rei seperately later on. there are just a few concepts i want to get out of the way that apply to both of them.)

so... to get a little theoretical; the concept of "disability" relies on the concept of a "normative" human existence. "disability" is an otherness and can therefore easily be seen as a "monstrocity" in the eyes of ignorant people, something that instils fear. (there is a reason why a lot of horror exploits disabled bodies as a source of terror and uses mental hospitals as settings) from an able-bodied point of view it seems "desirable" to be a "normative human", yet the disabled person knows that is not a possibility and knows their worth and place as a human in human spaces. at least ideally. able-bodied people sometimes lack this understanding. there is nothing to be desired about an able body or fixed about a disabled body, beyond what medical care can do for ones quality of life.

if you have read operetta, this is all very familiar;

operetta, chapter 17 and, well, here we are. vampires. a very basic truth about the sakuma family that i hate to see denied is that they are human. there is nothing supernatural about them. they are just disabled. or, to turn the idea around, if one was to assign them vampiristic traits and such... is vampirism not a disability and should be taken seriously as such? if you consider the limits a vampire has while coordinating through their life, is that not... strangely just a disabled experience? (MINUS THE KILLING PEOPLE OBVIOUSLY but much modern fiction is sympathetic towards vampires instead and does not display them as violent)

anyway, to hear it from the horses mouth (the horse is rei):

operetta, chapter 19 the sakuma family is a curious case. their condition is hereditary though the severity varies from person to person. it comes up in many stories but for the most part i am thinking about operetta, resurrection sunday, and devils right now. how did this all start? what made an entire family turn to live as vampires, with blood ceremonies and all that? what bizarre kind of generational trauma is this?

(and, while it does not play a role as important as it did for eichi, they are rich. this is important to mention. many normal experiences just dont apply to them because wealth makes them immune. ... how did the sakumas become this influential anyway.)

for an unspecified but long time, an entire family managed to mentally entirely seperate themselves from the rest of humanity because of their chronical illness. personally, i have no doubt this is the result of a world that othered them first. whether the main motivator at play here is a defensiveness towards a society that cannot understand you or an internal need to turn hardships into an identity that can be carried with pride. it takes a considerable amount of emotional strength and planning for the "hey we are human actually" declaration in operetta to occur.

they are, weirdly, what people mean when they talk about a "toxic anti-recovery mindset". (an expression i struggle with because this sort of rhetoric is often used to discriminate against disabled people who speak up for themselves or ask for accomodations. but that aside) it is an amount of pride that leads to internal self destruction.

of course, as is the case with every single character i write about in this post, a lot of it has to do with aesthetics and being chuuni to sell gacha cards. so we know the reason behind the reason. but it makes for some bizarre in-universe implications.

but in any case, the fact that their identity as false vampires is something they have always carried, that modern society sees as "mystical and sexy" has a hilarious side effect: their disability becomes marketable under the guise of vampirism. it is hard to recover from that.

so again, we have a double-edged sword: to present ones medical condition as a "persona" declares it as a performative act, something that is done to bring joy to an audience. personal detriment is not considered here, since it stops being a part of ones being and starts to become "work". the time and place of ones symptoms has to overlap with the time and place of ones performances. or people will hate you for your uncontrollable illness. however, rei and ritsu are both also able to carry their condition with a sort of playfulness. it is almost something like the act of "reclaiming" when they purposefully choose to larp a little for fun. usually, when a scene mentions their disability in the context of comic relief, they have control over the situation that unfolds and even initiate it and invite others to laugh alongside them. this can be a slippery slope to getting harrassed of course.... but i am rather baffled by the amount of dominance they have in social interactions. so it just reads as a healthy amount of dark humour to me.

this, and the consistent writing of their symptoms, and the ability to easily compare it to real existing illnesses, easly make them my favourite instance of written disabled people in the series. their illness has an impact on their behaviour and it is detrimental! and they are both very human in the way they attempt to cope. there is a certain realism to it. idek.

many people seem to headcanon them with myalgic encephalomyelitis, which is a really good explanation, and i personally want to suggest narcolepsy. the point being, there is room to accurately assign them a realistic relatable and understandable condition, even if nothing is ever named in canon. and of course they are mentioned to have an iron deficiency.

bear with this slightly "out there" theory for a moment: have you or a friend ever tried to get a compensation for your disadvantage at school or uni? it can be really hard to do, if it is possible at all, even if it is something very simple (more time, a slightly different enviroment, the ability to drink or sit, etc) yumenosaki is a school for performance arts, mainly idols. bold statement: it might genuinely be easier to get/explain an accommondation for your "idol quirk" (something that would be actively fostered), than for your disability. not that yumenosaki is very strict or asks for a lot anyway, its just something that has been on my mind.

here is another funny thing i have been thinking about: both of them crave juice, soda, and fruit - sugary yet fresh stuff. i feel like this is not uncommon for people who suffer from excessive tiredness and fatigue, the body subconsciously wishes for some sugar intake to "wake up".

Inventing a Guy to Cope. Rei

funny title aside... he... did that... ? rei is a curious example of how different mostly unrelated traumas can overlap. he had no childhood, thanks to his family that considered him "mature" at a very young age and his early status as a child star. and his bad health is a miserable addition to this. it is quite scary to image how pressured to do right he felt growing up and how that resulted in the fragmented distanced way he views himself; reinventable, and ultimately unknowable. (to others AND himself)

despite his bad health he has always been working and performing "well". he was praised for his remarkable talents but rarely had the chance to stop and patch himself up. whether this was a result of a pushy enviroment or his personality as a people pleaser who cannot show weakness and imperfection is hard to tell. maybe both.

the state he is in in Crossroad is fascinating to me. he all but directly lists the criteria of depression to keito when he attempts to explain his sorrows. he is restless, rowdy, mentions later on that he enrolled in yumenosaki against his familys wishes. he is very much searching for joy and his own identity in the middle of a health emergency. this has to do with the way he was raised, only knowing how to exist for and serve others, how he was made to sell a made-up version of himself, but i also believe it has to do with the fact he has started to exclude himself from his familys traditions and values. he started to cast away the uncertain "monstrosity" existence of his family (as well as the false idolhood others assigned him) and instead embraces humanity as a chronically ill person.

crossroad, i forgor which chapters

this of course marks a starting point of change that later results in him making up the wagahai pronouns persona - something he specifically created with the intention of looking vulnerable and weak. because he yearned to do less, to recover from years of exhaustion.

in a way, i want to say both, the ore pronouns persona and the wagahai pronouns persona, are attempts to cope with expectations he cannot handle physically or mentally. one relies on masking, on appearing stronger than he actually is and therefore invulnerable, and the other relies on exaggerating his weakness, in an attempt to finally let others recognize it. i think as a disabled person, both are performances one has to learn in order to "function" in everyday life, while remaining safe from serious harm (doing badly at ones job or classes, angering others that hold power over your life). since ones circumstances are often hard to grasp for someone who does not share the same illness, there is no choice but to simplify and exaggerate until symptoms become tangible concepts or to just brave through it, at the cost of ones health and future time.

rei in particular, for better or for worse, is incredibly capable when he needs to be and unfortunately that means others will often not take his health seriously because they saw him function just fine the other day. this is a general problem but an obvious offender in that regard is koga, who comments on reis fatigue constantly and loves to create a bit of a high expectations toxic work enviroment (and, to be fair, rei terrorizes him too. kogas hostility towards rei is sometimes ableist but not really rooted in ableism. after all koga is highly aware how performative the wagahai persona can be and is a huge motivational and inspirational factor in reis life. its a whole complex)

!! era holds some positive changes. his mental need to please other people remains a persistent source of trouble for him (and others) but he seems to really let his body recover and lives a more nocturnal life. both kuro and kaoru mention that he looks more healthy (in succession match???? i think??) since he finally stopped enforcing a normal day/night cycle on his body just to comply with social norms. you can indeed be very human even if you break human-made rules.

(additional comment: "becoming human" is of course a theme for each of the eccentrics and not uniquely tied to disability, it very much has to do with the objectification one goes through as a public figure. but this is a post about disability and it really fits in well. so here we go)

Literally Just a Realistic Teenager. Ritsu

ritsu, while not really being among my favourite characters, is my favourite instance of a disabled character in enstars. partly because of his writing and partly because my personal experiences overlap with his so much it sometimes is painful - but always extremely satisfying. just had to get that out.

ritsu is perhaps the most visibly ill. he blacks out and sleeps where he stands, everywhere, without control and often requires other peoples (well, mostly maos) assistance in order to remain safe when this happens. he also repeated a year of school, specifically because of his disability.

he is painfully aware of this. that he looks ill, that he behaves ill, that he is an underachiever compared to others of the same age, even to people younger than him.

ritsu developed unique behaviours to deal with this: he is very dependent and clingy and often asks others to do things for him, unapologetically. that does not mean asking for help doesnt hurt his pride, just that it is the most viable strategy for everyday survival that he ended up with. other than that, he clings more to the vampire identity than rei does. either to defy his older brother or, and this is important imo, because it is the one safety net he has to fall back on that makes him feel "normal" and like he is a regular being. albeit not human. no matter how much others might blame him for his shortcomings or how much he is a failure in the eyes of society, he is very regular for a "vampire". under the logic developed by his family, he is just a child, and the world at large is to blame. it is an easier truth to accept than facing systematic injustice and prejudice in a human world.

the stories i mentioned in another part above aside, i really love what ensemble band does for him; ritsu gets extremely irritated with mao in the prologue, seemingly out of nowhere. his character is allowed to express this sort of anger and to take it out on others, even if it is unjust and misguided. it is not pretty and it isnt good behaviour but it is a very heartfelt emotion to me.

its obvious that he cannot compete with others and that this will always been seen as his personal fault instead of a circumstance he cannot influence. and more than that: no one appreciates the real efforts he makes. for instance, getting himself out of bed in time for classes is difficult for regular teenagers and straight up hellish for ritsu. but he manages to do so a lot later on. instead of acknowledging that this is a real accomplishment on his part and possibly really exhausting and bad for his comfort in the long run, this is seen as doing the bare minimum.

while it is not correct, the malice ritsu sometimes treats others with comes from an comprehensible place. able-bodied ignorance can appear as purposeful slights made by those more privileged than him.

yet he learns to conform. his friends are important to him. knights success is important to him. (thought mental health probably played a role here too and made things even harder prior to his third year of high school) and yet;

seven bridge, chapter 24, but its really just an example i had at hand

the remarks stay the same. his peers still cannot help but brand him as "just lazy", even if they are kind and understanding otherwise and habour no ill intent. so i would like to ask: how long can he keep this up? how hard is this on him?

i dont think i need to explain just how common and hurtful it is to be accused of "laziness". probably the single most irritating comment someone with fatigue will hear every single day.

however, on the flipside, ritsu has perhaps the most people who care for him in comparison with other characters, though they sometimes complain (communication is hard, care is hard, everyone in enstars is very young and i cannot bring myself to see those comments as malice. its a mixture of ignorance and ones own burdens) there is mao, obviously. tsumugi is a very funny example. knights, of course, in particular naru. (at least based on my humble knights readings)

quite interesting how he just decided mao is his caretaker, now and in the future. i shared a few of my thoughts on caretaking here. this is.... a huge responsibility to just put on someones shoulders, to say the least. he shouldnt be doing this but i think it speaks for itself that this is a problem that is on his mind. ITS IS A REALLY IMPORTANT TOPIC TO BRING UP, especially since, the younger you are, the harder it is to get insurance to pay for your care. yes, he is often just teasing mao, but ritsu is looking for ways to get through life. by learning to be as independent as possible, whenever possible. though often you really just find yourself at the mercy of friends and family.

Inter-Sibling Violence

apologies, i will be done with the sakumas soon. i didnt know how to fit this in at the start.

the relationship between rei and ritsu, as people with the same disability who experiences different symptoms and challenges, is worth thinking about. infighting within people of the same disability is very common since experiences can be so different, there are no universal truths or opinions. with different lifestyles come different expectations for what is "normal" and sometimes pressure and social norms can cause someone to shift blame onto others who have no achieved the same things in life.

rei and ritsu are said to have been very close as small children and likely depended on each other a lot. i can see how reis fostering nature and ritsus needy nature developed alongside each other and enforced each other.

time and time again, rei says that he is a "less severe" case, that ritsu has it worse. he jets around the world because he feels forced to do so, when ritsu just wanted emotional support from him to begin with. ritsu stayed alone at home, sheltered and likely caged by their families convictions. but! i want to suggest the following: as much as it hurt him, it was important for reis health to be away from his family, too. i dont think staying there would have been good for him. his absence and the experiences he made away from home were an important catalyst for the positive family development we see in operetta.

of course, rei means well. he cares. he is trying to have a positive impact. yet from ritsus point of view, all of this must feel terribly condescending, especially with how much rei babies him. there is just one year between them. this is barely anything when it comes to sibling inferiority complexes the brain can make up. rei, who is successful and famous and beloved and, most importantly, proclaims to have it "easier than him", is trying to find a cure for him. from ritsus point of view this must be unbearable. their lives are so different when they basically started at the very same point of origin.

more than that, rei shoulders the sketchy blood rituals himself, out of love of course, but if one was more jaded, one could assume he doesnt think ritsu would be able to stomach the responsibility.

you will always compare yourself to your siblings in unhealthy ways but ritsu is just doing this on hard mode, i fear.

HHHRAGAHHHH GHHH ghgghrhgh. Niki

nikis writing is... driving me up a wall sometimes, to say the least. dont get me wrong, i love him. to an extend i understand that his single-mindedness and shallowless has purpose to it. in fact, i adore these character traits. he really seems to be behind four mental barriers at all times, unable to let deeper thoughts touch him, lest they make him succumb to despair. (yet nikis specific flavour of menhera cannot quite shine since... well, he has to stand next to himeru all the time)

the descriptions we get of nikis illness are nonsensical, at least to my knowledge. you could imagine he has something like hyperthyroidism. this never really gets explored though. at some point ENGstars mentions he has "gastroptosis or whatever" (the "or whatever" is part of his dialogue - niki really doesnt give a fuck), which makes no sense at all. weirdly enough, it would even be strangely in character if this was just a misconception.

so, can anyone take niki to a doctor? has this happened and i just wasnt there for it? there is no excuse why no one is considering medical care when it comes to him. except that he often is the butt monkey of jokes the writers want to make and has to stay available for it. more than that; his parents just left him alone like this? as a child? did he get an allowance at least? this cannot be legal, right? i wait for the day this comes up as a topic but i fear it is in vain. (please tell me if it actually did. i dont follow niki that closely) this is an unbelievable thing to do to a healthy child, yet alone one with a severe illness. we are basically looking at denial of assistance.

so many things surrounding nikis story are designed to make him as miserable as possible. i cannot help but feel that he exists purely as comic relief, for funny bickering, and superficial drama. i dont really like that at all, his misery just gets exploited.

EVEN SO... his self-image is actually really fascinating. as rinne likes to point out again and again, niki has no self-worth. he works two jobs, one of which he hates, he constantly gets into dangerous situations, and he will do anything just for some crumbs, and quickly forgets when others treat him badly. and of course, the worst bit:

es!! main story, please dont make me go find it

to some degree, he just accepts this as something he deserves. there is no consideration for his own quality of life, somewhere along the lines it seems like he got conviced just surviving is all he gets. he internalized self-degredation to a dangerous degree and i never see anyone mention this mental affliction specifically as a comorbidity of his disability. to me, there is without a doubt a relation here. sure, maybe he would still fight with this otherwise, just because he had to witness his fathers fall from grace as a child and knows there is a stigma attached to his name now. but i think you can tell it is more than that, from the way he is ashamed to beg (even in a life or death scenario, as seen in hot limit), as if his condition was his own fault.

this circles back to the point i made earlier for eichi; how much nikis life is worth, is measured in his economical value.

of the characters i have spoken of so far, nikis is financially the most accurate to real life. there is no safety net for him, no convenient family wealth.

(at this point it feels important to mention that somehow rinne manages to be the only person entirely aware of the danger and desires to change nikis mindset, YET he is a huge strain on nikis health. i dont know how those two function.)

Just a Lamb. Tatsumi

tatsumis specific trauma is a unique one: while most other characters struggle with conditions they were born with or developed as they grew up, tatsumis injury is the result of strain and violence. those are two different pairs of shoes, though the outcome may be similar. whether it is worse to be born into circumstances you cannot escape or to have to live with having something thrust upon you unfairly is up to personal judgement. pain is not really quantifiable. its just important to keep in mind, i think. under the circumstances tatsumi grew up in, he has his own burdens. it is very easy in many ways to compare and contrast him with eichi. of course this applies to how they used their bodies too: as an expandable resource. they had ideals for their school life (and beyond) that just seemed far more important and they both ended up in hospital because of this. (+ we know tatsumis surroundings were purposefully manipulated to destroy him)

and, of course, tatsumi got attacked later on. he never really talks about it directly but his legs seem to talk for him, in ways.

the story does not quite make it clear whether his occasional weakness and pain are the result of old injuries or entirely psychosomantic, and i dont think there is a real need to know, as a reader. in fact, in a certain light, i think it can be considered good that we dont know for certain: it would be relevant for tatsumi himself, sure, since it would influence which kinds of treatments and help he can seek out. however, i think the ambiguity may foster a certain level of sympathy in readers.

often psychosomatic problems are not taken seriously enough in real life: they cannot be proven physically and they dont fit into the neat little boxes that the ICD wants you to believe exist, so they cannot be defined on paper or easily explained to doctors or insurance providers.

to foster empathy with his situation requires his character to be lovable and for the narrative to treat him with care as well. which is thankfully the case. alkaloid are dear with him and, despite the fact he cannot perform in his work enviroment all the time, he is very respected for his other skills. he is a well-rounded person.

all that aside. it is absolutely worth to mention tatsumi pre-injury, too. he came up with a form of small-scale universal income among a semi-union at school. without getting too much into all that. (obbligato really seems like required lecture in the realm of enstars stories) the entire concept strives for social equality and is extremely anti-discrimination. it fundamentally goes against the idea that someone needs to "deserve" care, and is the opposite of the mindset i described with eichi and niki above. he never had to make first-hand experiences with disability to be extremely compassionate. this seems really rare among people in real life, even those who preach altruism.

While we are Here. K.... Kaname

as mentioned, i spoke a little about kaname before. so i wont get into the complex of caregiving.

it is extremely satisfying we got to meet kaname, if only for one event story. he does not have to remain a faceless motivation behind himeru and tatsumis lives, he thankfully became humanized.

the entire conflict around kaname at the moment is a matter of bodily autonomy. how much of your person can be in anothers hand, ethically? there is no excuse for the theft of his (idol) identity through himeru but the damage is done now. ideally, you dont want any part of yourself to depend on others but the disabled reality is that this is very often impossible. especially for kaname. there simply is no one else who could be responsible for him right now and, to be fair, at least when it comes to medical care, himeru seems to behave very responsibly.

repeating what has been said in the other post but i am worried for kanames seemingly inevitable reintroduction to the story. he has been in a comatose state for a year. if he wakes (since this is fiction, it is possible to exchange 'if' for 'when', realistically it really would be an 'if' though) he would most likely be confronted with permanent neurological and physical damage and years of rehabilitation. at least logically. (not to mention the psychological shock) would this be written with compassion and a sense of realism? it makes for a compelling source of conflict and emotional hardships that could be extremely worthwhile to explore. i just cant entirely bring myself to trust the writers with this one but i would love to be convinced otherwise.

that is, of course, if they dont somehow just skip rehabilitation entirely and declare it a miracle healing.....

imo, the in-game discourse between characters is just as important as his future development. i just really hope autonomy and recovery will be large topics.

He doesnt go here, but. Adonis

so bringing him up just really feels necessary within the context of this post because of his interests. one of adonis hobbies is sign language and accessibility.

this is, i think, maybe the best thing they ever did with his "protector" persona. it just fits so well, it is a direct conversion of ideals to actions. knowing undead songs have been translated for a deaf audience in canon is extremely wholesome and uplifting, even if it is entirely inconsequential for the story and just something that gets mentioned.

(now that sandstorm is out on engstars, you can check that out too for further mentions of this! if i could wish for one thing, it would be for the stories to acknowledge that there are tons of independent sign languages and i would love to know which one adonis and rei speak... you ever think about how adonis speaks like four languages fluently. at least.)

nightless city live, chapter 3

everyone in undead loved that and supported the vision. to see koga, who is usually against anything but musical performances and wishes to express art freely, praise the idea really puts deaf identity and accessibility in a great light. it is a very positively radical forwardthinking idea.

so, i just wanted to mention that. adonis is treated horribly by the narrative a lot, it entirely fails to grasp his identity and is insensitive towards foreign cultures, but i would die for him i think.

finishing thoughts

like mentioned, please absolutely let me know if you have different related ideas or recommendations. or corrections, or worries over something i wrote!!! learning and improving is always great. i am sorry i could not get into so many other characters, the ones i wrote about are those that i feel confident enough to comment on. in the future i would love to meet maguro!! i just havent really read any mama stories at all :'''3

i feel like i barely said anything at all and barely engaged with text enough since i didnt get into any character specifically. i would love to write another post about ritsu or rei or both. a draft for it has been sitting around for ages (as did the draft for this post, lol) but i hope someone will find an interesting thought in here somewhere.

all in all, enstars is actually... surprisingly nice to read for the disability in there??? even if it is disappointing in handling many other things. of course, the writings not always ideal (i read hidden beast just the other day and the ableism in there took years off my life) but often its really nice. nothing hits quite like seeing real emotions and experiences through some metaphorical stylized anime lense, you feel.

anyway thank you for listening. i am actually for real done now.